Bibliografías temáticas / Ancient and Modern Greek

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Literatura académica sobre el tema "Ancient and Modern Greek"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 5 de marzo de 2023

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Artículos de revistas sobre el tema "Ancient and Modern Greek"

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Kavčič, Jerneja. "The Representation of Modern Greek in Ancient Greek Textbooks". Journal for Foreign Languages 12, n.º 1 (23 de diciembre de 2020): 75–93. http://dx.doi.org/10.4312/vestnik.12.75-93.

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Focusing on Agnello and Orlando (1998), Elliger and Fink (1986), Weileder and Mayerhöfer (2013), Mihevc-Gabrovec (1978) and Keller and Russell (2012), I discuss attempts at introducing elements of Modern Greek into teaching its ancient predecessor. My analysis, which is based on the etymologies of LKN (Λεξικό της Κοινής Νεοελληνικής), shows that approximately half of the words in the textbooks investigated in this study retain the same written forms and meanings in Modern Greek as in Ancient Greek; the term word in this analysis subsumes headwords introducing lexical entries. On the other hand, words with the same written forms and different meanings in Ancient and Modern Greek are significantly less frequent, accounting for 5 to 11% of all words in the textbooks. Furthermore, these textbooks contain between 12 and 16% of words that retain the same meaning in Ancient and Modern Greek, and also show significant formal change. As a result, their written forms are different in Ancient than in Modern Greek. It is also found, however, that at least some inflected forms of the words belonging to the latter class retain in the modern language the same written forms and meanings as in Ancient Greek. These data suggest that it is possible to introduce elements of Modern Greek into teaching its ancient predecessor without drawing attention to grammatical and semantic differences between Ancient and Modern Greek. Based on these data I also evaluate at the end of the article existing attempts at incorporating elements of Modern Greek into teaching the ancient language.
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Marinis, Agis. "Roots ancient or medieval? Nikolaos Politis, modern Greek folklore studies and ancient Greek religion". Historical Review/La Revue Historique 16 (1 de abril de 2020): 167. http://dx.doi.org/10.12681/hr.22824.

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The question posed by the title can be reformulated in the following manner: to what extent has it been possible or desirable to connect modern Greek customs with ancient ones? not customs in general, but more precisely religious customs. Greek folklore studies typically begin with Nikolaos Politis, professor at the University of Athens, the first to introduce the term λαογραφία (meaning “folklore studies”) towards the end of the nineteenth century. Yet, we need to revert to at least as far back as the time prior to the Greek Revolution, that is, the period of the Greek enlightenment, in order to trace the beginnings of the shaping of the ideological framework of modern Greek folklore studies. it is well known and has aptly been pointed out, also in connection with Greek folklore studies, that for the Greeks the enlightenment movement went hand in hand with a specific form of romanticism. The Greek idea of the nation developed within the framework of the Romantic movement and on the basis of the connection between “us” and “the ancients”. How, then, were modern Greek folk customs that were not firmly related to the orthodox church incorporated in this new cultural narrative?
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Kontopoulou, Theano y Spyros Marketos. "Homeostasis. The Ancient Greek Origin of a Modern Scientific Principle". HORMONES 1, n.º 2 (15 de abril de 2002): 124–25. http://dx.doi.org/10.14310/horm.2002.1160.

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Kavčič, Jerneja, Brian Daniel Joseph y Christopher Brown. "Teaching Modern Greek to Classicists". Keria: Studia Latina et Graeca 22, n.º 2 (28 de diciembre de 2020): 119–39. http://dx.doi.org/10.4312/keria.22.2.119-139.

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The ideology of decline is a part of the history of the study and characterization of the Greek language from the Hellenistic period and the Roman Atticist movement right up to the emergence of katharevousa in the 19th century and the resulting modern diglossia. It is also clear, however, that there is an overwhelming presence of Ancient Greek vocabulary and forms in the modern language. Our position is that the recognition of such phenomena can provide a tool for introducing classicists to the modern language, a view that has various intellectual predecessors (e.g., Albert Thumb, Nicholas Bachtin, George Thomson, and Robert Browning). We thus propose a model for the teaching of Modern Greek to classicists that starts with words that we refer to as carry-overs. These are words that can be used in the modern language without requiring any explanation of pronunciation rules concerning Modern Greek spelling or of differences in meaning in comparison to their ancient predecessors (e.g., κακός ‘bad’, μικρός ‘small’, νέος ‘new’, μέλι ‘honey’, πίνετε ‘you drink’). Our data show that a beginners’ textbook of Ancient Greek may contain as many as a few hundred carry-over words, their exact number depending on the variety of the Erasmian pronunciation that is adopted in the teaching practice. However, the teaching of Modern Greek to classicists should also take into account lexical phenomena such as Ancient-Modern Greek false friends, as well as Modern Greek words that correspond to their ancient Greek predecessors only in terms of their written forms and meanings.
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Yarkeev, Alexey. "Ancient Greek Origins of Modern Biopolitics". Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 97, n.º 2 (2020): 7–21. http://dx.doi.org/10.30570/2078-5089-2020-97-2-7-21.

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Barnstone, Willis. "Translating from Ancient and Modern Greek". Journal of Modern Greek Studies 8, n.º 2 (1990): 317–23. http://dx.doi.org/10.1353/mgs.2010.0325.

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Tilikidou, E. "Idioms of Ancient and Modern Greek". Kathedra, n.º 10 (2022): 60–77. http://dx.doi.org/10.52607/26587157_2022_10_60.

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Markovic, Vera. "Ancient Greek in modern language of medicine". Srpski arhiv za celokupno lekarstvo 135, n.º 9-10 (2007): 606–8. http://dx.doi.org/10.2298/sarh0710606m.

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In order to standardize language of medicine, it is essential to have a good command of ancient Greek and Latin. We cannot deny a huge impact of ancient Greek medicine on medical terminology. Compounds of Greek origin related to terms for organs, illnesses, inflammations, surgical procedures etc. have been listed as examples. They contain Greek prefixes and suffixes transcribed into Latin and they have been analyzed. It may be concluded that the modern language of medicine basically represents the ancient Greek language transcribed into Latin.
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Nikiforidou, Kiki. "Modern Greek As". Studies in Language 20, n.º 3 (1 de enero de 1996): 599–632. http://dx.doi.org/10.1075/sl.20.3.04nik.

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The grammaticalization of as from a lexical imperative of Ancient Greek to a particle of Modern Greek follows some well-identified trends in historical linguistics. An adequate description of the change needs to refer simultaneously to semantic, syntactic and phonological parameters, which makes as a typical case of grammaticalization and a clear example of interaction of all such parameters. As, a highly polysemous category in Modern Greek, follows complex paths of development which for their description require also reference to 1) semantic relations such as metaphor and metonymy and 2) the interaction of existing grammatical patterns of the language with the emergent category.
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Zabudskaya, Ya L. "ANCIENT GREEK TRAGEDY AND MODERN LITERARY PROCESS". Учёные записки Петрозаводского государственного университета 44, n.º 3 (marzo de 2022): 89–96. http://dx.doi.org/10.15393/uchz.art.2022.757.

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Tesis sobre el tema "Ancient and Modern Greek"

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Giannakopoulou, Aglaia. "Ancient Greek sculpture in modern Greek poetry, 1860-1960". Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322258.

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Hatzopoulos, Marios. "'Ancient prophecies, modern predictions' : myths and symbols of Greek nationalism". Thesis, London School of Economics and Political Science (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425700.

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Matthews, Laura S. "DIRECTING THROUGH ANCIENT MOVEMENT: An Experiment Exploring Ancient Greek Choral Structures on the Modern Stage". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5731.

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This thesis outlines my research and creative process of how to direct modern theatre under the structure of the Ancient Greek chorus, specifically through movement. I include a brief history of how the chorus functioned in Ancient Greek theatre; how movement shaped the chorus’ role as well as the story for the audience. Using the parameters of the chorus, I directed two theatrical productions, Jason Robert Brown’s Parade, and Sarah Ruhl’s adaptation of Virginia Woolf’s Orlando. Through exploration and analysis I conclude that using Ancient Greek choral movement in modern theatre helps to create a more specific story through gesture and space, bridges the gap between the audience and action onstage, and should be the foundation of how directing is taught in academic settings.
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Parkyn, Charlotte Louise. "Inspiration from tatters : reconstructed ancient Greek plays on the modern stage". Thesis, King's College London (University of London), 2018. https://kclpure.kcl.ac.uk/portal/en/theses/inspiration-from-tatters(5aa4434e-6f00-429e-99fa-bbed8bc63058).html.

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This thesis in Classical Performance Reception Studies asks how some fragmentary ancient Athenian dramas—a satyr play (Sophocles’ Trackers), and several tragedies (the lost plays of Aeschylus’ trilogy about the Danaids, Sophocles’ Tereus, and Euripides’ Hypsipyle and Alcmaeon in Corinth) have informed some experimental theatre productions since the late 1980s. Between the introductory and concluding chapters, the four central chapters of the thesis analyse, in chronological order of their production, the following new dramatic works incorporating or otherwise responding to the ancient fragments: Tony Harrison’s The Trackers of Oxyrhynchus, which premiered at Delphi in 1988 but was revived in 1990 at the National Theatre; Timberlake Wertenbaker’s The Love of the Nightingale, first performed by the Royal Shakespeare Company in 1989 and, Joanna Laurens’ The Three Birds (Gate Theatre, 2000); Silviu Purcărete’s Les Danaïdes (Avignon, 1996) and, Charles Mee’s Big Love (Actor's Theatre of Louisville, 2000); Tasos Roussos’ Hypsipyle (1997) and, David Wiles’ Hy]ψ[ipyle: A Fragment (Royal Holloway University of London 1997); and Colin Teevan’s Alcmaeon in Corinth/Cock o’ the North (Live Theatre, Newcastle, 2004). The context, content and production styles of each new production are discussed in tandem with the remains of the ancient play available to the modern playwright—papyrus fragments, book quotations, ancient hypotheses, scholarly editions and translations into modern languages of these, vase-paintings, the ancient reception of the classical Greek plays in later literature, other ancient literary sources such as ancient comedy, epic poetry and mythographers’ works, and secondary scholarship on and philological reconstructions of the ancient texts. But in addition to this empirical exercise in the analysis of the process of making new theatre practice from ancient theatrical tatters, I ask why fragmentary plays have proved so inspirational outside the academy over the last three and a half decades; the answers lie in the fragments’ susceptibility to being arranged and interpreted in ways that speak to very modern concerns with the shape of the family, patriarchy, anti- and postcolonial theory, migration and immigration, displacement, diaspora, social class, violence and war.
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Petropoulos, John Constantine Boulgaris. "Continuity and erotic motifs and imagery in ancient and modern Greek popular poetry". Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385592.

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Chen, Jingling. "An Acropolis in China: The Appropriation of Ancient Greek Tradition in Modern Chinese Literature". Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493311.

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This dissertation explores the transcultural relationships between modern China and ancient Greece, with a view toward appreciating how Greek philosophical and literary visions have been received, reformulated, and repurposed by Chinese writers from the turn of the twentieth century to the Cultural Revolution that began in 1966. The project is a combination of intellectual inquisition and textual analysis. Contextualized in the narrative of modern Chinese intellectual history, my study focuses on critical analysis of certain literary texts that contain or appropriate Greek elements. The objective of this study is to uncover the sophisticated transcultural practice in Chinese writers’ creative representation of what they consider the original source of the Western civilization. This in turn has contributed to the making of new intellectual trends that characterize modern Chinese culture. While constructing “a Greek layer” in the characteristics of Chinese modernity, these intellectuals’ reception of Greek imagery was also conditioned by their own political and cultural purposes. This reception was a process of appropriation that turned ancient Greece into an integral element in the formulation of a new cultural subjectivity of modern China, a course defined by David Damrosch as to mobilize elements derived from the foreign works within a vital and ongoing home tradition. This dissertation considers the Chinese translations of, introductions to, and commentaries on texts of Greek antiquity as recreations adapted to the domestic context. My study does not only analyze what has been rendered and changed in the translations of the broad term when compared with the original texts, but also treat the translations as reformulated texts that succeeded in representing Greek imagery as an internal part of the intellectual history of modern China. As the first comprehensive study of the multi-layered literary relationships between ancient Greece and modern China, this study aims to better understand the modernization of Chinese literature and culture in the context of transculturation.
East Asian Languages and Civilizations
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Temple, Camilla Isabel Eva. "Inscription, ecphrasis and allegory : the reception of the ancient Greek epigram and the Renaissance emblem in early modern English literature". Thesis, University of Bristol, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738195.

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Wattis, Alexandra. "A Comparison of Democracies: How Democratic Rhetoric and Values Have Changed from Ancient Athens to the Modern United States". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1053.

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This study will explore the similarities and differences between Alcibiades and Nicias’ speeches to the Athenian Assembly in 415 BC and Secretary Hillary Clinton and President Donald J. Trump’s first presidential debate in 2016. The ancient speeches were regarding the Sicilian Expedition, while the modern speeches focused on each candidates’ foreign policy plan regarding Syria and the Islamic State (IS). Despite the near 2,500-year difference between these two democracies, there are striking similarities between the ways their governments are structured as well as the values they uphold. I explore the significance of the fact that the Athenians and the modern-day Americans have two ostensibly functioning democracies yet the candidates whom they elected and the subsequent results were disadvantageous for the long-term sustainability of their countries. I will look at the differences between the expectations of the democratic institutions and what the outcomes of the debates were. Additionally, I compare the differences between the Athenian democracy and the American democracy.
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Bunge, Hans-Henning. "Comparing Ancient History Textbooks of Imperial Germany and the Weimar Republic". Kent State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=kent1197059579.

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Kay, Janet Catherine Mary. "Aspects of the Demeter/Persephone myth in modern fiction". Thesis, Link to online version, 2006. http://hdl.handle.net/10019.1/2409.

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Libros sobre el tema "Ancient and Modern Greek"

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Ancient Greek children. Oxford: Heinemann Library, 2003.

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B, Petropoulos J. C., ed. Greek magic: Ancient, medieval and modern. London: Routledge, 2008.

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Understanding Greek sculpture: Ancient meanings, modern readings. New York: Thames and Hudson, 1996.

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Ancient sun, modern light: Greek drama on the modern stage. New York: Columbia University Press, 1992.

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Sally, MacEwen, ed. Views of Clytemnestra, ancient and modern. Lewiston: Edwin Mellen Press, 1990.

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1948-, Rabel Robert J., ed. Approaches to Homer: Ancient & modern. Swansea: Classical Press of Wales, 2005.

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Bertoch, Marvin J. Modern echoes from ancient hills: Our Greek heritage. Salt Lake City, UT: Blue Ribbon Publications, 1998.

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Knox, Bernard MacGregor Walker. Essays ancient and modern. Baltimore: Johns Hopkins University Press, 1989.

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Essays ancient and modern. Baltimore: Johns Hopkins University Press, 1989.

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Language and history in ancient Greek culture. Philadelphia: University of Pennsylvania Press, 2008.

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Capítulos de libros sobre el tema "Ancient and Modern Greek"

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Mackridge, Peter. "Modern Greek". En A Companion to the Ancient Greek Language, 564–87. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317398.ch37.

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Liddel, Peter. "Democracy Ancient and Modern". En A Companion to Greek and Roman Political Thought, 131–48. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310344.ch9.

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Holton, David y Io Manolessou. "Medieval and Early Modern Greek". En A Companion to the Ancient Greek Language, 539–63. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317398.ch36.

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Karvounis, Christos. "Intralingual translation from ancient to modern greek". En Re-Thinking Translator Education, 209–24. Berlin: Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9133-4_14.

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Bubenik, Vit. "Chapter 13: From Ancient to Modern Greek". En Tense and Aspect in Indo-European Languages, 249. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/cilt.145.20bub.

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Filippou, Dimitrios. "Hyphenation Patterns for Ancient and Modern Greek". En Lecture Notes in Computer Science, 59–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-27773-6_6.

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Knorr, Wilbur R. "The Impact of Modern Mathematics on Ancient Mathematics". En Classics in the History of Greek Mathematics, 243–53. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2640-9_13.

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Li, Tarsee. "Greek Imperatives and Corresponding Expressions in Christian Palestinian Aramaic". En From Ancient Manuscripts to Modern Dictionaries, editado por Tarsee Li, Keith Dyer, Terry C. Falla, Binyamin Goldstein, Erica Hunter, Matthew Morgenstern, Polycarpus A. Aydin et al., 97–108. Piscataway, NJ, USA: Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237073-007.

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Levinskaja, Olga. "The Ass and the Lyre: On a Greek Proverb". En From Ancient Manuscripts to Modern Dictionaries, editado por Tarsee Li, Keith Dyer, Terry C. Falla, Binyamin Goldstein, Erica Hunter, Matthew Morgenstern, Polycarpus A. Aydin et al., 413–22. Piscataway, NJ, USA: Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237073-022.

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Treu, Martina. "The History of Ancient Drama in Modern Italy". En A Handbook to the Reception of Greek Drama, 221–37. Hoboken, NJ: John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118347805.ch11.

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Actas de conferencias sobre el tema "Ancient and Modern Greek"

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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater". En ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the mechane. None of these machines, made of perishable materials, is extant. However, there are numerous references to such machines in extant tragedies or comedies and vase paintings from which they can be reconstructed: They were large mechanisms consisting of beams, wheels and ropes which could raise weights up-to one ton and, in some cases, move them back-and-forth violently to depict space travel, when the play demanded it. The vertical dimensions were over 4 m while the horizontal travel could be more than 8 m. They were well-balanced and they could be operated, with some exaggeration perhaps, by the finger of the engineer. There is indirect information about the timing of these mechanisms. During the loading and the motion there were specific lines of the chorus, from which we can infer the duration of the respective operation. The reconstructed mechane is a spatial three- or four-bar linkage designed for path generation.
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Long, Qihan. "A Comparison between Ancient Greek and Chinese Philosophy on Politics". En Proceedings of the 2018 3rd International Conference on Modern Management, Education Technology, and Social Science (MMETSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/mmetss-18.2018.89.

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"The New different solution of Qin terracotta warriors and horses of ancient Greek sculptures". En 2020 Conference on Social Science and Modern Science. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000772.

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Zhang, Xiangning y Ruolin Zhang. "Evolution of Ancient Alphabet to Modern Greek, Latin and Cyrillic Alphabets and Transcription between Them". En 2018 4th International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/essaeme-18.2018.30.

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Svitlana, BARABASH. "MODERN INTERPRETATION OF THE CONCEPT OF “HAPPINESS” THROUGH THE PRISM OF ITS ETHYMOLOGY". En Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.3.

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The article examines the modern concept of "happiness" through the prism of the study of its origin. The etymology of the word reproduces its history through its emergence and fixation of primary meaning, sources of origin and change of meaning associated with the development of social life, worldview, progress. An analysis of the concept of "happiness" as a vision of different peoples, different historical periods. The origin of the Proto-Slavic word from the ancient Indian is determined, from which the connection "happiness" and "death" follows. The vision and perception of this concept as a phenomenon in ancient Roman, Greek and Slavic mythologies are traced. Emphasis is placed on modern interpretations and terms that arise to denote "happiness", because it is a source of scientific interest in various fields of knowledge. KEY WORDS: happiness, Fortune, Tyuhe, Fate, Misfortune, gluksforshung.
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Chronopoulou, Anna. "Music in the service of the directorial vision: The case study of the theatrical performance of Acharnians in 1976 by the Greek Art Theatre (Theatro Technis)". En 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.03033c.

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Someone could claim that a well prepared, contemporary theatrical production consists of a thorough planning, a period of rehearsals and the final presentation of the work before the audience. Whether we talk about a collective theatrical organization or a hierarchical one, we should agree upon the fact that the directorial vision could be considered as the motivating gear of a theatrical performance. It is the director’s or the team’s directorial vision – in the cases of alternative, collective theatrical productions – which guides those who participate in a theatrical performance and, therefore, it is commonly accepted by actors and actresses that one should follow instructions, find his path and “build” his role as part of a team which serves a certain objective. Because of the diversity and complexity of modern productions as well as the increasing need for high quality, original performances – in terms of mise-en-scène, acting, stage and costume design, lightning and music – certain professional collaborates are called to participate in the stage of the preparation and contribute to the final aesthetics of a production. In the case of preparing the theatrical performance of an ancient Greek Comedy, the musician plays a significant role, as the choruses of ancient comedy are an integral part of this genre. The performance of the ancient Greek Comedy Acharnes in 1976 by the theatrical group of Greek Art Theatre (Theatro Technis), under the directorial guidance of Karolos Koun and the music which Christos Leontis composed for its needs, is a case study for the current thesis, the analysis of which intends to reveal the way the composer collaborated with the director and the members of the theatre company. The play, written by Aristophanes, was first taught and presented to the ancient Athenian audience in 425 B.C. The choral parts, accompanied by music and sang by the members of the chorus, have since antiquity been considered to be of significant importance for this ancient theatrical genre. It is, therefore, quite intriguing to thoroughly and methodologically examine the way the music composed for the needs of a specific performance contributed to the overall outgrowth of a contemporary attempt to present the ideas and the beliefs of an ancient Greek poet to the modern Greek theatrical audience. Did the composer follow the instructions of the director? Did he serve the directorial vision? Did he interact with the director and the members of the Greek Art Theatre? In what ways and up to what extent was music co-responsible for the commonly accepted success of this particular performance? It will be attempted to answer the above questions with the help of the composer’s personal testimony, his kind contribution of archival material from his personal files, accompanied by the simultaneous, cross-examined analysis of the performance which was filmed in 1976.
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Yuan, Yan. "Chinese, Ancient Greek Mythology and “Human Essence”: The Exploration of “Human Nature” From the Perspective of Information Philosophy". En 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.140.

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Rathidevi, M., R. Yaminipriya y S. V. Sudha. "Trends of cryptography stepping from ancient to modern". En 2017 International Conference on Innovations in Green Energy and Healthcare Technologies (IGEHT). IEEE, 2017. http://dx.doi.org/10.1109/igeht.2017.8094107.

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BULJUBAŠIĆ, Ema. "HAPPINESS, FREEDOM AND VALUES IN MODERN SOCIETY". En Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.8.

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Pursuit of happiness is a highly valued human ambition that seems impossible to achieve in modern society. Ancient Greek philosophers, especially Aristotle’s concept of eudaimonia, present a theoretical starting point for defining happiness and bringing it firmly into relation with values. Philosopher Herbert Marcuse provides a valuable analysis of modern industrialized society explaining man’s loss of freedom in exchange for comfort and the self-perpetuating mechanism of consumerism that keeps people under willingly oppressed by imposing false needs. Consumerism also causes a distortion of people’s values and alienates them from their true values causing them psychological damage. Using Dr. Melanie Joy’s analysis of the psychological importance of living in accordance with one’s values and the distortion of values as a manipulation tactic common to different systems of oppression (racism, sexism, speciesism) we will identify two prerequisite conditions for achieving happiness: freedom and the alignment of values and behavior. Key words: happiness, freedom, values, false needs, consumerism
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Dimarogonas, Andrew D. "The Origins of Engineering Design". En ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0255.

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Abstract Engineering is distinguished from craft or invention by systematic development and use of intelligence and scientific knowledge. Elements of engineering design can be found in the great Potamic civilizations but systematic engineering design activity started in the ancient Greek and Hellenistic world and matured under the Romans. The renaissance and the industrial revolution revived Engineering and modern engineering design was eventually defined during the 19th Century.
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Informes sobre el tema "Ancient and Modern Greek"

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Brock, Andrea, Ruben Post y Garry MacKenzie. Ancient lessons and modern climate problems. Editado por Sarah Bennison y Laura Pels Ferra. St Andrews Network for Climate, Energy, Environment and Sustainability (STACEES), 2021. http://dx.doi.org/10.15664/10023.24204.

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Buell, Krista. Aphrodite of Knidos, Trendsetter: Depictions of the Female Nude and Sexuality in Ancient Greek Sculpture. Portland State University Library, enero de 2016. http://dx.doi.org/10.15760/honors.265.

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Turner, Manisha. Speeding up the Raster Scanning Methods used in theX-Ray Fluorescence Imaging of the Ancient Greek Text of Archimedes. Office of Scientific and Technical Information (OSTI), agosto de 2006. http://dx.doi.org/10.2172/890235.

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Griffin, Isabella B. Improving the Raster Scanning Methods used with X-ray Fluorescence to See the Ancient Greek Text of Archimedes (SULI Paper). Office of Scientific and Technical Information (OSTI), enero de 2006. http://dx.doi.org/10.2172/877994.

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Fournier, Richard M. Boyd and the Past: A Look at the Utility of Ancient History in the Development of Modern Theories of Warfare. Fort Belvoir, VA: Defense Technical Information Center, mayo de 2013. http://dx.doi.org/10.21236/ada583870.

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Obua, Steven. Cosmopolitan Identifiers. Steven Obua as Recursive Mind, julio de 2021. http://dx.doi.org/10.47757/obua.cosmo-id.3.

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I propose a simple Unicode-based lexical syntax for programming language identifiers using characters from international scripts (currently Latin, Greek, Cyrillic and Math). Such cosmopolitan identifiers are designed to achieve much of the simplicity of Fortran identifiers while acknowledging a modern international outlook. This seems particularly advantageous in contexts where such identifiers are not (only) used by professional programmers, but are exposed to normal users, for example through scriptable applications.
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Seamans, Thomas y Allen Gosser. Bird dispersal techniques. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, agosto de 2016. http://dx.doi.org/10.32747/2016.7207730.ws.

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Conflicts between humans and birds likely have existed since agricultural practices began. Paintings from ancient Greek, Egyptian, and Roman civilizations depict birds attacking crops. In Great Britain, recording of efforts at reducing bird damage began in the 1400s, with books on bird control written in the 1600s. Even so, the problem persists. Avian damage to crops remains an issue today, but we also are concerned with damage to homes, businesses, and aircraft, and the possibility of disease transmission from birds to humans or livestock. Bird dispersal techniques are a vital part of safely and efficiently reducing bird conflicts with humans. The bird must perceive a technique as a threat if it is to be effective. No single technique can solve all bird conflicts, but an integrated use of multiple techniques, each enhancing the other, generally provides relief.
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Gundacker, Roman. The Names of the Kings of the Fifth Dynasty According to Manetho. Verlag der Österreichischen Akademie der Wissenschaften, diciembre de 2018. http://dx.doi.org/10.1553/erc_stg_757951_r._gundacker_the_names_of_the_kings_of_the_fifth_dynasty.

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The names of the kings of the Fifth Dynasty may serve as a prototypical example for the re-evaluation of Manetho’s king-list: Userkaf, Sahure, Neferirkare, Shepseskare, Reneferef, Nirewoser, Djedkare-Isesi and Unas are all recorded in the king-list of Manetho as transmitted by Sextus Julius Africanus according to the Ecloga chronographiae of George Syncellus. Although the names as preserved have obviously suffered on a long way of copying manuscripts over and over again, a closer look at the Greek transcriptions reveals the high quality and the still unbroken relevance of Manetho’s Aegyptiaca for modern Egyptological scholarship, when dealing with chronology, onomastics and linguistics. As will be shown, there is a line, identifiable with variable degrees of difficultly but finally clearly discernible, which leads all the way down from the Old Kingdom to Manetho’s Aegyptiaca.
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Tyson, Paul. Sovereignty and Biosecurity: Can we prevent ius from disappearing into dominium? Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp3en.

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Drawing on Milbank and Agamben, a politico-juridical anthropology matrix can be drawn describing the relations between ius and bios (justice and political life) on the one hand and dominium and zoe (private power and ‘bare life’) on the other hand. Mapping movements in the basic configurations of this matrix over the long sweep of Western cultural history enable us to see where we are currently situated in relation to the nexus between politico-juridical authority (sovereignty) and the emergency use of executive State powers in the context of biosecurity. The argument presented is that pre-19th century understandings of ius and bios presupposed transcendent categories of Justice and the Common Good that were not naturalistically defined. The very recent idea of a purely naturalistic naturalism has made distinctions between bios and zoe un-locatable and civic ius is now disappearing into a strangely ‘private’ total power (dominium) over the bodies of citizens, as exercised by the State. The very meaning of politico-juridical authority and the sovereignty of the State is undergoing radical change when viewed from a long perspective. This paper suggests that the ancient distinction between power and authority is becoming meaningless, and that this loss erodes the ideas of justice and political life in the Western tradition. Early modern capitalism still retained at least the theory of a Providential moral order, but since the late 19th century, morality has become fully naturalized and secularized, such that what moral categories Classical economics had have been radically instrumentalized since. In the postcapitalist neoliberal world order, no high horizon of just power –no spiritual conception of sovereignty– remains. The paper argues that the reduction of authority to power, which flows from the absence of any traditional conception of sovereignty, is happening with particular ease in Australia, and that in Australia it is only the Indigenous attempt to have their prior sovereignty –as a spiritual reality– recognized that is pushing back against the collapse of political authority into mere executive power.
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Salcido, Charles, Patrick Wilson, Justin Tweet, Blake McCan, Clint Boyd y Vincent Santucci. Theodore Roosevelt National Park: Paleontological resource inventory (public version). National Park Service, mayo de 2022. http://dx.doi.org/10.36967/nrr-2293509.

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Theodore Roosevelt National Park (THRO) in western North Dakota was established for its historical connections with President Theodore Roosevelt. It contains not only historical and cultural resources, but abundant natural resources as well. Among these is one of the best geological and paleontological records of the Paleocene Epoch (66 to 56 million years ago) of any park in the National Park System. The Paleocene Epoch is of great scientific interest due to the great mass extinction that occurred at its opening (the Cretaceous–Paleogene extinction event), and the unusual climatic event that began at the end of the epoch (the Paleocene–Eocene Thermal Maximum, an anomalous global temperature spike). It is during the Paleocene that mammals began to diversify and move into the large-bodied niches vacated by dinosaurs. The rocks exposed at THRO preserve the latter part of the Paleocene, when mammals were proliferating and crocodiles were the largest predators. Western North Dakota was warmer and wetter with swampy forests; today these are preserved as the “petrified forests” that are one of THRO’s notable features. Despite abundant fossil resources, THRO has not historically been a scene of significant paleontological exploration. For example, the fossil forests have only had one published scientific description, and that report focused on the associated paleosols (“fossil soils”). The widespread petrified wood of the area has been known since at least the 19th century and was considered significant enough to be a tourist draw in the decades leading up to the establishment of THRO in 1947. Paleontologists occasionally collected and described fossil specimens from the park over the next few decades, but the true extent of paleontological resources was not realized until a joint North Dakota Geological Survey–NPS investigation under John Hoganson and Johnathan Campbell between 1994–1996. This survey uncovered 400 paleontological localities within the park representing a variety of plant, invertebrate, vertebrate, and trace fossils. Limited investigation and occasional collection of noteworthy specimens took place over the next two decades. In 2020, a new two-year initiative to further document the park’s paleontological resources began. This inventory, which was the basis for this report, identified another 158 fossil localities, some yielding taxa not recorded by the previous survey. Additional specimens were collected from the surface, among them a partial skeleton of a choristodere (an extinct aquatic reptile), dental material of two mammal taxa not previously recorded at THRO, and the first bird track found at the park. The inventory also provided an assessment of an area scheduled for ground-disturbing maintenance. This inventory is intended to inform future paleontological resource research, management, protection, and interpretation at THRO. THRO’s bedrock geology is dominated by two Paleocene rock formations: the Bullion Creek Formation and the overlying Sentinel Butte Formation of the Fort Union Group. Weathering of these formations has produced the distinctive banded badlands seen in THRO today. These two formations were deposited under very different conditions than the current conditions of western North Dakota. In the Paleocene, the region was warm and wet, with a landscape dominated by swamps, lakes, and rivers. Great forests now represented by petrified wood grew throughout the area. Freshwater mollusks, fish, amphibians (including giant salamanders), turtles, choristoderes, and crocodilians abounded in the ancient wetlands, while a variety of mammals representing either extinct lineages or the early forebearers of modern groups inhabited the land. There is little representation of the next 56 million years at THRO. The only evidence we have of events in the park for most of these millions of years is isolated Neogene lag deposits and terrace gravel. Quaternary surficial deposits have yielded a few fossils...
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