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Tesis sobre el tema "Art exploration"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Pellicane, Jacqueline Marie. "Medical Art Therapy: A Heuristic Exploration." Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/88.

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Medical art therapy is a specific type of art therapy practiced primarily in settings where clients are actively ill or in recovery from a medical procedure. This heuristic study will seek to support the advancement of growth in this field, a wide spread use of medical art therapy in every setting catering to the medically or chronically ill. The researcher used her own medical records from a 10-year bout with illness, childhood to late adolescence, to stimulate the production of data in the form of journal entries and artwork. The data collected was then analyzed through both a clinical and p
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2

Trainer, Janette. "Art and ecology : a visual exploration." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/852.

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Within the broad theme of art and ecology, local ecological issues were explored through studio practice involving digital imagery, print making, and mixed media. The frame of reference for the creative project included a discussion of the representations of natural, social and cultural environments' by visual artists. As an art educator interested in developing "best practice" including interdisciplinary approaches across the curriculum with an emphasis on visual arts education, the researcher explored the connections between art and ecological concerns. The Curriculum Framework for Kindergar
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3

Winther, Per. "The art of John Gardner : instruction and exploration /." Albany (NY) : State University of New York Press, 1992. http://catalogue.bnf.fr/ark:/12148/cb355876974.

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4

Niederhumer, Gina. "Mend: a personal exploration of healing." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20624.

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As the title suggests, this dissertation text deals with repair, and while 'mending' also refers to sewing, here I use it in conjunction with healing and the transformation of an inner conflict. Coming from a family of embroiderers in Austria I use needle and thread as my tools and physical objects as triggers in search of what has been forgotten or repressed. The work centers largely around a shared history between my mother and myself, which though marked by many separations, the love for needlework connects us again and provides a meeting place that bridges the divide caused by absences in
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5

Swartz, Daniel L. "Man and machine an exploration in oils on canvas /." Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/387.

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6

Choe, Nancy Sunjin. "An Exploration of the Qualities and Features of Digital Art Media in Art Therapy." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/19.

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Through the lens of a participatory design (PD) approach, this study explored to find qualifying features and qualities of digital art materials, specifically art apps on iPads for art therapy use. The study comprised of two phases: 1) a questionnaire/interview of four art therapists using iPads with clients and 2) four separate focus groups with 15 art therapist and art therapist trainee participants involving multiple stages of cyclic feedback. The focus groups engaged in art directives with nine art making apps identified by the researcher and questionnaire respondents as potentially useful
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7

Barber, James. "Installation art and memory : a practice-as-research exploration." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/900.

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This practice-as-research project investigates how a piece of site-responsive Installation Art, titled Triple Point Dunnage (exhibited in Royal William Yard, June 2009), can be used to generate knowledge about memory work through experience of site. Working in dialogue with the ideas of Daniel C. Dennett, Lucy Lippard and Gaston Bachelard, I attempted to create a permeable and fluctuating creative setting for the memory work of participants. An approach that used site as a stimulant within a process which also incorporated theoretical themes. During the period of design and construction, I int
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8

Adams, Irena Zdena. "Exploration of water-based inks in fine art screenprinting." Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263243.

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9

Bahauddin, Azizi Bin. "Contemporary Malaysian art : an exploration of the Songket motifs." Thesis, Sheffield Hallam University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287587.

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This thesis explores the Malay songket motifs in relation to Malaysia's cultural identity and the transformations of these motifs within the context of the researcher's own art works. An examination of Malaysian government's fixed National Culture policy on identity is contrasted with the reality of identity as dynamic. The identity policy was created and asserted on a multi-racial population based on concept of MalaylBumiputera with no recognition of the 'Other', the nonBumiputera culture. Divisions among the populace were created by the privileges of political, economic and social adjustment
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10

Gee, Sarah. "An exploration of impermanence in contemporary ceramic art practice." Thesis, University of Sunderland, 2016. http://sure.sunderland.ac.uk/8320/.

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This practice-led research investigates clay-based impermanent creativity, exploring this means of expression as a contribution to knowledge in the expanded field of contemporary ceramic art practice. The research considers recent developments in innovative work by practitioners from the ceramic tradition, characterised by unconventional uses of material, natural decay and weathering, deliberate destruction, performance and physicality. A key aspect of the research exploration is phenomenographic alignment of personal praxical development with that of contemporaries sharing backgrounds in the
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11

Gay, Stephanye Anne. "ShieldCross an exploration of sequential art ; an honors project /." [Jefferson City, Tenn. : Carson-Newman College], 2009. http://library.cn.edu/HonorsPDFs_2009/Gay_Stephanye_Anne.pdf.

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12

Miller, Nolan W. "Athenian Acoustics: A Sonic Exploration." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556289254557967.

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13

Donat, Melanie, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Fur, pixels, loved ones and other transients." THESIS_CAESS_CAR_Donat_M.xml, 2004. http://handle.uws.edu.au:8081/1959.7/469.

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Fur, Pixels, Loved Ones and Other Transients is a paper discussing my practice from 2000 to 2003. It is a personal and theoretical exploration of common concepts and theories in reference to my works Fluff Snuffs (2000), Relentless (2001), Trigger Displacement (2002), Bathing in a Warm Glow of Nothing (2003) and Memory Play Back (2003). The effects of Tele-visual and computer mediated images of death and violence within these works are investigated, which lead to an exploration of fear and trauma. This mechanism of mediation is used within the works as a means of exploring the subtleties withi
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14

Butcher, Lorena Sun. ""I am My Art; My Paintings are Me;: An Exploration of the Relationship Between the Art and Life of Irene Chou." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367682.

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Among the founding members of the New Ink Painting Movement in Hong Kong in the 1960s, Irene Chou (1924–2011) went the furthest in transcending the traditional boundaries of Chinese ink painting. One outstanding feature of Chou’s long career as an artist was that from the beginning of her career to the very end of her life, she continuously shifted from one style of painting to another. After painting sexually charged “landscape paintings”, she began painting line paintings. Just as she became known for her line paintings, Chou abruptly shifted to piled ink paintings. After she moved from Hong
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15

Burgess, Lily Anna. "Spelling Gratitude: An Aesthetic Exploration." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/127.

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This thesis is founded in the positive psychological theory of gratitude, the experience of thankfulness and its benefits on both the individual and the community. My explorations via personal journaling, careful reflection, and engaging in craft, led me to cultivate a new definition for gratitude: present moment awareness. Using sheer fabric and the meditative act of embroidering, the language of gratitude was relearned and cultivated. My piece aims to incite further explorations in thanks.
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16

Liguori, Samantha. "Stingray : an exploration into the art and craft of playwriting." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/579.

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Cloud Nine by Carol Churchill is a good example of non-linear play structure. Episodic plays are part of an even more disjointed time structure. There are both many different locations and characters in an episodic play; it is similar to a film script for that matter. Onstage, this was a revolution; how can a person be in one city and then the next shortly after? This was the rule of continuity that episodic structure broke. Bertolt Brecht did this throughout his movement in epic theatre, and traces of this structure can also be found as early back as Medieval plays. Therein lays the problem.
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17

Bauer, Michael G., Chauney Peck, Aubrey Studebaker, and Naomi Yu. "Art Therapy and Evidence-Based Practice: An Exploration of Interactions." Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/167.

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The purpose of this study is to examine the attitudes and beliefs of art therapists towards Evidence-Based Practices (EBP). EBP is a rising trend in healthcare that refers to the process of using empirically validated research to make clinical decisions that best meet the needs of each client (Patterson, Miller, Carnes & Wilson, 2004).The investigators used a mixed methods approach to the research topic. Part A consists of a survey distributed to graduates of the Department of Marital and Family Therapy (MFT) at Loyola Marymount University (LMU). In addition to answering questions, survey part
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18

Gordy, Whitney Jade. "An Art Therapy Exploration of Complex Trauma and Addiction Treatment." Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/95.

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This research is a qualitative case study of a client in art therapy treatment with a history addiction and complex trauma symptoms. The study explores the clients artwork and themes emerge in the analysis process that include splitting, diminutive figures, preoccupation with death, abuse and violence. The study explores the client’s dissociative thinking and self-injurious behaviors, within the context of cultural stigmas attached to being labeled an addict. The findings suggest that art therapy treatment can address the client’s addiction while providing a space to explore early childhood an
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19

Timmons, BriAnne, and Isabella Williams. "The Experience of Empathy Within Law Enforcement: An Art Exploration." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/777.

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Empathy within law enforcement has not been examined in the art therapy literature. This qualitative study provides insight into how empathy is perceived and experienced by retired law enforcement officers in San Diego, CA. Fourteen participants responded to a brief questionnaire, created an art piece and a written response about how empathy is experienced within law enforcement. The results illuminated common themes within the art and written responses including interactions, witnessing of a traumatic situation, intersection of roles within law enforcement, understanding of feelings, and comm
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20

Hoffman, Daniel Forrest. "An Exploration of Absence." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250223181.

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21

Chambefort, Françoise. "Mimèsis du flux, exploration des potentialités narratives des flux de données." Thesis, Bourgogne Franche-Comté, 2020. http://www.theses.fr/2020UBFCC004.

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Art du flux, data art, l’art numérique s’approprie les flux de données. Le rapport au réel et au temps qui s’y joue semble propice à la narration, pourtant les œuvres intègrent rarement des récits. Choisissant la voie de la recherche création, cette thèse explore les potentialités narratives des flux de données. Articulant les approches techniques, sémiotiques, sociales et esthétiques, la réflexion se nourrit, outre les sciences de l’information et de la communication, de disciplines variées telles que l’informatique, la philosophie, la sociologie, les sciences cognitives et la narratologie. L
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22

Leonhard, Aimee E. H. "The Amesbury Psalter : an exploration in contexts /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420933.

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23

Zhao, Mengzhong. "An Exploration of the Essence of Art at the Light of the Contemporary Situation of Art." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN034.

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Cette thèse cherche à répondre à une question fondamentale de la philosophie de l'art: qu'est-ce que l'art? Après avoir examiné les réponses des plusieurs théories de l’art, il propose que la définition de l’art proposée par Arthur Danto soit celle qui se conforme le plus à la réalité de l’art, bien qu’elle souffre de certaines imperfections et insuffisances. Sur la base de cette conclusion critique ainsi que d'une analyse minutieuse de ce qui est considéré actuellement comme un art, il tente de modifier la définition de Danto et de la transformer en une nouvelle définition, capable de mieux s
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24

Thompson, Terry Foster. "An exploration of some aspects of mystery." PDXScholar, 1990. https://pdxscholar.library.pdx.edu/open_access_etds/4119.

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This thesis project consists of twenty-four paintings, drawings and lithographs dealing with three sub-themes of the larger subject of mystery: the mystery of existence; the mystery of religion; the mystery of the unknown. These themes are explored through manipulations of light, color, compositional arrangement and painting and drawing techniques.
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25

Weber, Sarah. "Visual Exploration of Cultural Intersections." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2790.

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Personal exposure to, and in-depth investigations of cultural artifacts can be used to inform visual explorations that represent the universal experience of existing in a world where cultural boundaries are blurred and constantly evolving. Cross-cultural understanding and visual language are expanded throughout the research and making processes, resulting in work that has increased resonance with diverse audiences. Artifacts are not only expressions of a specific group of people, but also reflections of societal influences on one’s thinking, creating, and experiencing the world. In an increasi
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26

Christouli, Vasiliki. "Site-specific art as an exploration of spatial and temporal limitations." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12037/.

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This practice-based thesis examines the relationship between space, time and the human presence. It is concerned with the dialectic exchanges between my work and the places in which its meaning is defined. Oppositions between space/place, place/non-place, and immobility/movement, articulate the spatial and temporal limitations that delineate my site-specific practice and its experience. The exploration of the relationship between the notion of time and my practice has profoundly affected my research, which has itself endured for an extended period of time. This is described in chronological se
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27

Bai, Paul. "Beyond the Dialectical: An Exploration of Spatial Representation in Contemporary Art Practice." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365357.

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This research explores the spatial options that exist beyond conventional dualisms. Specifically, this exegesis is the result of four years of studio and theoretical research surrounding the research question: How can a Third Spatial Position enable contemporary art practice to move beyond conventional spatial dialectics? This research is organised around four major components. Firstly, I introduce a series of theoretical findings to demonstrate the possible existence of a Third Spatial Position that is based on in-between space, and can be described as transitional, situational, open and inde
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28

Flaherty, Patrick M. "Muncie's urban landscape : an exploration in printmaking." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1266026.

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This project involved making a series of woodcut and intaglio prints based on Muncie's urban landscape. The idea of a generic specific - a place unique to one area yet readily recognized across the industrialized world as familiar - is introduced and explored. In addition the idea of impermanence and flux is discussed in terms of how the time that I am living in now has its own unique features that will be obsolete, ruins, or altogether forgotten in the next fifty to seventy-five years. The work also explores the aesthetic merits of buildings like gas stations and vehicles - objects that are g
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29

Cavasinni, Christine. "A Study of Art Therapy in Identity Exploration and Self-Efficacy." Thesis, Notre Dame de Namur University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10689764.

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<p>This paper illustrates the impact of an 8-week art therapy regimen on the perceived self-efficacy of participants seeking dual diagnosis treatment for the Substance Use Disorders (SUDs). It was hypothesized that pre- and post-test results of the General Self-Efficacy Scale (GSE), the State-Trait Anxiety Inventory for Adults (STAIAD), and the Quick Inventory of Depressive Symptomology Self-Report (QIDS-SR) would reflect an increase in perceived self efficacy, and decreases in anxiety and depressive symptoms. The STAIAD and QIDS-SR were included in the study as indicators of well-being. The
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30

Gellerbring, Emma. "Identity Through Art : Kids exploration of individual identity within the collective." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-72882.

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31

Kabitsis, Nikolaos. "A practice-led exploration into the relationship between art and psychosis." Thesis, Northumbria University, 2009. http://nrl.northumbria.ac.uk/1111/.

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The goal of this project was to invent a new way of combining artistic practice (in the studio) with psychopathology. As a sculptor, I aimed to find a novel artistic direction which would allow me to create sculpture, as a practitioner in a Postmodernist context, influenced by psychology and more specifically psychosis. Initially I examined the concept of psychosis both as a medical and psychological condition, by looking at its symptoms, categories, and causes, from ancient times to the present. I also examined psychosis, or mental illness in a more general sense, as a social condition by exp
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32

Shirsalkar, Rucha. "An Exploration of Art Therapy with Street Children in Mumbai, India." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/104.

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This research project explores the work done by professionals who work with street children in Mumbai, India, and their perceptions of how art therapy could benefit this population. Ten organizations that serve street children in Mumbai, India participated in a qualitative interview and survey that aimed to gather information and explore the specific needs, psychological issues, and services provided to street children in Mumbai, India. The link between the surveys and the interviews strongly suggest an interest and desire from professionals to learn more about art therapy, and in corporate th
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33

Naff, Kristina Marie. "An Exploration of Art Therapy as a Treatment for Cumulative Trauma." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/36.

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This qualitative research study is informed by a grounded theory approach and explores the use of art therapy as a treatment for cumulative trauma. This paper reviews the current literature focusing on both cumulative trauma and related studies which address the nature and impact of “big T” and “little t” events and accumulated lifetime adversity. There are remarkably few studies which highlight the concept of cumulative trauma in both general psychology and art therapy literature, and there appear to be no existing studies addressing the treatment of the state of cumulative trauma to date. Fo
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34

Yuen, Jessica Michelle. "Metamorphosis Journey: Voices of Asian Domestic Violence Survivors Through Art Exploration." Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/77.

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Using a qualitative, narrative based, and art based approach, this study explored the experiences of Asian domestic violence survivors living in an Asian-based domestic violence transitional shelter, and how their cultural identity as an Asian immigrant woman played a role in their experiences. The participants were two out of six women living at the domestic violence shelter provided by the Asian Pacific Women’s Center. Three overarching themes were formed after the analysis of all the emergent categories: The women experienced isolation that were influenced from their marginalized cultural v
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35

Marx, Allison, and Lia Verzatt. "Creating the Therapeutic Environment: An Exploration of Art Therapy and Sexuality." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/765.

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This research explored how art therapists create a safe and inviting environment for clients to discuss topics related to sex and sexuality in therapy. Our research consisted of three main questions: How do art therapists use art therapy techniques, materials, and directives to create a therapeutic environment in which clients can open up about their sexuality? How comfortable and/or experienced are therapists regarding discussion of topics related to sex and sexuality with clients in therapy sessions? What barriers are there to discussing sexuality in therapy, and how does art help overcome t
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36

Li, Taklai Melissa. "An Exploration of Eating Disorders and Trauma in Art Therapy Treatment." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/28.

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A qualitative, art-based research approach is used in this study to explore the relationship between trauma and eating disorders in art therapy treatment. The literature review illuminates the function, presentation, and treatment of eating disorders and trauma. Adolescent developmental challenges are discussed in relation to eating disorders, given that this is the period when the diagnosis manifests. The nominal research on the use of art therapy for underlying trauma with clients who are in treatment for eating disorders suggests the importance of considering the implications for the field
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37

Tran, Mailynn. "Art Exploration of Countertransference and Empathy Towards Clients with Substance Abuse." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/770.

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This research incorporates a heuristic method of inquiry to reflect on the researcher’s response to clients with substance abuse. The research investigates if countertransference with this population comes off as empathy (taking in the perspective of the clients) or pity (feeling sorry for clients). Data was collected over a structured 6-week period through the researcher’s self-reflective process of creating art in responses to client artwork made during her practicum experience. Research is solely based on the researcher’s personal response to a select few clients and the resulting artwork a
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38

Webb, Keelie Suzann. "Exploration Through Visual Art: Ego-Identity Development Among Hispanic American Adolescents." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1333757499.

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39

Aldous, Veronica. "An exploration of the transcending experience in the art-making process." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/744.

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This study explored the transcending experience as described by visual artists that sometimes occurs during the art-making process. The exploration was conducted within a philosophical framework informed by the researcher's practice of Transcendental Meditation (TM). From this perspective, transcending is related to personal, inner (subjective), and ephemeral aesthetic experiences which never-the-less make a powerful contribution to the visual artist's experience of the creative process and to a lesser extent, the final product. The focus of the study was on the identification and documentatio
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40

Williams, Emily. "Threads of Identity: Marisol's Exploration of Self." Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1566.

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Marisol Escobar, known in the 1960s as the "Latin Garbo," is a sculptor famous for showing with the Pop art greats. However, Marisol holds a curious position in art history, stranded between the formalism of the fifties' and sixties' male-dominated Pop movement and the conceptual experimentation and radicalism that followed. Trained as a draftsman and painter early in her career, Marisol's main body of work mostly consists of large-scale wooden and mixed-medium sculpture. Lesser known, her lithographs, drawings, collages and small figurines further prove her technical and artistic validity. Pr
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41

Rynn, Sarah. "Reprocessing interference : an artistic exploration of the visual material generated by interference." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8199.

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Includes bibliographical references (leaves 45-47).<br>My body of work is concerned with the constructed promise of telecommunication - that is, the promise to connect people all over the world via telephone lines, computer networks and, most recently, satellite signals. The development of and access to networked systems has brought about this "utopian promise" (Mitchell 2005: 305), an ideal of instant connectivity that allows a user to be in contact with others through technological devices over vast distances. Connectivity supposedly enables users to develop and sustain relationships on the
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42

Lu, Dawei. "A sociological exploration of cultural distinction in Chinese contemporary art museums and galleries : contemporary art and its visitors." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/18187/.

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Based on fieldwork that has been conducted at three contemporary art museums and galleries (National Art Museum of China, Ullens Centre for Contemporary Art, and Shengzhi Space) in the People’s Republic of China (PRC), including both questionnaire surveys (2376 respondents) and interviews (11 interviewees), this thesis elucidates how contemporary art, an internationally sanctioned legitimate art form, configures into the PRC’s national hierarchy of cultural genres. Through the use of a cluster analysis, a multinomial logistic analysis, and a thematic analysis, this current research demonstrate
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43

Peng, J. "An exploration of Tibetan Tantric Buddhism and its art : a potential resource for contemporary spiritual and art practice." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1417088/.

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Tibetan Tantric Buddhism is today considered one of the most important and controversial forms of Asian culture, using a rich and somewhat complicated range of methods and materials. The perception of the ‘mystical’ nature of Tibetan Tantric Buddhist art in the world beyond Tibet has changed and evolved significantly and profoundly over the last three decades. However, contemporary Tibetan artists feel confused about how to develop a Tibetan art tradition within the context of a globalised world. 　　Against this background I am interested in exploring the mysterious nature of Tibetan Tantric Bu
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44

Barnes, Diana C. "How Women Use Art and Art Therapy to Cope With Breast Cancer: A Systematic Exploration of Published Literature." Digital Commons at Loyola Marymount University and Loyola Law School, 2015. https://digitalcommons.lmu.edu/etd/148.

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45

Woodhams, Elizabeth Jean Deshon Smith. "The ethics of art : an exploration of the role and significance of art/artists in health care settings." Thesis, Queensland University of Technology, 1995. https://eprints.qut.edu.au/15883/1/Elizabeth_Woodhams_Thesis.pdf.

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The presence of art and artists in health care settings raise many questions of an ethical nature. The presence of art in such milieux challenges the manner in which notions of art, persons, health, healing, community, ethics and aesthetics are presently conceptualized. This thesis will argue that art ought properly be considered an essential human need - integral to the health, flourishing and well-being of all persons - particularly those who are sick and suffering. An ethical care of sick persons would demand that both artistic practice and health care practice be revisioned in the light
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Woodhams, Elizabeth Jean Deshon Smith. "The Ethics of Art - An Exploration of the Role and Significance of Art/Artists in Health Care Settings." Queensland University of Technology, 1995. http://eprints.qut.edu.au/15883/.

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The presence of art and artists in health care settings raise many questions of an ethical nature. The presence of art in such milieux challenges the manner in which notions of art, persons, health, healing, community, ethics and aesthetics are presently conceptualized. This thesis will argue that art ought properly be considered an essential human need - integral to the health, flourishing and well-being of all persons - particularly those who are sick and suffering. An ethical care of sick persons would demand that both artistic practice and health care practice be revisioned in the light
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47

Ni, Bhriain Ailbhe. "The aesthetics of exile : an exploration of place and image space." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20231/.

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'The Aesthetics of Exile' seeks to understand and represent a condition of exile through visual practice. The following text comprises two parts. Part one is divided into three sections, and serves to outline the form of the project, as well as the thinking behind it. Section 1 introduces the visual exploration and reasoning within the practice, Section 2 summarises its contextual and conceptual grounding, and Section 3 describes the visual material to be viewed, focussing on the processes behind each individual series of work. In Part two an essay on the artwork written by Jonathan Miles is r
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Simon, Janet. "Memoria : an exploration of longing, desire and transcience in the everyday." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/25865.

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This is a very personal body of work from a specifically feminine perspective. I have felt enormous pressure for most of my life to try to maintain what I believe to be an acceptable appearance. I have struggled with my weight and with acne for many years. As a result, I have constantly feared being photographed or being seen without my usual mask of makeup. This has caused me to feel a disjuncture between my inner self and my outward appearance. I have become acutely aware of the face as a mask that can be manipulated in many ways, and of the illusion that lies beneath appearances. As a react
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Bader, Angela. "A personal exploration of the creative process." Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/960.

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Francis-Bongue, Isabel E. "Natural Histories: An Exploration of the Wild, Stories, Fantasy and Sense of Place." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1369735768.

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