Bibliografías temáticas / American songs

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  2. Tesis
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Literatura académica sobre el tema "American songs"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 3 de marzo de 2023

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Artículos de revistas sobre el tema "American songs"

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Stølen, Marianne. "Om Grundtvigs sanges liv i Nordamerika." Grundtvig-Studier 59, no. 1 (January 1, 2008): 170–93. http://dx.doi.org/10.7146/grs.v59i1.16532.

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Om Grundtvigs sanges liv i Nordamerika[On the life of Grundtvig’s songs in North America]By Marianne StølenThe article discusses three important conditions for that rich life which Grundtvig’s songs have enjoyed among Danish-Americans in North America. Treated first is the songbook of Frederik Lange Grundtvig, Sangbog for det danske Folk i Amerika [Songbook for the Danish folk in America] (1888), commonly known as “the red one,” with focus upon F. L. Grundtvig’s selection of familiar and unfamiliar songs and hymns gathered from his father’s treasury of song and his reworking of some of these w
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Leger, Daniel W., and D. James Mountjoy. "Geographic Variation in Song of The Bright-Rumped Attila (Tyrannidae: Attila Spadiceus): Implications for Species Status." Auk 120, no. 1 (January 1, 2003): 69–74. http://dx.doi.org/10.1093/auk/120.1.69.

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Abstract Bright-rumped Attilas (Attila spadiceus) have two song forms, one sung primarily at dawn, the other primarily during the rest of the day. Both songs consist of a main phrase and an optional terminal phrase. Our recordings of dawn and day songs in Costa Rica were very similar to those made elsewhere in Central America. However, Central American dawn songs were significantly different than dawn songs from South America, both in terms of quantitative features (temporal and frequency variables) and qualitative characteristics (note shape). Day songs from Central and South America were sim
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Waseda, Minako. "Looking Both Ways: Gi Songs and Musical Exoticism in Post-World War II Japan." Yearbook for Traditional Music 36 (2004): 144–64. http://dx.doi.org/10.1017/s0740155800020506.

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GI songs or shinchū-gun songu in Japanese are legacies of the U.S. occupation of Japan, which started in 1945 with Japan's defeat in the Pacific War. Although the occupation officially ended in 1952, many American soldiers continued to arrive and remained in Japan even after 1952. This was due to the outbreak of the Korean War (1950-53), which made Japan America's advance base. GI songs generally refer to compositions addressed to American soldiers stationed in Japan during this occupation period and through the 1950s.
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Ratcliffe, L., and Christopher Naugler. "A Field Test of the Sound Environment Hypothesis of Conspecific Song Recognition in American Tree Sparrows (Spizella Arborea)." Behaviour 123, no. 3-4 (1992): 314–24. http://dx.doi.org/10.1163/156853992x00075.

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AbstractThe sound environment hypothesis predicts that the features of song that are important for conspecific recognition should be those that overlap least with the songs of other species in the same location. We tested this hypothesis with song playbacks to free-living male American tree sparrows (Spizella arborea). We first used a discriminant function analysis to determine which song features best separated American tree sparrow songs from the songs of heterospecific avian species at two locations representing different sound environments. Based on this analysis we predicted which song fe
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Schneider, Jason. "Another Side of “Born in the U.S.A.”: Form, Paradox, and Rhetorical Indirection." Biannual Online-Journal of Springsteen Studies 1, no. 1 (August 10, 2014): 9–35. http://dx.doi.org/10.26443/boss.v1i1.15.

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“Born in the U.S.A.” has been one of the most important and controversial songs of Bruce Springsteen’s career. For some listeners, the song is a pro-America anthem; for others, it is a scathing commentary on American government and society. This paper challenges both of those views, arguing that the song’s apparently contradictory musical form and lyrical content interact to produce a collective rhetorical effect. In this view, “Born in the U.S.A.” is not an argument for a specific political ideology but rather a multilayered and multidirectional interrogation of the paradoxes of national belo
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McGuire, Kenneth M. "Common Songs of the Cultural Heritage of the United States: A Compilation of Songs That Most People “Know” and “Should Know”." Journal of Research in Music Education 48, no. 4 (December 2000): 310–22. http://dx.doi.org/10.2307/3345366.

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Recently, there have been attempts to identify songs common to the heritage of the United States. Although researchers in previous investigations have studied songs that are common to specific geographical areas, this studys purpose was to determine which songs are familiar to U.S. citizens across several regions and also to uncover various epistemological definitions of what it means to “know” a song. By cross-referencing modern lists with the contents of two songbooks popular during the community song movements of the World Wars I and II, I sought to determine which songs were common across
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Morris, Nancy. "Canto Porque es Necesario Cantar: The New Song Movement in Chile, 1973–1983." Latin American Research Review 21, no. 2 (1986): 117–36. http://dx.doi.org/10.1017/s0023879100015995.

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“Para el camino” Canto a la angustia y a las alegrias. Canto porque es necesario can tar para ir dejando una huella en los dias, para ir diciendo cosas prohibidas.“For the Road” I sing of anguish and joy. I sing because it's necessary to sing to leave my mark on time, to say forbidden things.Latin American New Song is distinct from the usual stereotypes of Latin American popular music. Songs such as “Para el camino” do not fit into the common categories of salsa, ballads, Spanish-language versions of U.S. hit songs or popularized traditional styles such as the ranchera and cumbia. Although New
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Stephenson, Jean. "“Quizás, quizás, quizás”. Translators’ dilemmas and solutions when translating spanish songs into english." DEDiCA Revista de Educação e Humanidades (dreh), no. 6 (March 1, 2013): 139–51. http://dx.doi.org/10.30827/dreh.v0i6.6968.

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Rendering songs into another language poses numerous difficulties for translators. Songs may be considered as poems set to music, and in translating them, these professionals confront not only routine translation problems such as expressing the meaning, ambience and style of the original work, but they also have to attend to other requisites such as creating a new version of the song within the restrictions of rhythm and rhyme. In this article, I examine songs from Spanish literature and from Spanish and South American popular music, and explore translators’ ways of converting the original tex
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Studwell, William E. "American Patriotic Songs:." Music Reference Services Quarterly 1, no. 3 (August 2, 1993): 55–64. http://dx.doi.org/10.1300/j116v01n03_03.

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Dirksen, P. B. "Song of Songs Iii 6-7." Vetus Testamentum 39, no. 2 (1989): 219–25. http://dx.doi.org/10.1163/156853389x00093.

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AbstractAB The Anchor Bible; AT An American Translation (1923, 1951 15); A TD Das Alte Testament Deutsch; BHS Biblia Hebraica Stuttgartensia (Stuttgart, 1967/77); BKAT Biblischer Kommentar Altes Testament; COT Commentaar op het Oude Testament; BJér La Bible de Jérusalem (Paris, 1973); Buber M. Buber, Die Schrift verdeutscht (Heidelberg, 1980); CBA The Holy Bible, Translated... by Members of the Catholic Biblical Association of America (Paterson, New Jersey, 1955); GB W. Gesenius and F. Buhl, Hebräisches und Aramäisches Handwörterbuch über das Alte Testament (Berlin/Göttingen/Heidelberg, 1949 1
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Tesis sobre el tema "American songs"

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Snydacker, Sarah Elizabeth. "The new American song: a catalog of published songs by 25 living American composers." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1265.

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The purpose of this dissertation is to create a catalog of the published, solo vocal songs of 25 living American composers. Through this project, visibility will be given to a significant amount of contemporary literature that is currently unknown and / or underused by many singers and voice teachers today. Exposure to the literature in this project will encourage singers and teachers to give deserving attention to a wealth of contemporary American song literature, and will help to stimulate the study, practice and performance of other contemporary songs and composers. I have selected 25 livin
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Davidson, Jill D. "Prayer-songs to our elder brother : Native American Church songs of the Otoe-Missouria and Ioway /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841275.

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Mowery, Samantha. "Stephen Foster and American song a guide for singers /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234810817.

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Chang, Debra Wei Kwen. "Songs of the wind." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332464/.

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Songs of the Wind is a five-movement composition for reader, chamber choir, and chamber orchestra. The work is approximately twenty-five minutes in duration. The title describes the programmatic nature of the piece, which depicts an animistic ritual invoking the wind as a deity. The texts are drawn from translations of American Indian poetry as well as original poems by the American Indian scholar Hartley Alexander.
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Nelson, Michael. "Songs for cripples." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002952.

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Lin, Yi-Cherng. "The essence of twentieth century American art songs." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9698.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;
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Talbott, Christy Jo. "The French art song style in selected songs by Charles Ives." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000455.

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Bateson, Catherine Victoria. "Culture and sentiments of Irish American Civil War songs." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33216.

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During the American Civil War, an approximate 200,000 Irish-born soldiers, and an even greater number of subsequent generation descended soldiers, fought for the Union and Confederate causes. Their experience, opinions, military actions and attitudes of their families were the subject of American Civil War songs, with songwriters penning numerous ballads about them. The conflict witnessed the mass production of wartime ballad culture, with over 11,000 pieces written and composed between 1861 and 1865 alone. An estimated 150 were by and about the Irish American wartime experience specifically.
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Yancey, Eddie. "Rhythm and Blues protest songs: voices of resistance." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2007. http://digitalcommons.auctr.edu/dissertations/610.

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This study was an investigation of seven selected rhythm and blues black protest songs, from 1964 to 1975, and their relationship to black empowerment during the era of the Black Power Movement. The songs were analyzed using content analysis and revealed three expected themes of self/black identity, racial equity and self-determination. A fourth theme, social change, evolved during the study. The study focused on the political, cultural and economic ramifications, especially of black music, as a form of protest against a system that proved to be one of inequality, and prejudicial segregation i
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Cardwell, Robert Ewell. "A Survey of 21st Century Gay-Themed American Art Songs for Baritone." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703289/.

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The majority of repertoire catalogs for singers, printed and digital, often list works by voice type, language, and/or genre. The 21st century has seen an emergence of online classical music catalogs where the user can seek repertoire by searching composers from underrepresented communities (i.e., women, Black, LGBTQ, Latinx). What does not currently exist is a resource that catalogs songs for solo voice dealing specifically with gay subject matter. This dissertation surveys seventeen 21st century gay-themed art songs by four living American composers: David Del Tredici, Ben Moore, Clint Borzo
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Libros sobre el tema "American songs"

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name, No. American folk songs. Saint-Nicolas: ditions Doberman-Yppan, 2003.

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Ellis, Brian. Frog songs. Peoria, IL: Fox Tales International, 2000.

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ill, Fisher Leonard Everett, ed. Sea songs. New York: Holiday House, 1986.

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Torre, Vincent. Songs & fables. New York: Inkwell Press, 1990.

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Children's songs. New York: Chelsea House Publishers, 1993.

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Charlotte songs. East Rockaway: Marsh Hawk Press, 2015.

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ill, Fisher Leonard Everett, ed. Space songs. New York: Holiday House, 1988.

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ill, Fisher Leonard Everett, ed. Earth songs. New York: Holiday House, 1986.

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Songs of unreason. Port Townsend, WA: Copper Canyon Press, 2011.

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author, Fisher Robin 1960, ed. American art song and American poetry. Lanham: The Scarecrow Press, Inc., 2012.

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Capítulos de libros sobre el tema "American songs"

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Ramey, Lauri. "Slave Songs as American Poetry." In Slave Songs and the Birth of African American Poetry, 97–121. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610163_4.

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Rayl, David. "Songs of “Little Dixie”:." In Legacies of Power in American Music, 179–204. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003275695-11.

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Tomiyama, Hidetoshi. "Neil Young: Some Complexities in His Songs." In Canadian Music and American Culture, 61–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50023-2_4.

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Ramey, Lauri. "Border Crossing in Slave Songs." In Slave Songs and the Birth of African American Poetry, 123–50. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610163_5.

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Ramey, Lauri. "Slave Songs and the Lyric Poetry Traditions." In Slave Songs and the Birth of African American Poetry, 17–55. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610163_2.

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Ramey, Lauri. "Theology and Lyric Poetry in Slave Songs." In Slave Songs and the Birth of African American Poetry, 57–95. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610163_3.

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Wilder, Alec. "Outstanding Individual Songs." In American Popular Song, 433–92. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190939946.003.0012.

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Hundreds of individuals have contributed to the American Songbook, many of whom did not even consider themselves songwriters. They might have been bandleaders. arrangers, instrumentalists, singers, or rank amateurs. Some wrote only a handful of notable songs, some just one or two. Songs that would likely elicit a puzzled look if their authors were revealed include “April Showers,” “Just Friends,” “I’m Getting Sentimental over You,” “How High the Moon,” “Moonlight in Vermont,” and “You Make Me Feel So Young.” True, the artist who made the song famous is likely to come to mind immediately, but the intrinsic merit of these songs cannot be denied. This chapter discusses more than one hundred songs that are likely to be far more famous than their authors.
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Graham, T. Austin. "Songs Not in Thy Songs." In The Great American Songbooks, 34–75. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199862115.003.0002.

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"Native American Healing Songs." In Healing Songs, 34–48. Duke University Press, 2006. http://dx.doi.org/10.1215/9780822387671-003.

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"Native American Healing Songs." In Healing Songs, 34–48. Duke University Press, 2006. http://dx.doi.org/10.2307/j.ctv120qsfk.6.

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Actas de conferencias sobre el tema "American songs"

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Hishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida, and Keiko Hishida. "Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs -." In 13th International Multi-Conference on Complexity, Informatics and Cybernetics. Winter Garden, Florida, United States: International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.

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Kieu Trung, Son. "The Phenomenon of Writing new Lyrics for Folk Songs to Broadcast on Mass Media in Vietnam." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.5-3.

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The phenomenon of creating new lyrics for folk songs provides an interesting combination between the two fields of linguistics and ethnomusicology (or performing arts) and is highly applicable for life in Vietnam. This research aims at the meaning of choosing folk melodies to express language and to express an ideological content. Based on the thesis of linguistic anthropology, considering language to be a reflection of the human being, this study considers the choice of the way language is transmitted as part of that reflection. To conduct this study, we will look at the Voice of Vietnam Radi
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Tyryguina, Valentina A. "The Reflection Of American Values In Song Discourse." In International Forum «Freedom and responsibility in pivotal times». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.03.67.

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Bowo, Tri, Anindya Pradipta, and Widyarini Putri. "Environmental Issues and Politics in Indonesian and American Song Lyrics." In Proceedings of the 10th UNNES Virtual International Conference on English Language Teaching, Literature, and Translation, ELTLT 2021, 14-15 August 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.14-8-2021.2317650.

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Wright, Brian. "African American Fathers, Mentors, and Sons: Strengthening Their Lives Through Literacy." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1583979.

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Nedyalkov, Ivaylo. "The Fluids Rap: It’s All About Flow." In ASME 2020 Fluids Engineering Division Summer Meeting collocated with the ASME 2020 Heat Transfer Summer Conference and the ASME 2020 18th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/fedsm2020-20303.

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Abstract Most of the currently-enrolled undergraduate engineering students grew up with exposure to social media websites like Facebook and Youtube. Making sure that students are not distracted by their mobile devices in class has become more challenging, and one way to address the issue is to present engineering in a more entertaining and engaging way. A rap song about fluid mechanics was created by the author for entrainment, outreach, and education purposes. The song covers the fundamentals of fluid mechanics and mentions some theoretical basics, as well as some of the most widely used comp
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Tello Collado, Santiago. "Abd al Malik: le fluide vital du rap." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3022.

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Uno de los aspectos más llamativos, al tiempo que complejos de la música rap es lo que conocemos como flow. Diferentes autores como Marc (2008) o Béthune (2004), sobre la estética del rap, hacen referencia a este concepto difícil de definir. Partiendo de su sentido más orgánico, en tanto que líquido en movimiento, el flow en el rap requiere estar provisto de enorme y cristalina vitalidad en el recitado de los versos, lo que le confiere uno de los aspectos más atractivos, al tiempo que complejos, en este tipo de música. Procedente de la locución americana to rap, entre chismorrear o darle al pi
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De Gregorio, Chiara, Daria Valente, Valeria Torti, Anna Zanoli, Dario Colaci Cirillo, Greta Bazzano, Simone Sugliano, Rose Marie Randrianarison, Cristina Giacoma, and Marco Gamba. "Song structure and sex specific features in the indris." In 177th Meeting of the Acoustical Society of America. ASA, 2019. http://dx.doi.org/10.1121/2.0001021.

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Dörr, Jéfer Benedett, and Linnyer Beatrys Ruiz Aylon. "Um Estudo sobre Técnicas utilizadas para o Reconhecimento de Sons com o uso de Inteligência Artificial e Python." In Congresso Latino-Americano de Software Livre e Tecnologias Abertas. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/latinoware.2022.227845.

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Este artigo apresenta uma introdução de conceitos e práticas para aprender o inicial de como trabalhar com Reconhecimento de Sons. Será apresentado o embasamento teórico necessário, os conceitos e as ferramentas para trabalhar na prática em um projeto prático de Reconhecimento de Padrões em áudio utilizando Inteligência Artificial com a linguagem de programação Python.
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VanDam, Mark, Carsen Jessup, and Tracy Tully. "Mothers’ and Fathers’ differential talk to daughters and sons with hearing loss." In 172nd Meeting of the Acoustical Society of America. Acoustical Society of America, 2016. http://dx.doi.org/10.1121/2.0000532.

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Informes sobre el tema "American songs"

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Weller, Joel, Harris Lewin, Micha Ron, and George Wiggans. Detection and Mapping of Genes Affecting Traits of Economic Importance in Dairy Cattle with the Aid of Molecular Genetic Markers. United States Department of Agriculture, December 1995. http://dx.doi.org/10.32747/1995.7613024.bard.

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Forty-seven poly-TG microsatellites were developed at the U of IL, and 11 genetic markers were developed at ARO, nine of which were poly-AGC microsatellites. Markers were typed on the reference families of CSIRO, Australia; GRANADA, Texas; and IRRF, Illinois, for chromosome assignment and linkage mapping. Nine North American al organizations contributed semen to the Dairy Bull DNA Repository (DBDR), which currently has 65,743 units from 3366 bulls. Semen was obtained for 31 out of 35 grandsires. Semen of 28 and 23 sons of two Israeli bulls was also collected. Eighteen grandsires were genotyped
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Heynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.179.

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