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Thematische Bibliographien / Wonder Woman 1984 / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Wonder Woman 1984“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Lie, Jesslyn Quaneisha, Nathanael Raditya Putra Satriyo, Gabriel Andrea Ricky, and Caesar Allie Sihaloho. "Redefining Feminine Strength and Vulnerability: A Gender Performative Analysis of Wonder Woman 1984 (2020) Movie." BOANERGES: Makarios Education Journal 2, no. 1 (2024): 87–95. https://doi.org/10.5281/zenodo.13805645.

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This study investigates the critical issue in Wonder Woman (1984) in feminist perspective, by using Judith Butler’s (1990) theory of gender performativity. The movie explores the interconnectedness of feminine strength and vulnerability, traditional gender roles, and the theme of power and agency. Diana Prince’s journey reflects the societal pressure on women to embody both strength and emotional complexity, while Barbara Minerva’s transformation into Cheetah represents the internalization of masculine ideals of power. As the results: 1) The movie demonstrates that feminine s

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Molur, Sanjay. "Wildlife’s Wonder Woman—Sally Raulston Walker (12 October 1944–22 August 2019)." Journal of Threatened Taxa 11, no. 10 (2019): 14247–48. http://dx.doi.org/10.11609/jott.5360.11.10.14247-14248.

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Ormrod, Joan. "The Secret History of Wonder Woman by Jill Lepore, and: Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941–1948 by Noah Berlatsky." Cinema Journal 55, no. 1 (2015): 187–92. http://dx.doi.org/10.1353/cj.2015.0074.

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Patton, Brian. "Wonder Woman: bondage and feminism in the Marston/Peter comics, 1941–1948, by Noah Berlatsky." Journal of Graphic Novels and Comics 7, no. 2 (2015): 223–24. http://dx.doi.org/10.1080/21504857.2015.1060623.

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Poolsawat, S. S., and C. A. Huerta. "Acetaminophen: Abortifacient and embryocidal action." Proceedings, annual meeting, Electron Microscopy Society of America 44 (August 1986): 130–31. http://dx.doi.org/10.1017/s0424820100142293.

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Introduction. Chemical toxicity in the U.S. affects approximately 40% of the nation's 80 million workers who are exposed to toxic chemicals on a full or part-time bases. In 1980, about 40% of this workforce was comprised of women of childbearing ages. Considering such figure of a large number of women exposed to chemical toxins, it is a wonder that we have not had an epidemic of birth defects and organ abnormalities. A study has pointed that about 40% to 50% of all conceptions are eliminated before week 20 of gestation by way of a safety mechanism which helps to reduce the number of birth defe

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Graham, A. J. "The Woman at the Window: Observations on the ‘Stele from the Harbour’ of Thasos." Journal of Hellenic Studies 118 (November 1998): 22–40. http://dx.doi.org/10.2307/632229.

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The stele from the harbour (‘la stèle du port’) of Thasos, SEG xlii.785, has been so named because it was dredged up from the small fishing harbour on 13 June, 1984. The inscription is of the greatest importance for Thasian epigraphy and dialect as well as for its contents, and has been amply published by H. Duchêne. While the stele of Thasian marble is preserved complete, the inscribed surface has suffered much from the effects of its immersion in the sea. The lower part is well preserved, and from line 42 to the end (49) there is no problem in reading the letters on the stone. Above that, it

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Sommer, Carol. "I think I’m happy, she thought, but am I real?" Journal of Writing in Creative Practice 13, no. 1 (2020): 111–16. http://dx.doi.org/10.1386/jwcp.13.1.111_3.

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I am interested in the possibilities of redressing the absence of feminine subjectivity in the discourses surrounding Iris Murdoch’s philosophical and fictional writing. @cartography_for_girls is an Instagram account set up to share some of the expressions of feminine subjectivity sourced from within Murdoch’s 26 novels, originally published between 1954 and 1995. Murdoch’s incorporation of her particular metaphysical thinking into the reflections, deliberations and doubts of her fictional women characters made me wonder how these philosophically loaded impressions might fare on the affect- an

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Hollinger, Veronica. "The Vampire and the Alien: Variations on the Outsider." Science Fiction Studies 16, Part 2 (1989): 145–60. https://doi.org/10.1525/sfs.16.2.145.

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While SF often evokes in its readers a proverbial “sense of wonder,” it also works to “domesticate” narrative elements which, in different generic contexts, would be considered fantastic. In this essay, I examine the domestication of the figure of the vampire through its introduction into SF narratives. I analyze two texts in particular: Colin Wilson’s The Space Vampires (1976) and Jody Scott’s I, Vampire (1984). Each, in its own way, is a rewriting, and thus, to some extent, a parody, of Bram Stoker’s Dracula. However, it is interesting to note the degree to which the compliance of The Space

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Péronnet, Amandine. "Embodying Legacy by Pursuing Asymmetry: Pushou Temple and Female Monastics’ Ordinations in Contemporary China." Religions 13, no. 10 (2022): 1001. http://dx.doi.org/10.3390/rel13101001.

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This paper focuses on ordination procedures specific to women in Chinese Buddhism, and on the positions adopted by bhikṣuṇīs regarding the procedures’ asymmetrical nature in contemporary China. Dual ordinations, according to which aspiring bhikṣuṇīs must present themselves in front of both an assembly of fully ordained nuns and of monks in order to be “properly” ordained, were restored by Longlian (隆莲 1909–2006) in 1982. Śikṣamāṇā ordinations, which postulate that women should train for an additional two years before receiving full ordination when their male counterparts do not have to, have a

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Rishmawi, George. "Islam and Muslims in Byron's The Gorsair." International Journal of Arabic-English Studies 1, no. 2 (2000): 299–312. http://dx.doi.org/10.33806/ijaes2000.1.2.6.

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"The right shading for the god, the right shading for the gnon:e." Light imagery becomes for Willa Cather an effective device for revealing and enhancing the personalities, qualities, and moods of her characters. Light imagery operates in seemingly limitless ways to make her characters come to life within the novels. It is as if, like a painter, she realized the absolute necessity of light for creating the emotional dimension in her characters, for, as Ralph Evans (1984) observes, "if a picture is painted purely in its local colours without regard to light and shade and the characteristic qual

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Porter, Deborah, Joanna McClelland Glass, Cynthia Zimmerman, Norm Foster, and Susan Bennett. "Flowers & No More Medea; If We Are Women; Taking the Stage: Selections from Plays by Canadian Women; Wanna Play? Three Plays for High School.; Wrong for Each Other." Canadian Theatre Review 83 (June 1995): 77–80. http://dx.doi.org/10.3138/ctr.83.019.

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The review of these five recent publications by Playwrights Canada Press presents a double opportunity: an assessment of this press’s contribution to Canadian theatre and drama, and a chance to offer some general comments about the state of the art, as it were, in the middle of the 1990s, Playwrights Union of Canada had its origin in a small group formed on the Gaspe Peninsula in 1971, soon after receiving Canada Council support to establish a resource centre for Canadian playwriting. As the activities of this playwrights’ co-op developed and expanded, it was officially incorporated in 1979 as

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Neijmann, Daisy L. "‘Girl Interrupting’: History and Art as Clairvoyance in the Fiction of Vigdís Grímsdóttir." Scandinavian-Canadian Studies 17 (December 1, 2007): 54–68. http://dx.doi.org/10.29173/scancan22.

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ABSTRACT: The year 1980 marks a distinctive change and exciting renewal in the general development of post-war Icelandic fiction. An obsessive preoccupation with rural nostalgia and urban malaise gradually gives way to a decidedly anti-realist fiction which celebrates the wonders of everyday day life in the city. The term magical realism is often used in this context, and indeed, there can be little doubt that the Icelandic translation of Gabriel Garcia Marquez’s One Hundred Years of Solitude in 1978 constituted an important influence on writers during this period. One contemporary Icelandic a

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Krivulskaya, Suzanna. "The Itinerant Passions of Protestant Pastors: Ministerial Elopement Scandals in the Gilded Age and Progressive Era Press." Journal of the Gilded Age and Progressive Era 19, no. 1 (2019): 77–95. http://dx.doi.org/10.1017/s1537781419000458.

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AbstractBetween 1870 and 1914, at least 266 Protestant ministers abandoned their posts, left their homes and families, and eloped with women who were not their wives. As critics of religion used these elopement scandals to discredit American Protestantism, those sympathetic to religion's hold on American morality attempted to dissuade the press from indulging in the sensational. Though initially hesitant to report on Protestant pastors' immoralities in this period, the press eventually came to an almost universal acceptance of scandal as a legitimate journalistic genre. As the public wondered

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Phillips, John. "The Repressed Feminine: Nathalie Sarraute's Elle est là." Theatre Research International 23, no. 3 (1998): 275–82. http://dx.doi.org/10.1017/s0307883300020058.

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Nathalie Sarraute has written six plays over a period of some fifteen years (1967–82). Her latest play, Pour un oui ou pour un non, was first performed in 1982. Given their relative success, however, one is forced to wonder why she has not continued to write for the theatre (though, since 1982, she has published four major works of narrative, Enfance, Tu ne t'aimes pas, Ici and Ouvrez). When I put this question to Nathalie Sarraute in October 1996, at the Institut Français in London, she replied that she had ‘found more amusing things to do’. Her failure to answer the question directly perhaps

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Paul, Abhra, and Vidya Sarveswaran. "Poisoned Grounds: Toxic Discourse in Barbara Kingsolver’s Fiction and Nonfiction." Hungarian Journal of English and American Studies 30, no. 2 (2024): 404–24. http://dx.doi.org/10.2478/hjeas/2024/30/2/8.

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Abstract In his Writing for an Endangered World (2001), Lawrence Buell coins and defines the term “toxic discourse” as “anxiety arising from the perceived threat of environmental hazard due to chemical modification by the human agency” (31). Buell’s concept of toxic discourse offers a framework and four topoi: “the shock of awakened perception,” “a world without refuge from toxic penetration,” “the threat of hegemonic oppression,” and “gothicization” (35–42). Following this line of thought, the present paper addresses the intersection between ecocriticism and toxic discourse. Then it proceeds

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Kimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England." Nineteenth-Century Music Review 4, no. 1 (2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.

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In art, literature, theatre and music, Victorians demonstrated increased interest in the supernatural and nostalgia for a lost mythic time, a response to rapid technological change and increased urbanization. Romanticism generated a new regard for Shakespeare, also fuelled by British nationalism. The immortal bard's plays began to receive theatrical performances that more accurately presented their original texts, partially remedying the mutilations of the previous century. The so-called ‘fairy’ plays, A Midsummer Night's Dream and The Tempest, were also popular subjects for fairy paintings, s

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Hermansson, Gunilla. "À Propos Rosa Luxemburg." Tidskrift för litteraturvetenskap 46, no. 3-4 (2016): 5–24. http://dx.doi.org/10.54797/tfl.v46i3-4.8731.

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Apropos Rosa Luxemburg: Nordic Modernists Negotiate the Borders of Revolution and the Avant-Garde Staging oneself as an avant-garde or modernist writer during the inter-war period involved precarious negotiations between national, regional (in this case the Nordic) and international roles and positions, and involved questions of import and influence. But these questions were also influenced by the notion that avant-garde art and aesthetics depended on violence, a violence which was more often than not encoded as masculine. For this reason, literary images of the female revolutionary are

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Li, Yanping, An Pan, Dong D. Wang, et al. "Impact of Healthy Lifestyle Factors on Life Expectancies in the US Population." Circulation 138, no. 4 (2018): 345–55. http://dx.doi.org/10.1161/circulationaha.117.032047.

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Background: Americans have a shorter life expectancy compared with residents of almost all other high-income countries. We aim to estimate the impact of lifestyle factors on premature mortality and life expectancy in the US population. Methods: Using data from the Nurses’ Health Study (1980–2014; n=78 865) and the Health Professionals Follow-up Study (1986–2014, n=44 354), we defined 5 low-risk lifestyle factors as never smoking, body mass index of 18.5 to 24.9 kg/m 2 , ≥30 min/d of moderate to vigorous physical activity, moderate alcohol intake, and a high diet quality score (upper 40%), and

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Y, Obadiah S., Usman DD, and Akwa VY. "Assessment of the Prevalence of Hepatitis B Virus Co-Infection and Its Risk Factors Among Pregnant Women Attending Antenatal Clinics in Jaling and Takum Local Government, Taraba State, Nigeria." International Journal of Research and Review 10, no. 11 (2023): 537–54. http://dx.doi.org/10.52403/ijrr.20231162.

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Hepatitis B Virus (HBV) infections are co-endemic throughout most of the tropical and sub-Saharan Africa and both present a major threat to public health. This study was conducted to determine the prevalence of Hepatitis B Virus co-infection in pregnant women attending antenatal clinics in Jalingo and Takum Local government Areas, Taraba State, Nigeria. The study was conducted in Jalingo and Takum Local Governments Areas between September 2018 to December 2018.A total of five hundred and twenty (520) pregnant women were screened on antenatal day. Hepatitis B surface antigen (HBsAg), test was c

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Wienberg, Jes. "Kanon og glemsel – Arkæologiens mindesmærker." Kuml 56, no. 56 (2007): 237–82. http://dx.doi.org/10.7146/kuml.v56i56.24683.

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Canon and oblivion. The memorials of archaeologyThe article takes its point of departure in the sun chariot; the find itself and its find site at Trundholm bog where it was discovered in 1902. The famous sun chariot, now at the National Museum in Copenhagen, is a national treasure included in the Danish “Cultural Canon” and “History Canon”.The find site itself has alternated between experiencing intense attention and oblivion. A monument was erected in 1925; a new monument was then created in 1962 and later moved in 2002. The event of 1962 was followed by ceremonies, speeches and songs, and a

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Kirkpatrick, Helen Beryl, Jennifer Brasch, Jacky Chan, and Shaminderjot Singh Kang. "A Narrative Web-Based Study of Reasons To Go On Living after a Suicide Attempt: Positive Impacts of the Mental Health System." Journal of Mental Health and Addiction Nursing 1, no. 1 (2017): e3-e9. http://dx.doi.org/10.22374/jmhan.v1i1.10.

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Background and Objective: Suicide attempts are 10-20X more common than completed suicide and an important risk factor for death by suicide, yet most people who attempt suicide do not die by suicide. The process of recovering after a suicide attempt has not been well studied. The Reasons to go on Living (RTGOL) Project, a narrative web-based study, focuses on experiences of people who have attempted suicide and made the decision to go on living, a process not well studied. Narrative research is ideally suited to understanding personal experiences critical to recovery following a suicide attempt

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Killian, Kyle D. "Wonder Woman 1984: Wish Fulfillment and Reasonable Expectations." Journal of Feminist Family Therapy, February 26, 2021, 1–3. http://dx.doi.org/10.1080/08952833.2021.1890323.

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Farrell, Thomas J. "Young Lynda Carter as Wonder Woman, and Walter J. Ong’s Thought." New Explorations 4, no. 2 (2024). https://doi.org/10.7202/1115379ar.

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In the first part of my article, I discuss the beautiful young Lynda Carter (born in 1951) who played Wonder Woman in the Wonder Woman television series (1976-1979). As I watched the beautiful young Lynda Carter in her wonderfully revealing Wonder Woman costume, I responded to her beauty by projecting the optimal and positive form of the feminine Lover archetype in my psyche onto her, thereby making her beauty appear more attractive to me. In the second part of my article, I discuss the work of the American Jesuit Renaissance specialist and cultural historian and pioneering media ecology theor

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"Wonder Woman: bondage and feminism in the Marston/Peter comics, 1941-1948." Choice Reviews Online 52, no. 10 (2015): 52–5150. http://dx.doi.org/10.5860/choice.190011.

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Jackson, Cia. "A Review of Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941–1948." Comics Grid: Journal of Comics Scholarship 5, no. 1 (2015). http://dx.doi.org/10.5334/cg.be.

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Carter, Derrais. "Black Wax(ing): On Gil Scott-Heron and the Walking Interlude." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1453.

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The film opens in an unidentified wax museum. The camera pans from right to left, zooming in on key Black historical figures who have been memorialized in wax. W.E.B. Du Bois, Marian Anderson, Booker T. Washington, Frederick Douglass, and Duke Ellington stand out. The final wax figure, a Black man, sits with an empty card box in his right hand and a lit cigarette in his left. The film’s narrator appears: a slim, afroed Black man. He sits to the right of the figure. The only living person in a room full of bodies, he reaches over to grab the cigarette. To his inanimate companion he nonchalantly

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-, Dr Sanjay P. Lalani. "Bold and Beautiful Memoir, Kaghazi Hai Pairahan by Ismat Chugtai." International Journal For Multidisciplinary Research 2, no. 5 (2020). http://dx.doi.org/10.36948/ijfmr.2020.v02i05.11962.

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This paper throws light on Ismat Chugtai as a creative and innovative writer who gives a new direction to Urdu literature. In her memoir, A Life in Words: Memoirs is originally written in Urdu entitle Kaghazi Hai Pairahan and translated by M. Assaduddin described the position of Muslim women of her society of Uttar Pradesh, India. She fights against patriarchy and cultural norms to get an education and has described the discrimination showed towards girls’ education. In this unfinished memoir, she narrates different facets of a woman’s life. She also describes her doom days when Lahore court i

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Agha, Menna, and Els DeVos. "Liminal Publics, Marginal Resistance." IDEA JOURNAL, December 12, 2017, 88–101. http://dx.doi.org/10.37113/ideaj.vi0.12.

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In 1964, indigenous Nubians were displaced from their original land – the land between what is now Egypt and that of Sudan – to modernised settlements built by the Egyptian state. The Nubians dissatisfaction with the novel built environment translated into transgressive public spaces. One of the most common transgressions was the addition of an external bench called Mastaba. Since power relations between men and women have changed, the built environment now acts as a catalyst in the exclusion of women from formal public spaces such as conventional coffee shops and squares. Mastabas function as

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SCHARAGRODSKY, PABLO ARIEL, and PABLO KOPELOVICH. "PHYSICAL EDUCATION, FEMNITIES AND UNIFORMS. THE CASE OF THE DEPARTAMENTO DE CULTURA FÍSICA (1929-1946) OF THE UNIVERSIDAD NACIONAL DE LA PLATA (ARGENTINE)." Educação em Revista 39 (2023). http://dx.doi.org/10.1590/0102-469838726t.

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ABSTRACT: We investigate the construction of femininities from the use of uniforms for Physical Education classes. For this, we base ourselves on the case of the Department of Physical Culture, an institution that existed between 1929 and 1946, of the National University of La Plata (Buenos Aires, Argentina). We wonder about how and why the Physical Education uniforms contributed to gendering and sexualizing the bodies of female students. We build three periods from the mandatory establishment of female uniforms for Gymnastics classes: 1929-1934, 1935-1939, and 1940-1946. This use was due to t

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Crooks, Juliette. "Recreating Prometheus." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1926.

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Prometheus, chained to a rock, having his liver pecked out by a great bird only for the organ to grow back again each night so that the torture may be repeated afresh the next day must be the quintessential image of masculinity in crisis. This paper will consider Promethean myth and the issues it raises regarding 'creation' including: the role of creator, the relationship between creator and created, the usurping of maternal (creative) power by patriarchy and, not least, the offering of an experimental model in which masculine identity can be recreated. I argue that Promethean myth raises sign

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Holden, Todd Joseph Miles. "The Evolution of Desire in Advertising." M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1773.

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She's the dollars, she's my protection; she's a promise, in the year of election. Sister, I can't let you go; I'm like a preacher, stealing hearts at a traveling show. For love or money, money, money... Desire -- U2, "Desire" (1988) For the love of money. In the worship of things. Desire has traditionally been employed by advertising as a means of selling product. Regardless of culture, more powerful than context, desire is invoked as one of capitalism's iron-clad codes of quality. The Uses of Desire in Advertising Specifically, two variants have been most common. That in which desire is: (1)

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C.Foley, Patricia. ""That All May Be One"." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1924.

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In the 1980's, I was privileged to attend the profession ceremony of my sister into the Catholic Sisters of St. Joseph (SSJ). She entered the convent in the fall after her high school graduation and, ten years later, had decided that she was ready to make her final vows and commit her life to the work of God on earth and to this particular apostolic community. Though I was happy that my sister was following her calling in life, I worried that she was committing herself to an unnecessarily harsh life, ruled by the long-standing patriarchy of the Catholic Church. I didn't have much faith that th

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Carpenter, Richard. "The Heart of the Matter." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2658.

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   During his speech in Plato’s The Symposium, Aristophanes explains that humans were originally round, composed of two people joined together in a perfect sphere with four arms, four legs, and two faces. Unfortunately, humans grew arrogant and ambitious; as a result, Zeus punished them by cleaving them in two. Now altered from their natural form, humans yearn for their former selves: “It is from this situation, then, that love for one another developed in human beings. Love collects the halves of our original nature, and tries to make a single thing out of the two parts so a

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Dodd, Adam. ""Paranoid Visions"." M/C Journal 4, no. 3 (2001). http://dx.doi.org/10.5204/mcj.1914.

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Despite the period's fashionable aspiration to a materialist, scientific objectivity, the new wilderness revealed by the microscope in the nineteenth century did not lend itself quickly or easily to sober, observational consensus. Rather, the nature of the microscopic world was, like the cosmos, largely open to interpretation. Since techniques of observation were largely undeveloped, many microscopists were not certain precisely what it was they were to look for, nor of the nature of their subjects. Did monstrosity lurk at the threshold, or was the microscope a window to the divine designs of

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"Viscoelastic or viscoplastic theory (VGT #83): A study of influences on consumer price index resulted from consumer psychological reactions and consumption behavior change during the COVID-19 pandemic 9-quarters period from Y2020Q1 to Y2022Q1 based on GH-method: math-physical medicine, especially the VGT energy tool (No. 673)." Journal of Economic Research & Reviews 2, no. 3 (2022). http://dx.doi.org/10.33140/jerr.02.03.11.

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The author is a mathematician and engineer who has conducted medical research work over the past 13 years. Thus far, he has written 670 medical research papers. Beginning with paper No. 578 dated 1/8/2022, he wrote a total of 80 medical research articles using the viscoelasticity and viscoplasticity theories (VGT) from physics and engineering disciplines on 80 different medical problems with their associated data. These papers aim to explore some hidden biophysical behaviors and provide a quantitative understanding of the inter-relationships of a selected medical output (symptom) versus singul

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Heddon, Deirdre. "Performing the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1982.

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Since the 1970s (at least), performances in which performers perform themselves, through performing stories from their lives, have been ubiquitous. This is particularly so within the 'performance art' arena, with performers ranging from Rachel Rosenthal to Annie Sprinkle to Spalding Gray to Ron Athey to Tim Miller, to Bobby Baker… In spite of the sheer number and diversity of performances of 'the self', criticism of this 'genre' tends to be negative, most often reading 'performing the self' as intrinsically, implicitly or essentially 'narcissistic', 'solipsistic' or 'egotistical'. Many artists

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Adams, Jillian Elaine. "Australian Women Writers Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1151.

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At a time when a trip abroad was out of the reach of most women, even if they could not make the journey, Australian women could imagine “abroad” just by reading popular women’s magazines such as Woman (later Woman’s Day and Home then Woman’s Day) and The Australian Women’s Weekly, and journals, such as The Progressive Woman and The Housewife. Increasingly in the post-war period, these magazines and journals contained advertisements for holidaying abroad, recipes for international foods and articles on overseas fashions. It was not unusual for local manufacturers, to use the lure of travel and

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Y.Lin, Angel M. "Modernity and the Self." M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1983.

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'Self-awareness' and the development of the autonomous subject (derived from Enlightenment and the Anglo-European philosophical traditions) has often been implicated in discussions of modernity. In East Asian societies where the Confucianist social order is seen as a deep-rooted social and cultural force, discussions of modernity and modernisation have often revolved around the tension between the spread of individualism and liberalism that come with modernisation and contact with the West. The preservation of traditional sociocultural values and familial and social structures that stress mutu

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Miller, Andie. "Multiculturalism and Shades of Meaning in the New South Africa." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1963.

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I hate being misunderstood. I guess we all do, but it goes with the territory. I use the word coloured, and he seems offended: 'We Brits don't say 'coloured'. It's regarded as patronising. We say black, if we say anything. And if we do it's for reasons of simple practicality. It doesn't matter. ' Of course, what he seems to be missing, is that the word coloured in South Africa now refers less to skin colour, and more to a distinct cultural group, with it's own language (a dialect of Afrikaans), food (of Malay origin), and music. To say black in this context would be inaccurate, and cause confu

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Heurich, Angelika. "Women in Australian Politics: Maintaining the Rage against the Political Machine." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1498.

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Women in federal politics are under-represented today and always have been. At no time in the history of the federal parliament have women achieved equal representation with men. There have never been an equal number of women in any federal cabinet. Women have never held an equitable number of executive positions of the Australian Labor Party (ALP) or the Liberal Party. Australia has had only one female Prime Minister, Julia Gillard, and she was the recipient of sexist treatment in the parliament and the media. A 2019 report by Plan International found that girls and women, were “reluctant to

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Khoo, Tseen. "Fetishising Flesh." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1755.

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From the sensuous scenes of culinary delectation and preparatory foreplay in Eat Drink Man Woman to the current crop of texts infused with metaphors of consumption as assimilation, writers and filmmakers have signified diasporic Asian bodies by merging cultural and racial markers. This is an introduction to the issues involved in representing the Asian body in diaspora and the politically fraught issues for racial minority populations in majority 'white' nations. Examples in this piece skim from Japanese-Canadian literature and metaphors of ingestion to racial minority identity politics in the

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Ford, Jessica. "Rebooting Roseanne: Feminist Voice across Decades." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1472.

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In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016-present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast

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Lupton, Deborah, and Gareth M. Thomas. "Playing Pregnancy: The Ludification and Gamification of Expectant Motherhood in Smartphone Apps." M/C Journal 18, no. 5 (2015). http://dx.doi.org/10.5204/mcj.1012.

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IntroductionLike other forms of embodiment, pregnancy has increasingly become subject to representation and interpretation via digital technologies. Pregnancy and the unborn entity were largely private, and few people beyond the pregnant women herself had access to the foetus growing within her (Duden). Now pregnant and foetal bodies have become open to public portrayal and display (Lupton The Social Worlds of the Unborn). A plethora of online materials – websites depicting the unborn entity from the moment of conception, amateur YouTube videos of births, social media postings of ultrasounds a

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Yu, Colburn. "Policies Affecting Pregnant Women with Substance Use Disorder." Voices in Bioethics 9 (April 22, 2023). http://dx.doi.org/10.52214/vib.v9i.10723.

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Photo by 14825144 © Alita Xander | Dreamstime.com ABSTRACT The US government's approach to the War on Drugs has created laws to deter people from using illicit drugs through negative punishment. These laws have not controlled illicit drug use, nor has it stopped the opioid pandemic from growing. Instead, these laws have created a negative bias surrounding addiction and have negatively affected particularly vulnerable patient populations, including pregnant women with substance use disorder and newborns with neonatal abstinence syndrome. This article highlights some misconceptions and underscor

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Miller, Edward D. "Why Does Love Tear Us Apart?" M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2006.

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"Love Will Tear Us Apart" When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, taking different roads. Then love, love will tear us apart, again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal that we've kept through our lives But love, love will tear us apart, again. Love, love will tear us apart, again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth,

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Fuller, Glen. "Punch-Drunk Love." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2660.

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   For once I want to be the car crash, Not always just the traffic jam. Hit me hard enough to wake me, And lead me wild to your dark roads. (Snow Patrol: “Headlights on Dark Roads”, Eyes Open, 2006) I didn’t know about the online dating site rsvp.com.au until a woman who I was dating at the time showed me her online profile. Apparently ‘everyone does rsvp’. Well, ‘everyone’ except me. (Before things ended I never did ask her why she listed herself as ‘single’ on her profile…) Forming relationships in our era of post-institutional modes of sociality is problematic. Some proba

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Dutton, Jacqueline Louise. "C'est dégueulasse!: Matters of Taste and “La Grande bouffe” (1973)." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.763.

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Dégueulasse is French slang for “disgusting,” derived in 1867 from the French verb dégueuler, to vomit. Despite its vulgar status, it is frequently used by almost every French speaker, including foreigners and students. It is also a term that has often been employed to describe the 1973 cult film, La Grande bouffe [Blow Out], by Marco Ferreri, which recounts in grotesque detail the gastronomic suicide of four male protagonists. This R-rated French-Italian production was booed, and the director spat on, at the 26th Cannes Film Festival—the Jury President, Ingrid Bergman, said it was the most “s

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Howell, Katherine. "The Suspicious Figure of the Female Forensic Pathologist Investigator in Crime Fiction." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.454.

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Over the last two decades the female forensic pathologist investigator has become a prominent figure in crime fiction. Her presence causes suspicion on a number of levels in the narrative and this article will examine the reasons for that suspicion and the manner in which it is presented in two texts: Patricia Cornwell’s Postmortem and Tess Gerritsen’s The Sinner. Cornwell and Gerritsen are North American crime writers whose series of novels both feature female forensic pathologists who are deeply involved in homicide investigation. Cornwell’s protagonist is Dr Kay Scarpetta, then-Chief Medica

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Hookway, Nicholas. "Tasting the Ethical: Vegetarianism as Modern Re-Enchantment." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.759.

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Introduction There is, as Andrew Rowan dubs it, a “constant paradox” in the way we treat, relate to, and consume animals in our everyday lives (Arluke and Sanders 4). This paper examines this paradox in relation to the rise of vegetarianism as a new taste and consumer culture in the West. The first part of the paper, drawing upon Bourdieu, argues that vegetarian “taste” is fundamentally a social practice linked to class and gender. It then offers a preliminary theoretical sketch of the sociological drivers and consequences of vegetarianism in late-modernity, drawing on social theory. Having es

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Weigel, Margaret. "Mastering the 'Visual Groove'." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1973.

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The implications of digital media have been partly responsible for re-energizing debates concerning multiples, repetition and loops. But in fact, looping media dates back to the days of revolving stereoscopes and other mechanized Victorian amusements first employed as laboratory tools. In the following article I suggest that, much like grooves in music, the repetitious nature of an animated electronic bulb sign's "visual groove" can, over time, encourage a certain level of cognitive mastery of the material. Furthermore, since such signs are wedded to their environment, they can become both an

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