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Thematische Bibliographien / Womanist criticism / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Womanist criticism“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Łobodziec, Agnieszka. "Intersections of African-American Womanist Literary Approaches and Paradigms of Ethical Literary Criticism." Interlitteraria 22, no. 2 (2018): 297. http://dx.doi.org/10.12697/il.2017.22.2.8.

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Although black American womanist literary perspectives and ethical literary criticism theory emerged from different socio-cultural contexts, a number of intersections between the two can be discerned. One of the objectives of this paper is to analyze the reasons for which some Chinese scholars and African-American women literary theoreticians are skeptical of mainstream Western literary criticism schools, which they view as insufficient for exploring works of literature derived from fusions of non-Western and Western cultural contexts. Secondly, the paper elucidates the particular value system

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Jacobs, Mignon R. "Bridging the Times: Trends in Micah Studies since 1985." Currents in Biblical Research 4, no. 3 (2006): 293–329. http://dx.doi.org/10.1177/1476993x06064627.

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Scholars continue to respond to Willis's foundational work of the 1960s, and to each other, using a variety of classical and new methodologies to treat questions of unity, coherence, theme, and other aspects of the book of Micah. Sampling works that use literary criticism, text criticism, form criticism, historical criticism, tradition criticism, redaction criticism, rhetorical criticism, feminist and womanist approaches, canonical and intertextual approaches, and inter-disciplinary approaches, as well as innovative combinations of these (both multi-critical and multi-disciplinary), this artic

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3

Deepwell, Katy. "The Politics and Aesthetic Choices of Feminist Art Criticism." Arts 12, no. 2 (2023): 63. http://dx.doi.org/10.3390/arts12020063.

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This article explores feminist art criticism from the point of view of aesthetics/politics in global contemporary art. It is based on the author’s experience as an art critic and founding editor of n.paradoxa: international feminist art journal (1998–2017). Reading articles published in the previous two decades both for the journal and outside it, it became possible to identify how subjects produce specific objects in art criticism that demonstrate different locations and standpoints in thought and how these align with criticism from broader feminist political theories. This is an exploration

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4

Wilburn, Reginald A. "“Looking ‘Foreword’ to Milton in Toni Morrison’s Paradise”." Religions 11, no. 11 (2020): 562. http://dx.doi.org/10.3390/rel11110562.

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Prior to the 2014 republication of Toni Morrison’s, Paradise, the novelist had not published any commentary about the role of literary influence John Milton might have had on her fictional writings. In a foreword to the republication of her 1997 novel, Morrison offers her first published acknowledgement of Milton’s influence on any work in her canon. My essay contends this Miltonic revelation constitutes a groundbreaking event in literary criticism. I explore the critical significance of this revelation by explicating the foreword, Milton’s significance within it, and its implications for read

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Gbaguidi, Célestin, Panaewazibiou Dadja-Tiou, and Maurice Gade. "The Predicaments of Childless Women in Nigerian Fiction: A Womanist Reading of Flora Nwapa’s One Is Enough and Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives." European Journal of Humanities and Social Sciences 2, no. 5 (2022): 63–72. http://dx.doi.org/10.24018/ejsocial.2022.2.5.332.

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Using womanist literary criticism, this work has critically analyzed and revealed that women’s worth is tied to their ability to bear children. The study has also examined the plight, predicaments, and abuses of childless women in African culture. The paper has revealed that childless women are verbally abused, physically beaten, psychologically abused, and maltreated. The paper argues that it is unethical and immoral to maltreat childless women for involuntary infertility. The pressures coming from society constitute huge struggles for childless women when they fail to bear children after a c

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Okoye-Ugwu, Stella. "Is the Hood in Womanhood the Hood in Motherhood?: An Analysis of Emecheta’s The Joys of Motherhood." IKENGA International Journal of Institute of African Studies 25, no. 4 (2024): 83–100. https://doi.org/10.53836/ijia/2024/25/4/004.

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This paper aims to bring to the fore the plight of women in Nigeria, particularly in Igbo land in a manner that proposes a paradigm shift. The issue of men setting the standards for women has been a dominant global discourse. However, this paper focuses on the Nigerian situation, while making references to feminist criticism in general. The status of women being seen but not heard, lacking significance, dignity, and personality and being unable to contribute meaningfully to decision-making in the home and community have been foregrounded in the works of Mariama Ba, Ama-Ata Aidoo, Buchi Emechet

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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina. Palavras-chave: Crítica feminista, Judith Sh

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Liao, Hung-Chang, and Ya-huei Wang. "Hysteria and Gender Culture: A Study of Catherine in Wuthering Heights." ELLITE: Journal of English Language, Literature, and Teaching 7, no. 1 (2022): 33–41. http://dx.doi.org/10.32528/ellite.v7i1.7403.

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Since ancient times, hysteria has been recognized as a woman's uterine lesion or a disease related to the possession of evil spirits. However, modern social studies have re-examined the symptoms of hysteria and determined that what has been termed “hysteria” can actually be connected to psychological symptoms related to a woman’s failure to obey the prescribed social gender norms or adhere to societal gender images. Hence, hysteria may be a subconscious or unconscious, though always ineffective, attempt to fight against oppressive gender expectations. In order to escape the pressure from presc

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Helms, Lorraine. "Playing the Woman's Part: Feminist Criticism and Shakespearean Performance." Theatre Journal 41, no. 2 (1989): 190. http://dx.doi.org/10.2307/3207858.

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Rahayu, Mundi. "The New Image of Indian Girl in Sherman Alexie’s The Search Engine." Journal of Language and Literature 22, no. 2 (2022): 422–34. http://dx.doi.org/10.24071/joll.v22i2.4323.

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The current paper examines the Native American people's identity, especially the main female character's cultural identity in the short story entitled The Search Engine. Sherman Alexie, the author of the story, is a Native American writer who harnesses the Indian identity as one of the main topics. The identity presented in the main character, Corliss, shows the challenges of the stereotypes of Native American girls. For that reason, the paper aims at exploring the new Indian woman’s cultural identity represented in the main character, Corliss, in the short story The Search Engine. The study a

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Sypniewski, Fernanda. "DE QUEM É ESSE CORPO? A REAPROPRIAÇÃO DO CORPO HISTERICIZADO A PARTIR DO DISCURSO FEMINISTA E PSICANALÍTICO FREUDIANO." Entropia 7, no. 13 (2023): 97–112. http://dx.doi.org/10.52765/entropia.v7i13.458.

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This article aims to present some criticisms of Foucault and post-structuralist feminists to the psychoanalytic device, mainly about the hysterization of the woman’s body and the ‘hysterical woman’, constructed in the 18Th century trough scientific discourses. And also, bringing feminism closer to Freudian psychoanalysis, through the reappropiation of woman’s body by feminists and through the psychoanalytic discourse of the subject being the author of their own speech.

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Othman.O.Ahmed, Kawa. "Subtle Social Critique in Oliver Goldsmith’s She Stoops to Conquer." International Journal of Language and Literary Studies 6, no. 2 (2024): 57–70. http://dx.doi.org/10.36892/ijlls.v6i2.1656.

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Oliver Goldsmith’s, She Stoops to Conquer has been one of the most popular comedies in England’s 18th Century. This is due to the dramatist’s witty usage of satire and humour as a means to ridicule and burlesque society’s vices, shortcomings and false manners of the age. Yet, as the research explains, the play’s comical effects extend far beyond mere social laughter and entertainment. The play in fact delivers subtle radical criticism with regard to important issues such as intergenerational conflicts, gender discrimination, and marriage. The main objective of Goldsmith’s subtle criticism is t

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Hikmah, Durratul, and Astutik Astutik. "The Depiction of Woman's Roles in Shakespeare’s Othello." International Journal of English Education and Linguistics (IJoEEL) 4, no. 1 (2022): 40–49. http://dx.doi.org/10.33650/ijoeel.v4i1.3825.

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William Shakespeare’s Othello is a drama that tells about the woman’s femininity power in her role. Here, Desdemona as the central female character becomes the main focus in this research. This study aims to reveal woman’s roles depicted by Shakespeare in Othello and describe the factors affecting them. This study used the literary criticism with the theory of cultural feminism. This research is a type of descriptive qualitative research. From this research, two findings can be stated as the answer of the problems of the study. The first is, the roles of woman in Shakespeare’s play Othello are

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Peck, Teresa A. "Women's Self-Definition in Adulthood: From A Different Model?" Psychology of Women Quarterly 10, no. 3 (1986): 274–84. http://dx.doi.org/10.1111/j.1471-6402.1986.tb00753.x.

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This article examines criticisms of existing models of adult development from both feminist and developmental psychologists. To answer these criticisms, a model of women's adult self-definition is presented that is based upon current research on women's adult experience. The model combines a dialectical approach, which considers the effects of social/historical factors, with a feminist approach, which emphasizes the importance of caring and relationships, to illustrate the critical factors affecting a woman's self-knowledge during the adult years.

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Norris, Kristopher. "To See Responsibility from Below: Bonhoeffer, Niebuhr, and Racism." Theology Today 80, no. 2 (2023): 144–61. http://dx.doi.org/10.1177/00405736231172699.

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This article analyzes and compares the theologies of Bonhoeffer and Reinhold Niebuhr regarding race and racial injustice. It examines the ways both theologians responded to the racial crisis in America, and Bonhoeffer in Nazi Germany, in patterns consistent with their own divergent accounts of moral responsibility. The article argues that Bonhoeffer's theology of the responsible life offers deeper ethical resources than Niebuhr's for responding to the contemporary realities of White supremacy. Yet, while celebrating Bonhoeffer's contributions, it concludes by drawing on criticisms of Bonhoeffe

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Najaf, Maedeh. "THE FEMININE SUBJECT IN THE POEMS OF PARVIN ETESAMI." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2024): 215–26. http://dx.doi.org/10.28995/2686-7249-2024-3-215-226.

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In modern literary criticism, the emergence of gender theory in textual criticism and the study of the issue of the concept of a female lyrical subject is an important topic. In the present work, we consider the feminine lyrical subject in the poems of the great Iranian poet Parvin Etesami, in whose poems the feminine lyrical subject is creative, active, speaking and thinking. Parvin’s feminist views at the time she lived and in that society were unique; she, as a representative of all Iranian women, directly expressed the feminine point of view on many issues and where it comes from the perso

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Miceli, Calogero A. "Perspective Criticism and the Study of Narrative Biblical Literature." Théologiques 24, no. 1 (2018): 167–83. http://dx.doi.org/10.7202/1044744ar.

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In his recent works,Watching a Biblical Narrative : Point of View in Biblical Exegesis(2007) andPerspective Criticism : Point of View and Evaluative Guidance in Biblical Narrative(2012), Gary Yamasaki has introduced a new methodology, entitled Perspective Criticism, for analyzing biblical literature. The following paper seeks to evaluate whether or not this proposed method is a viable tool for use in the study of biblical texts. In order to do so, the account of the hemorrhaging woman (Mark 5 : 24-34) is used as a test case. In the story, the implied reader is provided with background informat

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Agustina, Hiqma Nur. "Woman's Voice Speaks Out for Gender and The Environment in Gadis Pesisir." E3S Web of Conferences 317 (2021): 02009. http://dx.doi.org/10.1051/e3sconf/202131702009.

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The life of women in Indonesia’s coastal areas tends to have limitations in accessing education. They are a minority group who often have to stay at home and do domestic work. The purpose of this paper is to explore the environmental issue, ecological, mixed with feminist criticism in Gadis Pesisir, a short story by Zainul Muttaqin. By defining the woman's minimum role in studying at the college and her desire to develop the coastal society, the author exposes the contrast between them, related to the coastal welfare and cultural conflicts between the gender relation and the spirit to advance

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Andi, Azhari. "VOICING LIBERATION OF WOMEN: QASIM AMIN AND ASMA BARLAS." Academic Journal of Islamic Principles and Philosophy 5, no. 1 (2024): 37–62. http://dx.doi.org/10.22515/ajipp.v5i1.9172.

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Does Islam advocate inequality? This question has been a concern of Muslim scholars in recent centuries, notably Qasim Amin and Asma Barlas. Hence, this paper aims to make a comparative study of Amin and Barlas’s thoughts on the liberation of women. The data will be analyzed through a descriptive-analytic approach. The analysis finds that Amin and Barlas have similarities and differences in voicing women's freedom. They criticize and reconstruct some concepts considered established within the Islamic tradition, such as hijāb and polygamy. They firmly oppose the established idea of hijab, which

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Khairi, Miftahul. "The Woman’s Images in William Wordsworth’s Poem." Jambura Journal of English Teaching and Literature 1, no. 1 (2020): 16–26. http://dx.doi.org/10.37905/jetl.v1i1.5363.

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Literature and woman’s images have a strong relationship, particularly in poetry. Some poets use the women as the main object of their works. This study explored the woman’s images in some Wordsworth’s poems; She was a Phantom of Delight, The Solitary Reaper and To a Highland Girl. Those poems could be represented of his works because woman’s figure is so strong and observable in there. New Criticism is the approach which is used in analyzing those poems. Hence, the outcome of this study is the interpretation of woman’s illustration purely in the Wordsworth’s poems. Consequently, this research

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Beal, Jane. "Laura Kalas, Margery Kempe’s Spiritual Medicine: Suffering, Transformation, and the Life-Course. Cambridge: D. S. Brewer, 2020, p. 252." Mediaevistik 34, no. 1 (2021): 502–4. http://dx.doi.org/10.3726/med.2021.01.135.

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Abstract: Laura Kalas, a faculty member at Swansea University and a specialist in medieval women’s literature, has produced a book squarely in the emerging tradition of medical humanities scholarship. It opens with two epigrams: a harsh, painful-yet-powerful poem from Sylvia Plath about a dead woman’s body, called “Edge,” which is immediately juxtaposed with the proverbial reassurance of Julian of Norwich, “al shal be wele, and al shall be wele, and all manner thing shal be wele.” From the beginning of this insightful volume, the reader has the sense that the book will be about a woman’s body

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Sriastuti, Anna. "A Quest on the Development of Feminism in America in Riding Freedom and Fingersmith." TEKNOSASTIK 21, no. 1 (2023): 50. http://dx.doi.org/10.33365/ts.v21i1.2425.

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The feminist movement in America is experiencing rapid development. The early feminist idea about woman's right to vote has developed on other issues, including sexuality and reproductive rights, ideas about universal femininity, the body, gender, and heteronormativity. In its development, feminism is sometimes associated with lesbianism. This linkage occurs because lesbian and feminist criticism grow in response to patriarchal oppression. Raised as an orphan, the two main female characters in Riding Freedom struggle to survive and achieve their freedom and happiness. Charlotte in Riding Freed

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Xie, Junyun. "Guarding, Waiting, Wisdom—the Analysis of Ada in Cold Mountain from the Perspective of Myth Criticism." International Journal of Education and Social Development 3, no. 3 (2025): 122–25. https://doi.org/10.54097/5erqmq16.

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Cold Mountain, as Charles Frazier’s first work, achieved great success immediately upon its publication and was hailed as an American Odyssey. This study employs Northrop Frye’s myth criticism to examine Ada Monroe, the female protagonist, as a modern reincarnation of Penelope in the Odyssey. Through analyzing Ada from the archetype of Penelope as the waiting figure, the homeland guardian, and the wise woman, this study demonstrates how Ada both perpetuates and transforms ancient mythic patterns so as to form a better understanding of her image and her further transformation into an independen

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Xiaoling Hu, Arbaayah bt Ali Termizi, and Florence Toh Haw Ching. "Rethinking Self-Discovery Through Ethical Choice in Han Suyin’s <i>The Mountain is Young</i>." Asiatic: IIUM Journal of English Language and Literature 19, no. 1 (2025): 115–28. https://doi.org/10.31436/asiatic.v19i1.3648.

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Han Suyin’s The Mountain is Young (1958) portrays the love story of a married Eurasian woman in Kathmandu. While the remarkable love story unfolds alongside the protagonist’s struggle against the rigid European colonial morality, many studies primarily focus on the woman’s self-discovery and spiritual awakening through romantic love, failing to explore the ethical implications behind her choices that lead to self-discovery. Nie Zhenzhao’s ethical literary criticism highlights that the ethical dilemmas and choices of characters influence their actions and the progression of plot within the lite

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Schneiders, Sandra M. "‘Because of the Woman's Testimony …’: Reexamining the Issue of Authorship in the Fourth Gospel." New Testament Studies 44, no. 4 (1998): 513–35. http://dx.doi.org/10.1017/s0028688500016702.

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This article combines historical, literary, theological, and feminist criticism to inquire into the identity of the Beloved Disciple (BD) in the Fourth Gospel attempting to mediate between the theory of the BD as pure literary construct and the BD as a single historical individual. It proposes that the BD is a textual paradigm of ideal discipleship which is realized diversely in several characters in the text. This has ramifications for the textual identity of the evangelist and of the foundational Easter witness of the Johannine community. It suggests that women were more significant in leade

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Natar, Asnath N. "PENGGUNAAN METAFORA TUBUH PEREMPUAN DALAM KITAB HOSEA." Jurnal Ledalero 15, no. 1 (2016): 134. http://dx.doi.org/10.31385/jl.v15i1.33.134-149.

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In a partriarchal society the what and the how of women and her body, is largely decided upon by males rather than by women themselves. Not infrequently a woman’s body is used to depict something negative, which not only results in no respect for a woman’s body, but can lead to violence against her. The Book of Hosea is a book that uses the woman and her body as a metaphor of the relationship between God and the people of Israel, where the woman and her body are depicted negatively. This article criticises the use of the woman and her body in the relationship between God and God’s people, and

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Cheung, Chris Yee Ping. "Leaving Home and Home Coming: A Young Woman's Journey to Adulthood." Journal of Sandplay Therapy 33, no. 1 (2024): 25–42. http://dx.doi.org/10.61711/jst.2024.33.1.855.

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This article describes the sandplay process and dream analysis of a young woman, age 16 through age 18. Due to lack of emotional attunement from parents, the client was constantly overwhelmed by her self-doubt and anxiety. Her parents' remark regarding showing emotions as "being crazy" added to the burden. She had introjected the criticism and projected it outside, seeing the world as persecutory. To avoid anxiety, she was stuck in her comfort zone, which also became her confinement. Unable to make sense of her feelings, part of her psyche was split off and stayed unconscious, until being trig

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Marleen Barr. "Deborah Norris Logan, Feminist Criticism, and Identity Theory: Interpreting A Woman's Diary Without The Danger of Separatism." Biography 8, no. 1 (1985): 12–24. http://dx.doi.org/10.1353/bio.2010.0500.

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A, Karthik. "Sangam Age War Traditions and the novel Velpari." International Research Journal of Tamil 4, S-13 (2022): 67–75. http://dx.doi.org/10.34256/irjt224s1310.

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War has been a part of the lives of the people of the Sangam age. They did not take war merely as a matter of speech, but they treated it in accordance with the rules. This article compares the war with the war traditions of the Sangam age, the war traditions mentioned by Tholkappiyar. And with the novel Velpari, written by S. Venkatesan. If a king wants to wage war against another country, he can wage war only according to the rules. First of all, through spies, they will know the condition of the enemy country and want to capture the wealth of the country, that is, cattle-lifting. Then they

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ORTA, Nermin. "RE-READING MUSTANG IN THE CONTEXT OF THE IDEOLOGICAL COMPONENTS OF NARRATIVE." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 617–34. http://dx.doi.org/10.7456/11102100/019.

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Representation of the female body has been one of the most emphasized issues in gender debates. To refrain from reproducing the patriarchal ideology, it is important to be careful with the distinction between the body being tabooed and covered or transformed into an object of consumption under the name of freedom. The sexualization and objectification of the female body has taken place in the historical process. In many products from works of art to mass media, the woman, who is a passive object in front of the man who is the active/subject, is presented to the consumption of the male gaze. In

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Henitiuk, Valerie. "Translating Woman: Reading the Female through the Male." Meta 44, no. 3 (2002): 469–84. http://dx.doi.org/10.7202/003045ar.

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Abstract Feminist literary criticism has argued that our understanding of literary paradigms, metaphors, and meaning in general is profoundly affected by the gender of both author and audience. Critics of this school posit that a woman's experience comprises unique perceptions and emotions, and that women and men do not inhabit an identical world, or at the very least do not view it identically, in that sexual difference as a social construct has implications for how one interprets as well as how one is interpreted. This article discusses the nature of the text/reader transaction, and the effe

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Jing, Yimei. "Janie's Spiritual Growth in Their Eyes Were Watching God: A Deconstruction Approach." International Journal of Education and Humanities 6, no. 2 (2022): 76–78. http://dx.doi.org/10.54097/ijeh.v6i2.3468.

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The woman image in Hurston's Their Eyes Were Watching God is vivid and forward-looking, which lays the foundation for feminism. Janie, the heroine of the novel, achieved spiritual growth by subverting the traditional female image in the male-dominated society. This essay will use Derrida's deconstructive criticism to subvert the binary opposition in the text-older members of a family deciding the marriage fate of the younger generation, the superiority of husband over wife and woman’s personal freedom depending on her marriage with a man, analyzing how the heroine deconstructs the traditional

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Shmeleva, Tatyana N. "Gender Stereotypes and Their Manifestations in Kate Chopin’s «Elizabeth Stock’s One Story»." Vestnik of Kostroma State University 27, no. 2 (2021): 156–59. http://dx.doi.org/10.34216/1998-0817-2021-27-2-156-159.

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The article deals with the peculiarities of gender stereotypes in Kate Chopin’s work «Elizabeth Stock’s One Story». The Feminist criticism statements aiming at the revealing of femininity manifestation in a text are analysed. Characteristic features marking «female writing» are given, among them besides specific woman’s life experience, gender identity and ecstatic communication with the world, peculiar «two voice» discourse is also distinguished (it traces its roots back to the Mikhail Bakhtin’s ideas about «someone else’s» word through the French poststructuralists). «Elizabeth Stock’s One S

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Peregrine, Rhys. "'No Place For Women'?: Reframing How Green Was My Valley as a Classic Hollywood Woman's Picture." Welsh History Review / Cylchgrawn Hanes Cymru 32, no. 1 (2024): 156–85. https://doi.org/10.16922/whr.32.1.6.

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While How Green Was My Valley has been the subject of much criticism, there has been little effort to explain why it was so popular with contemporary Welsh cinemagoers – including with the female film fans who probably represented the majority of its audience. Although the picture has been dismissed as an essentially masculine one, it had much to offer a female audience, whether it was romance, emotional catharsis, attractive costumes, or its timely discussions of gender roles. Cinemagoing was a vital activity for many women in Wales and it is worth exploring how this defining Welsh film might

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Ntamwana, Simon. "MEN’S SEXUAL TRAUMA RESISTANCE IN BLACK AMERICAN FOLKLORE: A POSTCOLONIAL CRITICISM OF NEGRO “WOMAN TALES”." International Journal of Humanity Studies (IJHS) 6, no. 2 (2023): 276–87. http://dx.doi.org/10.24071/ijhs.v6i2.5702.

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The purpose of this paper “Men’s Sexual Trauma Resistance in Black American Folklore: A Postcolonial Criticism of Negro “Woman Tales” from the Gulf States” was to discuss the reflection of postcolonial sexual trauma and resistance to it through storytelling among African Americans in the Gulf States. The study was concerned with 3 folktales classified under the cycle “Woman Tales”. The folktales were selected from the collection made by Zora Neale Hurston in the southern states of Alabama, Florida, and Louisiana from 1927 to 1930 and compiled in the book Every Tongue Got to confess: Negro Folk

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Behuniak-Long, Susan. "Justice Sandra Day O'Connor and the Power or Maternal Legal Thinking." Review of Politics 54, no. 3 (1992): 417–44. http://dx.doi.org/10.1017/s0034670500018246.

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Sandra Day O'Connor, the first woman on the United States Supreme Court, has been criticized by some for failing to bring a woman's perspective to the Court, and by others for acting too much like the stereotypical woman who cannot make up her mind. Both criticisms overlook the possibility that O'Connor's impact as a female is derived from the fact that she is promulgating a very specific jurisprudence—that of the feminine. However, it is in employing this jurisprudence that she undermines the potential for both a feminist jurisprudence and for a cohesive conservative bloc on the Court.

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Goering, P. N., W. J. Lancee, and S. J. J. Freeman. "Marital Support and Recovery from Depression." British Journal of Psychiatry 160, no. 1 (1992): 76–82. http://dx.doi.org/10.1192/bjp.160.1.76.

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A prospective study of 47 married women who met RDC for major depressive disorder investigated the relationship between the social support provided by the husbands and the post-hospital symptom course of the women. Separate taped semistructured interviews were held with the patient and husband at the time of admission. Six months later, symptom course was rated using the LIFE psychiatric status schedule. Only 51 % of the sample recovered in the six months. Few demographic or clinical factors were related to symptom course. Recovery was predicted by the depressed woman's ratings of the current

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Lubis, Agnes Sprakezia, Sovian Aritonang, Riri Murniati, Raditya Faradina, and Vishal R. Panse. "Using 3D design technology and a combination of carbon fiber and 16% HGM epoxy resin, female troops are wearing bulletproof vests." International Journal of Applied Mathematics, Sciences, and Technology for National Defense 2, no. 1 (2024): 19–28. http://dx.doi.org/10.58524/app.sci.def.v2i1.329.

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Women are becoming more active in the defense industry. Since the morphology of the female body differs from that of the male during military activities, it is required to modify personal protection equipment to accommodate the female body shape. According to a literature review, a survey of a sample of female soldiers from different nations revealed that they felt the impacts of breast soreness when running, as well as a sense of "distorted breasts" and breathing difficulties. The woman's petite frame and the bulky, hefty bulletproof jacket both draw criticism for their respective dimensions.

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Nyangweso, Mary. "Christ's Salvific Message and the Nandi Ritual of Female Circumcision." Theological Studies 63, no. 3 (2002): 579–600. http://dx.doi.org/10.1177/004056390206300307.

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[Female initiation rite is one of the many traditional practices found in some African communities. The many rituals during this time of initiation include female circumcision/female genital mutilation, a socially justified mark of maturation, dramatizing the break with childhood and incorporation into adulthood. This practice has received much criticism because of sexist, health, and human implications for woman's integrity. Christian missionaries to Africa condemned it as a barbaric practice, unnecessary for its believers. In spite of condemnations and various efforts to stop the practice, f

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S, Karthikeyan. "Thoughts of Awakening by Sivavakkiyar." International Research Journal of Tamil 4, S-5 (2022): 247–55. http://dx.doi.org/10.34256/irjt22s538.

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Intellectual thoughts and memories have existed in Tamil literary contexts from the very beginning. Moreover, the Siddha literature is full of criticism of superstitions, physical realism, anti-idolatry, anti-Manu, anti-false rituals, and encouragement of virtuous deeds. For the sake of simplicity, this article can analyze the rational ideas embodied in Sivavakkiyar's poems within the three categories of thought, word, and deed. The word "Dravidian" and its principles are not intended to scratch the feelings of the individual. It is a denunciation of slavery, the concentration of power, and su

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Ayres, John D. "The C. A. Lejeune Archive: Film Criticism for The Observer, The Sketch and Britain To-day." Journal of British Cinema and Television 22, no. 1 (2025): 76–97. https://doi.org/10.3366/jbctv.2025.0752.

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This article considers the means and styles with which film critic Caroline A. Lejeune (1897–1973) wrote for a multiplicity of journalistic outlets. Via reference to a newly acquired collection of her papers at the John Rylands Research Institute and Library, it examines how Lejeune reviewed selected films for The Observer newspaper, the illustrated society magazine The Sketch and the British Council propaganda periodical Britain To-day. Responding to the content of this archival holding, the article will pay specific attention to a series of reviews written for films such as Moulin Rouge, The

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Fellowes, Melanie G. "Commercial surrogacy in India: The presumption of adaptive preference formation, the possibility of autonomy and the persistence of exploitation." Medical Law International 17, no. 4 (2017): 249–72. http://dx.doi.org/10.1177/0968533217735145.

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India’s proposed 2016 Bill on the regulation of surrogacy is its latest attempt to respond to criticism regarding the lack of protection given to those entering into a commercial surrogacy arrangement. Adaptive preference theorists presume that a decision made in an oppressive environment, which is inconsistent with the woman’s well-being, is not autonomous and that she is therefore exploited. This article challenges this presumption, arguing that some decisions may be suspected as adaptive preferences but they may nevertheless be autonomous. However, it is contended that even if the choice is

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Vivian, Eleanor. "Human Reproduction and Infertility in the Hebrew Bible." Currents in Biblical Research 21, no. 1 (2022): 267–92. http://dx.doi.org/10.1177/1476993x221104182.

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Given the biblical imperative to humanity to “be fruitful and multiply” (Gen. 1.28; see also 9.1, 7; 35.11) and the fact that several biblical narratives hinge on a woman’s reproductive incapability (Gen. 16–18; 21; 25.21–34; 30.1–24; Judg. 13; 1 Sam. 1), it is not surprising that there are extensive studies of human reproduction and infertility. The emergence of feminist criticism in the 1970s–1990s led to a particular focus on the way in which the biblical texts present the contribution of women to the procreative process, and many studies analyze the barren woman motif. Yet the various meth

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Lumintang, Merlin Brenda Angeline. "Suara Sang Subaltern: Sebuah Narasi Autobiografi Perempuan Tanpa Nama dalam Hakim-hakim 19." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 5, no. 2 (2021): 261–77. http://dx.doi.org/10.30648/dun.v5i2.364.

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Abstract. This paper offers a postcolonial feminist reading of Levi’s concubine narration recorded in the Book of Judges 19 that focuses on the subaltern voice from Gayatri Spivak's thinking. It defines the subaltern as oppressed people who cannot speak on their own to represent themselves. This study was conducted by autobiographical criticism. Through auto-biographical narratives, the story is re-told through the nameless woman's point of view as the subaltern and it will reveal the narrative of her unspeakable suffering. The nameless woman's voice was claimed to be the voice that was cast b

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Chan, Janice. "An Examination and Analysis of the Historical Development of the Local Church Movement from an Asian Woman’s Perspective." Review of Religion and Chinese Society 11, no. 1 (2024): 17–30. https://doi.org/10.1163/22143955-12340024.

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Abstract An examination of the Local Church movement reveals that the major revivalists in the early twentieth century were predominantly women. Yet, most historical sources identify and honor only men as founders and label women as helpers. This has significantly impacted how the church remembers women’s contributions. Although the Local Church often attracts criticism from mainline Protestants because of its unique contextualized theology, members of the communities vigorously defend and advocate for their standpoints. An analysis of the Local Church’s theological development shows that its

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Ntamwana, Simon. "From Suspended to Emergent Woman, An African American Criticism of Zora Neale Hurston’s Their Eyes Were Watching God." Rubikon : Journal of Transnational American Studies 4, no. 2 (2019): 60. http://dx.doi.org/10.22146/rubikon.v4i2.47879.

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This paper discusses the rise of the woman from a downtrodden woman to an emergent subject through an assimilated subjugated woman in Zora Neale Hurston’s Their Eyes Were Watching God. It is based on the African American approach and Mary Helen Washington’s theory of black woman character types in African American literature. It aims at identifying the woman character types in the novel and discussing the woman’s ascension from her patriarchal suspension into her emergence as an independent woman. Anchored on the hypothetical contention that the woman arises from suspension to emergence throug

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Goddard, Chris. "Child abuse, systems abuse and media coverage: A tale of a young woman’s courage in Victoria’s Supreme Court." Children Australia 25, no. 3 (2000): 37–40. http://dx.doi.org/10.1017/s1035077200009834.

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The media play important roles in fighting child abuse at all levels. Reports of individual cases may be criticised as seeking to sensationalise, but in some circumstances the true horror of child abuse is missed or too terrible to report. A recent case in Victoria’s Supreme Court received prominent media coverage and led to demands that more be done to protect children in court proceedings.

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Yussupova, S. Sh. "THE DEBATE OF TURKISH THEOLOGIANS ON FEMINISM AND THE RENEWAL OF ISLAM." Bulletin of Kazakh National Women's Teacher Training University, no. 2 (June 30, 2022): 25–39. http://dx.doi.org/10.52512/2306-5079-2022-90-2-25-39.

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Intellectual debates about the status of women in Islam have been actively developing since the end of the 19th century, coinciding with the emergence of the first wave of feminism. However, the peak of the debate occurred in the 90s of the 20th century, when researchers from Iran, Egypt, Morocco, Turkey, as well as representatives of the Muslim diaspora in the West, such as Amina Wadud, Ziba Mir-Hosseini, Asma Barlas, etc., were prominent figures defenders of Islamic feminism. Despite the fact that Islamic feminism is one of the important trends of modern world Islamic thought, this phenomeno

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Al-Afghany, M. Mova, and Desty Anggie Mustika. "PRO KONTRA HADIRNYA UNDANG-UNDANG NOMOR 44 TAHUN 2008 TENTANG PORNOGRAFI DALAM KEHIDUPAN SOSIOLOGI MASYARAKAT." YUSTISI 8, no. 1 (2021): 45. http://dx.doi.org/10.32832/yustisi.v8i1.4685.

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<p class="16bIsiAbstrak"><em>One of the reasons that arise from the existence of the Pornography Law is considered to be more discriminatory against women and criminalizes women's bodies. One of them is Article 8 which states that anyone who deliberately makes himself an object or model of pornography can be punished. Indeed, this rule can be applied to men or women. However, in Indonesian society, in particular, the bodies most often exposed are women. What has considered pornography is a woman's body. That way, there will be many female dancers and female artists who will be crim

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Mehuza, Yolenta Oktovia, and Novita Dewi. "Decolonizing Gender Dynamics: Reclaiming Lawino’s Voice in Okot p’Bitek’s Song of Lawino." Indonesian Journal of English Language Studies (IJELS) 10, no. 2 (2024): 65–73. http://dx.doi.org/10.24071/ijels.v10i2.9129.

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Using Ngũgĩ wa Thiong’o’s decolonization theory, this article argues that Okot p’Bitek’s Song of Lawino reclaims African cultural voice and identity. Even though it is available in English, Song of Lawino is a kind of narrative poetry borrowed from the traditional Acholi song. This study uses contextual and stylistic analysis to show how p’Bitek’s poetry acts as a force for decolonization, advocates for cultural preservation, and addresses collective issues. Findings show that by satirizing African middle-class elites who adhere to Western values, the two chapters from Song of Lawino studied “

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