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Thematische Bibliographien / Why are my airpods cutting in and out / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Why are my airpods cutting in and out“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Dr Chirag Adatiya. "Twelve recommendations for conducting high-quality writing intervention research." IAAR Journal of Education - ISSN: 2583-6846 Peer-Reviewed Journal 3, no. 2 (2021): 152–201. http://dx.doi.org/10.58213/education.v3i2.29.

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By researching writing interventions, we may learn more about the art of writing, its history, and the most successful teaching strategies. Unfortunately, Graham and his colleagues discovered that a lot of previously completed writing intervention studies had a poor degree of scientific rigor in various meta-analyses, despite the importance of this area of research (Graham, McKeown, Kiuhara, & Harris, 2012; Graham & Perin, 2007; Rogers & Graham, 2008). In the context of this article, we offer twelve recommendations for doing intervention research successfully. These suggestions are

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Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 1 (2017): 71–78. http://dx.doi.org/10.1017/s0017383516000255.

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My appreciation of textual criticism – a nowadays somewhat marginalized subdiscipline that continues nevertheless to provide the foundation of our subject – has been vastly enhanced by Richard Tarrant's new book on the subject. I read it from cover to cover with great pleasure and satisfaction (several times laughing out loud, which doesn't happen often with works of scholarship), with great interest, and with dismay at my own ignorance, and I came away determined to be a better Classicist. This little volume is the fourteenth ‘suggestive essay’ published in CUP's Roman Literature and its Cont

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Dr., A. Vignesh Kumar, and S. Sabeetha R. "BAMA'S SANGATI AS A UNIQUE DALIT FEMINIST NARRATION FROM SUBJUGATION TO CELEBRATION." International Journal of Interdisciplinary Research in Arts and Humanities 2, no. 1 (2017): 92–96. https://doi.org/10.5281/zenodo.345673.

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<em>“Oppression, ruled and still being ruled by patriarchy, government, </em> <em> caste and religion, Dalit women are forced to break all the strictures of the society </em> <em> in order to live”</em> (Preface, <em>Sangati</em>) India is one of the fastest growing countries in the world; yet it is notorious for its rigid caste system. The earliest records of Indian civilization are preserved in Aryan scriptures or what is today known as Hindu Scriptures. The early Indian society was constructed around Varnasrama Dharma, a labour based division of castes in India that inevitably brought racia

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Hansen, Jesper. "Offertradition og religion i ældre jernalder i Sydskandinavien – med særlig henblik på bebyggelsesofringer." Kuml 55, no. 55 (2006): 117–75. http://dx.doi.org/10.7146/kuml.v55i55.24692.

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Sacrificial Tradition and Religion during the Early Iron Age in South Scandinavia – with Special Reference to Settlement SacrificesSacrificial customs and religion during the Early Iron Age (500 BC–400 AD) has occupied archaeologists from the infancy of archaeology. Most would probably agree that the religion was primarily fertility related, originating as it was in the existing peasant society. The literature does not reflect any disagreement about the religion of the Early Iron Age being polytheistic and consequently concerned a variety of gods. However, it is still unknown how the religion

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Georgosouli, Andromachi. "Metarules, Judgment and the Algorithmic Future of Financial Regulation in the UK." Oxford Journal of Legal Studies, August 20, 2023. http://dx.doi.org/10.1093/ojls/gqad014.

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Abstract UK financial regulators are experimenting with the conversion of rulebook content into machine-readable and executable code. A major driver of these initiatives is the belief that the use of algorithms will eliminate the need for human interpretation as a deliberative process, and that this would be a welcome development because it will improve effectiveness while cutting time and costs for regulators and the industry alike. In this article, I set out to explain why human interpretation should be preserved and further harnessed if data-driven governance is to work at all. To support m

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Bond, Sue. "The Secret Adoptee's Cookbook." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.665.

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There have been a number of Australian memoirs written by adoptees over the last twenty years—Robert Dessaix’s A Mother’s Disgrace, Suzanne Chick’s Searching for Charmian, Tom Frame’s Binding Ties:An Experience of Adoption and Reunion in Australia, for example—as well as international adoptee narratives by Betty Jean Lifton, Florence Fisher, and A. M. Homes amongst others. These works form a component of the small but growing field of adoption life writing that includes works by “all members of the adoption triad” (Hipchen and Deans 163): adoptive parents, birthparents, and adoptees. As the br

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Frail, Kim. "Why Did Grandma Put Her Underwear In The Refrigerator?: An Explanation Of Alzheimer's Disease For Children by M. Wallack & C. Given." Deakin Review of Children's Literature 4, no. 2 (2014). http://dx.doi.org/10.20361/g2659n.

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Wallack, Max, and Carolyn Given. Why Did Grandma Put Her Underwear In The Refrigerator?: An Explanation Of Alzheimer's Disease For Children. n.p.: [United States] : Puzzles To Remember, Inc., 2013. Print.This book is a must read for any family affected by Alzheimer’s with elementary school- aged children. Co-author Max Wallack has the right credentials for this project both personally and professionally. At the time the book was published, Max was a 17 year old junior and researcher in the Molecular Psychiatry in Aging Laboratory at Boston University School of Medicine. He was also caregiver t

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Adams, Jillian Elaine. "My Failed Cheddar Cheese: Cookbooks, Tacit Knowledge, and Technology." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.637.

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Introduction Cookbooks are more than recipes. They are valuable historical artifacts containing information about the food, culture and society that produced and used them (Driver, Theophano, Wheaton). This story is based on my first and failed attempt at using an old recipe to make a cheddar cheese. It examines the effect of changed technology on artisanal cooking practices (Supski, Giard) and how recipe writing has had to adapt to changed culinary technology. In the absence of the generational—mother to daughter—handing down of cooking practices, and an inherited understanding of traditional

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Chapman, Owen. "Mixing with Records." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1900.

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Introduction "Doesn't that wreck your records?" This is one of the first things I generally get asked when someone watches me at work in my home or while spinning at a party. It reminds me of a different but related question I once asked someone who worked at Rotate This!, a particularly popular Toronto DJ refuge, a few days after I had bought my first turntable: DJO: "How do you stop that popping and crackling sound your record gets when you scratch back and forth on the same spot for a while?" CLERK: "You buy two copies of everything, one you keep at home all wrapped-up nice and never use, a

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Peoples, Sharon Margaret. "Fashioning the Curator: The Chinese at the Lambing Flat Folk Museum." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1013.

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IntroductionIn March 2015, I visited the Lambing Flat Folk Museum (established 1967) in the “cherry capital of Australia”, the town of Young, New South Wales, in preparation for a student excursion. Like other Australian folk museums, this museum focuses on the ordinary and the everyday of rural life, and is heavily reliant on local history, local historians, volunteers, and donated objects for the collection. It may not sound as though the Lambing Flat Folk Museum (LFFM) holds much potential for a fashion curator, as fashion exhibitions have become high points of innovation in exhibition desi

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Turnock, Julie. "Painting Out Pop." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1764.

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Film directors in American cinema have used the artist (painter, singer, thespian, writer, etc.) as a vehicle for auteurist identification in feature bio-pics for decades. The portrayal of the protagonists in these films usually falls victim to the "Van Gogh" syndrome, that is, the insistance on the creative inner turmoil, the solitary, misunderstood genius, and brave rebellion of its central character. This approach, however, breaks down completely when confronted with the void that is the historical figure known as "Andy Warhol." The popular image of Warhol, his studied superficiality, unapo

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Phillips, Jennifer Anne. "Closure through Mock-Disclosure in Bret Easton Ellis’s Lunar Park." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.190.

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In a 1999 interview with the online magazine The AV Club, a subsidiary of satirical news website, The Onion, Bret Easton Ellis claimed: “I’ve never written a single scene that I can say took place, I’ve never written a line of dialogue that I’ve heard someone say or that I have said” (qtd. in Klein). Ten years later, in the same magazine, Ellis was reminded of this quote and asked why most of his novels have been perceived as veiled autobiographies. Ellis responded:Well, they are autobiographical in the sense that they reflect who I was at a particular moment in my life. There was talk of a me

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Zuvela, Danni. "An Interview with the Makers of Value-Added Cinema." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2183.

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Things would never be the same again. As sales went through the roof, with some breathless estimates in the region of a 200% increase overnight, marketers practically wet their pants at the phenomenal success of the chocolate bar seen by millions in ET: the Extraterrestrial. That was back in 1982. Though not the first instance of product placement ‘at the movies’, the strategic placement of Reese’s Pieces in ET is often hailed as the triumphant marketing moment heralding the onset of the era of embedded advertising in popular media. Today, much media consumption is characterised by aggressive

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Probyn, Elspeth. "Indigestion of Identities." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1791.

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Do we eat what we are, or are we what we eat? Do we eat or are we eaten? In less cryptic terms, in eating, do we confirm our identities, or are our identities reforged, and refracted by what and how we eat? In posing these questions, I want to shift the terms of current debates about identity. I want to signal that the study of identity may take on new insights when we look at how we are or want to be in terms of what, how, and with whom we eat. If the analysis of identity has by and large been conducted through the optic of sex, it may well be that in western societies we are witnessing a shi

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Bruns, Axel. "The End of 'Bandwidth'." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1807.

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It used to be so simple. If you turn on your TV or radio, your choices are limited: in Australia, there is a maximum of five or six free-to-air TV channels, depending on where you're located, and with a few minor exceptions, the programming is relatively uniform; you know what to expect, and when to expect it. To a slightly lesser degree, the same goes for radio: you might have a greater choice of stations, but you'll get an even smaller slice of the theoretically possible range of programming -- from Triple J to B105, there's mainstream, easy listening, format radio fodder, targetted at sligh

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Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit

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Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio

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Petzke, Ingo. "Alternative Entrances: Phillip Noyce and Sydney’s Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.863.

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Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his belt. Still, his beginnings were quite humble and far from his role today when he grew up in the midst of the counterculture of the late sixties. Millions of young people his age joined the various ‘movements’ of the day after experiences that changed their lives—mostly music but also drugs or fashion. The counterculture was a turbulent time in Sydney artistic circles as elsewhere. Everything looked possible, you sim

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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces

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Rayman, Jennifer. "The Politics and Practice of Voice: Representing American Sign Language on the Screen in Two Recent Television Crime Dramas." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.273.

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Introduction In this paper, I examine the practices of representing Deaf ‘voices’’ to hearing audiences in two recent US television crime dramas. More literally I look at how American Sign Language is framed and made visible on the screen through various production decisions. Drawing examples from an episode of CSI: New York that aired in December 2006 and an episode of Law and Order: Criminal Intent that aired in April 2007, I examine how the practices of filming Deaf people and the use of American Sign Language intersect with the production of a Deaf ‘voice’ on the screen. The problem of rep

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Felton, Emma. "Eat, Drink and Be Civil: Sociability and the Cafe." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.463.

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Coffee changes people. Moreover, it changes the way they interact with their friends, their fellow citizens and their community. (Ellis 24) On my daily walk around the streets of my neighbourhood, I pass the footpath cafés that have become synonymous with the area. On this particular day, I take a less familiar route and notice a new, small café wedged between a candle shop and an industrial building. At one of the two footpath tables sit a couple with their young child, conveniently (for them) asleep in a stroller. One is reading the Saturday paper, and the other has her nose in a book—coffee

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mosh, hamedani. "What Is Content Intelligence and How Does It Work? Definition, Advantages, and Software." December 20, 2021. https://doi.org/10.5281/zenodo.5793738.

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What Is Content Intelligence and How Does It Work? Definition, Advantages, and Software Content marketing is becoming increasingly popular and important. In fact, over half of purchasers (47%) look at three or more pieces of information before speaking with a salesperson. As a result, content is critical not only for marketing, but also for overall sales and revenue. Content intelligence is a method of ensuring that you can have the correct influence with the right audience, hence increasing the value of your content marketing efforts. So, in this piece, we'll look at what content intellig

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Libidot), Katrien Jacobs (a k. a. "‘Streaming Physical Love’." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1999.

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I first met with the enigmatic Dutch artist-couple, Zoot and Genant, in the Summer of 2000. We talked about their performances as part of the collective Artporn and their later work as a duo. Zoot and Genant combine the best of Amsterdam hippie culture with advanced technological networking. As good Dutch citizens, they intervene in global media debates with bodily performances and a harsh critique of consumerist sex industries. A uniquely burlesque quality pervades their work, as their performances take on dreamy and raw forms. Performance modes are invented ‘from the bottom up’ with performa

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Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his

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Jaunzems, Kelly, Carmen Jacques, Lelia Green, and Silke Brandsen. "“The <em>Internet of Life</em>”." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2954.

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Introduction Exploring the ways in which children merge education, play and connection in their digital device use, this article critiques the established definitions of the Internet of Things and the Internet of Toys and suggests an alternative. Using evidence emerging from The Internet of Toys: Benefits and Risks of Connected Toys for Children, we deconstruct these traditional terms, and advocate for a revised terminology. Such a reconsideration helps frame children’s use of digital devices and the important roles these play in children’s everyday lives. The Internet of Things is defined by

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Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte

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Antonio, Amy Brooke. "Writing Women: The Virtual Cookbook and Pinterest." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.644.

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This article aims to throw new light on the representation of women who cook as necessarily perpetuating a domestic ideology in which women are confined to the home. Traditionally, cookbooks written by women have disseminated both cooking information and rules and practices for running an effective household, which have contributed to the ideologies that underpin female domestic practice. However, the evolution of social media platforms, such as Pinterest, which enable the user to actively select and visually display culinary masterpieces on a digital pinboard, have provided a forum for women’

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Mantle, Martin. "“Have You Tried Not Being a Mutant?”." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2712.

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   There is an expression, in recent Marvel superhero films, of a social anxiety about genetic science that, in part, replaces the social anxieties about nuclear weapons that can be detected in the comic books on which these films are based (Rutherford). Much of the analysis of superhero comics – and the films on which they are based – has focussed its attention on the anxieties contained within them about gender, sexuality, race, politics, and the nation. Surprisingly little direct critique is applied to the most obvious point of difference within those texts, namely the acq

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Glitsos, Laura. "From Rivers to Confetti: Reconfigurations of Time through New Media Narratives." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1584.

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IntroductionIn the contemporary West, experiences of time are shaped by—and inextricably linked to—the nature of media production and consumption. In Derrida and Steigler’s estimation, teletechnologies bring time “into play” and thus produce time as an “artifact”, that is, a knowable product (3). How and why time becomes “artifactually” produced, according to these thinkers, is a result of the various properties of media production; media ensure that “gestures” (which can be understood here as the cultural moments marked as significant in some way, especially public ones) are registered. Being

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Losh, Elizabeth. "Artificial Intelligence." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2710.

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   On the morning of Thursday, 4 May 2006, the United States House Permanent Select Committee on Intelligence held an open hearing entitled “Terrorist Use of the Internet.” The Intelligence committee meeting was scheduled to take place in Room 1302 of the Longworth Office Building, a Depression-era structure with a neoclassical façade. Because of a dysfunctional elevator, some of the congressional representatives were late to the meeting. During the testimony about the newest political applications for cutting-edge digital technology, the microphones periodically malfunctione

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Binns, Daniel. "No Free Tickets." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2882.

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Introduction 2021 was the year that NFTs got big—not just in value but also in terms of the cultural consciousness. When digital artist Beeple sold the portfolio of his 5,000 daily images at Christie’s for US$69 million, the art world was left intrigued, confused, and outraged in equal measure. Depending on who you asked, non-fungible tokens (NFTs) seemed to be either a quick cash-grab or the future of the art market (Bowden and Jones; Smee). Following the Beeple sale, articles started to appear indicating that the film industry was abuzz for NFTs. Independent filmmaker Kevin Smith was quick t

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Harrison, Karey. "Building Resilient Communities." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.716.

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This paper will compare the metaphoric structuring of the ecological concept of resilience—with its roots in Holling's 1973 paper; with psychological concepts of resilience which followed from research—such as Werner, Bierman, and French and Garmezy and Streitman) published in the early 1970s. This metaphoric analysis will expose the difference between complex adaptive systems models of resilience in ecology and studies related to resilience in relation to climate change; compared with the individualism of linear equilibrium models of resilience which have dominated discussions of resilience i

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Kennedy, Ümit, Sarah Bacaller, Lilly Moody, Stephanie Hannah, Yehansa Dahanayake, and Amanda Third. "“The Earth Is Dying, Bro”." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3085.

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Climate Change and Children Australian children are uniquely situated in a vast landscape that varies drastically across locations. Spanning multiple climatic zones—from cool temperate Tasmania to the tropical North—Australia is home to flora and fauna specific to diverse regions, including arid desert and rainforests, mountainous woodlands, and unique mangrove estuaries and coastal regions. Many of Australia’s endemic species—about 85%—are found nowhere else in the world, and in 2020 alone, 763 new species of flora and fauna were catalogued in Australia (Creswell et al). As a country, Austral

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