Auswahl der wissenschaftlichen Literatur zum Thema „Women journalists – Connecticut – Fiction“

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Zeitschriftenartikel zum Thema "Women journalists – Connecticut – Fiction"

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Kale, Verna. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880?1930." Journal of Popular Culture 40, no. 2 (2007): 388–89. http://dx.doi.org/10.1111/j.1540-5931.2007.00390.x.

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Plummer, Hunter. "“Like Home”: Gerrymandering the Physical Public Sphere in Female Journalist Narratives." Journal of the Gilded Age and Progressive Era 23, no. 1 (2024): 84–101. http://dx.doi.org/10.1017/s1537781423000385.

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AbstractThe cultural figure of the female journalist most clearly embodies the opportunities given to, and the anxieties caused by, the period’s working women. As writers, they fought for rhetorical space in the pages of newspapers and periodicals, and as women, they faced social pressure to avoid the male-dominated physical public sphere or move within it under specific conditions. Even the increasing number of female journalists at the turn of the century could not guarantee their place within the newsroom itself, let alone the world beyond its walls. Instead, their struggle to stake a claim
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Gwyneth Mellinger. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." American Studies 48, no. 1 (2010): 157–58. http://dx.doi.org/10.1353/ams.0.0096.

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Abbey Zink. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." Legacy 25, no. 2 (2008): 347–48. http://dx.doi.org/10.1353/leg.0.0048.

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Wiener, Joel H. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930 (review)." Modernism/modernity 15, no. 4 (2008): 826–28. http://dx.doi.org/10.1353/mod.0.0044.

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Hill, Lorna. "Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre." American, British and Canadian Studies Journal 28, no. 1 (2017): 52–71. http://dx.doi.org/10.1515/abcsj-2017-0004.

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Abstract This study will explore the role of female authors in contemporary Scottish crime fiction. Over the past thirty years, women writers have overhauled the traditionally male dominated genre of crime fiction by writing about strong female characters who drive the plot and solve the crimes. Authors including Val McDermid, Denise Mina and Lin Anderson are just a few of the women who have challenged the expectation of gender and genre. By setting their novels in contemporary society they reflect a range of social and political issues through the lens of a female protagonist. By closely exam
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Kleberg, Madeleine. "Feminism och genus i svensk medieforskning." Tidskrift för genusvetenskap 24, no. 2 (2022): 7–28. http://dx.doi.org/10.55870/tgv.v24i2.4150.

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This artide is an overview of feminist or gender perspectives within Swedish media research during the last ten to fifteen years. Books and contributions to anthologies are described and the research sorted into two categories, populär culture within media and journalism. Although this categorisation is to be questioned due to blurred boundaries of fact and fiction in media, it is useful in an overview in order to avoid the risk of neglecting one orthe otherfield. One can conclude that feministic or gender oriented research about populär culture in the media is mostly dealing with the content
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Edelstein, S. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880-1930; The Female Investigator in Literature, Film, and Popular Culture." American Literature 79, no. 4 (2007): 847–49. http://dx.doi.org/10.1215/00029831-2007-052.

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DuRose, Lisa. "How to Seduce a Working Girl: Vaudevillian Entertainment in American Working–Class Fiction 1890–1925." Prospects 24 (October 1999): 377–91. http://dx.doi.org/10.1017/s0361233300000429.

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“The city,” Theodore Dreiser explains at the beginning of Sister Carrie, “has its cunning wiles, no less than the infinitely smaller and more human tempter. There are larger forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the pervasive light in a wooing and fascinating eye” (1). Dreiser's description here echoes many early 20th-century writers' anxieties about the rise of the modern city — from social reformers like Jane Addams and Jacob Riis to journalists and novelists as varied as Stephen
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Gottlieb, Agnes Hooper. "Front-Page Girls: Women Journalists in American Culture and Fiction, 1880–1930 by Jean Marie Lutes Ithaca, NY: Cornell University Press, 2006, 226 pp." American Journalism 24, no. 1 (2007): 116–18. http://dx.doi.org/10.1080/08821127.2007.10678055.

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Bücher zum Thema "Women journalists – Connecticut – Fiction"

1

Danielle, Steel. Bittersweet. Bantam Press, 1999.

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2

Exposé. MIRA Books, 1999.

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3

Olson, Karen E. Secondhand smoke. Mysterious Press, 2006.

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Olson, Karen E. Secondhand Smoke. Grand Central Publishing, 2006.

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Wormer, Laura Van. Mr. Murder. Mira, 2006.

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6

Clark, Mary Higgins. We'll meet again. Simon & Schuster, 1999.

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Clark, Mary Higgins. We'll meet again. Pocket, 2000.

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Clark, Mary Higgins. We'll meet again. Doubleday Book Clubs, 1999.

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9

Clark, Mary Higgins. My eshche vstretimsi︠a︡ s toboĭ: Golovolomnyĭ detektiv. "ĖKSMO", 2005.

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10

Clark, Mary Higgins. We'll meet again. Simon & Schuster, 1999.

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