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Artículos de revistas sobre el tema "Ants – Songs and music"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

MacLachlan, Heather. "Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar." Ethnomusicology 66, no. 3 (2022): 410–42. http://dx.doi.org/10.5406/21567417.66.3.05.

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Abstract This article examines a corpus of Burmese-language anti-Muslim hate songs archived on YouTube. Burma/Myanmar is the site of recent genocidal violence perpetrated against Muslims, and these songs are part of the hate speech campaign that undergirds this violence. Using the definition of incitement articulated by the International Criminal Tribunal for Rwanda, the article shows that the lyrics of these songs constitute incitement to violence. Further, the comments written by YouTube listeners provide evidence that the songs provoke additional dehumanizing speech. The songs and their cre

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2

Bang, Hak-jin. "Analysis of ‘Anti-Japanese Music’ through Text Mining." Academic Association of Global Cultural Contents 62 (February 28, 2025): 87–121. https://doi.org/10.32611/jgcc.2025.2.62.87.

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This study finally analyzed 631 songs, excluding 170 overlapping songs and 129 songs with unknown production date, among 930 songs published in the <330 anti-Japanese music collection> and <600 songs of independence sung again>. After dividing the songs to be analyzed into 1900s, 1910s, 1920s, 1930s, and 1940s, frequency and TF-IDF analysis, N-gram analysis, CONCOR analysis, and emotional vocabulary analysis were performed using text mining for each period. As a result of the analysis, the words appearing in the lyrics of anti-Japanese music reflected the appearance of each era fro

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3

Anderson, Martin. "Estonian Composers (combined Book and CD Review)." Tempo 59, no. 232 (2005): 60–66. http://dx.doi.org/10.1017/s0040298205210161.

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Ancient Song Recovered: The Life and Music of Veljo Tormis, by Mimi S. Daitz. Pendragon Press, $54.00/£36.00.The Works of Eduard Tubin: Thematic-Bibliographical Catalogue of Works by Vardo Rumessen. International Eduard Tubin Society/Gehrmans Musikförlag, E.57.TORMIS: ‘Vision of Estonia’ II. The Ballad of Mary's Land; Reflections with Hando Runnel; Days of Outlawry; God Protect Us from War; Journey of the War Messenger; Let the Sun Shine!; Voices from Tammsaare's Herdboy Days; Forget-me-not; Mens' Songs. Estonian National Male Choir c. Ants Soots. Alba NCD 20.TORMIS: ‘Vision of Estonia’ III. T

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4

Diko, Mlamli. "Unity sings against apartheid’s injustice: probing the historical consciousness and memory in three selected anti-apartheid songs." EUREKA: Social and Humanities, no. 5 (September 30, 2024): 50–67. https://doi.org/10.21303/2504-5571.2024.003402.

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South African history bears the painful legacy of apartheid and systemic oppression, destructively affecting Black South Africans, especially women and children of the lower class, who were, and still are, vastly sidelined. Various apartheid or silencing policies systemically dismissed the majority Black population and condemned their ancestral languages, depriving them of basic human rights. Forced community removals disrupted basic family structures and displaced individuals. Women and children not only faced racial segregation but also encountered gender-based discrimination, obstructing th

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5

Subekti, Arif, and Hervina Nurullita. "Singing the Memories: Songs about the 1965 Anti-communist Violence in Banyuwangi." Indonesia 116, no. 1 (2023): 153–70. http://dx.doi.org/10.1353/ind.2023.a910155.

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Abstract: Within post-genocide societies and in the aftermath of mass killings, music functions beyond entertainment. It serves to reconcile, remember, and convey a message of peace or even criticize how authorities deal with the effects of atrocities. Music also functions to remember and preserve memory of violence, particularly in the context where violence is not part of the official narrative and historiography. By taking the case study of Indonesia's anticommunist violence in 1965, this article would like to analyze critically the perspective that perceive music as counter memory. Focusin

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6

Ingram, Paul. "Songs, Anti-Symphonies and Sodomist Music: Dadaist Music in Zurich, Berlin and Paris." Dada/Surrealism 21 (July 17, 2017): 1–33. http://dx.doi.org/10.17077/0084-9537.1334.

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7

Moon, Krystyn R. ""There's no Yellow in the Red, White, and Blue": The Creation of Anti-Japanese Music during World War II." Pacific Historical Review 72, no. 3 (2003): 333–52. http://dx.doi.org/10.1525/phr.2003.72.3.333.

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This article focuses on the production of anti-Japanese music during World War II through the frameworks of popular culture, consumption, and propaganda and by analyzing the music itself, as well as lyrics and sheet music covers. Anti-Japanese music codified certain racial beliefs while distinguishing among Asian nationalities. Portraying Japan in racialized and gendered terms told Americans something about themselves and white male superiority. These musical images also demonstrated the dialogue between the music industry and its consuming audience. Publishers and composers tried to describe

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8

Stallings, Stephanie N. "Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez." Journal of the American Musicological Society 76, no. 2 (2023): 463–501. http://dx.doi.org/10.1525/jams.2023.76.2.463.

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Abstract Mexican composers Silvestre Revueltas and Carlos Chávez each wrote one song that execrates the lynching-murder of Black persons in the United States. In them, the composers pit a Mexican aesthetics of death against violent spectacle and social inequities to assert a universal dignity of life and to situate an antiracist position within the context of a broader international class struggle. In the process of airing fresh interpretations of the songs, I imply that the composers’ divergent experiences in the United States—Chávez’s relative proximity to establishment structures of power a

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9

Bamle, Håvard Haugland. "Anti-Pastoral and the Prophetic Mode in Moddi’s Climate Songs." Ecozon@: European Journal of Literature, Culture and Environment 15, no. 2 (2024): 218–35. http://dx.doi.org/10.37536/ecozona.2024.15.2.5177.

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This article explores aspects of apocalypse and pastoral in the climate themed song lyrics of Norwegian indie folk artist Moddi. Through close listening and contextualizing of the songs “Noens ark” (“Someone’s ark”, 2013) and “En sang om fly” (“A song about planes”, 2013), apocalypse and pastoral emerge as key motifs. These are navigated in an exploration of a conflicted Norwegian response to global warming. The songs express critique of unrelenting pursuits of economic growth and personal consumption even as the future imposes itself on the present. In two different ways, elements of indie fo

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10

Saputro, Bagas Yudha Gilang, Rizmay Ananda, Firmansyah Dwi Ardianto, et al. "Indonesian College Student Defense Mechanism Reflected in Taylor Swift's Anti-Hero." HUMANIKA 31, no. 1 (2024): 32–44. http://dx.doi.org/10.14710/humanika.v31i1.60698.

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The phenomenon of the youth releasing their feelings to receive a sense of comfort by listening to sad songs cannot be separated from the rising mental health issue, which is in accordance with the increasing amount of sad songs produced by the music industry. Taylor Swift's songs are popular among the youth, especially Indonesian college students who are going through profound and complex emotional journeys relating to identity crises, love, and other unpleasant events, because the lyrics, the melody, and the story present the youth’s experiences. The popularity of Swift's songs among young p

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11

Mutch, Caleb. "‘Something else is possible’: transcultural collaboration as anti-apartheid activism in the music of Juluka." Popular Music 40, no. 3-4 (2021): 450–69. http://dx.doi.org/10.1017/s026114302100043x.

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AbstractThis article illuminates the musical activism of Juluka, an interracial South African band active in the late 1970s through the mid-1980s. Its analyses of three songs focus on intersections between Western popular music and a Zulu song genre called maskanda. By examining these cross-cultural interactions in the domains of harmonic progressions, formal structures and metric and rhythmic organisation, I demonstrate that the artistic fruitfulness of the band's collaboration was a powerful rebuke to the government's apartheid ideology, which sought to segregate not just people, but even th

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12

Zhang, Le. "Artistic Characteristics of the Songs of the Northeast Anti-Japanese United Army and Contemporary Cultural Communication." Communications in Humanities Research 64, no. 1 (2025): 128–33. https://doi.org/10.54254/2753-7064/2024.19161.

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General Secretary Xi Jinping has emphasized the need to continuously enhance the nations cultural soft power and the global influence of Chinese culture, urging more proactive efforts to disseminate traditional Chinese culture and showcase the image of China. Cultural soft power is an important metric for evaluating the competitiveness of a region, and music is one of the key ways to enhance cultural soft power. This paper will examine the artistic characteristics of the songs of the Northeast Anti-Japanese United Army and explore their cultural dissemination in contemporary society.

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13

Migeon-Lambert, Camile. "Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy?" Punctum. International Journal of Semiotics 06, no. 01 (2020): 221–42. http://dx.doi.org/10.18680/hss.2020.0011.

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This study examines how metal musicians appropriate Baudelaire’s poetry, one of the favorite sources of metal lyrics’ intersemiosis. We will consider several levels of intersemiosis, from the reference to the literal quotation, including the music inspired by Baudelaire’s life, inquiring what metal music, which is both counter-cultural and popular, does to a great classic of French poetry. Moreover, we intend to look closer at Baudelairean intersemiosis in the work of non-French-speaking metal musicians. When they retain the original French text, the lyrics reflect the vocalist’s relation to t

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14

de, Almeida. "The anti-war voice of Buffy Sainte-Marie." New Sound, no. 58-2 (2021): 161–72. http://dx.doi.org/10.5937/newso2158161f.

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Universal soldier (1964), Soldier Blue (1970), and The War Racket (2017) represent some of Buffy Sainte-Marie's most prominent anti-war songwriting, where she demonstrates her poietic process as an artist and activist. Considering her anti-war utterance, I will analyze these selected songs and place them in Buffy Sainte-Marie's work as an activist and performer. Additionally, I intend to interpret her musical production through semiotics and hermeneutics that center her contemporary voice as an artist of First Nations descent. By charting the contemporary landscape of her work in both the 1960

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15

Putra, Yonarius Widyo, and I. Gusti Ayu Mahatma Agung. "Interpersonal Meaning Analysis of Taylor Swift’s Song “Anti-Hero”." J-Lalite: Journal of English Studies 4, no. 2 (2023): 83. http://dx.doi.org/10.20884/1.jes.2023.4.2.8919.

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Song is a work of art created by humans and used for entertainment or a means to express and reveal the contents of the heart. By using songs, many people try to say something or convey a message to someone from the bottom of their hearts. The purpose of this research is to find out the interpersonal meaning of Taylor Swift’s Song “Anti-Hero”. This research applied a qualitative method to analyze 15 lyrics of the “Anti-Hero” song. This research is based on the theory of interpersonal meaning proposed by Halliday. The result showed that the song “Anti-Hero” by Taylor Swift used interpersonal me

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16

Petaponi, Taftalia Surya, Shanty Duwila, and Ari Astutik. "A Deixis Analysis in Taylor Swift’s Anti-Hero." EL2J (English Language and Literature Journal) 3, no. 2 (2024): 1–11. https://doi.org/10.38156/el2j.v3i2.62.

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The objective of this research is to analyse the kinds of deixis and the types is more dominant used in Anti-Hero song lyrics. This research using qualitative method to analyse the kinds of deixis and the types is more dominant used in Anti-Hero song lyrics. The source of data taken from lyrics of Taylor Swift song lyrics Anti-Hero on the internet website genius.com. The data collected by: First, visiting and reading the music and lyrics platform to find out all the lyrics concerning with the object of the study and read all the lyrics from Anti-Hero song lyrics by Taylor Swift. Second, copy p

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17

Tian, Ye. "Teaching Application of Anti-Japanese Amalgamated Army Songs in Mudanjiang River Basin During the Anti-Japanese War Based on Computer Music Production Technology." Journal of Physics: Conference Series 1533 (April 2020): 022051. http://dx.doi.org/10.1088/1742-6596/1533/2/022051.

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18

Martin, Alison. "Groundhog Summers and the Search for the Black Messiah Noname. “Song 33.” Song 33—Single. Noname, 2020. - Adia Victoria. “South Gotta Change.” South Gotta Change—Single. Atlantantic Recording Corporation, 2020. - Mickey Guyton. “Black Like Me.” Black Like Me—Single. UMG Recordings, Inc., 2020. - Nana Adjoa. “National Song.” Big Dreaming Ants. Bloomer Records, 2020." Journal of the Society for American Music 15, no. 3 (2021): 357–59. http://dx.doi.org/10.1017/s1752196321000250.

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19

França, Vera Regina Veiga, and Vanrochris Vieira. "Sertanejo universitário: expressão e valores de jovens urbanos no Brasil contemporâneo // Sertanejo universitário: expression and values of urban youths in contemporary Brazil." Contemporânea Revista de Comunicação e Cultura 13, no. 1 (2015): 106. http://dx.doi.org/10.9771/contemporanea.v13i1.13138.

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A migração da música caipira, profundamente enraizada no mundo rural, para o meio urbano, no Brasil, deu origem à música sertaneja. Nos últimos anos, tem surgido uma nova variação deste gênero, o sertanejo universitário, voltado mais especificamente para um público jovem e caracterizado pela mistura melódica e pelo afastamento do cenário e dos valores da tradição rural. As temáticas exploram a importância do dinheiro para garantir conquistas sexuais, o universo das “baladas” (festas noturnas frequentadas pelos jovens), a sensualidade. Tais músicas têm alcançado um estrondoso sucesso de público

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20

Evans, Janet. "Human Rights issues linked to War, Conflict and Peace Reflected in Picturebooks Through Art, Music and Song Lyrics." Journal of Literary Education, no. 1 (December 8, 2018): 39. http://dx.doi.org/10.7203/jle.1.12442.

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This article will look at the relationship of the arts: fine arts, music, song and other kinds of artistic expression in picturebooks, prior to considering how the arts have been used to communicate human rights issues linked to war, conflict and peace in picturebooks. It will briefly consider what is meant by “the arts”, prior to considering how some award winning picturebook creators have been influenced by fine art in their book illustrations, and how others have taken lyrics from songs dealing with conflict, peace and human rights and illustrated them to create picturebooks as art objects

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21

Carter, Dale. "Surf Aces Resurfaced: The Beach Boys and the Greening of the American Counter-Culture, 1963-1973 // Los Beach Boys y el ecologismo en la contracultura americana, 1963-1973." Ecozon@: European Journal of Literature, Culture and Environment 4, no. 1 (2013): 44–60. http://dx.doi.org/10.37536/ecozona.2013.4.1.499.

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Abstract The rise of the American counterculture between the early- to mid-1960s and early- to mid-1970s was closely associated with the growth of environmentalism. This article explores how both informed popular music, which during these years became not only a prominent form of entertainment but also a forum for cultural and social criticism. In particular, through contextual and lyrical analyses of recordings by The Beach Boys, the article identifies patterns of change and continuity in the articulation of countercultural, ecological, and related sensibilities. During late 1966 and early 19

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22

GOMES, CAIO DE SOUZA. "“Por toda América soplan vientos que no han de parar hasta que entierren las sombras”: anti-imperialismo e revolução na canção engajada latino-americana (1967-69) * Anti-imperialism and revolution in Latin American protest song (1967-69)." História e Cultura 2, no. 1 (2013): 146. http://dx.doi.org/10.18223/hiscult.v2i1.944.

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<p><strong>Resumo:</strong> Este artigo tem como objetivo analisar como o ano de 1967 significou um momento de ruptura particularmente importante no processo de consolidação dos movimentos de canção engajada na América Latina por conta da realização em Cuba do I Encuentro de la Canción Protesta, primeiro evento de grandes proporções a buscar institucionalizar e articular os movimentos que vinham surgindo nos vários países do continente, e que teve grande impacto na produção discográfica engajada produzida no período entre 1967 e 1969, marcando uma abertura de horizontes e a i

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23

Monti, Ednardo Monteiro Gonzaga do. "Música da terra dos faraós: aprendizagens de Anttonieta de Souza numa viagem ao Egito." Revista de História e Historiografia da Educação 1, no. 2 (2017): 106. http://dx.doi.org/10.5380/rhhe.v1i2.51169.

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O presente estudo tem como horizonte as aprendizagens da professora Anttonieta de Souza na viagem que realizou ao Egito na década de 1950. Com base na série de artigos intitulada “Minhas impressões sobre o Egito”, as perguntas que norteiam o texto são: quais tradições e culturas musicais egípcias a artista apresentou aos leitores da Revista do Conservatório Brasileiro de Música? O que aprendeu com os estudos arqueológicos e históricos sobre a música e os músicos da terra dos faraós? Os escritos da cantora dos palcos de concerto do Rio de Janeiro, publicados no periódico oficial da instituição

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24

Kang, Stella. "Analysis of practical and popular music as contemporary music: Focusing on elementary school music textbooks." Korean Association For Learner-Centered Curriculum And Instruction 24, no. 5 (2024): 77–93. http://dx.doi.org/10.22251/jlcci.2024.24.5.77.

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Objectives The need for an accurate understanding of the concepts of contemporary music, practical music, and popular music, and the recognition of the necessity for changes in music education based on individual music tastes and preferences, are affirmed. This aims to advocate for a reassessment of music textbooks, particularly in elementary music education, through a quantitative evaluation of practical and popular music content. Furthermore, the proposal emphasizes the necessity for changes in music textbooks through individual assessments of multi-frequent songs. Methods Analyze the

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25

Verma, Shalini. "Indian Folk Music." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 4 (2023): 108–13. http://dx.doi.org/10.31305/rrijm.2023.v08.n04.013.

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Folk songs have been a medium for the common people to express their feelings and emotions. There is a simple introduction of folk life in folk songs. Along with the external life of a person, they are also the reflection of his mental feelings. Folk music is short, simple, clear, natural, beautiful, emotional and musical. The real introduction to the natural relationship between life and music is through folk songs. In Indian folk music, its different types have been classified as follows – folk songs, folk instruments, folk dances. Folk songs are classified as follows: - Nature related, fami

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26

Tian, Yiran. "The First Viennese Music Composer of Vocal Chamber Music." American Journal of Arts and Human Science 4, no. 1 (2025): 97–102. https://doi.org/10.54536/ajahs.v4i1.4013.

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In international musicology works, the mention of the first Viennese vocal chamber music composers usually gives a comprehensive introduction to the creative heritage of this genre. At this stage of the science of musicology, without the role of songs in the works of outstanding masters of the classical period, the conclusions of their musical heritage may not only be narrowed one-sided. In this context, this paper studies the first composer of vocal music through the analysis of the origin of the first Viennese school art songs, the rise of Vienna classical music school art songs, the common

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Kılıç, Adem. "Classical Turkish music children’s songs in beginner level Turkish music cello teaching." ODÜ Sosyal Bilimler Araştırmaları Dergisi (ODÜSOBİAD) 15, no. 1 (2025): 692–732. https://doi.org/10.48146/odusobiad.1592547.

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With its tone, rhythm, and melodic structures, music is an indispensable element in conveying human emotions and thoughts. Just as it holds an important place in the lives of adults, this art form also plays a significant role in the lives of children. For instance, it is common to see children instinctively dancing to music, clapping along to a rhythm, and imitating many songs. Children's songs are valuable teaching tools for developing language skills, establishing communication with each other, and teaching social rules and national values. In addition to children's songs, folk songs, lulla

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Roland-Silverstein, Kathleen. "Music Reviews." Journal of Singing 81, no. 2 (2024): 237–39. http://dx.doi.org/10.53830/sing.00089.

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Abstract: This article reviews the following four works by song composers of the twentieth and twenty-first centuries, two of whom created or finished their works during the COVID pandemic; Finnish composer Kaija Saariaho (1952–2023), Saarikoski Songs for Voice and Piano ; Albrecht Mendelssohn Bartholdy’s Songs for Lena (Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries) ; and Evan Fein’s “The Solitary Reaper,” and Songs of the Open Road , for mezzo-soprano, clarinet in B♭ and piano.

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Banfield, Stephen. "Songs." Musical Times 127, no. 1720 (1986): 445. http://dx.doi.org/10.2307/965170.

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Anderson, Robert. "Songs." Musical Times 126, no. 1714 (1985): 734. http://dx.doi.org/10.2307/965204.

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Miller, Philip Lieson, and Charles T. Griffes. "Songs." American Music 3, no. 3 (1985): 375. http://dx.doi.org/10.2307/3051492.

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Perrin, Peter, and Charles Martin Loeffler. "Songs." American Music 5, no. 1 (1987): 115. http://dx.doi.org/10.2307/3051875.

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Crichton, Ronald, and Alan Blyth. "Songs." Musical Times 128, no. 1732 (1987): 335. http://dx.doi.org/10.2307/1193743.

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Roland-Silverstein, Kathleen. "Music Reviews." Journal of Singing 81, no. 5 (2025): 616–18. https://doi.org/10.53830/sing.00142.

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Abstract: Three new music publications are featured, two by American publishers, and one by the venerable Italian publisher, Casa Ricordi. 40@40: Volume I is the latest release by NewMusicShelf, forty new songs by forty composers, curated and commissioned by American soprano Laura Strickling. Classical Vocal Reprints has published Phantaste, Opus 8, songs by Kenneth Mahy, American composer, with texts by nineteenth century British fantasy writer George MacDonald. Casa Ricordi has re-released songs by early twentieth century composer Ermanno Wolf-Ferrari, Canzoniere, Opus 17, for Voice and Pian

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Till, Benedikt, Ulrich S. Tran, Martin Voracek, and Thomas Niederkrotenthaler. "Music and Suicidality." OMEGA - Journal of Death and Dying 72, no. 4 (2015): 340–56. http://dx.doi.org/10.1177/0030222815575284.

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In recent years, the question whether personal suicidality is reflected in individual music preferences has been discussed. We assessed associations of preferred music genres and cumulative exposure to and rating of 50 preselected songs, including 25 suicide-related songs, with suicide risk factors in an online survey with 943 participants. Preferences for sad music were associated with high psychoticism, while fanship of music genres with predominantly joyful contents was linked to low psychoticism. There was a dose-response relationship of positive rating of suicide songs with high life sati

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Smith, Richard Langham, Guillaume Lekeu, Rachel Yakar, and Ensemble Musique Oblique. "Chamber Music and Songs." Musical Times 136, no. 1826 (1995): 203. http://dx.doi.org/10.2307/1004183.

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Knappert, Jan. "Swahili songs and music." South African Journal of African Languages 10, no. 4 (1990): 212–21. http://dx.doi.org/10.1080/02572117.1990.10586852.

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Dobrota, Snježana, and Maja Gusić. "Glasbene preference šolarjev glede otroških pesmi v duru in molu." Revija za elementarno izobraževanje 13, no. 3 (2020): 311–24. http://dx.doi.org/10.18690/rei.13.3.311-324.2020.

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Students' musical preferences in childrens' major- and minor-key songs. This paper explores elementary school students’ music preferences in terms of songs authored for children and traditional major- and minor-key songs and the influence of familiarity of the music on their music preferences. The questionnaire and sound questionnaire were administered to 216 students attending the second, third, seventh and eighth grades of elementary school in Sinj, Croatia. The results confirm the influence of age and gender on students’ music preferences concerning songs authored for children and tradition

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Vickers, Paul, and James L. Alty. "Siren songs and swan songs debugging with music." Communications of the ACM 46, no. 7 (2003): 86–93. http://dx.doi.org/10.1145/792704.792734.

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Sklavounakis, Georgios. "Semiotics on music charts: The signification of late-blooming hits in contemporary popular music." Punctum. International Journal of Semiotics 9, no. 2 (2023): 189–208. http://dx.doi.org/10.18680/hss.2023.0025.

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Eliseo Verón’s approach to circulation focuses on the gap between production and recognition and the consideration of texts in relation to their contexts of production and consumption. In this paper, we employ Veron’s concepts of grammar of production and grammar of recognition to examine popular songs that reached their peak of success several years after their release. Drawing our case studies from the Hot 100 American singles chart, we combine social semiotics and semiotics of popular music to examine the contexts of the initial songs’ release and their eventual commercial peak while consid

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Zilmi, Fauziatus, Abdul Rachman, and Moh Muttaqin. "Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang." Jurnal Seni Musik 10, no. 1 (2021): 17–24. http://dx.doi.org/10.15294/jsm.v10i1.46812.

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Keroncong Music is a music that has different character from other musics, including several techniques in vocal performance, such as luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation,

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42

Mustafa, Salim. "MUSIC IN BLACK AND WHITE." SASE JOURNAL 1, no. 1 (2025): 91–101. https://doi.org/10.46630/sase.1.2025.6.

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Rather than focusing on literary allusions, this article will explore musical allusions by exposing the relationship between the songs and the text in Eugene O’Neill’s play All God’s Chillun Got Wings (AGCGW). The music allusions in the AGCGW contribute to the plot by making an impact via musical expression. The songs are introduced in the intervals as an expression of cultural practice, enriching the meaning, understanding, and knowledge of the text. The songs employed by O’Neill reflect the inner and outer manifestations of Black and White races. The songs not only justify the behavior of th

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43

Trivedi, Bhumika, and Rajesh G. Kelkar. "Influence of Western Music on Rabindra Sangeet in context with Global Music – A Study." Naad Nartan Journal of Dance and Music 12, no. 1 (2024): 94–97. https://doi.org/10.5281/zenodo.11189993.

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<em>This study will present a comprehensive look at different modes of Rabindra Sangeet and Western music in context with Global </em><em>Music. The purpose is to traverse the influence of western music on Rabindra Sangeet through the spiritual significance of </em><em>Rabindra Sangeet by Guru Rabindranath Tagore. The objective of the research is to explore different songs of Rabindra Sangeet </em><em>having western influence at different levels. ‘Valmiki Pratibha’, ‘Kalamrigaya’ and different parjaay’s songs come to mind </em><em>when mentioning Rabindra Sangeet

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44

Park, Young Shin, Hyunjin Moon, and Yunhee Seung. "A Study on the Aspects of Children's Song Festival Winning Songs Included in Elementary School Music Textbooks." Korean Association For Learner-Centered Curriculum And Instruction 22, no. 19 (2022): 533–50. http://dx.doi.org/10.22251/jlcci.2022.22.19.533.

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Objectives Looking back at the 100-year history of creative children's songs, the ‘Children's Song Festival’ proves to have had a great influence on the development of children songs. The first purpose of this study is to investigate all Children's Song Festival winning songs included in elementary school music textbooks according to the educational curriculum change. The second purpose is to analyze the aspects of those winning songs published in music textbooks. Methods To do so, this study conducted a combination of literature reviews and research study methods, and analyzed Children's Song

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Hafner, Klaus. "Handel Songs." Musical Times 128, no. 1736 (1987): 546. http://dx.doi.org/10.2307/965379.

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Whittall, Arnold, and Glenn Watkins. "Battle Songs." Musical Times 144, no. 1884 (2003): 60. http://dx.doi.org/10.2307/3650703.

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Fujie, Linda, and Laura Boulton. "Navajo Songs." Yearbook for Traditional Music 25 (1993): 193. http://dx.doi.org/10.2307/768732.

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48

Swift, Richard, and John Harbison. "Mirabai Songs." American Music 6, no. 3 (1988): 357. http://dx.doi.org/10.2307/3051902.

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Cox, Kevin L. "Hermit Songs." American Music 16, no. 3 (1998): 360. http://dx.doi.org/10.2307/3052646.

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Smith, Richard Langham, Claudette Leblanc, and Valerie Tryon. "Debussy: Songs." Musical Times 134, no. 1807 (1993): 528. http://dx.doi.org/10.2307/1002759.

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