Bibliografías temáticas / 1689-1761

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Literatura académica sobre el tema "1689-1761"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "1689-1761"

1

Scheuer, J. L., and J. E. Bowman. "The Health of the Novelist and Printer Samuel Richardson (1689–1761): A Correlation of Documentary and Skeletal Evidence." Journal of the Royal Society of Medicine 87, no. 6 (June 1994): 352–55. http://dx.doi.org/10.1177/014107689408700616.

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Дєточка, Ольга. "Традиція зображення монархинь Великобританії в декоруванні тонкої кераміки кінця XVII–ХХ століть". Вісник КНУКіМ. Серія «Мистецтвознавство», № 49 (15 грудня 2023): 8–16. http://dx.doi.org/10.31866/2410-1176.49.2023.293277.

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Мета статті полягає в розкритті специфіки традиції зображення монархинь Великої Британії в декоруванні фарфору-фаянсу періоду кінця XVIІ–ХХ ст. Результати дослідження. Визначено, що перші встановлені вироби з означеним штибом оздоблення датуються 1690 і 1702 роками, перший присвячений постаті королеви Англії, Шотландії й Ірландії – Марії ІІ (1689–1694). Другий ранній твір зображує її наступницю Анну (1702–1707). Водночас зацікавленість продукуванням місцевого фарфору-фаянсу з’явилася за часів королеви Шарлотти (1761–1718), що вплинуло на розвиток традиції зображення правительок Англії в оздобл
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Albay, Neslihan Günaydın. "Orientalist Perspective in the Letters of Lady Mary Montagu and Kelemen Mikes." World Journal of Social Science 8, no. 2 (June 17, 2021): 13. http://dx.doi.org/10.5430/wjss.v8n2p13.

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An English aristocrat, poet and writer, Lady Mary Wortley Montagu (1689-1762) was a privileged and distinguished woman traveller in her time. During her sojourn in Ottoman Istanbul, she noted down significant details as regards the Constantinople and seraglio through her vivid descriptions as a liberated woman in her Embassy Letters. Another significant oriental work, Letters from Turkey by Kelemen Mikes (1690-1761), who was a Transylvanian-born Hungarian writer and political figure, is centered upon Mikes’s life in exile between the years 1717 and 1758 within the boundaries of the Ottoman Emp
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Pereira Lage, Ana Cristina, and Thiago Gomes Medeiros. "Uma missão sem fronteiras." Dimensões, no. 50 (July 20, 2023). http://dx.doi.org/10.47456/dim.v50i50.40155.

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Gabriel Malagrida (1689-1761), missionário italiano da Companhia de Jesus, foi responsável por fundar instituições educativas na América portuguesa. Objetiva-se analisar a sua influência na fundação e funcionamento de recolhimentos femininos, que seguiam os princípios das ursulinas, e que visavam não só o recolhimento, mas também educar meninas para uma vida laica, voltada para o matrimônio e a maternidade. Destaca-se o recolhimento da Soledade de Salvador, fundado em 1739, cuja análise documental demonstra os entrelaçamentos dos jesuítas com as ursulinas. Ao analisar documentação do Arquivo H
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Bisacccia, Carmela, Luca Salvatore De Santo, and Natale Gaspare De Santo. "P1836GOUT A PAPAL DISEASE: A STUDY ON 20 PONTIFFS (540-1830 AD)." Nephrology Dialysis Transplantation 35, Supplement_3 (June 1, 2020). http://dx.doi.org/10.1093/ndt/gfaa144.p1836.

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Abstract Background and Aims Pope Gregory I (Magnus)―born c.540 AD, Pope 580-604 AD―in a letter to Bishop Venanzio ofLuni (later venerated as a saint) wrote “I have been confined to bed for the last eleven months, because of pain and malaise and suffer because of goutand my life has been turned into a penitence for my sins thus I am waiting death as a physician who will give me health”. He was the first Pope to suffer of gout and opens a list including in the years 20 pontiffs that includes Sisinnius, (b.650, pope 21 day in 708); Boniface VI (b. 806, Pope 15 days in 886), Honorius IV (b.1210,
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Tesis sobre el tema "1689-1761"

1

Bobbitt, Curtis W. "Internal and external editors of Samuel Richardson's Clarissa." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/720152.

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Samuel Richardson's second novel, Clarissa: or, The History of a Young Lady, one of the longest novels in English, has appeared in dozens of significantly different editions, many of them abridgments. This study examines the means by which Richardson and later editors altered the text of Clarissa, primarily by working with three variables: its epistolary format, its length, and its explicit moral lessons.The first half of the study reviews relevant scholarly research and traces Richardson's uses of internal editors in his four editions of the novel. Richardson's omniscient editor, the most vis
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Rain, David Christopher. "The death of Clarissa : Richardson's Clarissa and the critics." Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phr154.pdf.

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McLachlan, Dorice. "Clarissa's triumph." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68120.

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This thesis examines Richardson's representation in Clarissa of the heroine's triumphant death. It considers Clarissa's triumph in relation to the implicit doctrine of freedom of the will and the constitution of the self. Clarissa and Lovelace represent the uncontrollable freedom of the human will and exemplify its potentiality either to choose the good or to subject itself to the desire for power and self-gratification. Chapter one of this thesis discusses Clarissa in relation to the theories of several current literary theoreticians whose work constitutes a response to Kant's ideas on freedo
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4

Maaouni, Jamila. "Les personnages des romans de Samuel Richardson : (1689-1761) : le héros et le double." Paris 3, 1992. http://www.theses.fr/1992PA030092.

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Le foisonnement des personnages dans les romans de samuel richardson est tel qu'il invite a definir une problematique qui soit a la fois reflet de la conscience du romancier a l'oeuvre dans la creation litteraire et transposition ou distanciation critique. Certe, l'intention premiere du romancier des d'instruire son lecteur. Mais les personnages de ses romans ont aussi d'autres fonctions, moins apparentes, et les ressorts qui les animent relevent souvent du non-dit. Il s'agit donc de nrespecter a la fois le dessein moralisateur du romancier en examinant les attitudes de ses personnages devant
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Dachez, Hélène. "Ordre et désordre : le corps et l'esprit dans les romans de Samuel Richardson (1689-1761)." Paris 3, 1998. http://www.theses.fr/1998PA030155.

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L'etude de l'ordre et du desordre a travers le corps et l'esprit fait ressortir la complexite et l'unicite des romans epistolaires de samuel richardson. L'ordre disparait au profit de dereglements qui affectent l'esprit et l'organisme des personnages, le corps du texte et le corpus romanesque. Les deux principes entretiennent un rapport dialectique et l'auteur presente une coincidence des contraires. Les romans tendent vers l'ordre qui n'est envisage qu'apres des moments d'epreuves necessaires a la purification et a la sublimation des troubles. Toutefois, la quete de l'ordre reste incomplete e
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Ghabris, Maryam. "Les passions dans les romans de Samuel Richardson." Paris 3, 1990. http://www.theses.fr/1990PA030098.

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Les passions, que fustigent les philosophes depuis les anciens grecs, les prédicateurs et les romanciers, constituent le thème essentiel des romans de Samuel Richardson. Il les développe, de l'amour à la haine du moi, depuis leur éveil jusqu'à leurs excès et leurs conséquences. Favorisées par le tempérament anglais et par la condition de la femme considérée comme l'objet prometteur des passions des hommes, les passions sont à l'origine des vices de la société du dix-huitième siècle qui n'apportent que souffrance et malheur. Richardson défend la femme et prône chez les deux sexes la chasteté, l
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Bender, Ashley Brookner. "Samuel Richardson's Revisions to Pamela (1740, 1801)." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4638/.

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The edition of Pamela a person reads will affect his or her perception of Pamela's ascent into aristocratic society. Richardson's revisions to the fourteenth edition of Pamela, published posthumously in 1801, change Pamela's character from the 1740 first edition in such a way as to make her social climb more believable to readers outside the novel and to "readers" inside the novel. Pamela alters her language, her actions, and her role in the household by the end of the first edition; in the fourteenth edition, however, she changes in little more than her title. Pamela might begin as a novel
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Trew, Esther Maxine [UNESP]. "Personagens femininas nos primórdios do romance moderno: Pâmela e Júlia, ou A nova Heloísa." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/102391.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-10-15Bitstream added on 2014-06-13T18:43:01Z : No. of bitstreams: 1 trew_em_dr_arafcl.pdf: 1747957 bytes, checksum: fe9b3994cbd904f7c6dddac46841d96d (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Apesar de obter sua maior projeção no século XIX, o gênero romance já se destacava no horizonte literário europeu do século XVIII e apresentava grandes transformações. Ele se firmou em meio a mudanças sociais, políticas e econômicas importantes. Este estudo focaliza
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Lesueur, Christophe. "Poétique et économie de la communication dans Clarissa de Samuel Richardson." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20020.

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Le problème de la communication, et pas seulement du danger des liaisons, est au cœur du roman épistolaire de manière générale et de Clarissa de Samuel Richardson en particulier. Sans cesse menacée d'interruption, la communication représentée dans la diégèse du deuxième roman de Richardson influe également sur le sens et relève à ce titre de ce que Janet Altman a appelé l'épistolarité. Cette étude se concentre sur le code de la communication représentée dans l'œuvre et saisit la lettre dans l’économie de l’information toute particulière dont elle participe, à la croisée d'une communication int
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Bowen, Michael John. "Uncertain affections : representations of trust in the British sentimental novel of the eighteenth century." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38158.

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This thesis examines representations of trust in selected British sentimental novels of the eighteenth century. It focuses principally on the manner in which sentimental prose fiction reflects and participates in the shift from premodern to modern formations of trust. Commenting on the nature of modern trust, Anthony Giddens claims that, with the move to modernity, trust relations in the intimate sphere become increasingly dependent on emotional mutuality, while trust in institutions becomes increasingly impersonal and disengaged from assessments of moral character.<br>My work explores this du
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Libros sobre el tema "1689-1761"

1

1953-, Rivero Albert J., ed. New essays on Samuel Richardson. Basingstoke: Macmillan, 1996.

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2

Maaouni, Jamila. Les personnages des romans de Samuel Richardson (1689-1761): Le héros et le double. Lille: A.N.R.T. Université de Lille III, 1992.

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Margaret, Doody, and Sabor Peter, eds. Samuel Richardson: Tercentenary essays. Cambridge: Cambridge University Press, 1989.

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Catherine, Ingrassia, and Fielding Henry 1707-1754, eds. Anti-Pamela, or, Feign'd innocence detected. Peterborough, Ont: Broadview Press, 2004.

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1940-, Blewett David, ed. Passion and virtue: Essays on the novels of Samuel Richardson. Toronto: University of Toronto Press, 2001.

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Fulton, Gordon D. Styles of meaning and meanings of style in Richardson's Clarissa. Montreal: McGill-Queen's University Press, 1999.

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Bueler, Lois E. Clarissa's plots. Newark: University of Delaware Press, 1994.

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8

McKee, Patricia. Heroic commitment in Richardson, Eliot and James. Princeton: Princeton University Press, 1986.

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9

Lehmann, Christine. Das Modell Clarissa: Liebe, Verführung, Sexualität und Tod der Romanheldinnen des 18. und 19. Jahrhunderts. Stuttgart: J.B. Metzlersche Verlagsbuchh., 1991.

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Shepherd, Lynn. Clarissa's painter: Portraiture, illustration, and representation in the novels of Samuel Richardson. Oxford: Oxford University Press, 2009.

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Capítulos de libros sobre el tema "1689-1761"

1

McGowan, Ian. "Samuel Richardson 1689–1761." In The Restoration and Eighteenth Century, 269–78. New York: Palgrave Macmillan US, 1989. http://dx.doi.org/10.1007/978-1-349-60485-2_17.

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Keymer, Thomas. "Samuel Richardson (1689–1761): The epistolary novel." In The Cambridge Companion to European Novelists, 54–71. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521515047.005.

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"Thomas Edwards (1699-1757)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson, 25. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0004.

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Abstract Thomas Edwards’s more-than-fifty sonnets were instrumental in reviving the sonnet form. After retiring from the legal profession he pursued a literary career. A serious classical scholar and friend of novelist Samuel Richardson (1689-1761), Edwards was best known for his public attack on William War­ burton’s (1698-1779) 1747 edition of Shakespeare’s plays, calling it sloppy and pedantic. Warburton responded by attacking Edwards in the notes to his edition of Pope’s Dunciad. In 1750, Edwards retorted with the sonnet beginning “Tongue-doughty pedant” and a mock dedication to his enlarged edition of The Canons of Criticism.
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