Bibliografías temáticas / Aesthetics, Modern

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Literatura académica sobre el tema "Aesthetics, Modern"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de agosto de 2024

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Artículos de revistas sobre el tema "Aesthetics, Modern"

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Konanchuk, Svetlana. "MODERN AESTHETIC EDUCATION: CURRENT PROBLEMS AND MAIN TRENDS." Man and Education, no. 2 (75) (2023): 86. http://dx.doi.org/10.54884/s181570410026348-7.

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The article discusses the main problems and trends in the development of modern aesthetic education in Russia. It is noted that Russian aesthetic education is currently undergoing a number of positive innovative transformations associated with the processes of strengthening the virtual component in artistic culture and the social sphere. A number of scientific events, such as international conferences and the Russian Aesthetic Congress, held over the past five years, have served as an active incentive for the development of theoretical and practical aesthetics and aesthetic education. The curr
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Du, Wei. "Aesthetic utilitarianism: heritage of modern Chinese aesthetics." Neohelicon 43, no. 2 (August 31, 2016): 529–42. http://dx.doi.org/10.1007/s11059-016-0359-4.

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Qu, Weicheng. "Modern Chinese Scholars' Perspectives on Zhuangzi's Aesthetics." Communications in Humanities Research 4, no. 1 (May 17, 2023): 491–96. http://dx.doi.org/10.54254/2753-7064/4/20220741.

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Modern Chinese scholars of Zhuangzi's aesthetics can be illustrated by the words of Liu Shaojin in Zhuangzi and Chinese Aesthetics. The aesthetic significance of the book Zhuangzi is not a theoretical summary of beauty and art as objects, but rather, when it comes to its 'Dao', it's understanding of The aesthetic significance of Zhuangzi's book is not a theoretical summary of beauty and art, but a coincidence between its experience and realm of 'Tao' and the aesthetic experience and realm of art. Because of this coincidence, later generations naturally transposed these philosophical questions
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Shevchuk, Dmytro, and Kateryna Shevchuk. "Aesthetics and Politics." Symposion 10, no. 2 (2023): 261–73. http://dx.doi.org/10.5840/symposion202310215.

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The paper examines the relationship between aesthetics and politics. In modern humanities, we can find few conceptions of this relationship. These conceptions are not only part of political philosophy or political theory, but also a methodological instrument for analyzing modern politics and aesthetics. They provide an opportunity to understand both the features of contemporary politics and the state of modern aesthetic theory in light of the significant changes that have affected both of these spheres. This article analyzes the main models of the relation between aesthetics and politics. We i
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Ortlieb, Stefan A., Werner A. Kügel, and Claus-Christian Carbon. "Fechner (1866): The Aesthetic Association Principle—A Commented Translation." i-Perception 11, no. 3 (May 2020): 204166952092030. http://dx.doi.org/10.1177/2041669520920309.

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Most of the groundbreaking works of Gustav Theodor Fechner (1801–1887), who paved the way for modern experimental psychology, psychophysics, and empirical aesthetics, are so far only available in German. With the first full text translation of Fechner’s article on The Aesthetic Association Principle ( Das Associationsprincip in der Aesthetik), we want to fill in one of the blank spots in the reception of his Aesthetics from Below (Aesthetik von Unten). In his 1866 article, Fechner devises a fundamental principle that accounts for the role of associations in the formation of aesthetic preferenc
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Sernelj, Téa. "Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan." Asian Studies 8, no. 1 (January 10, 2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.

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Proceeding from the inseparable relation between ethics and aesthetics in traditional (and often also modern) Chinese thought, this article aims to illuminate two important approaches to the aesthetic foundations of Chinese modernity. The relation between the individual and society, which is a core question of modern ethics, is reflected in most of the ethical theories of 20th century China. In this context, the article first presents Li Zehou’s theory of aesthetics and his definition of aesthetic experience. In this way, it aims to illuminate Li’s interpretation of modern art and society, and
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Ortlieb, Stefan A., and Claus-Christian Carbon. "Kitsch and Perception: Towards a New ‘Aesthetic from Below’." Art and Perception 7, no. 1 (March 6, 2019): 1–26. http://dx.doi.org/10.1163/22134913-00001091.

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Although kitsch is one of the most important concepts of twentieth-century art theory, it has gone widely unnoticed by empirical aesthetics. In this article we make a case that the study of kitsch is of considerable heuristic value for both empirical aesthetics and art perception. As a descriptive term, kitsch appears like a perfect example of hedonic fluency. In fact, the frequently invoked opposition of kitsch and art reflects two types of aesthetic experience that can be reliably distinguished in terms of processing dynamics: a disfluent one that promises new insights but requires cognitive
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He, Kailin. "Research on Marketing Strategy Formulation and Optimization of Korean Wave Idol Market under Modern Aesthetic Changes." SHS Web of Conferences 181 (2024): 01014. http://dx.doi.org/10.1051/shsconf/202418101014.

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The modern aesthetic is on the path of continuous innovation, and the modern aesthetic has been part of the cause of the expansion of consumerism for a long time. The marketing strategy of Korean idols has been developed and optimized to a certain extent in this context. In order to study the development and optimization of the Korean idol market in the context of modern aesthetics, this paper investigates the changes and optimization of the marketing strategies of the second-generation girl group “Girls Generation” in the early and late stages and summarizes the impact of modern aesthetics on
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Dai, Chuang. "Philosophical-aesthetic reflection in China in the century: Wang Guowei and Zong Baihua." Философская мысль, no. 12 (December 2020): 15–29. http://dx.doi.org/10.25136/2409-8728.2020.12.34614.

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  This article is dedicated to examination of the philosophical-aesthetic reflection in China in the XX century, and the impact of European aesthetics upon the development and transformation of the traditional Chinese aesthetics. The article employs the method of historical and cultural with elements of structural analysis of aesthetic text of the modern Chinese philosophers. In the XX century, a number of Chinese thinkers made attempts of reforming the traditional Chinese aesthetics, complementing it with the viewpoint of European philosophy. The article examines the paramount aesthe
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Kholodynska, Svitlana. "THE CREATIVE WORK OF BORIS VIAN WITHIN FRENCH HUMANITIES OF THE 1940s–1960s." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 29–33. http://dx.doi.org/10.17721/ucs.2023.1(12).07.

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In the second half of the 20th century, discussions around the understanding of crisis phenomena that permeated all spheres of human life became more frequent, in particular, the spheres of art and aesthetics were also touched upon. The crisis in the artistic sphere was connected with the general cultural crisis of the late 19th and early 20th centuries, the decline of spirituality, and the relativization of values, primarily moral and aesthetic. Analysis of the crisis in the sphere of artistic practice and aesthetics of the 20th century was the subject of scientific research by several repres
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Tesis sobre el tema "Aesthetics, Modern"

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Armstrong, Kevin Anthony. "Aesthetics/ethics, two modern views." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37936.pdf.

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James, Michael. "Reflections and elaborations upon Kantian aesthetics." Uppsala : Stockholm, Sweden : Academia Ubsaliensis ; Distributor, Almqvist & Wiksell International, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18255569.html.

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Schmid, Erica. "Fail Better: The Aesthetics of Contemporary Criticism." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/274890.

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English<br>Ph.D.<br>Though literature and literary study have needed defense for most of their respective histories, the current crisis in academic literary study and the humanities more generally has forced scholars into the uncomfortable position of selling their disciplines and simultaneously warning students about the risks involved in earning what the dominant public considers to be "useless" degrees. The paradox, of course, is that dissuading would-be studiers is both ethical and destructive: it is necessary to inform students of the frightful instability of careers in literary study, bu
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Eccles, Tim. "Looking for beauty: a call to educators to address the need for aesthetic education in our classrooms /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2204.

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Long, David Thomas. "Object vanishings in early modern narrative." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495946191&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Iida, Yumiko. "Rethinking identity in modern Japan : nationalism as aesthetics /." Abingdon ; New York : Routledge, 2002. http://catalogue.bnf.fr/ark:/12148/cb40016503j.

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Felstead, Kenneth Desmond 1945. "The metaphysical grounds for the modern relationship between aesthetics and ethics." Monash University, School of Literary, Visual and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8648.

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Kitamura, Katie. "The aesthetics of vulgarity and the modern American novel." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424932.

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Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."
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Grahn, Emma. "A study in GUI aesthetics for modern pixel art games." Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5423.

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The clarity and usability of the graphical user interface is very important for the enjoyment of a digital game. Pixel art is an art style with low resolution consisting of a precise placing of pixels, the smallest unit of colour that a screen can display. Pixel art has the potential of being cheap, easy to make and nostalgic, but it takes some skill to handle. However the great weakness of pixel art is displaying letters, and small details with clarity. So is there a place for pixel art in modern games? This thesis will discuss how pixel art games could use their GUI and HUDs to create beauti
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Libros sobre el tema "Aesthetics, Modern"

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Welsch, Wolfgang. Undoing aesthetics. London: Sage Publications, 1997.

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Lyell, Asher, and Merrill Robert 1950-, eds. Ethics/aesthetics: Post-modern positions. Washington, DC: Maisonneuve Press, 1988.

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1952-, Golsan Richard Joseph, ed. Fascism, aesthetics, and culture. Hanover, NH: University Press of New England, 1992.

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John, Ruskin. Modern painters. London: Deutsch, 1989.

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John, Ruskin. Modern painters. London: Andre Deutsch, 1987.

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Rampley, Matthew. Nietzsche, aesthetics, and modernity. Cambridge, U.K: Cambridge University Press, 2000.

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Cazeaux, Clive. The Continental aesthetics reader. 2nd ed. London: Routledge, 2011.

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Eagleton, Terry. The ideology of the aesthetics. Cambridge, MA, USA: Basil Blackwell, 1990.

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Offermans, Cyrille. Openluchtconcert: Parva aesthetica. Amsterdam: De Bezige Bij, 1991.

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Lisa, Light, and Resen Laura, eds. American modern. New York: Abrams, 2010.

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Capítulos de libros sobre el tema "Aesthetics, Modern"

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Kockelmans, Joseph J. "Modern Aesthetics." In Phaenomenologica, 23–34. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5067-2_2.

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Bell, Clive. "Form in Modern Painting." In Aesthetics, 23–25. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-7.

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Efal-Lautenschläger, Adi. "Aesthetics." In Encyclopedia of Early Modern Philosophy and the Sciences, 17–24. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_598.

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Efal-Lautenschläger, Adi. "Aesthetics." In Encyclopedia of Early Modern Philosophy and the Sciences, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_598-1.

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Goldstein, Philip. "Aesthetics and Reading." In Modern American Reading Practices, 33–49. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230617827_3.

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Slotkin, Joel Elliot. "Introduction: Representing Evil in Early Modern England." In Sinister Aesthetics, 1–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52797-0_1.

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Naini, Farhad B. "Facial Proportions: Classical Canons to Modern Craniofacial Anthropometry." In Facial Aesthetics, 18–44. West Sussex, UK: John Wiley & Sons, Ltd., 2013. http://dx.doi.org/10.1002/9781118786567.ch2.

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Kinnaman, Ted. "Aesthetics before Kant." In A Companion to Early Modern Philosophy, 572–85. Malden, MA, USA: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470998847.ch37.

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Sager, Jenny. "The Aesthetics of Spectacle." In The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema, 23–49. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137332400_2.

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Bladen, Victoria. "Arboreal Aesthetics." In The Tree of Life and Arboreal Aesthetics in Early Modern Literature, 7–47. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003180043-2.

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Actas de conferencias sobre el tema "Aesthetics, Modern"

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Ba, Wanli. "ARCHITECTURAL AESTHETICS OF Р. EISENMAN". У 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-12.

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With the continuous development and progress of modern architecture, architectural aesthetics also develops accordingly. Architectural aesthetics is a good reflection of architects' design concepts, and this paper is devoted to the research of Peter Eisenman's architectural aesthetic concepts in different eras.
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Ermolenko, G., and S. Kozhevnikov. "DECONSTRUCTION OF AUTHORSHIP IN MODERN ART PRACTICES." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2565.978-5-317-06726-7/142-144.

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The report presents the main trends in modern art practices related to the transformation of the institution of authorship. In street art and landscape design, authorship is a function of urban aesthetic spaces,so the work of urban artists tends to be anonymous, the conceptual expression of which belongs to Banksy. Deconstruction of authorship in modern art practices is an attempt to revise the author's role in creating an aesthetic environment by artistic means in the context of turning art into an open communication platform.
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Koziakova, M. "HERMENEUTICS AS AN AESTHETIC DISCOURSE OF THE MEDIA ENVIRONMENT." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2567.978-5-317-06726-7/149-153.

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The beginning of the modern era is associated with the intensive development of fundamentally new media technologies that generate the formation and development of the media environment. This process is one of the Central moments of profound transformations in the life of modern society, in art. Art acquires new characteristics, and an important topic of modern research is the question of the ontological perspective of aesthetics. In this regard, hermeneutical procedures that make it possible to clarify the meaning of changes are of particular conceptual significance. The article examines the
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Kondratyev, E. A. "AESTHETIC AND HERMENEUTIC RESEARCHS IN THE CONTEXT OF CONTEMPORARY PHILOSOPHY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2535.978-5-317-06726-7/11-13.

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The article is devoted to the problem of the relationship of the hermeneutic method with modern aesthetic theories, which interpret in different ways the central categories of aesthetics: aesthetic experience, mediality, environment, aesthetic meaning. The possibilities of dialogue of various interpretative strategies influencing the process of forming a system of new aesthetic categories are analyzed, the hermeneutic aspects of the analytical and pragmatist approaches are compared.
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Sorokovikova, V. "COGNITIVE TURNS IN HUMANITARIAN KNOWLEDGE AND THEIR INTERPRETATION IN THE AESTHETIC THEORY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2570.978-5-317-06726-7/164-167.

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The article clarifies aspects of the relationship between aesthetics and art history. The specific features of the modern artistic and aesthetic picture of the world, the influence on them of cognitive turns in the humanitarian knowledge are determined. The study comprehends educational tasks in the process of teaching the courses “History of Art” and “Aesthetics” to students of a music university.
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Albakova, F. "CONDITIONAL TOPOSES OF THE DIALOGUE OF AESTHETIC MODELS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2568.978-5-317-06726-7/154-156.

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The problem of the dialogue of aesthetic models has become especially relevant in the XX-XXI centuries. The blurring of the classical canons of the aesthetic: harmony, beautiful, sensual reflection of reality created the prerequisites for the emergence of modern aesthetics,in the focus of which were not the reception of the real, but the existential world of man in the variety of his experiences and perceptions of the surrounding reality and himself. The habitual dimensions of the aesthetic categories of the beautiful, the ugly, the significant began to be viewed in the free dynamics of the si
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Li, Wanyue. "THE FUSION OF ART AND TECHNOLOGY EXPLORING THE BOUNDARIES OF NEW MEDIA AESTHETICS." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-20.

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Focusing on new media aesthetics, this paper explores the relationship between modern art and the integration of technology. The impact of technology on artistic innovation and its historical development are discussed, with an emphasis on new interactive art forms such as virtual reality and augmented reality. Characteristics of new media art such as interactivity, digitisation, multimedia integration, immediacy, openness and criticality are outlined. Finally, the importance of new media art for the shaping of contemporary art and the aesthetic experience of the audience is emphasised.
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Smirnova, N. "AESTHETIC ANALYSIS' METHODOLOGY: POST-NON-CLASSICAL HERMENEUTICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2538.978-5-317-06726-7/23-25.

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Post-non-classical hermeneutics' constituents as neo-Kantian philosophy's, psychoanalytical reflection's, and N. Chomsky's conception of generative grammars' cognitive synthesis have been examined in this paper. Non-adequacy of post-modern absolutization of the so-called “interpretation freedom” of cultural artifacts under the “author's death” conditions has been clearly demonstrated.
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Zagryadskaya, A. "THE FORMATION OF THE MUSEUM AS A RESULT OF CHANGES IN AESTHETIC CONSCIOUSNESS (FROM RENAISSANCE TO NEW TIME)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2558.978-5-317-06726-7/113-117.

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The creation of the museum institutions and the drift of art from private life into a specialized exhibition space are analysed. The changes of views on the nature of the aesthetic from the Renaissance to Early modern period and their connection with the emergence of art institutions are considered. The interpretation of the concept of G.-H. Gadamer on the role of the spectator in art is given in the context of aesthetic experience.
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Iranfar, Maryam, and Hourakhsh Ahmad Nia. "The Synthesis of Ethics and Aesthetics in Modern Movement of Architecture: ‘Truth’ Theory as an Assessment Tool." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021235n17.

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Architects and designers are obligated to think comprehensively to create aesthetically pleasing buildings together with functional features. The modern movement of architecture represents a dramatic movement in the buildings design to create a different functional and new architecture. There is a debate about the priority of beauty (aesthetics) and functionality (ethics) in this architectural style and leads to ambiguity in evaluating ethics and aesthetics. Hence, the study aims to understand the relationship between ethics and aesthetics value in architecture's modern movement. This study hy
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Informes sobre el tema "Aesthetics, Modern"

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Томашевський, Володимир Володимирович, Лілія Вікторівна Саприкіна, and Анна Петрівна Ємельова. Formation of Future Designers’ Aesthetic Culture as a Pedagogical Problem. КДПУ, 2021. http://dx.doi.org/10.31812/123456789/4989.

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The results of theoretical research of the process of formation of future designers’ aesthetic culture are outlined in the article. A modern state of problem status of the formation of future designers’ aesthetic culture is analyzed in scientific and pedagogical discourse. The theoretical analysis of the formation process of future designers’ aesthetic culture as a pedagogical problem is made. The formation process of future designers’ aesthetic culture as self-organizing system is characterized. The principles which characterize the role of vocational education in the formation of aesthetic c
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Kim, Young Sam. The Aesthetic Values of Transparency in Modern Fashion - Focused on the Transparency Theory. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1715.

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Jestratijevic, Iva, and Nancy Ann Ann Rudd. The Body to Die for: Appearance Aesthetics, Body Measurements, and BMI Analysis of a Female and Male Runway Models (2012�2018). Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8427.

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McKinney, Ellen, Fatma Baytar, Shannon Roth, Kathryn Kaalberg, and Chanmi Hwang. Designing a solar powered jacket for the day hiker: Application of the apparel design framework and functional, expressive, and aesthetic (FEA) consumer needs model. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1123.

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Ripey, Mariya. Сполучуваність іменника кількість із дієсловами у газетних публікаціях (на матеріалі всеукраїнської газети «День»). Ivan Franko National University of Lviv, березень 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11741.

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The article a study of the standard aspect of vocabulary usage in modern Ukrainian newspaper publications. Based on the analysis of the reference literature, the article examines the cases of conjugation of the noun quantity with the verbs to increase and to grow, as well as to decrease, to lower, to shrink, to fall in the publications of the newspaper «Den’». This newspaper is one of the most popular publications in the rating of national media. There are a lot of doubts about the proper usage of these linguistic expressions in the editorial work. The research is predetermined by the need to
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Sarofim, Samer. Developing an Effective Targeted Mobile Application to Enhance Transportation Safety and Use of Active Transportation Modes in Fresno County: The Role of Application Design & Content. Mineta Transportation Institute, July 2021. http://dx.doi.org/10.31979/mti.2021.2013.

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This research empirically investigates the need for, and the effective design and content of, a proposed mobile application that is targeted at pedestrians and cyclists in Fresno County. The differential effect of the proposed mobile app name and colors on the target audience opinions was examined. Further, app content and features were evaluated for importance and the likelihood of use. This included design appeal, attractiveness, relevance, ease of navigation, usefulness of functions, personalization and customization, message recipients’ attitudes towards message framing, and intended behav
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NELYUBINA, E., and L. PANFILOVA. ASSESSMENT OF THE QUALITY OF EDUCATIONAL ELECTRONIC PUBLICATIONS AND RESOURCES. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2658-4034-2021-12-4-2-85-97.

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Now the whole life of a person has switched to online mode. These changes also affected the education system. This means the need to introduce new technologies into the educational process. Books, manuals, printed publications are being replaced by electronic educational resources. Providing up-to-date, verified information to students has always been and remains one of the most important functions of the teacher. Unfortunately, with the transition of training to the online mode, the teacher cannot use his literature when conducting classes. In this regard, there is a need to use electronic re
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BENDING MECHANICAL PROPERTIES OF STEEL–WELDED HOLLOW SPHERICAL JOINTS AT HIGH TEMPERATURES. The Hong Kong Institute of Steel Construction, August 2022. http://dx.doi.org/10.18057/icass2020.p.146.

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Spatial grid structure is a commonly used long–span structural form due to its various advantages, such as light weight, high strength, low construction cost, and simple construction. Steel–welded hollow spherical joints are widely applied in traditional spatial grid structures. Circular steel tube– and H–shaped steel–welded hollow spherical joints have been applied in practical engineering projects because of aesthetic appearance and structural stress requirements of modern spatial grid structures. Existing studies have mainly focused on the axial compression behaviors of steel–welded hollow
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