Literatura académica sobre el tema "1910-1970"

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Artículos de revistas sobre el tema "1910-1970"

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Bocharov, Taras y Petr Kozorezenko. "Russian Landscape Linocut, 1910-1970". Scientific and analytical journal Burganov House. The space of culture 16, n.º 4 (10 de diciembre de 2020): 101–12. http://dx.doi.org/10.36340/2071-6818-2020-16-4-101-112.

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The article examines the origin and development of Russian graphic landscape art, performed in the technique of engraving on linoleum. It covers the period from the early 20th century, the moment the first masters of this direction of graphic art appeared in Russia, until the late 1960s when linocut, the landscape, in particular, reached its prime and acquired its completely individual, unlike any other graphic technique, characteristic. The authors analyze the linocut landscapes of notable artists of the period described starting with the founder, N.Sheverdyaev, and the leading propagandist of linocut in Russia, I.Pavlov. The article describes the distinctive features of engraving and making prints by famous artists of the 20th century, graphic artists, and not only. This is M.Dobuzhinsky, B.Kustodiev, V.Falileev, K.Kostenko, N.Piskarev, later I.Sokolov, P.Staronosov, and many other not so famous artists. The Soviet period is represented by A.Kravchenko, M.Matorin, I.Sokolov, S.Yudovin, and, of course, A.Zyryanov, one of the well-known printers of the 1960s. The linocut technique is well established in almost all types of landscape. These were industrial, agitational works, glorifying the work of Soviet people, colorful sheets, and lyrical, delicate, and poetic works. The architectural and rural landscape occupied an important place in the work of the letterpress masters: in the urban landscape, of course, the images of the two capitals prevailed, which is not surprising since most of the artists studied and worked in Moscow and Leningrad. The authors of the article drew attention to the creative work of N.Lapshin, F.Smirnov, N.Novoselskaya, A.Smirnov, and others. In the article, the authors try to show how versatile and complex the linocut technique, especially colored, is. The authors want to show that the art of engraving on linoleum helped to view the landscape genre in graphics differently and, possibly, influenced the development of the landscape in other types of prints and painting. The authors are trying to prove that linoleum engraving rightfully takes an equal position with woodcut and etching. The works of masters working in this technique are exhibited in all museums in the country.
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Chen, Dayue. "Pao-Lu Hsu (1910–1970)". Notices of the International Congress of Chinese Mathematicians 1, n.º 1 (2013): 84–86. http://dx.doi.org/10.4310/iccm.2013.v1.n1.a18.

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Bacca, Renzo Ramírez. "Mujeres en la caficultura tradicional colombiana, 1910-1970". Historia Y MEMORIA, n.º 10 (1 de enero de 2015): 43. http://dx.doi.org/10.19053/20275137.3200.

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<p>El texto trata sobre la compleja y diversa dinámica laboral de la mujer en los sectores rural y urbano de la industria cafetalera colombiana. Es una comprensión sucinta limitada a la fase de producción del grano bajo la técnica bajo sombrío en la zona andina durante gran parte del siglo XX. Resalta la condición de la mujer a partir de su condición de recolectora, escogedora o tablonera. Se trata de un enfoque descriptivo e historicista apoyado en un extenso acervo documental y fuentes secundarias.</p>
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Parker, Albert y Clifford D. Ollier. "Discussion of the “Hottest Year on Record” in Australia". Quaestiones Geographicae 36, n.º 1 (1 de marzo de 2017): 79–91. http://dx.doi.org/10.1515/quageo-2017-0006.

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Abstract The global temperature trends provided by the Australian Bureau of Meteorology are artificially exaggerated due to subjective and unidirectional adjustments of recorded values. The present paper aims to promote the use of the raw stations’ data corrected only for urban heat island formation. The longer temperature records of Australia exhibit significant oscillations with a strong quasi-60 years’ signature of downward phases 1880 to 1910, 1940 to 1970 and 2000 to present, and upwards phases 1910 to 1940 and 1970 to 2000. A longer oscillation with downward phase until 1910 and an upwards phase afterwards is also detected. The warming since 1910 occurred at a nearly constant rate. Over the full length of the long Australian records since the end of the 1800s, there is no sign of warming or increased occurrence of extreme events. The monthly highest and mean maximum temperatures do not exhibit any positive trend. The differences between monthly highest and lowest, or monthly mean maximum and mean minimum temperatures, are all reducing because of urban heat island formation.
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Bernier-Cormier, Marie-Eve. "La Fête-Dieu dans trois quotidiens québécois (1910-1970)". Articles 78, n.º 2 (19 de noviembre de 2012): 41–58. http://dx.doi.org/10.7202/1013043ar.

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Cet article décrit la couverture journalistique de la Fête-Dieu dans trois quotidiens québécois entre 1910 et 1970. Malgré des différences marquées dans le traitement de cette célébration par les quotidiens étudiés, leur examen a permis de démontrer que dès 1945, les journaux ont accordé de moins en moins d’importance à ce moment important du calendrier liturgique catholique. Peut-on dès lors parler d’un autre signe de l’effritement de la pratique religieuse avant 1960 ?
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Wagner, Michael Frederik. "The rise of autotourism in Danish leisure, 1910–1970". Journal of Tourism History 5, n.º 3 (noviembre de 2013): 265–86. http://dx.doi.org/10.1080/1755182x.2014.943809.

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Forsell, Håkan. "Adolf Sommerfeld/Andrew Sommerfield: Bauen für Berlin 1910–1970". Planning Perspectives 29, n.º 4 (14 de julio de 2014): 581–82. http://dx.doi.org/10.1080/02665433.2014.936128.

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de León, Pablo. "Ricardo Dyrgalla (1910–1970), pioneer of rocket development in Argentina". Acta Astronautica 65, n.º 11-12 (diciembre de 2009): 1789–95. http://dx.doi.org/10.1016/j.actaastro.2009.05.003.

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Ramachandran, Vijaya. "Does agriculture really matter? The case of Korea, 1910–1970". Journal of Asian Economics 6, n.º 3 (septiembre de 1995): 367–84. http://dx.doi.org/10.1016/1049-0078(95)90005-5.

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Schmidt, Hartwig. "Adolf Sommerfeld. Bauen für Berlin 1910-1970. Von Kress, C." Stahlbau 80, n.º 10 (octubre de 2011): 785–86. http://dx.doi.org/10.1002/stab.201190142.

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Tesis sobre el tema "1910-1970"

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Karabétian, Étienne. "Les grammaires de 1910 à 1970". Paris 10, 1995. http://www.theses.fr/1995PA100004.

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De 1910 à 1970, les grammaires scolaires reproduisent l'ancienne division entre grammaire normative et grammaire exégétique alors que la syntaxe théorique progresse. Ni le développement de l'analyse logique, ni le passage du couple proposition phrase au couple phrase simple phrase complexe ne permettent à la grammaire scolaire de progresser dans la voie de la transposition didactique des travaux de syntaxe théorique. La seule avancée est constituée par l'importation de la notion de récursivité mise en œuvre pour la question du groupe du nom. Il faudra attendre les années 1970, avec ce qui s'est appelé la grammaire d’Operations (principalement l'addition, la soustraction, le déplacement, le remplacement d'un constituant), pour observer un progrès important. La mutation la plus importante voit la grammaire affective ou grammaire psychologique, par le biais du style devenu stylistique, se superposer aux vestiges de la grammaire logique. Ce développement de la partie exégétique (et figurative) de la grammaire permet la renaissance du couple grammaire rhétorique qui est devenu un couple grammaire stylistique. Ainsi se renforce le caractère mentaliste de la grammaire scolaire avec son métalangage mettant sur le même plan d'une des critères formels et fonctionnels et d'autre part des critères notionnels à la fois d'ordre logique et d'ordre psychologique. En conclusion, la grammaire scolaire reste attachée a la mécanique de l'analyse et fonctionne comme une matière qu'on apprend. Pour compenser cette faiblesse, elle va développer une composante psychologique et affective servant, en réception, a la paraphrase des textes littéraires. Elle reste attachée au rapport pensée-langue en attendant de se développer, ultérieurement, du côté des moyens d'expression là ou l'analyse logique a précisément échoué. Le terme de grammaire traditionnelle méritait d'être éclairé par ses deux composantes essentielles : la grammaire logique et la grammaire psychologique
From 1910 to 1970, school grammar books repeat the old division between prescriptive grammar and figurative grammar whereas theoretical syntax is gaining grown. Neither the development of sentence analysis nor the transition from the clause sentence pair to simple sentence complex sentence pair enable school grammar to progress in the way of didactic transposition of the works on theoretical syntax. The only advancement is the importation of the notion of recursivity operated through the question about the noun group. We shall have to wait till the seventies with what is called la grammaire d'operations in French (mainly the addition, the subtraction, the shifting and replacing of the constituent) to notice an important progress. The most important transformation sees what Galichet calls affective grammar or psychological grammar through style changing into stylistic superimposing itself on the remains of logical grammar. This development of the figurative part of grammar allows the rebirth of the grammar rhetoric pair which has become the grammar stylistic pair. Thus the mental character of school grammar is being reinforced with its metalanguage putting on the same level different criteria: on one hand formal and functional criteria and, on the other hand, notional criteria which are at the same time logical and psychological. As a conclusion, school grammar is still tied up to the mechanic of analysis and works as a subject we learn. To make up for this weakness, it is going to develop psychological and affective elements used to paraphrase literary texts in reading. It is still tied up to the link between thought and language before progressing later in the direction of productive language precisely where sentence analysis failed. The word traditional grammar deserved to be explained by these two essential components: logical grammar and psychological grammar
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Gueslin, André. "Crédit, agriculture et mutualisme en France des années 1910 aux années 1970". Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37594019f.

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SANTOS, Mário Ribeiro dos. "Noites festivas de junho : histórias e representações do São João no Recife (1910-1970)". Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/15448.

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Esta tese baseia-se na análise das representações das festas juninas no Recife em diferentes registros documentais, que compreendem desde os debates dos letrados sobre folclore e suas relações com o tema da nacionalidade, em voga nos primeiros anos do século XX, até o discurso do Estado nos periódicos dos anos 1970, período no qual as manifestações culturais populares transformam-se em produtos culturais vendáveis no mercado turístico como decorrência de uma política implementada pós-abril de 1964, em que, regidos pela doutrina de segurança nacional, questões caras ao ideário de identidade nacional ganham um grande relevo. O contato com essas fontes documentais possibilitou a organização do estudo de acordo com as conjunturas e as questões que a cada momento emergiam como significativas, permitindo uma aproximação das redes de relações estabelecidas no interior dos festejos celebrados na cidade e dos efeitos de sentido dos discursos de representação que circulavam entre os diferentes grupos sociais. No decorrer da narrativa, foram identificados modos particulares de comemorar o São João, constituído de símbolos integradores do projeto de unidade nacional, no qual o Estado, a imprensa, a escola e as comunidades locais, forneceram os elementos estruturantes que resultaram na construção de representações, ecoando entre as gerações de maneira naturalizada, distanciando-se dos fluxos que alçam a festa a dimensões mais amplas e complexas.
Cette thèse est basée sur l'analyse des représentations de festivals juin à Recife sur divers dossiers documentaires, qui vont de discussions entre chercheurs sur le Folklore et leur relation avec la question de la nationalité, en vogue dans les premières années du XXe siècle, le discours l'Etat dans les années 1970 périodiques, au cours de laquelle les événements culturels populaires sont transformés en produits culturels commercialisables sur le marché du tourisme en tant que résultat d'une politique mise en oeuvre après avril 1964, alors régies par la doctrine de la sécurité nationale, les questions chères à idées identité nationale gagnent un grand soulagement. Le contact avec ces sources documentaires a permis à l'organisation de l'étude selon les situations et les questions que chaque instant émergé comme significative, permettant un rapprochement des réseaux de relations établies dans le cadre des festivités célébrées dans la ville et les effets de sens de discours représentation de circulation entre les différents groupes sociaux. Dans le cours de la narration, ils ont identifié des moyens spécifiques pour célébrer Saint Jean, constitué intégrateurs symboles de projet de l'unité nationale, dans laquelle l'Etat, les médias, les écoles et les communautés locales, fourni les éléments structurels qui ont abouti à la construction de représentations , faisant écho entre les générations de façon naturalisé, se distanciant des ruisseaux qui cenception le parti à des dimensions plus larges et complexes.
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Perreau, Violaine. "The Maximus Poems de charles Olson". Nantes, 2005. http://www.theses.fr/2005NANT3027.

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Tout comme ses maîtres modernistes Ezra Pound et William Carlos Williams, Charles Olson (1910-1970) ambitionnait d'écrire la grande épopée de son époque. Le gigantesque poème auquel il consacra les vingt dernières années de sa vie, the Maximus Poems, est pourtant largement méconnu. Mais selon quels critères évaluer une oeuvre aussi difficile et atypique ? Le poème d'Olson s'inscrit dans une tradition épique spécifiquement américaine qui a modernisé un genre ancien pour l'adapter aux réalités complexes du Nouveau Monde. Mais quelles sont les caractéristiques fondamentales de l'épopée ? En quoi peuvent-elles nous permettre de mieux comprendre et apprécier l'héroisme de Maximus? Comment le poème parvient-il à rassembler son contenu pluriel et polymorphe dans la cohérence de sa forme épique ouverte et organique résolument post-moderniste ? Et pourquoi Olson, figure de proue de l'avant-garde poétique après la publication en 1950 de son célèbre manifeste " projective Verse ", est-il finalement si souvent relégué au rang de poète mineur sur la scène littéraire de l'après-guerre ? Voici les questions essentielles auxquelles s'efforce de répondre cette étude.
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Datta, Satya Brata. "Capital accumulation and workers' struggle in Indian industrialisation : the case of Tata Iron and Steel Company 1910-1970". Doctoral thesis, Stockholm : Almqvist & Wiksell International, 1986. http://catalog.hathitrust.org/api/volumes/oclc/15397056.html.

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Zuber, Glenn M. ""Professional wives" the rise and decline of the preaching minister's wife and widow among Disciples of Christ, 1910-1970 /". Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Carpenter, Brian L. ""A Marvelously Big Stone": Geological Objects and Mythological Experience in the Writing of Charles Olson". Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/CarpenterBL2005.pdf.

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Dibwe, Dia Mwembu. "Industrialisation et santé : la transformation de la morbidité et de la mortalité à l'Union minière du Haut-Katanga, 1910-1970". Doctoral thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/17613.

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Souza, Junior Milton Rodrigues de. "CANTAI E MULTIPLICAI-VOS... : ESTUDO DA HARPA CRISTÃ COMO INSTRUMENTO DE EXPANSÃO DA MISSÃO NO PENTECOSTALISMO NO BRASIL (1910-1970)". Universidade Metodista de São Paulo, 2011. http://tede.metodista.br/jspui/handle/tede/189.

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This dissertation intends to study the Christian Harp, one of the main national protestant hymnals, looking to identify it as instrument of expansion in Brazil s Pentecostalism mission in the period between 1910 and 1970, while appreciating the history and the creation of this liturgical book, intending to comprehend its usage as motivational element in the missionary practice of the Brazilian Pentecostal churches. It also consists of knowing the characteristics of construction of this compendium, passing through the presentation of its hymnists profiles and through the assiduous study of its musical structure and literary composition, while being aware of some important constitutive characteristics that are used, such as the theological concepts. Looking for a missiology concept that shows to be more correlated with the theological content of this hymnal and the referral of various examples of incitement to the evangelist practice found within its songs, which leads to the comprehension of the relevancy of the Christian Harp in the liturgical life of confessional pentecostal churches in Brazil, and its bold presence as an efficient developer of missionary practice of these faith communities.
Esta dissertação pretende estudar a Harpa Cristã, um dos principais hinários protestantes nacionais, buscando identificá-la como instrumento de expansão da missão no pentecostalismo do Brasil, no período comprendido entre os anos 1910 e 1970, apreciando a história e a formação deste livro litúrgico na pretensão de compreender sua utilização como elemento motivador para a prática missionária das igrejas pentecostais brasileiras. Consiste também em conhecer as características da construção deste compêndio, passando pela apresentação do perfil de seus hinistas e pelo estudo aplicado da sua estrutura musical e sua composição literária, conhecendo, ainda, algumas de suas importantes características constitutivas, como os conceitos teológicos de que faz uso em seu discurso. A procura por uma conceituação missiológica que se mostre mais identificada ao conteúdo teológico deste hinário e a indicação de vários exemplos de incentivo à prática evangelística encontrados em suas canções conduzem à compreensão da relevante importância da Harpa Cristã na vida litúrgica das igrejas de confissão pentecostal no Brasil e da sua marcante presença como eficiente agente fomentador do exercício missionário dessas comunidades de fé.
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Kiddle, Amelia Marie. "La Poli­tica del Buen Amigo: Mexican-Latin American Relations during the Presidency of Lazaro Cardenas, 1934-1940". Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193655.

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Lazaro Cardenas (1934-1940) did more than any other president to fulfill the goals of the Mexican Revolution of 1910, by nationalizing the oil industry, establishing rural schools, distributing an unprecedented amount of land to peasants, and encouraging the organization of workers. To gain international support for this domestic reform programme, the Cardenas government promoted these accomplishments to other Latin American nations. I argue that Cardenas attempted to attain a leadership position in inter-American relations by virtue of his pursuit of social and economic justice in domestic and foreign policy. I investigate the Cardenas government's projection of a Revolutionary image of Mexico and evaluate its reception in Latin America. In doing so, this dissertation expands the analysis of foreign policy to show that Mexico's relations with its Latin American neighbours were instrumental in shaping its foreign relations. I argue that the intersections between culture and diplomacy were central to this process.
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Libros sobre el tema "1910-1970"

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Gladwin, D. D. Coaching cavalcade 1910-1970. Studley: Brewin, 1991.

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Bojan Stupica, 1910-1970. Beograd: Muzej pozorišne umetnosti SR Srbije, 1985.

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Art glass from Murano 1910-1970 = Glas-Kunst aus Murano 1910-1970. Stuttgart: Arnoldsche, 1993.

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Parkhurst, Eleanor. HISTORY OF CHELMSFORD 1910-1970. [Chelmsford]: Chelmsford Historical Commission for the Town of Chelmsford, 2011.

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Žvania, Guram. Kʻartʻuli dokumenturi kino: 1910-1970. Tʻbilisi: Xelovneba, 1990.

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The great migration north, 1910-1970. Detroit, MI: Omnigraphics, Inc., 2011.

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Au vent des hélices: 1910-1970. Paris: Officine, 2008.

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Bondin-Seignette, Michèle. Au vent des hélices: 1910-1970. Paris: Officine, 2008.

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Ødegaard, Torbjørn. Hvalfangere: I Sydishavet og Sør-Afrika, 1910-1970. Fredrikstad: Kystforlaget, 2002.

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Patani, Osvaldo. La voce del disegno: Disegni italiani 1910-1970. Milano: Leonardo, 1990.

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Capítulos de libros sobre el tema "1910-1970"

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"Charles Olson (1910-1970)". En The New American Poetry, 1945–1960, 2–39. University of California Press, 1999. http://dx.doi.org/10.1525/9780520354005-002.

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"2 Emerging Mexico: 1910–1970". En Inevitable Partnership, 35–58. Lynne Rienner Publishers, 2005. http://dx.doi.org/10.1515/9781626373648-005.

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"ELT in Spain between 1910 and 1970". En Two Centuries of English Language Teaching and Learning in Spain, 111–58. Amsterdam University Press, 2019. http://dx.doi.org/10.2307/j.ctvqsf398.7.

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Manrique, Jorge Alberto. "El proceso de las artes, 1910-1970". En Historia general de México, 1357–74. El Colegio de México, 1998. http://dx.doi.org/10.2307/j.ctv47wf8q.10.

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"3. ELT in Spain between 1910 and 1970". En Two Centuries of English Language Teaching and Learning in Spain, 111–58. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537501-005.

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"3 World Council of Churches: c. 1910-1970". En Christian Engagement with Islam, 31–50. BRILL, 2017. http://dx.doi.org/10.1163/9789004344945_004.

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Guillemain, Hervé. "La fonction du « bon patient » dans l’institution psychiatrique (1910-1970)". En Expériences de la folie, 241–50. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.118728.

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Seal, Lizzie y Maggie O’Neill. "Historical Spaces of Confinement 1: Homes for Indigenous Children in Australia". En Imaginative Criminology, 21–36. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529202687.003.0002.

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This chapter examines historical confinement via the example of homes for Indigenous children in Australia. Between 1910 and 1970 Indigenous children were removed from their families and placed in children’s homes in order to assimilate and ‘civilise’ them. Frequently, this removal was forcible. This chapter explores how these homes are remembered and imagined in oral history testimonies, as well as in the cultural representations, Follow the Rabbit Proof Fence (2002), Doris Garimara Pilkington’s life narrative and its film adaptation, Rabbit Proof Fence (Noyce, 2002).
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"1 From Race to Class: Insurgent Intellectuals de provincia in Peru, 1910-1970". En Shining and Other Paths, 22–59. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822398059-005.

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Gardon, Sébastien. "Gouverner par commissions. La mobilité encadrée dans des espaces politico-administratifs (1910-1970)". En Les transports de la démocratie, 45–60. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.50854.

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Informes sobre el tema "1910-1970"

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Thomas, M. D. Magnetic and gravity characteristics of the Thelon and Taltson orogens, northern Canada: tectonic implications. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329250.

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Differences of opinion concerning the relationship between the Thelon tectonic zone and the Taltson magmatic zone, as to whether they are individual tectonic elements or two independent elements, have generated various plate tectonic models explaining their creation. Magnetic and gravity signatures indicate that they are separate entities and that the Thelon tectonic zone and the Great Slave Lake shear zone form a single element. Adopting the single-element concept and available age dates, a temporally evolving plate tectonic model of Slave-Rae interaction is presented. At 2350 Ma, an Archean supercontinent rifted along the eastern and southern margins of the Slave Craton. Subsequent ocean closure, apparently diachronous, began with subduction at 2070 Ma in the northern Thelon tectonic zone, followed by subduction under the Great Slave Lake shear zone at 2051 Ma. Subduction related to closure of an ocean between the Buffalo Head terrane and the Rae Craton initiated under the Taltson magmatic zone at 1986 Ma, at which time subduction continued along the Thelon tectonic zone. At 1970 Ma, collision in the northern Thelon tectonic zone is evidenced in the Kilohigok Basin. From 1957 to 1920 Ma, plutonism was active in the Taltson magmatic zone, Great Slave Lake shear zone, and southern Thelon tectonic zone. The plutonism terminated in the northern Thelon tectonic zone at 1950 Ma, but it resumed at 1910 Ma and continued until 1880 Ma. The East Arm Basin witnessed igneous activity as early as 2046 Ma, though this took place more continuously from 1928 to 1861 Ma; some igneous rocks bear subduction-related trace element signatures. These signatures, and the presence of northwest-verging nappes, may signify collision with the Great Slave Lake shear zone as a result of southeastward subduction, completing closure between the Slave and Rae cratons.
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