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Thematische Bibliographien / Womanist criticism / Dissertationen

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Dissertationen zum Thema „Womanist criticism“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Pu, Xiumei. "Spirituality a womanist reading of Amy Tan's "The bonesetter's daughter" /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07192006-191437/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Layli Phillips, committee chair; Margaret Mills Harper, Carol Marsh-Lockett, committee members. Electronic text (64 p.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 57-64).

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2

Jackson, Tanisha M. "Defining Us: A Critical Look at the Images of Black Women in Visual Culture and Their Narrative Responses to these Images." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281378634.

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3

Paniagua, Amanda Anastasia. "An American Woman's Gaze: Mary Cassatt's Spanish Portraits." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461149840.

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4

Rogers, Janine. "The woman's voice in Middle English love lyrics /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69671.

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Courtly love lyrics, like other courtly genres, are dominated by male-voiced texts that privilege male perspectives. In conventional courtly love lyrics, women are silenced and objectified by the male speaker. Still, a handful of women-voiced lyrics--"women's songs"--exist in the courtly love lyrical tradition. This thesis studies women's songs in Middle English and their role in the androcentric courtly love tradition.<br>In the first chapter, I discuss critical perspectives on conventional courtly representations of women. In the second chapter, I locate Middle English women's songs in liter

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5

France, Angela. "Hide : a 21st century woman's response to the first person in poetry." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/3871/.

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This thesis, titled ‘Hide: A 21st century woman’s response to the first person in poetry’ is a creative and critical examination of the challenges and benefits of the first-person approach in poetry. It is in two parts, consisting of a collection of sixty poems and a critical investigation into the research leading to, and engendered by, the poems. Hide is a place from which to observe, hide is skin, hide is deliberate concealment; all of these meanings can be seen to reflect some of the concerns examined in both the creative and critical parts of the thesis. ‘Hide’s’ layers of meaning directl

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6

Grantham, Brianna Jene. "The collection : integrating attachment theory and theories of intergenerational development to write a woman's life." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7423/.

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The Collection tells the story of Barbara, a fifty-something, Christian, teacher, wife, and mother, as she is forced to return home after her estranged father's death. Named executrix of his estate, Barbara navigates family secrets, repressed childhood trauma, and her mentally ill father's legacy. Using Attachment Theory and Intergenerational Theories of Personal Development, this research discusses the development and relationships of the characters in The Collection to demonstrate the connections between their child and adult selves—specifically, the role of Barbara's parents and childhood i

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7

Youngkin, Molly C. "Men Writing Women: Male Authorship, Narrative Strategies, and Woman's Agency in the Late-Victorian Novel." Connect to this title online, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1037376119.

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Thesis (Ph. D.)--Ohio State University, 2002.<br>Document formatted into pages; contains ix, 322 p. Includes bibliographical references (p. 303-322). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Sep. 25.

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8

Götting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.

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This thesis explores the construction of masculinity in novels written by New Women authors between the years 1881-1899. The fin de siècle was a period during which gender roles were renegotiated with fervour by both male and female authors, but it was the so-called New Woman in particular who was trying to transform the Victorian notion of femininity to incorporate the demands of the burgeoning women's movement. This thesis argues that in their fiction, New Women authors often tried to achieve this transformation by creating male characters who were designed to justify and to mitigate the New

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9

Moring, Meg Montgomery 1961. "Death and the Concept of Woman's Value in the Novels of Jane Austen." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278475/.

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Jane Austen sprinkles deaths throughout her novels as plot devices and character indicators, but she does not tackle death directly. Yet death pervades her novels, in a subtle yet brutal way, in the lives of her female characters. Austen reveals that death was the definition and the destiny of women; it was the driving force behind the social and economic constructs that ruled the eighteenth-century woman's life, manifested in language, literature, religion, art, and even in a woman's doubts about herself. In Northanger Abbey Catherine Morland discovers that women, like female characters in

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10

Tuerk, Cynthia M. ""Harmless delight but useful and instructive" : the woman's voice in Restoration adaptations of Shakespeare." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/14895.

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The changes and upheaval in English society and in English ideas which took place during the seventeenth century had a profound effect upon public and private perceptions of women and of women's various roles in society. A study of the drama of this period provides the means to examine the development of these new views through the popular medium of the stage. In particular, the study of adaptations of early drama offer the opportunity to compare the stage perceptions of women which were prevalent during the late sixteenth and early seventeenth century with attitudes towards women which emerge

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11

Nadar, Sarojini. "Power, ideology and interpretation/s : womanist and literary perspectives on the book of Esther as resources for gender-social transformation." Thesis, 2003. http://hdl.handle.net/10413/3449.

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This study argues that literary and womanist perspectives on the book of. Esther can be used as resources for gender-social transformation in the South African Indian Pentecostal community. It maintains that Biblical scholarship cannot be confined only to the academy, while the Bible is used in the community to oppress women. When culture and interpretation both collude in the oppression of women, putting their lives at risk, it is imperative, this study argues, for those working in the field of liberation hermeneutics to not restrict their work to the academy. Hence, this study seeks to find

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12

"Regressive development of woman's status in Pauline Epistles." Chinese University of Hong Kong, 1993. http://library.cuhk.edu.hk/record=b5887760.

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by Ho Lai Han.<br>Thesis (M.Div.)--Chinese University of Hong Kong, 1993.<br>Includes bibliographical references (leaves 82-85).<br>ABSTRACT --- p.iii<br>ACKNOWLEDGMENTS --- p.iv<br>ABBREVIATIONS --- p.v<br>Chapter<br>Chapter I. --- INTRODUCTION --- p.1<br>Chapter II. --- EGALITARIAN PAULINE PASSAGES --- p.6<br>Chapter A. --- In General (Gal 3:28) --- p.6<br>Chapter 1. --- Equality through Baptism --- p.8<br>Chapter 2. --- Casting off Gnostic Influence --- p.8<br>Chapter a. --- Traces of Alteration --- p.8<br>Chapter b. --- The Myth of Androgyne --- p.10<br>Chapter 3. --- Assertion o

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13

Mandova, Evans. "Critical perspectives on selected Shona novelists' conceptualisation and depiction of the African communitarian worldview of Unhu (Humanity to others)." Thesis, 2016. http://hdl.handle.net/10500/22591.

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This study interrogates how Shona novelists conceptualise and depict the African communitarian worldview of unhu (humanity to others). The study relies on content analysis of selected Shona novels, critical reviews from various scholars, journals, newspapers and theses, augmented by interviews and questionnaires. The theoretical framework is guided by Afrocentricity and Africana Womanism which are pivotal to the explication of meaning from selected texts, with the view to examining whether or not the writers‟ portrayal and understanding of unhu helps Africa‟s socio-cultural and political liber

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14

Machaba, Rirhandzu Lillian. "The portrayal of women in Xitsonga literature with special reference to South African novels, poems and proverbs." Thesis, 2011. http://hdl.handle.net/10500/5542.

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The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women c

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15

Thabela, Tumisang. "„Standing on the outside‟. Woman's search for identity in Yvonne Vera's Why don't you carve other animals and Without a name." Diss., 2010. http://hdl.handle.net/10500/4811.

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The main purpose of this study is to discuss Yvonne Vera‟s representation of various aspects of women‟s identity in a patriarchal and colonial context as they manifest themselves through the women‟s relationships. I explore ways in which the question of self for some of Vera‟s women seems characterised by marginalisation across racial, cultural, ethnic and generational divides. The short stories and novel studied seem to emphasise that for women, under patriarchy and colonialism in Zimbabwe, seeking an independent and fulfilling identity seems to be interpreted as defying society‟s expectation

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16

Gudhlanga, Enna Sukutai. "Gender and land ownership in Zimbabwean literature : a critical appraisal in selected Shona fiction." Thesis, 2016. http://hdl.handle.net/10500/24806.

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The study has been prompted by the gap that exists regarding gender and land in Zimbabwean fiction. The study therefore seeks to interrogate the gender and land ownership discourse in Shona fiction in relation to the current conflict of access to land by race, class and gender. The study therefore examines the following fictional works; Feso (1956), Dzasukwa-Mwana-Asina-Hembe (1967), Pafunge (1972), Kuridza Ngoma Nedemo (1985), Vavariro (1990) and Sekai Minda Tave Nayo (2005). Of significance is the fact that the selected fictional works traverse the different historical periods that Zimbabwe

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17

Mdluli, Sisana R. (Sisana Rachel). "A reflective perspective of women leadership in Nguni oral poetic forms." Thesis, 2014. http://hdl.handle.net/10500/13174.

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This thesis utilizes the theory of feminism in all its implied branches in an attempt to critically review the subtle and sometimes deliberate subjugation of women in general and South Africa in particular. This occurs, in spite of the fact that there are laws in place that are meant to discourage women abuse. Juxtaposing this is the perspective conception of women, looking at themselves as subjects of virtue who deserve equal treatment to any other human being. It is through some oral forms that this reflection could be tested. Praise poetry, in the hands of a creative artist opens up a world

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18

Marsden, Dorothy Frances. "Changing images : representations of the Southern African black women in works by Bessie Head, Ellen Kuzwayo, Mandla Langa and Mongane Serote." 1994. http://hdl.handle.net/10500/18134.

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This study examines representations of Southern African black women in the works' of two male and two female writers. A comparative approach is used to review the ways in which the writers characterise women who labour under intense restrictions in domestic situations, the workplace, and in political contexts. Some representations suggest that women have come to terms with social strictures and have learned to live fulfilled lives despite them. Other representations are contextualised in creative situations in which social roles are re-imagined. In the process, women are removed from

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19

Kondemo, Marthe Maleke. "Women’s security through heterosexual marriage in the Democratic Republic of the Congo: an African woman’s reading of the book of Ruth." Diss., 2011. http://hdl.handle.net/10500/4827.

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In Congolese society, heterosexual marriage is a highly regarded institution that is viewed as contributing significantly to the true identities of women. In this study, I use Masenya’s terminologies, “idolization of marriage” and “marriage at all costs”, as springboards to re-read the story of Ruth in the Hebrew Bible in light of the experiences of Congolese women who tend to regard marriage as a norm. I have analysed and critiqued patriarchy as it has shaped the lives of biblical women (cf the Ruth character in the Hebrew Bible) as well as it continues to shape the lives of many Congo

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20

Masuku, Norma. "Images of women in some Zulu literary works : a feminist critique." Diss., 1997. http://hdl.handle.net/10500/18156.

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Chapter 1 is the introductory chapter which gives the aim of study, delimitation, scope and methodology. It further presents critical studies that have been done on Feminism. Chapter 2 is devoted to the Feminist theory, the origin of the term stereotype and the diverse schools of thought within the Feminist camp. Feminism from the African perspective, known as Womanism, has been deliberated on. Chapter 3 concentrates mainly on two women authors, Damane and Makhambeni. This chapter looks at how these authors have depicted their female characters. It also examines the stereotypes employe

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21

Tembo, Charles. "Post-independence Shona poetry, the quest and struggle for total liberation." Thesis, 2012. http://hdl.handle.net/10500/6106.

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This study pursues the quest and struggle for total liberation in post-independence Shona poetry. The study also relies on views of key respondents obtained through interviews and questionnaires. Couched and guided by Afrocentricity and Africana womanism, the study elucidates the politico-economic and socio-cultural factors that militate against Africa’s total liberation in general as well as women’s liberation, respectively. Simultaneously, critical judgments are passed on the extent to which poets immerse their art in African existential philosophy. The study is energized by the idea that pu

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22

White, Elaine Susan. "A reading of Christopher Smart's prose journalism." Phd thesis, 2010. http://hdl.handle.net/1885/151546.

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Christopher Smart's prose journalism has been absurdly neglected in scholarship. Until very recently, Smart's journal The Midwife, or, the Old Woman's Magazine had rarely been granted any extensive research or scholarly exploration. Min Wild's 2008 publication, Christopher Smart and Satire: 'Mary Midnight' and the Midwife, was the first book to look at the journal in detail, while Smart's other journals, including the Student and Lilliputian, remain rarely read or studied in any depth. This thesis seeks to redress that neglect through a literary reading of the Midwife, and an historical contex

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23

Mdletshe, Simamile Nontokozo. "Ukwethulwa kwabalingiswa besifazane ngababhali besilisa nabesifazane: ukuqhathanisa." Diss., 2011. http://hdl.handle.net/10500/4946.

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isiZulu text<br>Esahlukweni sokuqala, besingenisa ucwaningo lonkana futhi sethula nenjongo yalolu cwaningo ukuze ofundayo asheshe abe nesithombe ngokuzolandela ezahlukweni ezilandelayo. Sizamile ukuveza isisekelo nokubaluleka kwalolu cwaningo njengoba sivezile ukuthi isicwaningwe kakhulu imibhalo yabesilisa ngakho-ke sizoke sibheke eyabesifazane neyabesilisa sicubungula ukuthi yibaphi abethula abalingiswa besifazane kangcono kunabanye. Sibe sesibheka nezindlela zokuhluza imibhalo. Kuso lesi sahluko sethule isakhiwo socwaningo lapho siveze zonke izahluko nokuthi yini umongo wesahluko ngasinye.

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