Literatura académica sobre el tema "Art and society"

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Artículos de revistas sobre el tema "Art and society"

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Corcoran, Ali. "Art & Society: The Art of Work." Circa, no. 72 (1995): 41. http://dx.doi.org/10.2307/25562814.

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Mathews, Patricia, and Whitney Chadwick. "Women, Art, and Society (World of Art)." Art Bulletin 73, no. 2 (June 1991): 336. http://dx.doi.org/10.2307/3045802.

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Garrard, Mary D., and Whitney Chadwick. "Women, Art, and Society." Woman's Art Journal 12, no. 2 (1991): 36. http://dx.doi.org/10.2307/1358283.

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Sonia, Ashutosh Kumar. "ART AND SOCIETY RELATIONSHIP." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 59–62. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.988.

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English : The painting is produced for the purpose of society. Arts have always been responsible for social facts and they express the wishes of society. The sense of painting (art) is hidden in the arts. It is free from rules even after being bound in social bond. Art is a part of the culture of the society, which the society keeps on progressing as tradition and art always lives.
 The artist creates a relationship only with the appearance, activities and feelings of society in the external world. In his creation, social emotions are directly related to human instincts. The expression of
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Gebauer, Gunter, Christopher Wulf, and Don Reneau. "Mimesis: Culture--Art--Society." Philosophy East and West 47, no. 2 (April 1997): 291. http://dx.doi.org/10.2307/1399889.

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Barber, Fionna, and Whitney Chadwick. "Women, Art and Society." Circa, no. 52 (1990): 42. http://dx.doi.org/10.2307/25557541.

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Crudden, Eamonn. "Art & Society: Translations." Circa, no. 71 (1995): 26. http://dx.doi.org/10.2307/25562771.

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Malina, Roger F., and Whitney Chadwick. "Women, Art and Society." Leonardo 24, no. 4 (1991): 491. http://dx.doi.org/10.2307/1575544.

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Bermann, Marc. "Art, society and archaeology." Nature 364, no. 6434 (July 1993): 202. http://dx.doi.org/10.1038/364202a0.

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Eogan, George. "Megalithic Art and Society." Proceedings of the Prehistoric Society 65 (1999): 415–46. http://dx.doi.org/10.1017/s0079497x00002073.

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Megalithic art is associated with passage tombs in Atlantic Europe. But it is not found in all areas, rather it has a restricted distribution. In those areas where it occurs it is very often associated with large and, therefore, prestigious tombs. These tombs have a confined distribution within defined areas. It can be argued that such areas indicate tribal regions within which elite societies existed and where cohesion was provided by a leader, possibly in the form of a chief.
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Tesis sobre el tema "Art and society"

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Armfield, Maris Margaret Doris. "Art and society in Ulm 1377-1530." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3669/.

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The imperial city of Ulm in southwest Germany was one of the largest in the country during the Middle Ages, and one of four important centres in the Swabian region. In the fourteenth and fifteenth centuries the region was characterised by a large number of towns and cities, especially imperial cities, most of which lay south of the Swabian Alps, in Upper Swabia. For their protection the towns formed into the Swabian League of which Ulm had leadership until the latter part of the fifteenth century. The League restrained the ambitions of emperor and the princes, and effectively maintained relati
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Tingvall, Josefin. "Soft Society." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5853.

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Illustrated exam paper for Josefin Tingvalls project Soft Society. Which is about investigating through cloth and textile our urban surrounding. The core question ; if I go out in an urban area and use textile as a recordmaterial, what traces and stories will I bring back? By looking at textileas a matter, craft and as a philosophical starting point in urban areas, what can it tell about our surrounding and our society? In the three mainchapters of the paper, Tingvall reflects upon important themes such as wandering and spectating, also exhibiting of process based craft, textilein urban areas
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Guidas, Karen A. "Image power the role of art in society /." Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only. Instructions for remote access, 2004. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed. )--Kutztown University of Pennsylvania, 2004.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2748. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves 73-76 ).
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Goodwin, R. "Food, art, and society in Early Modern Spain." Thesis, University of London, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540098.

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Bosch, Susanne. "Learning for civil society through participatory public art." Thesis, Ulster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591052.

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In this PhD by Publication I argue that my art practice serves as a useful contributor towards shaping elements for the activation of civil society. Through consideration of three interrelated examples from my art practice from 1998-2011, which emerged from my Restpfennigaktion (Left-over Penny Campaign) an artistic methodology has emerged that shows links between the artwork as process and product in relation to notions of transformation. Lynn Froggett writes, "The transformative potential is realised when it generates a cultural form for experience that needs the visual or performative regis
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Leung, Mei-yin. "The Chinese Women's Calligraphy and Painting Society the first women's art society in modern China /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628697.

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Lymer, Kenneth J. "Animals, art and society : rock art and material culture in ancient Central Asia." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400540.

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Driskel, Michael Paul. "Representing belief : religion, art, and society in nineteenth-century France /." University Park (Pa.) : Pennsylvania State university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716402q.

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Leung, Mei-yin, and 梁美賢. "The Chinese Women's Calligraphy and Painting Society: the first women's art society in modern China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628697.

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Jakubowicz, Rosa. "Art, the self, and society : the human possibilities in John Dewey's Art as experience." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64160.pdf.

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Libros sobre el tema "Art and society"

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Willats, Stephen. Society through art. Den Haag: HCAK, 1990.

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Peter, Lord. Industrial society. Cardiff: University of Wales Press, 1998.

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Chadwick, Whitney. Women, art, and society. 3rd ed. London: Thames and Hudson, 2002.

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Harpin, Anna. Madness, Art, and Society. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257.

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Chadwick, Whitney. Women, art, and society. 2nd ed. London: Thames and Hudson, 1996.

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Society, Art Libraries, and ARLIS, eds. Art Libraries Society Directory. Bromsgrove: ARLIS/UK & Ireland, 1995.

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Chadwick, Whitney. Women, art, and society. New York: Thames and Hudson, 1990.

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Gebauer, Gunter. Mimesis: Culture, art, society. Berkeley: University of California Press, 1995.

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Selwood, Sara. Art & Society: Art initiative and research projects. London: Art& Society, 1989.

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Phillips New York (Auctioneers : 2001). American art. New York: Phillips, de Pury & Luxembourg, 2003.

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Capítulos de libros sobre el tema "Art and society"

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Pontieri, Laura. "Art and Society." In Fëdor Khitruk, 73–88. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003199625-4.

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Szakolczai, Arpad. "Trickster art." In Post-Truth Society, 107–24. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003225553-11.

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Filipová, Marta. "Society." In Modernity, History, and Politics in Czech Art, 85–116. New York: Routledge, 2019. | Series: Routledge research in art and politics: Routledge, 2019. http://dx.doi.org/10.4324/9780429505140-4.

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Campbell, Matthew. "Art, Self, and Society." In A Companion to British Literature, 89–106. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch81.

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Bittar, Eduardo C. B. "Society, Law and Art." In Semiotics, Law & Art, 51–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58880-9_3.

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Sekules, Veronica. "England: Art and Society." In A Companion to Britain in the Later Middle Ages, 472–96. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998786.ch24.

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Chou, Chih-P’ing. "The Chinese Art Society." In English Writings of Hu Shih, 149–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31184-0_21.

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Holm, Nicholas. "Advertising as art." In Advertising and Consumer Society, 166–86. 2nd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003253037-12.

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Billington, Rosamund, Sheelagh Strawbridge, Lenore Greensides, and Annette Fitzsimons. "‘High’ Culture, Art and Aesthetics." In Culture and Society, 44–63. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21518-8_3.

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Wheeler, Quentin. "The Art of Survival." In Species, Science and Society, 22–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003389071-5.

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Actas de conferencias sobre el tema "Art and society"

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Selikoff, Nathan. "A Society of Stickpeople (captured, #31)." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179060.

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Foster, Frank, and Yosh Kambe. "Virtual society." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253719.

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Hu, Xiaochen. "Society, Art and Technology'Innovation Origin of Interaction Design." In 2015 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icemet-15.2015.53.

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Ueda, A., and K. Miyazaki. "Sustainable society based on traditional art and craft." In 2003 IEEE 58th Vehicular Technology Conference. VTC 2003-Fall (IEEE Cat. No.03CH37484). IEEE, 2003. http://dx.doi.org/10.1109/vetecf.2003.239925.

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Ueda and Miyazaki. "Sustainable society based on traditional art and craft." In 2003. 3rd International Symposium on Environmentally Conscious Design and Inverse Manufacturing - EcoDesign'03. IEEE, 2003. http://dx.doi.org/10.1109/ecodim.2003.1322705.

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Naranjo, Alejandro Martin, and Holger Sprengel. "Art and VR Technology, Creating the “Experience Society”." In 2018 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2018. http://dx.doi.org/10.1109/ismar-adjunct.2018.00087.

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"[Cover art]." In Third International Conference on Digital Society. ICDS 2009. IEEE, 2009. http://dx.doi.org/10.1109/icds.2009.68.

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"[Cover art]." In 2008 IEEE Computer Society Annual Symposium on VLSI. IEEE, 2008. http://dx.doi.org/10.1109/isvlsi.2008.104.

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"Cover Art." In 2012 IEEE Computer Society Annual Symposium on VLSI (ISVLSI). IEEE, 2012. http://dx.doi.org/10.1109/isvlsi.2012.85.

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"Cover Art." In 2016 IEEE Computer Society Annual Symposium on VLSI (ISVLSI). IEEE, 2016. http://dx.doi.org/10.1109/isvlsi.2016.143.

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Informes sobre el tema "Art and society"

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Kartheus, Wiebke. Art Museums in US Society. The Stacks, 2019. http://dx.doi.org/10.32784/libaac-418.

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Levy, Jacob. Corps Intermédiaires, Civil Society, and the Art of Association. Cambridge, MA: National Bureau of Economic Research, June 2015. http://dx.doi.org/10.3386/w21254.

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Harbitz, Mia Elisabeth, and Iván Arcos Axt. Identification and Governance Policies: The Legal, Technical, and Institutional Foundations that Influence the Relations and Interactions of the Citizen with the Government and Society. Inter-American Development Bank, September 2011. http://dx.doi.org/10.18235/0009015.

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This IDB technical note seeks to highlight the relationship that exists between a country's level of governance, the success of digital government strategies, and the identification policies that government implements, as well as the interdependence between them. Belgium, Chile, and Mexico were chosen as case studies, because they share characteristics making them in some ways comparable. Moreover, amongst other reasons, they are all OECD-member countries, they have well-defined digital government strategies, and they are in the process of implementing (with differing degrees of progress) a st
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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Gandzyuk, Vitaliy. KEYWORDS IN THE CONTEXT OF PUBLICATIONS OF THE JOURNAL «SUCHASNIST». Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12138.

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The article examines the publicistic texts of the journal «Suchasnist», which at various times of its existence developed the national idea, united Ukrainians, supported the patriotic spirit, oriented politically, informed about the events of cultural life, published new works of art by domestic writers, revealed to readers the names of those banned during the Soviet era talented representatives of the Ukrainian diaspora. The main problems of the journal in the last years of its operation have been clarified. The issue of the negative impact of the entire Russian and Soviet heritage on the dev
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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, July 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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Aguinis, Marcos, Salomón Lerner, and Darío Ruíz Gómez. The Essential Role of Ethics in the Developmen of Latin America: Convictions That Sabotage Progress: The Difficulty of Telling the Truth. Inter-American Development Bank, April 2004. http://dx.doi.org/10.18235/0007951.

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Salomón Lerner (1944-), Peruvian philosopher, Rector of Pontifical Catholic University of Peru (1994-2004), Angel Escobar Jurado National Human Rights Award (2003). Marcos Aguinis (1935-), Argentine physician, former Minister of Culture in Argentina, Planeta Prize (Spain), Grand Prize of Honor by the Argentine Society of Writers. Darío Ruiz Gómez (1935-), Colombian art and literary critic, former Professor of Architecture in Medellín, published four books of poetry and five books of short stories.
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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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Cramer, III, and Walter E. The Year of Values. Professional Military Values, are they Relevant to Today's Society? Fort Belvoir, VA: Defense Technical Information Center, May 1986. http://dx.doi.org/10.21236/ada170151.

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Khan, B. Zorina. Prestige and Profit: The Royal Society of Arts and Incentives for Innovation, 1750-1850. Cambridge, MA: National Bureau of Economic Research, January 2017. http://dx.doi.org/10.3386/w23042.

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