Bibliografías temáticas / Art, Chinese

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  1. Artículos de revistas
  2. Tesis
  3. Libros
  4. Capítulos de libros
  5. Actas de conferencias
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Literatura académica sobre el tema "Art, Chinese"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Art, Chinese"

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Yui, Wei. "Chinese Women’s Art". Культура и искусство, n.º 5 (mayo de 2022): 86–95. http://dx.doi.org/10.7256/2454-0625.2022.5.38062.

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The article discusses the origin and evolution of women's visual art in China. The development of this artistic direction was due to the radical social transformations since the beginning of the Open Door Policy in 1978. Analysis of the art by Li Hong, Cui Xiuwen, Feng Jiali, Yuan Yaomin and others reveals main features of the evolution of women's creativity in China. The search and acquisition of female identity, the destruction of psychological barriers imposed by traditional ideas and stereotypes about a woman, her physicality, beauty, etc., the study of gender differences, the reflection of female subjectivity, the assertion of a new status for women in modern society - all this makes the content of Chinese women's art. The novelty of the research lies in the fact that the article studies the works of quite reputable Chinese artists who were not presented earlier in Russian art history science. This article is intended to contribute to the study of the processes of emancipation of the consciousness of the Chinese and raising the status of women artists in society. Reflections on personal experience, social problems and historical destinies determine the specifics of the artistic language of women's works. In view of the active feminist movements of our time, increasing attention to the inner world of women and criticism of patriarchal foundations, addressing this topic seems very relevant today.
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Jiehong, Jiang. "Chinese art outside the art space". Journal of Contemporary Chinese Art 5, n.º 2 (1 de septiembre de 2018): 111–15. http://dx.doi.org/10.1386/jcca.5.2-3.111_2.

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Yang, Mengyu. "Chinese Modernisation and Contemporary Inheritance of Chinese Traditional Art". Frontiers in Science and Engineering 4, n.º 7 (24 de julio de 2024): 34–38. http://dx.doi.org/10.54691/dbywt386.

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China's modernisation must pay attention to the role of traditional Chinese culture. Traditional culture is the cultural wealth created by the Chinese nation, with important historical and cultural value, in the process of China's modernisation, the combination and inheritance of traditional culture is indispensable. Chinese civilisation has created countless excellent works of art over the past 5,000 years, and nowadays Chinese traditional culture has become an indispensable factor in contemporary art design with its colourful content and diverse styles, which can only contribute to the harmonious construction of Chinese-style modernisation by combining it with Chinese reality. The application of traditional cultural elements in modern art design plays an extremely important role. The application of traditional cultural elements in art design can innovate art forms and promote the sustainable development of traditional art features. Let its application in art design, with innovative ideas and thinking to better promote the innovative development of art design, and promote the integration of culture and art.
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Cahill, James y Jerome Silbergeld. "Chinese Art and Authenticity". Bulletin of the American Academy of Arts and Sciences 55, n.º 1 (2001): 17. http://dx.doi.org/10.2307/3824253.

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Pengfei, Wei. "CHINESE TRADITIONAL ART — QUYI". Arts education and science 1, n.º 1 (2020): 134–36. http://dx.doi.org/10.36871/hon.202001017.

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The purpose of this article is to provide a comprehensive cultural and art history analysis of such a form of performing arts as Quyi, which has deep historical roots in China. Quyi art is endowed not only with a unique aesthetic function, but also has cultural significance and plays an important role in the history of China. Based on the study of historical sources, the article analyzes the traditions of vocal performance of Quyi, taking into account the cultural characteristics of certain regions of China and dialect differences, vocal variations, types of performing techniques, styles, schools, etc. Key objects of the review are the individual vocal schools and the typology of Quyi. In connection with changes in cultural trends and anatomical justifications of sound production, the author proposes an updated classification of schools and styles of traditional Chinese art, which represents an innovative approach to the theory of studying the debated form of vocal performance art. Currently, in the background of the rapidly developing society, the accumulation of knowledge, the improvement of the cultural level of the population as a whole and the development of vocal traditions don't look optimistic. Most young people in China are not familiar with this form of traditional art and identify Quyi with singing, dancing, and other forms of musical creativity. In connection with the above, the study and the systematization of information about Quyi are relevant for modern musicology.
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Caswell, James O. y Cheng Te-k'un. "Studies in Chinese Art." Pacific Affairs 58, n.º 3 (1985): 520. http://dx.doi.org/10.2307/2759262.

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Li, Pi. "Chinese Contemporary Video Art". Third Text 23, n.º 3 (mayo de 2009): 303–7. http://dx.doi.org/10.1080/09528820902954937.

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Wang, Yijing. "Dynamic Art: Chinese Calligraphy". Communications in Humanities Research 3, n.º 1 (17 de mayo de 2023): 1011–21. http://dx.doi.org/10.54254/2753-7064/3/2022804.

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The purpose of this study is to investigate the effects of modern society on the aeathetics of traditional Chinese Calligraphy, and techniques to preserve these aesthetics through designing a curatorial project. From the conducted research, it is evident that modern interpretations of calligraphy have driven away from traditional aesthetic standards. The paper will present an exhibition design that portrays ancient aesthetics through the manipulation of space. The organization of the exihibition relied heavily on Barry Judithss article, Dissenting Spaces, in the book: Thinking about Exhibitions. The significance of such a design is to introduce the Chinese Calligraphy without misinterpretations to the society.
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Zhang, Yichi. "Film as Art: From Art Theory to Film Theory". Scientific and Social Research 6, n.º 2 (28 de febrero de 2024): 173–78. http://dx.doi.org/10.26689/ssr.v6i2.6275.

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This article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on. The article believes that in the context of globalization, the development of Chinese film theory faces many theoretical issues, such as the independent character of the theory itself, the relationship between theoretical research and creative practice, and the influence of socialist literary and artistic thought with Chinese characteristics on contemporary Chinese film creation and theoretical research. In this regard, the article puts forward some corresponding countermeasures. This article believes that only by adhering to the development path of socialist literature and art with Chinese characteristics and taking film as art as a basic principle can we promote the prosperity and development of Chinese film theory in the new era and can we better play the important role of Chinese films in the world cultural field.
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PAN, LUOMING. "Western graffiti art VS Chinese "contemporary calligraphy" art". Convergence of Humanities, Social Science an Art’s Academy 4, n.º 3 (31 de diciembre de 2020): 69–86. http://dx.doi.org/10.37846/soch.4.3.69.

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Tesis sobre el tema "Art, Chinese"

1

Tse, Ching-kan Curry y 謝正勤. "School of Chinese Art". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984836.

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Tse, Ching-kan Curry. "School of Chinese Art". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950964.

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Li, Vivian Yan. "Art negotiations : Chinese international art exhibitions in the 1930s". Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.

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Wear, Eric Otto. "Patterns in the collecting and connoisseurship of Chinese art in Hong Kong and Taiwan". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21734653.

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Hill, Katie. "On relocating contemporary Chinese art". Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401481.

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Bianchin, Francesco <1995&gt. "CHINESE ART MARKET ON AUCTION". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16702.

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One of the main developments in the art market history of the twenty-first century is the emergence of China as a strong market player, and the growing prominence of Chinese art and antiquities, based on the record-high prices attained at auction in 2010. Within a three year period between 2007 and 2010, China has gone from sixth place to being the second-largest art market in the world, behind the US. Based on fine art auctions statistics, the buyer demographic of Chinese art and antiquities in the past three decades has moved from the West to China. PRC Chinese are the largest group of art buyers today, collecting Chinese antiquities, classical and modern paintings, and contemporary Chinese art. Following the time chronology of China in the thesis is analyzed the development of the art market throw the different historic periods and art of collecting Chinese antiquities, from the ancients dynasties to the modern collectors of the twentieth century. The global market for Chinese art today covers an extensive geographical area and a history spanning over two millennia. The thesis will explore the main developments in the Chinese art market within the global context in the twentieth century, and how these developments have shaped the growth of the art market in the twenty-first century. Through historical analysis, key players in the demographic market and price trends will be identified.
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Gao, Jianping. "The expressive act in Chinese art : from calligraphy to painting /". Uppsala : Uppsala University, 1996. http://catalogue.bnf.fr/ark:/12148/cb376704405.

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Chiu, Melissa. "Transexperience and Chinese experimental art, 1990-2000". View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050615.104323/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.
"A thesis submitted in full completion of the requirements for the degree of Doctor of Philosophy, Department of Cultural Histories and Futures, University of Western Sydney" Includes bibliography.
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Chiu, Melissa. "Transexperience and Chinese experimental art, 1990-2000". Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion explores some of the most recent developments in the relationship between overseas Chinese artists and their homeland as seen in more frequent travel back, the exhibition of their work (which would have been impossible only a few years ago), and official invitations to represent China in international exhibitions.
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Chiu, Melissa, University of Western Sydney, of Arts Education and Social Sciences College y Centre for Cultural Research. "Transexperience and Chinese experimental art, 1990-2000". THESIS_CAESS_CCR_Chiu_M.xml, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion explores some of the most recent developments in the relationship between overseas Chinese artists and their homeland as seen in more frequent travel back, the exhibition of their work (which would have been impossible only a few years ago), and official invitations to represent China in international exhibitions.
Doctor of Philosophy (PhD)
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Libros sobre el tema "Art, Chinese"

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Kong, Christie's Hong. Important Chinese art. Hong Kong: Christie's, 2001.

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Kong, Ltd Sotheby's Hong. Chinese contemporary art. Hong Kong: Sotheby's, 2004.

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Gladston, Paul. Deconstructing Contemporary Chinese Art. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-46488-5.

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Kerr, Rose. Chinese art and design. London: Victoria and Albert Museum, 1991.

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Champkins, Paul. Chinese art at Spink. [London: Dauphin Pub., 1991.

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Fan, Di'an. Chinese art since 1980. Paramus, New Jersey: Homa & Sekey Books, 2014.

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Kong, Christie's Hong. 20th century Chinese art. Hong Kong: Christie's, 2002.

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K, Hearn Maxwell, Smith Judith G. 1941- y Metropolitan Museum of Art (New York, N.Y.). Dept. of Asian Art., eds. Chinese art: Modern expressions. New York: the Museum, 2001.

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(France), Société générale. Chinese art awards 2010. [Paris]: Societe Generale, 2010.

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Zhong, Mei. Contemporary Chinese art songs. Fayetteville, AR: Classical Vocal Reprints, 2018.

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Capítulos de libros sobre el tema "Art, Chinese"

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Sonnendecker, Klaus. "Singing and Sounds. Highlights in Chinese Culture". En Word Art + Gesture Art = Tone Art, 257–72. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20109-7_16.

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Wu, Xin. "Garden Art". En A Companion to Chinese Art, 410–30. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch20.

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Phipps, Claude. "Chinese Science and Art". En No Wonder You Wonder!, 77–85. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-21680-5_7.

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Chou, Chih-P’ing. "The Chinese Art Society". En English Writings of Hu Shih, 149–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31184-0_21.

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Wang, Keping. "Art as Sedimentation". En Chinese Culture of Intelligence, 405–24. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_18.

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Man-ching, Ada Lee. "Art and Heart". En International Handbook of Chinese Families, 425–51. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-0266-4_26.

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Zhirong, Zhu. "Ontological aspects of art". En Philosophy of Chinese Art, 92–148. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003204688-3.

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Brubaker, David Adam y Chunchen Wang. "Philosophy of Chinese Ink Art". En Chinese Contemporary Art Series, 59–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-44929-5_5.

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Zhirong, Zhu. "Artistic representation of Chinese art". En Philosophy of Chinese Art, 188–253. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003204688-5.

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Sun, Yifeng. "Translating Chinese modernity". En Translating Chinese Art and Modern Literature, 186–206. Abingdon, Oxon; New York, NY: Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-11.

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Actas de conferencias sobre el tema "Art, Chinese"

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Yang, Bingjie. "Female Art in Chinese Contemporary Art". En 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.179.

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"Chinese media art preview". En SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280120.1280273.

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Sorokina, K. S. y A. V. Karpov. "CONTEMPORARY CHINESE ART ON THE GLOBAL ART MARKET: RANKING ANALYSIS OF LEADING CHINESE ARTISTS". En Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_30.

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Zhang, Yuanming. "Aesthetic Analysis on Line Art in Chinese Painting Art". En 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.133.

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Zhang, Liyang, Jianwei Ban y Lili Ban. "Analysis of Chinese Folk Art Features". En 3rd International Conference on Science and Social Research (ICSSR 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icssr-14.2014.291.

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Yang, Xuelan. "Landscape Art in Chinese Buddhist Temples". En 2017 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/saeme-17.2017.61.

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Qia Zhang. "Chinese symbols in POP fashion art". En 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5375352.

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Shao, Changzong. "Study on Influences of Chinese Folk Art Forms on Ceramic Art". En 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.101.

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Ho, Amic G. "'Techspressionism’ of Digital Art in Contemporary China". En Chinese CHI 2022: The Tenth International Symposium of Chinese CHI. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3565698.3565780.

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Ke, Lijia. "RELATING TRADITION TO INNOVATION WITHIN CHINESE ART". En Electronic Visualisation and the Arts (EVA 2009). BCS Learning & Development, 2009. http://dx.doi.org/10.14236/ewic/eva2009.21.

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Informes sobre el tema "Art, Chinese"

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Ofstedal, Peter R. Operational Art in Modern Chinese Warfare. Fort Belvoir, VA: Defense Technical Information Center, febrero de 1996. http://dx.doi.org/10.21236/ada307331.

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Aizenman, Joshua, Yothin Jinjarak y Huanhuan Zheng. Chinese Outwards Mercantilism – the Art and Practice of Bundling. Cambridge, MA: National Bureau of Economic Research, abril de 2015. http://dx.doi.org/10.3386/w21089.

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Zhang, Ling, Brent Holland y Eulanda Sanders. From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1755.

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Reilly, Thomas P. Mao Tse-Tung and Operational Art During the Chinese Civll War. Fort Belvoir, VA: Defense Technical Information Center, mayo de 1998. http://dx.doi.org/10.21236/ada357835.

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Castillo, Matthew J. Chinese Operational Art: Understanding the Present through the Lens of the Past. Fort Belvoir, VA: Defense Technical Information Center, mayo de 2013. http://dx.doi.org/10.21236/ada583828.

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Luo, Xuexing, Zheyu Zhang, Jue Wang, Qibiao Wu y Guanghui Huang. Art therapy as a complementary therapy for schizophrenia: a meta-analysis of randomized controlled trials following the PRISMA guidelines. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, mayo de 2022. http://dx.doi.org/10.37766/inplasy2022.5.0099.

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Review question / Objective: How are the effects of art therapy on schizophrenia? Condition being studied: Schizophrenia is a chronic and severely disabling mental disorder that is associated with impairments in cognitive, emotional and psychosocial functioning affecting the prospect of recovery. (Jablensky, 2010; Leucht, 2014). Information sources: A comprehensive literature search will be carried out by two independent researchers (XX Luo and J Wang). Published studies will be retrieved in common databases including PubMed, Web of Science, ClinicalTrials.gov, Cochrane Library, Embase, China National Knowledge Infrastructure(CNKI), Wanfang Databases, the Chinese Scientific Journal Database, the Chinese Science Citation Database, and the Chinese Biomedical Literature Database from inception to May 30, 2022. In addition, we will search and evaluate the relevant systematic reviews and meta-analyses to select the potential studies from their references. No trial is excluded due to publication status or language.
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Bjorge, Gary J. Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign (Leavenworth Paper, Number 22). Fort Belvoir, VA: Defense Technical Information Center, enero de 2003. http://dx.doi.org/10.21236/ada468780.

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Zhang, Ling, Chunhui Xiang y Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Ames: Iowa State University, Digital Repository, noviembre de 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.

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Liang, BiYan, BiYan Liang y Jian Wang. A Meta Analysis of the Efficacy of Tonic Method in Traditional Chinese Medicine for AIDS Immunological Nonresponses. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, abril de 2022. http://dx.doi.org/10.37766/inplasy2022.4.0077.

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Review question / Objective: To evaluate the efficacy of tonic method in treating AIDS immunological nonresponses. Eligibility criteria: ①Study type: RCT based on tonic method in TCM for AIDS INRs. The language was limited to Chinese and English. ②The research object: HIV/AIDS patients with any disease stage; the intervention objects were adults with no gender restrictions. ③Intervention measures: The treatment group was treated with tonic prescriptions combined with ART, including four types of prescriptions for nourishing qi, nourishing blood, nourishing yin, or nourishing yang; the dosage, frequency, and method were not limited. The control group was treated with ART or mock agent and placebo. ④Outcome indicators: The observation indicators reported in the included studies should include at least one of the following indicators: 1) Effective rate of immune function reconstruction: formulated in accordance with "AIDS (Adult) Chinese Medicine Diagnosis and Treatment Program" (2016 Edition) , effective: CD4 + T lymphocyte counts increased by ≥ 50 cells/l or ≥ 30%, invalid: CD4+ T lymphocyte counts decreased by ≥ 50 cells/l or ≥ 30%; total effective rate = effective number/total number; 2) CD4+T lymphocyte counts level.
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Cheung, Yin-Wong, Menzie Chinn y XingWang Qian. Are Chinese Trade Flows Different? Cambridge, MA: National Bureau of Economic Research, marzo de 2012. http://dx.doi.org/10.3386/w17875.

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