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Dissertationen zum Thema „Women authors“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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1

Homestead, Melissa J. "American women authors and literary property, 1822-1869 /." Cambridge : Cambridge university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb400550012.

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2

Gillis, Lesley. "The woman who gains : women's rights, women writers, and the periodical essay in Britain and the United States, 1850-1905." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38194.

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This dissertation examines the periodical essay as a site for women's political activity in the nineteenth century. I suggest that the essays and articles of well-known writers Fanny Fern, Marie Corelli, and Sarah Grand, and others who are less well-known, such as Ignota and Mary Livermore, together form a significant body of prose non-fiction that highlights women's active involvement in political debate. I focus primarily upon women's contributions to general-interest periodicals---where women were competing for space against a wider variety of male writers---rather than on ladies' magazines

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3

Sowinska, Suzanne. "American women writers and the radical agenda 1925-1940 /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/9328.

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4

Marching, Soe Tjen 1971. "Negotiating identity : Indonesian women's published autobiographies and unpublished diaries in the New Order." Monash University, Dept. of Asian Languages and Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/5825.

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5

Bowman, Gaillynn M. "Constance Cary Harrison, refugitta of Richmond : a nineteenth-century Southern woman writer's critically intriguing antislavery narrative strategy /." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=250.

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6

Doak, Naomi. "Assessing an absence : Ulster Protestant women authors 1900-1965." Thesis, University of Ulster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444474.

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7

Mooney, Susan. "Drawing bridges : publicprivate worlds in Russian women's fiction." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60561.

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This thesis questions how Russian women's identity is attached to the textual use of public/private spaces in contemporary literature by Russian women writers by drawing from feminist theories. I. Grekova and N. Baranskaia portray female protagonists in their everyday lives, public and private worlds overlapping. While these heroines create stable support systems with other women, male figures enter as interruptive forces in women's lives. Hospital settings in several works by Russian women allow comparisons between women's fictional hospital experiences and those of Muscovite women interviewe

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8

Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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9

Silcox, Heidi Mae-Marie. "The precocious mind : the intellectual development of Charlotte Perkins Gilman /." Read thesis online, 2010. http://library.uco.edu/UCOthesis/SilcoxHM2010.pdf.

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10

Daly-Galeano, Heather Marlowe. "Little Women, Mutable Authors: Louisa May Alcott and the Question of Authorship." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/223371.

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This project analyzes the ways that Louis May Alcott portrays authors in several texts, including Hospital Sketches (1863), "Enigmas" (1864), "Psyche's Art" (1868), Little Women (1868), A Modern Mephistopheles (1877), and Diana and Persis (1878). An examination of prevailing contemporary theories of authorship reveals that Alcott's interest in authorship (as shown through her experiences as a writer and the author figures she depicts within her writing) cannot be adequately analyzed under any of the existing theoretical frameworks because the theories neglect to consider markers of racial, se

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11

Spencer, Lynda Gichanda. "Writing women in Uganda and South Africa : emerging writers from post-repressive regimes." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86251.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The thesis examines how women writers from Uganda and South Africa simultaneously offer a critique of nationalist narratives and articulate a gendered nationalism. My focus will be on the new imaginings of women in and of the nation that are being produced through the narratives of emerging women writers in post-repressive nation-states. I explore the linkages in post-conflict writing by focusing on the literary representations of women and womanhood, while taking into account some of the differences in how these writers write

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12

Hussey, Nan. "Fragmentation and wholeness in the novels of Luisa Josefina Hernandez and Gerlind Reinshagen /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6665.

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13

Coleman, Julianna M. "Que cuenten las mujeres/Let the Women Speak: Translating Contemporary Female Ecuadorian Authors." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461344085.

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14

Kaufman, Anne Lee. "Shaping infinity American and Canadian women write a North American west /." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/173.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2003.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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15

Hadjitheodorou, Francisca. "Women speak the creative transformation of women in African literature /." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-08022006-130211/.

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16

Coles, Kimberly Anne. "Making sects : women as reformers, writers, and subjects in early Reformation England, 1534-1590." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273101.

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17

Fankhauser, Michelle Esther Alexander. "Booked "womanhood is too tightly bound to give me scope" /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Dissertations/Spring2010/m_fankhauser_050210.pdf.

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18

Brown, Sheree Mancini. "Conjuring Olympus: Defining Place for Women." Xavier University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352667500.

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19

Chin, Voon-sheong Grace, and 秦煥嫦. "Expressions of self/censorship: ambivalence and difference in Chinese women's prose writings from Malaysia andSingapore." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245237.

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20

Zhu, Aijun. "The cultural production of controversy feminism, women authors, and the mapping of China /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2495.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Comparative Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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21

Talahite, Anissa. "Race and gender in the novels of four contemporary southern African women authors." Thesis, University of Leeds, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277905.

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22

Blanchette, Annie. "Getting fuller-figured women in the picture : from stigmatised consumers to embodied authors." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/16117.

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Whilst the idealisation of extreme slenderness is widely recognised as a problematic issue, the negative portrayal of larger individuals is rarely criticised for its link with stigmatisation and problems with self-esteem. To the contrary, the representation of larger individuals in dehumanising terms – whether in news reports, advertising and research accounts – is generally regarded as a necessary means to encourage the pursuit of a ‘better’, ‘healthier’ self. However, these negative stereotypical portrayals – generally excluding the perspective and consent of those depicted – can also have a

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23

Marron, Rosalyn Mary. "Rewriting the nation : a comparative study of Welsh and Scottish women's fiction from the wilderness years to post-devolution." Thesis, University of South Wales, 2012. https://pure.southwales.ac.uk/en/studentthesis/rewriting-the-nation(acc79b10-cd63-48ee-b045-dabb5af2f77c).html.

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Since devolution there has been a wealth of stimulating and exciting literary works by Welsh and Scottish women writers, produced as the boundaries of nationality were being dismantled and ideas of nationhood transformed. This comparative study brings together, for the first time, Scottish and Welsh women writers’ literary responses to these historic political and cultural developments. Chapter one situates the thesis in a historical context and discusses some of the connections between Wales and Scotland in terms of their relationship with ‘Britain’ and England. Chapter two focuses on the the

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24

Kweon, Young. "The textual and imaginary world of Ho Kyongbon (1563-1589)." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19659.

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This thesis is a study of the Korean woman poet Ho Kyongbon (1563-1589) and her poetry. In it, I investigate Ho's two brothers' active involvement in her literary life, particularly her younger brother Ho Kyun's publication of her poetry collection, the Nansorhon chip and promotion of her literary works to Chinese scholars. I also examine late Ming and Qing anthologies which include Ho's poetry to disclose how late Ming and Qing scholars evaluated her poetry and represented her life. I argue that the attention these critics paid to Ho's literary works and talent reflected a blossoming of women

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25

Weekes, Ann Owens. "BEGINNING A TRADITION: IRISH WOMEN'S WRITING, 1800-1984 (EDGEWORTH, JOHNSTONE, KEANE, IRELAND)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183990.

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In search of an Irish women's literary tradition, this dissertation examines the fiction of Irish women writers from Maria Edgeworth in 1800 to Jennifer Johnston in 1984. Contemporary anthropological, psychoanalytical, and literary theory suggests that women, even those of different cultures, excluded from public life and limited to the domestic sphere, would develop similar interests. When these interests ran counter to those of the dominant group, the women would have had to develop a technique to simultaneously express and encode these interests and concerns. This technique in literature, a

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26

Queiros, Doralice Alves de. "Mulheres cordelistas : percepções do universo feminino na literatura de cordel /." Belo Horizonte : Faculdade de Letras da UFMG, 2006. http://www.bibliotecadigital.ufmg.br/dspace/bitstream/1843/ALDR-6WEK7J/1/disserta__o.pdf.

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27

Marsh, Rebecca Kirk. "Refiguring Milton in Virginia Woolf's A Room of One's Own." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2602.

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Since 1979 feminist scholars have misread key images in Virginia Woolf's 'A Room of One's Own'. They delineated the extended essay as a groundbreaking feminist polemic that advocates abolishing the literary patriarchy, expressing distain for John Milton as chief offender. Through rhetorical analysis and close readings of passages, there seems advocacy for change in patriarchial education and for opening of the literary canon to women.

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28

Davidson, Elizabeth Macleod. "Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.

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Despite the recent increase in scholarship on the subject of the female experience in exile, there is still much to be done. Exile scholars now have at their disposal an abundance of broad, general overviews of the circumstances and fates of displaced women writers, but a dearth of scholarship that considers specific literary works in an individualised fashion still exists. This is especially true of those female writers who have only recently been 'rediscovered', such as the three under discussion in this thesis. This thesis explores in detail the exile writings of Veza Canetti, Anna Gmeyner,

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29

McDaniels, Ivy. ""Beautiful external life to watch and ponder" : Katherine Mansfield confronting the material : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English /." ResearchArchive@Victoria e-Thesis, 2010. http://hdl.handle.net/10063/1295.

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30

Galliher, Debra L. (Debra Lee). "The Light Under." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500864/.

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A poet who is a woman and a theologian writes under three pressures, or a triple bind: individuality, spirituality, and society. The desires and drives of the ego and those of spirituality often conflict, and societal expectations which gender bestows add further stress to the poet's efforts. This constant struggle destroys some poets (Plath, Sexton) and renders silent many of the rest. The following collection of poems combats the silence in four progressive sections: The first is an introductory essay which further discusses the triple bind; the second, "Between Two," illustrates spiritual r

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31

Naidu, Sam. "Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012941.

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This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates,

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32

Lister, Katie. "Equal at the Round Table : women authors and the early nineteenth-century Arthurian revival." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.590301.

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This research assesses the significance and distinctiveness of the work of four women writers of Arthurian literature in the early nineteenth century: Anne Bannerman, Louisa Stuart Costello, Letitia Elizabeth Landon and Dinah Maria Mulock Craik. This is a relatively unexplored field of study, though pioneering critics such Alan Lupack and Barbara Tepa Lupack's have done much to expose the impressive literary contributions female authors have made to Arthuriana and the paucity of critical attention they have received in Arthurian Literature by Women (1999). While I use the Lupacks' work as a st

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33

Marais, Marcia Helena. ""Passing women": gender and hybridity in the fiction of three female South African authors." Thesis, University of the Western Cape, 2012. http://hdl.handle.net/11394/3696.

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A key aim of this study is to shed light on the representation of coloured women with reference to racial passing, using fictive characters depicted in Sarah Gertrude Millin’s (1924) God’s Stepchildren,Zoë Wicomb’s (2006) Playing in the Light, and Pat Stamatélos’s (2005) Kroes, as presented by these three racially distinct female South African authors.Since I propose that literature provides a link between a subjective history and the under-represented narratives from the margins, I use literature to reimagine these. I analyse the ways in which the authors present ‘hybrid’ identities within th

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34

Eley, Dikeita N. "Color (Sub)Conscious: African American Women, Authors, and the Color Line in Their Literature." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1486.

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Color (sub)Conscious explores the African American female's experience with colorism. Divided into three distinct sections. The first section is a literary analysis of such works as Toni Morrison's The Bluest Eye, Gloria Naylor's The Women of Brewster Place, Maya Angelou's I Know Why the Caged Bird Sings and Alice Walker's "If the Present Looks Like the Past, What Does the Future Look Like?" an essay from her collection In Search of Our Mothers' Gardens. The second section is a research project based on data gathered from 12 African American females willing to share their own experiences and i

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35

Dorr, Priscilla Diaz. "Anna Kavan: a critical introduction /." Access abstract and link to full text, 1988. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8811006.

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36

Yamamoto, Traise. "Writing "that other, private self" : the construction of Japanese American female subjectivity /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9436.

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37

McConnell, Carolyn D'Eath. "From La folle du logis to La femme dans sa loge : Rachilde, Colette and strategies of gender and authorship /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008390.

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38

Stretton, Tim. "In sickness and in health : English medical authors changing perceptions of women and women patients from Saxon times until 1650 /." Title page, contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09AR/09ars9158.pdf.

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39

Ng, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.

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40

Trainor, Kim. "Feminist poetics from écriture féminine to The pink guitar." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84683.

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This dissertation offers the first full-length study of five feminist writing practices developed between May 1968 and the publication of Rachel Blau DuPlessis's The Pink Guitar in 1990: ecriture feminine (Helene Cixous), ecriture au feminin/writing in the feminine (Nicole Brossard, Daphne Marlatt, Lola Lemire Tostevin), lesbian/political writing (Monique Wittig), innecriture (Trinh T. Minh-ha), and writing as feminist practice (DuPlessis). These share what I call a feminist poetics; I develop the concept of "sympathy" (the transmission of symptoms from one body to the next) to explain

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41

Seminet, Georgia Smith. "Redefining nation : space and desire in contemporary Mexican women's writing /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992909.

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42

Safran, Morri. ""Unsex'd" texts : history, hypertext and romantic women writers /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3026209.

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43

Ahmad, Ebtehal A. "Women's bodies in dramatic confrontations with patriarchal logic : the representation of violence against the female body in contemporary drama by women." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1266037.

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In this study, I examine the dramatization of violence against the female body in contemporary drama by women and the purpose behind their representational approaches. I concentrate on the representation of three types that I consider inclusive of other minor forms of violence: the political, the medical, and the social violations of the female body. In chapter one, I study the dramatic representation of political violence against women as their bodies become ideological expressions of their lands. This chapter analyzes Suzan-Lori Parks' Venus and Naomi Wallace's In the Heart of America. These

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44

Rex, Cathy Wyss Hilary E. "Indianness and womanhood textualizing the female American self /." Auburn, Ala, 2008. http://repo.lib.auburn.edu/EtdRoot/2008/SUMMER/English/Dissertation/Rex_Cathy_12.pdf.

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45

Swartzendruber, Rachel D. "Discovering voices among peculiar quietness: an analysis of U.S. Mennonite women’s rhetoric in the church press 1963-1977." Thesis, Wichita State University, 2006. http://hdl.handle.net/10057/381.

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This research is a quantitative content analysis and qualitative rhetorical analysis of U.S. Mennonite women’s rhetoric in two prominent Mennonite publications, The Gospel Herald and The Mennonite, between 1963 and 1977. During this time period 150,000 Mennonites considered themselves members of the church. The context of each paper was identified through content analysis Women who chose to submit articles to the church press faced enormous obstacles when promoting gender equality. Gender equality was a direct challenge to Mennonite’s traditional view of "divine order," which is a hierarchy of

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46

Maldon, Justine Antonia. "Escaping 'the fetters of custom' : Victorian women in Florence 1825-1875 /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0071.

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47

Wyatt, Gina E. "The portrayal of black men and black women in selected works of selected black authors." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1988. http://digitalcommons.auctr.edu/dissertations/344.

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Black male and female authors have been known to place black men and black women in stereotypical roles. Black male authors usually depict black women as weak and uneducated while black female authors illustrate black men to be users, abusers, drug addicts and uneducated individuals. The negative depictions are believed to have come about as a result of slavery. There has been strong criticism by black men and women in the way we depict each other in literature. Eight books by black male and female authors have been selected in order to fairly review how they portray each other in their litera

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48

Ada, Jessica. "Taproot Thinking| Exploring Third Spaces in Pedagogy, Educational Environments, and Literature by Diverse Women Authors." Thesis, Prescott College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118731.

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<p> Stories are a form of identification and connection for human beings—connection to each other, nature, animals, landscapes (both internal and external), and the spiritual world. Whether through oral storytelling, song, the use of art, or the formal writing of literature, stories create a third space, that in-between space, where voice, identity, and place can be discovered. Stories create that third space where women, nature, and those affected by patriarchy, colonization, oppression, discrimination, can find connection and discover a path to a voice and a place. This is an important

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49

Balic, Iva Foertsch Jacqueline. "Always painting the future utopian desire and the women's movement in selected works by United States female writers at the turn of the twentieth century /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-11060.

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50

Coleman, Susanna Roozen Kevin Roger. ""A real reflection of how I write" young adult female authors seizing agency through fan fiction /." Auburn, Ala, 2008. http://repo.lib.auburn.edu/EtdRoot/2008/SPRING/English/Thesis/Coleman_Susanna_29.pdf.

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