Thematische Bibliographien / Womanist criticism

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Auswahl der wissenschaftlichen Literatur zum Thema „Womanist criticism“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Womanist criticism"

Łobodziec, Agnieszka. "Intersections of African-American Womanist Literary Approaches and Paradigms of Ethical Literary Criticism." Interlitteraria 22, no. 2 (2018): 297. http://dx.doi.org/10.12697/il.2017.22.2.8.

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Although black American womanist literary perspectives and ethical literary criticism theory emerged from different socio-cultural contexts, a number of intersections between the two can be discerned. One of the objectives of this paper is to analyze the reasons for which some Chinese scholars and African-American women literary theoreticians are skeptical of mainstream Western literary criticism schools, which they view as insufficient for exploring works of literature derived from fusions of non-Western and Western cultural contexts. Secondly, the paper elucidates the particular value system

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Jacobs, Mignon R. "Bridging the Times: Trends in Micah Studies since 1985." Currents in Biblical Research 4, no. 3 (2006): 293–329. http://dx.doi.org/10.1177/1476993x06064627.

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Scholars continue to respond to Willis's foundational work of the 1960s, and to each other, using a variety of classical and new methodologies to treat questions of unity, coherence, theme, and other aspects of the book of Micah. Sampling works that use literary criticism, text criticism, form criticism, historical criticism, tradition criticism, redaction criticism, rhetorical criticism, feminist and womanist approaches, canonical and intertextual approaches, and inter-disciplinary approaches, as well as innovative combinations of these (both multi-critical and multi-disciplinary), this artic

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Deepwell, Katy. "The Politics and Aesthetic Choices of Feminist Art Criticism." Arts 12, no. 2 (2023): 63. http://dx.doi.org/10.3390/arts12020063.

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This article explores feminist art criticism from the point of view of aesthetics/politics in global contemporary art. It is based on the author’s experience as an art critic and founding editor of n.paradoxa: international feminist art journal (1998–2017). Reading articles published in the previous two decades both for the journal and outside it, it became possible to identify how subjects produce specific objects in art criticism that demonstrate different locations and standpoints in thought and how these align with criticism from broader feminist political theories. This is an exploration

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Wilburn, Reginald A. "“Looking ‘Foreword’ to Milton in Toni Morrison’s Paradise”." Religions 11, no. 11 (2020): 562. http://dx.doi.org/10.3390/rel11110562.

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Prior to the 2014 republication of Toni Morrison’s, Paradise, the novelist had not published any commentary about the role of literary influence John Milton might have had on her fictional writings. In a foreword to the republication of her 1997 novel, Morrison offers her first published acknowledgement of Milton’s influence on any work in her canon. My essay contends this Miltonic revelation constitutes a groundbreaking event in literary criticism. I explore the critical significance of this revelation by explicating the foreword, Milton’s significance within it, and its implications for read

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Gbaguidi, Célestin, Panaewazibiou Dadja-Tiou, and Maurice Gade. "The Predicaments of Childless Women in Nigerian Fiction: A Womanist Reading of Flora Nwapa’s One Is Enough and Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives." European Journal of Humanities and Social Sciences 2, no. 5 (2022): 63–72. http://dx.doi.org/10.24018/ejsocial.2022.2.5.332.

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Using womanist literary criticism, this work has critically analyzed and revealed that women’s worth is tied to their ability to bear children. The study has also examined the plight, predicaments, and abuses of childless women in African culture. The paper has revealed that childless women are verbally abused, physically beaten, psychologically abused, and maltreated. The paper argues that it is unethical and immoral to maltreat childless women for involuntary infertility. The pressures coming from society constitute huge struggles for childless women when they fail to bear children after a c

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Okoye-Ugwu, Stella. "Is the Hood in Womanhood the Hood in Motherhood?: An Analysis of Emecheta’s The Joys of Motherhood." IKENGA International Journal of Institute of African Studies 25, no. 4 (2024): 83–100. https://doi.org/10.53836/ijia/2024/25/4/004.

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This paper aims to bring to the fore the plight of women in Nigeria, particularly in Igbo land in a manner that proposes a paradigm shift. The issue of men setting the standards for women has been a dominant global discourse. However, this paper focuses on the Nigerian situation, while making references to feminist criticism in general. The status of women being seen but not heard, lacking significance, dignity, and personality and being unable to contribute meaningfully to decision-making in the home and community have been foregrounded in the works of Mariama Ba, Ama-Ata Aidoo, Buchi Emechet

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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina. Palavras-chave: Crítica feminista, Judith Sh

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Liao, Hung-Chang, and Ya-huei Wang. "Hysteria and Gender Culture: A Study of Catherine in Wuthering Heights." ELLITE: Journal of English Language, Literature, and Teaching 7, no. 1 (2022): 33–41. http://dx.doi.org/10.32528/ellite.v7i1.7403.

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Since ancient times, hysteria has been recognized as a woman's uterine lesion or a disease related to the possession of evil spirits. However, modern social studies have re-examined the symptoms of hysteria and determined that what has been termed “hysteria” can actually be connected to psychological symptoms related to a woman’s failure to obey the prescribed social gender norms or adhere to societal gender images. Hence, hysteria may be a subconscious or unconscious, though always ineffective, attempt to fight against oppressive gender expectations. In order to escape the pressure from presc

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Helms, Lorraine. "Playing the Woman's Part: Feminist Criticism and Shakespearean Performance." Theatre Journal 41, no. 2 (1989): 190. http://dx.doi.org/10.2307/3207858.

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Rahayu, Mundi. "The New Image of Indian Girl in Sherman Alexie’s The Search Engine." Journal of Language and Literature 22, no. 2 (2022): 422–34. http://dx.doi.org/10.24071/joll.v22i2.4323.

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The current paper examines the Native American people's identity, especially the main female character's cultural identity in the short story entitled The Search Engine. Sherman Alexie, the author of the story, is a Native American writer who harnesses the Indian identity as one of the main topics. The identity presented in the main character, Corliss, shows the challenges of the stereotypes of Native American girls. For that reason, the paper aims at exploring the new Indian woman’s cultural identity represented in the main character, Corliss, in the short story The Search Engine. The study a

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Dissertationen zum Thema "Womanist criticism"

Pu, Xiumei. "Spirituality a womanist reading of Amy Tan's "The bonesetter's daughter" /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07192006-191437/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Layli Phillips, committee chair; Margaret Mills Harper, Carol Marsh-Lockett, committee members. Electronic text (64 p.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 57-64).

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Jackson, Tanisha M. "Defining Us: A Critical Look at the Images of Black Women in Visual Culture and Their Narrative Responses to these Images." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281378634.

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Paniagua, Amanda Anastasia. "An American Woman's Gaze: Mary Cassatt's Spanish Portraits." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461149840.

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Rogers, Janine. "The woman's voice in Middle English love lyrics /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69671.

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Courtly love lyrics, like other courtly genres, are dominated by male-voiced texts that privilege male perspectives. In conventional courtly love lyrics, women are silenced and objectified by the male speaker. Still, a handful of women-voiced lyrics--"women's songs"--exist in the courtly love lyrical tradition. This thesis studies women's songs in Middle English and their role in the androcentric courtly love tradition.<br>In the first chapter, I discuss critical perspectives on conventional courtly representations of women. In the second chapter, I locate Middle English women's songs in liter

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France, Angela. "Hide : a 21st century woman's response to the first person in poetry." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/3871/.

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This thesis, titled ‘Hide: A 21st century woman’s response to the first person in poetry’ is a creative and critical examination of the challenges and benefits of the first-person approach in poetry. It is in two parts, consisting of a collection of sixty poems and a critical investigation into the research leading to, and engendered by, the poems. Hide is a place from which to observe, hide is skin, hide is deliberate concealment; all of these meanings can be seen to reflect some of the concerns examined in both the creative and critical parts of the thesis. ‘Hide’s’ layers of meaning directl

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Grantham, Brianna Jene. "The collection : integrating attachment theory and theories of intergenerational development to write a woman's life." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7423/.

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The Collection tells the story of Barbara, a fifty-something, Christian, teacher, wife, and mother, as she is forced to return home after her estranged father's death. Named executrix of his estate, Barbara navigates family secrets, repressed childhood trauma, and her mentally ill father's legacy. Using Attachment Theory and Intergenerational Theories of Personal Development, this research discusses the development and relationships of the characters in The Collection to demonstrate the connections between their child and adult selves—specifically, the role of Barbara's parents and childhood i

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Youngkin, Molly C. "Men Writing Women: Male Authorship, Narrative Strategies, and Woman's Agency in the Late-Victorian Novel." Connect to this title online, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1037376119.

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Thesis (Ph. D.)--Ohio State University, 2002.<br>Document formatted into pages; contains ix, 322 p. Includes bibliographical references (p. 303-322). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Sep. 25.

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Götting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.

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This thesis explores the construction of masculinity in novels written by New Women authors between the years 1881-1899. The fin de siècle was a period during which gender roles were renegotiated with fervour by both male and female authors, but it was the so-called New Woman in particular who was trying to transform the Victorian notion of femininity to incorporate the demands of the burgeoning women's movement. This thesis argues that in their fiction, New Women authors often tried to achieve this transformation by creating male characters who were designed to justify and to mitigate the New

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Moring, Meg Montgomery 1961. "Death and the Concept of Woman's Value in the Novels of Jane Austen." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278475/.

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Jane Austen sprinkles deaths throughout her novels as plot devices and character indicators, but she does not tackle death directly. Yet death pervades her novels, in a subtle yet brutal way, in the lives of her female characters. Austen reveals that death was the definition and the destiny of women; it was the driving force behind the social and economic constructs that ruled the eighteenth-century woman's life, manifested in language, literature, religion, art, and even in a woman's doubts about herself. In Northanger Abbey Catherine Morland discovers that women, like female characters in

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Tuerk, Cynthia M. ""Harmless delight but useful and instructive" : the woman's voice in Restoration adaptations of Shakespeare." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/14895.

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The changes and upheaval in English society and in English ideas which took place during the seventeenth century had a profound effect upon public and private perceptions of women and of women's various roles in society. A study of the drama of this period provides the means to examine the development of these new views through the popular medium of the stage. In particular, the study of adaptations of early drama offer the opportunity to compare the stage perceptions of women which were prevalent during the late sixteenth and early seventeenth century with attitudes towards women which emerge

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Bücher zum Thema "Womanist criticism"

Mori, Aoi. Toni Morrison and womanist discourse. P. Lang, 1999.

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Hudson-Weems, Clenora. Africana womanist literary theory. Africa World Press, 2004.

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Hudson-Weems, Clenora. Africana womanist literary theory: A sequel to Africana womanism: reclaiming ourselves. Africa World Press, 2004.

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Allan, Tuzyline Jita. Womanist and feminist aesthetics: A comparative review. Ohio University Press, 1995.

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Akorede, Yetunde. The feminist-womanist dialectics: A critical source book : a festschrift in honour of Akachi Adimora-Ezeigbo. Editons Sonou D'Afrique, 2010.

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Kaura, Jasaprīta. Samakālī Pañjābī nāwala te nārī bimba. Lokgeet Parkashan, 2015.

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Hudson-Weems, Clenora. Africana womanism: Reclaiming ourselves. Bedford Publishers, 1993.

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Hudson-Weems, Clenora. Africana womanism: Reclaiming ourselves. 2nd ed. Bedford Publishers, 1994.

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Stanton, Elizabeth Cady. The woman's Bible. Ayer, 1991.

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Stanton, Elizabeth Cady. The woman's Bible. Ayer Co. Pub., 1988.

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Buchteile zum Thema "Womanist criticism"

Sheppard, Phillis Isabella. "Black Psychoanalysis and Black Feminist Psychoanalytic Literary Criticism: Resources toward a Critical Appropriation of Psychoanalysis." In Self, Culture, and Others in Womanist Practical Theology. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118027_5.

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Peoples, Whitney. "(Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism, and the Politics of Legitimation." In Womanist and Black Feminist Responses to Tyler Perry’s Productions. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137429568_10.

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Lemons, Gary L. "Professing the Liberatory Power of Womanism." In Building Womanist Coalitions. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042423.003.0004.

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Narrating his journey toward becoming a black male professor of feminism, in this chapter the author identifies himself as a “black male outsider.” He writes about how his study writings by black/feminists of color helped him to accept his difference as a male who grew up on the margins of the “black community” in which he lived. Not only does he credit Alice Walker’s idea of womanism as personally and politically self-transformative for him, he also acknowledges bell hooks’s belief that men can be feminist comrades. In the chapter, he focuses on experiences teaching course-work on “writings b

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"Chapter 15: Eco-Justice as Womanist Practice in Contemporary Black Women’s Poetry." In New Criticism and Pedagogical Directions for Contemporary Black Women Writers, edited by LaToya Jefferson-James. Lexington Books, 2022. http://dx.doi.org/10.5771/9781793606716-251.

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"Chapter 12: Audre Lorde’s Zami as a Speculative Womanist Guide to Self-Actualization in Octavia Butler’s Dawn." In New Criticism and Pedagogical Directions for Contemporary Black Women Writers, edited by LaToya Jefferson-James. Lexington Books, 2022. http://dx.doi.org/10.5771/9781793606716-197.

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"Chapter 7: Womanist Freedom Dreams: “Stay on the Battlefield” by Sonia Sanchez and Sweet Honey in the Rock." In New Criticism and Pedagogical Directions for Contemporary Black Women Writers, edited by LaToya Jefferson-James. Lexington Books, 2022. http://dx.doi.org/10.5771/9781793606716-111.

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Blyth, Caroline. "Gender and the Hebrew Bible." In Understanding the Hebrew Bible. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780192845788.003.0017.

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Abstract In recent years gender studies have proliferated. Three significant types can be found in current biblical studies: feminist studies, queer studies, and masculinity studies. All share the belief that gender matters. It shapes the world in which these ancient texts were written, the language, imagery, and rhetoric used by the texts’ authors, and readers’ interpretation of these texts over the centuries and up to the present day. Feminist, and now also womanist, readings continue to be concerned with male dominance as often expressed or assumed in biblical texts. (Masculinity scholarshi

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Dorrien, Gary. "Prophetic Fire and Creative Flourishing." In A Darkly Radiant Vision. Yale University Press, 2023. http://dx.doi.org/10.12987/yale/9780300264524.003.0006.

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Black social Christianity remains a creative tradition of theological, political, activist, and public intellectual discourse. Chapter 6 tracks how an ongoing tradition of Black social Christianity refashioned and renewed its thinking about democratic socialism, cultural criticism, Black feminism, gay and queer sexuality, modern theology, the womanist tradition, and national politics. It features Cornel West, Michael Eric Dyson, Obery Hendricks Jr., bell hooks, Traci West, Victor Anderson, Stacey Floyd-Thomas, and Monica A. Coleman, and builds toward a discussion of the Barack Obama era and it

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"IDEOLOGICAL CRITICISMS, LIBERATION CRITICISMS, AND WOMANIST AND FEMINIST CRITICISMS." In A Handbook to the Exegesis of the New Testament. BRILL, 1997. http://dx.doi.org/10.1163/9789004379947_014.

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Wilde, Oscar. "Mr. Oscar Wilde on Woman’s Dress." In Fashion Criticism. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781350058774.ch-001.

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Konferenzberichte zum Thema "Womanist criticism"

Arierhi Ottuh, John. "The Depiction of Women in Pauline Corpus and Achebe’s Things Fall Apart: Modern African Womanist Criticism." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9034.

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Humanities scholars, especially those in African Biblical criticism have given much attention to themes arising from biblical and ecclesiastical boundaries in their critical variants. However, in spite of the impressive body of existing literature in this field, less has been done on the comparative study of biblical and African literature. Using the African method of biblical criticism (comparative and liberation hermeneutics), this study examines the depiction of women in Pauline corpus (New Testament literature) and Achebe’s Things Fall Apart (African literature) by arguing that, although P

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