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Artículos de revistas sobre el tema "Art exploration"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 20 de febrero de 2023

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1

Gibson-Smith, Chris. "THE ART OF EXPLORATION." Business Strategy Review 23, no. 2 (June 2012): 32–37. http://dx.doi.org/10.1111/j.1467-8616.2012.00841.x.

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2

Prisco, Brianna. "Living Art: An Exploration of Interactive Art Installations." Art Education 69, no. 5 (August 15, 2016): 49–57. http://dx.doi.org/10.1080/00043125.2016.1202078.

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3

Galvin, Vanessa. "Architectural Exploration of Art Concepts." International Journal of the Image 1, no. 4 (2011): 1–10. http://dx.doi.org/10.18848/2154-8560/cgp/v01i04/44226.

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4

Widder, Edith. "The Fine Art of Exploration." Oceanography 29, no. 4 (December 1, 2016): 170–77. http://dx.doi.org/10.5670/oceanog.2016.86.

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5

Pei, Hao. "Exploration of Art Content and Form." International Journal of Education and Humanities 3, no. 2 (July 7, 2022): 75–76. http://dx.doi.org/10.54097/ijeh.v3i2.805.

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Art as a carrier to show the cultural connotation, its hidden cultural content is very extensive. This paper explores the content and form of art as the main idea, and analyzes, with examples, the content of art, the form of art, and the dialectical unity of the relationship between content and form of art. Since the 1960s, there have been many issues involved in the discussion of the content and form of art in the art academy, and there are still many issues that have not been definitively discussed. However, the issue of art content and form plays an important role in guiding the creation an

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6

Zhao, Lichang. "Art Exploration of Jiangzhou Dough Modelling." Science Innovation 5, no. 5 (2017): 283. http://dx.doi.org/10.11648/j.si.20170505.17.

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7

Crouch, Tom D. "NASA art: 50 years of exploration." Physics Today 64, no. 8 (August 2011): 42–47. http://dx.doi.org/10.1063/pt.3.1218.

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8

Nguyen, D. T., C. Rumeau, P. Gallet, and R. Jankowski. "Olfactory exploration: State of the art." European Annals of Otorhinolaryngology, Head and Neck Diseases 133, no. 2 (April 2016): 113–18. http://dx.doi.org/10.1016/j.anorl.2015.08.038.

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9

Szekely, Ilona. "Art at the Airport: An Exploration of New Art Worlds." Art Education 65, no. 4 (July 2012): 33–39. http://dx.doi.org/10.1080/00043125.2012.11519182.

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10

Greenfield, Gary, and Penousal Machado. "Ant- and Ant-Colony-Inspired ALife Visual Art." Artificial Life 21, no. 3 (August 2015): 293–306. http://dx.doi.org/10.1162/artl_a_00170.

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Ant- and ant-colony-inspired ALife art is characterized by the artistic exploration of the emerging collective behavior of computational agents, developed using ants as a metaphor. We present a chronology that documents the emergence and history of such visual art, contextualize ant- and ant-colony-inspired art within generative art practices, and consider how it relates to other ALife art. We survey many of the algorithms that artists have used in this genre, address some of their aims, and explore the relationships between ant- and ant-colony-inspired art and research on ant and ant colony b

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11

Zou, Liping, Anne De Bruin, Ji Wu, and Yue Yuan. "Art for art’s sake? An exploration of the Chinese art market." Applied Economics 53, no. 47 (May 25, 2021): 5429–47. http://dx.doi.org/10.1080/00036846.2021.1923635.

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12

Allen, Gwen L. "Art Periodicals and Contemporary Art Worlds (Part I): A Historical Exploration." ARTMargins 5, no. 3 (October 2016): 35–61. http://dx.doi.org/10.1162/artm_a_00157.

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This essay explores the role of art periodicals in art worlds past and present. It examines the histories of Artforum and October within the context of the North American art world of the 1960s and 1970, and contextualizes these publications within a larger field of publishing practices, including self-published Salon pamphlets, little magazines, and artists' periodicals. It explores how the distribution form of the periodical affects the politics of art criticism, and considers how art magazines have served as sites of critical publicity, mediating publics and counterpublics within the art wo

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13

王, 爱莉. "College Art Education—Exploration and Prospect of “Art and Technology” Major." Design 04, no. 01 (2019): 5–8. http://dx.doi.org/10.12677/design.2019.41002.

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14

Appenzeller, Otto, Marita Amm, and Howard Jones. "A Brief Exploration of Neurological Art History." Journal of the History of the Neurosciences 13, no. 4 (December 2004): 345–50. http://dx.doi.org/10.1080/09647040490881677.

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15

Lyman, Joanna, and Melody Cunningham. "A Personal Exploration Through Expressive Art (FR434)." Journal of Pain and Symptom Management 57, no. 2 (February 2019): 415. http://dx.doi.org/10.1016/j.jpainsymman.2018.12.131.

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16

Milekic, Slavko. "Designing digital environments for art education/exploration." Journal of the American Society for Information Science 51, no. 1 (2000): 49–56. http://dx.doi.org/10.1002/(sici)1097-4571(2000)51:1<49::aid-asi8>3.0.co;2-u.

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17

Kaufman, Anna Belle. "Art in boxes: An exploration of meanings." Arts in Psychotherapy 23, no. 3 (January 1996): 237–47. http://dx.doi.org/10.1016/0197-4556(96)00021-4.

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18

Du, Wei Min, and Qian Gao. "Exploration on the Man-Machine Relationship in Digital Art." Applied Mechanics and Materials 321-324 (June 2013): 965–68. http://dx.doi.org/10.4028/www.scientific.net/amm.321-324.965.

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As a unique combination of science and art, digital art is impacting on the traditional art form. Digital art is actively connected with popular culture and consuming culture by the use of television, computer, Internet and other means. Digital art also has a strong influence on public culture which is successfully avoided the defects such as personal privacy and narrow sense. Digital art is an art form which is built on some certain technology conditions. However, the artistic rules of digital art works should not be less than the technical rules. After all, artists should avoid changing and

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19

Feller, C., E. R. Landa, A. Toland, and G. Wessolek. "From soil in art towards Soil Art." SOIL Discussions 2, no. 1 (February 9, 2015): 85–132. http://dx.doi.org/10.5194/soild-2-85-2015.

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Abstract. The range of art forms and genres dealing with soil is wide and diverse, spanning many centuries and artistic traditions, from prehistoric painting and ceramics to early Renaissance works in Western literature, poetry, paintings, and sculpture, to recent developments in cinema, architecture and contemporary art. Case studies focused on painting, installation, and cinema are presented with the view of encouraging further exploration of art about, in, with, or featuring soil or soil conservation issues, created by artists, and occasionally scientists, educators or collaborative efforts

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20

Hanrahan, Siún. "An Exploration of How Objectivity Is Practiced in Art." Leonardo 33, no. 4 (August 2000): 267–74. http://dx.doi.org/10.1162/002409400552649.

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In the binary economy of art and science, art's subjectivity is widely perceived as undermining its contribution to knowledge. Even when invoked by those with a vested interest in art, the potential ascribed to art within this economy does not do justice to the range and critical power of art. Trans-gressing this art-science binary, the author explores how objectivity is practiced within art and argues that the relationship between art and science is not a matter of boundaries but of intertwined in-flections of understanding.

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21

Porwal, Tina. "THE IRONIC EXPLORATION FROM ABSTRACT EXPRESSIONISM TO MINIMALISM." International Journal of Research -GRANTHAALAYAH 1, no. 2 (September 30, 2014): 38–47. http://dx.doi.org/10.29121/granthaalayah.v1.i2.2014.3078.

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An art movement in sculpture and painting that began in the 1950s and emphasized extremesimplification of form and colour. A school of abstract painting and sculpture that emphasizes extreme simplification of form, as by the use of basic shapes and monochromatic palettes of primary colors, objectivity, and anonymity of style. Also called ABC art, minimal art, reductivism, rejective art. The early 1960s brought about a significant shift in American art, largely in reaction to the critical and popular success of the highly personal and expressive painterlygestures of Abstract Expressionism. Mini

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22

Hales, Shelley. "Art and Archaeology." Greece and Rome 69, no. 2 (September 6, 2022): 344–51. http://dx.doi.org/10.1017/s0017383522000122.

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In preparation for my first review, I have had the pleasure to read books that showcase the current breadth of contemporary study of ancient visual and material cultures, from subjects as diverse as canine skeletons in Athens, Egyptian papyri, and medieval mosques, and approaches ranging from the close analysis of pigment on Roman marble sculpture to the exploration of ‘viewsheds’ on the acropolis.

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23

Xie, Fan, Martin Müller, and Robert Holte. "Understanding and Improving Local Exploration for GBFS." Proceedings of the International Conference on Automated Planning and Scheduling 25 (April 8, 2015): 244–48. http://dx.doi.org/10.1609/icaps.v25i1.13704.

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Greedy Best First Search (GBFS) is a powerful algorithm at the heart of many state-of-the-art satisficing planners. The Greedy Best First Search with Local Search (GBFS-LS) algorithm adds exploration using a local GBFS to a global GBFS. This substantially improves performancefor domains that contain large uninformative heuristic regions (UHR), such as plateaus or local minima. This paper analyzes, quantifies and improves the performance of GBFS-LS.Planning problems with a mix of small and large UHRs are shown to be hard for GBFS but easy for GBFS-LS. In three standard IPC planning instances an

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24

Quinlan, Catherine L. "An Interdisciplinary Investigation of African Rock Art Images to Learn about Science & Culture: Blending Biology, Geology, History & Ethics." American Biology Teacher 81, no. 1 (January 1, 2019): 40–46. http://dx.doi.org/10.1525/abt.2019.81.1.40.

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Image analysis of African rock art creates a unique opportunity to engage in authentic explorations of science and culture using rock art images as data. African rock art and its context provide insights into the intersection of science, scientific research, research ethics, intellectual property, law, government, economy, indigenous people, and crime. This article specifically considers the rock art and other cultural contributions of the San people of Southern Africa, which offer a rich interdisciplinary exploration of biology—including the climate and weather of biomes, plant biology, human

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25

Sampurno, Muchammad Bayu Tejo, Yayi Suryo Prabandari, and Martinus Dwi Marianto. "THEORETICAL EXPLORATION OF ART THERAPY AND EDUCATION FOR AUTISTIC CHILDREN." IJIET (International Journal of Indonesian Education and Teaching) 4, no. 2 (July 14, 2020): 260–76. http://dx.doi.org/10.24071/ijiet.v4i2.2535.

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This paper aims to explore art therapy methods that are able to become one of the complementary media to improve the communication skills of children with autism; explain concretely the contribution of art flexibility as a complementary media in communication therapy for autistic children; and explain the integration of the principles of therapy. These three topics will be explored using a number of theories about art therapy that have developed, as research beginning on the development of methods of art therapy and art education for autistic children. The approach in this study uses the metho

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26

Alcalde, Juan, Ramon Carbonell, Solveig Pospiech, Alba Gil, Liam A. Bullock, and Fernando Tornos. "Preface: State of the art in mineral exploration." Solid Earth 13, no. 7 (July 28, 2022): 1161–68. http://dx.doi.org/10.5194/se-13-1161-2022.

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27

이민정 and 최선남. "Child care providers' self-exploration through art therapy." Korean Journal of Art Therapy 21, no. 6 (December 2014): 1427–47. http://dx.doi.org/10.35594/kata.2014.21.6.013.

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28

YU, HyunJu. "Art for Life’s Sake, Exploration of Ecological Arts." Journal of Contemporary Art Studies 24, no. 1 (June 30, 2020): 31–53. http://dx.doi.org/10.29330/jcas.2020.06.24.1.31.

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29

Andrew, Patricia R. "WILLIAM HODGES, 1744-1797: THE ART OF EXPLORATION." Art Book 12, no. 2 (May 10, 2005): 19–20. http://dx.doi.org/10.1111/j.1467-8357.2005.523_6.x.

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30

Keselman, Mariya, and Yasmine J. Awais. "Exploration of Cultural Humility in Medical Art Therapy." Art Therapy 35, no. 2 (April 3, 2018): 77–87. http://dx.doi.org/10.1080/07421656.2018.1483177.

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31

McManus, Chris. "Winner, E. How Art Works: A Psychological Exploration." Perception 48, no. 11 (August 5, 2019): 1157–58. http://dx.doi.org/10.1177/0301006619865346.

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32

Quilley, Geoff. "Introduction: mapping the art of travel and exploration." Journal of Historical Geography 43 (January 2014): 2–8. http://dx.doi.org/10.1016/j.jhg.2013.07.022.

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33

Ffolliott, Sheila, and Jay A. Levenson. "Circa 1492: Art in the Age of Exploration." William and Mary Quarterly 49, no. 2 (April 1992): 387. http://dx.doi.org/10.2307/2947286.

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34

Miller, Jay, and Jay A. Levenson. "Circa 1492: Art in the Age of Exploration." Ethnohistory 39, no. 4 (1992): 572. http://dx.doi.org/10.2307/482001.

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35

Damian, Carol, and Jay A. Levenson. "Circa 1492: Art in the Age of Exploration." Hispanic American Historical Review 72, no. 4 (November 1992): 596. http://dx.doi.org/10.2307/2516664.

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36

Damian, Carol. "Circa 1492: Art in the Age of Exploration." Hispanic American Historical Review 72, no. 4 (November 1, 1992): 596–97. http://dx.doi.org/10.1215/00182168-72.4.596.

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37

Smith, Jeffrey K. "Review of How art works: A psychological exploration." Psychology of Aesthetics, Creativity, and the Arts 13, no. 3 (August 2019): 242–43. http://dx.doi.org/10.1037/aca0000254.

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38

Hoeller, Frank. "LEO: Liquid Exploration Online." International Journal of Robotic Computing 2, no. 1 (April 1, 2020): 58–80. http://dx.doi.org/10.35708/rc1869-126259.

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This article introduces a novel approach to the online complete- coverage path planning (CCPP) problem that is specically tailored to the needs of skid-steer tracked robots. In contrast to most of the current state-of-the-art algorithms for this task, the proposed algorithm reduces the number of turning maneuvers, which are responsible for a large part of the robot's energy consumption. Nevertheless, the approach still keeps the total distance traveled at a competitive level. The algorithm operates on a grid-based environment representation and uses a 3x3 prioritization matrix for local naviga

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39

Ursic, Elizabeth. "Imagination, Art, and Feminist Theology." Feminist Theology 25, no. 3 (May 2017): 310–26. http://dx.doi.org/10.1177/0966735017695953.

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This article explores the importance of imagination and art when developing and working with theology, particularly feminist theology. It begins with a short review of selected periods in Christian history that either supported or warned against the use of imagination and art in classical theological development. Feminist theology has had a different history because since its inception, imagination has been central to the formation and exploration of the field. Imagination and art have continued to develop and promote feminist theological worship, and backlash against feminist theology has als

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40

Deng, Xinxia, and Shan Wu. "Application and Exploration of Video Art in New Media of Design." BCP Education & Psychology 7 (November 7, 2022): 168–73. http://dx.doi.org/10.54691/bcpep.v7i.2631.

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As a kind of visual culture, video art occupies a very important position in our life. In this paper, the relationship between video art and product design is systematically explored, studied and summarized, trying to establish a theoretical framework for understanding the importance of video art to product design, and find the application method to meet the needs of modern art progress. The design content of video art has become the value symbol of a social form, and the complementary relationship between video art and product design will become the mainstream trend in the future. This paper

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41

Choe, Sunjin “Nancy.” "An exploration of the qualities and features of art apps for art therapy." Arts in Psychotherapy 41, no. 2 (April 2014): 145–54. http://dx.doi.org/10.1016/j.aip.2014.01.002.

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42

Bornhofen, Stefan, Vincent Gardeux, and Andréa Machizaud. "From Swarm Art Toward Ecosystem Art." International Journal of Swarm Intelligence Research 3, no. 3 (July 2012): 1–18. http://dx.doi.org/10.4018/jsir.2012070101.

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Swarm intelligence deals with the study of collectively intelligent behavior that emerges from a decentralized system of non-intelligent individual agents. The concept is widely used in the fields of simulation, optimization or robotics, but less known in the domain of generative art. This paper presents the swarm paradigm in the context of artistic creation, and more particularly explores the interest of enhancing swarm models with dynamics inspired from natural ecosystems. The authors introduce an energy budget to the agents of a swarm system, and show how mapping the energy level to visual

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43

Mead, Sarah, and Cheryl R. Ellerbrock. "Know Thy Selfie: using contemporary art to teach adolescent identity exploration." Social Studies Research and Practice 13, no. 2 (September 10, 2018): 279–88. http://dx.doi.org/10.1108/ssrp-04-2018-0013.

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Purpose The purpose of this paper is to highlight how one high school psychology teacher helped students explore the concept of identity exploration and express their own personal identity through the use of contemporary art in a high school psychology course. Design/methodology/approach In this paper, techniques one high school teacher used for utilizing the visual arts to teach identity exploration in a high school psychology course are shared, including student discussion surrounding the visual analysis of contemporary artwork, thoughtful student application of developmental theories and th

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44

Musfalri, Andrik. "EKSPLORASI MEDIA DAUN JATI KERING PADA KARYA ADEK DIMAS AJISAKA." INVENSI 2, no. 2 (January 10, 2018): 43–48. http://dx.doi.org/10.24821/invensi.v2i2.1866.

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Eksplorasi sangat erat kaitannya dengan lingkungan, yaitu memanfaatkan berbagai media ataupun bahan yang ada di sekitar seniman. Jadi, lingkungan menjadi ide dasar dalam menciptakan sebuah karya seni, khususnya seni lukis. Seperti halnya eksplorasi seni yang dilakukan oleh seniman Adek Dimas Ajisaka, mengeksplorasi alam sebagai sebuah karya seni, dimana eksplorasi menjadi suatu bentuk proses perjalanan berkeseniannya, sebab setiap seniman tentu memiliki cara sendiri untuk berdialog dengan karya seninya agar dapat menghasilkan karya yang menakjubkan. Tulisan ini mencoba untuk menampilkan bagaim

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45

Abd Rahman, Khairul Aidil Azlin. "A Study of Hybrid Art Practices Among the Artworks of Selected Malaysian Artists." INTERNATIONAL JOURNAL OF ART AND DESIGN 5, no. 2 (October 7, 2021): 13–23. http://dx.doi.org/10.24191/ijad.v5i2.2.

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The revolution in art practices has led Malaysian artists to discover greater possibilities in art, especially in terms of media exploration. In this paper, the researchers conducted a study of hybrid art practices among the artworks of selected Malaysian artists. The research objective of this paper is to identify and trace, among the selected artworks, hybrid art practices as a way of creating hybrid artworks. The researchers applied direct observation and extracted the artists’ statements for documentation. The results show that most of the artworks applied modern technology and have an ele

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46

Papert, Artemis. "An Exploration of Artistic and Technological Symmetry." LEARNing Landscapes 11, no. 1 (January 13, 2018): 25–30. http://dx.doi.org/10.36510/learnland.v11i1.919.

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   In this interview, biologist, artist, and shiatsu healer Artemis Papert describes how computational thinking can help people organize their thoughts in a more formal way. She discusses TurtleArt, a software that allows both children and adults to create two-dimensional static art images using geometry and coding as a medium. TurtleArt not only bridges the worlds of math and art, but is also easy to learn. She concludes by reading an excerpt from the article, “Teaching Children Thinking”— written in 1971 by her father Seymour Papert—as a still relevant starting point for wh

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47

Dyrud, Marilyn A. "An Exploration of Gender Bias in Computer Clip Art." Business Communication Quarterly 60, no. 4 (December 1997): 30–51. http://dx.doi.org/10.1177/108056999706000402.

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A growing body of literature presenting the results of research regarding text book illustrations indicates that visual gender bias is obvious in several acade mic fields, including business communication. To date, however, no study has extended those observations to clip art files in popular computer programs. The current study examines over 14,000 clip art images for gender bias from six different Windows-based programs: WordPerfect Presentations, PowerPoint 4.0, Microsoft Publisher 2.0, Harvard Graphics 3.0, Power Up!, and Corel 3.0, CD-ROM. Tabulations indicate that only 4.54% of total ima

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48

Koneshov, V. N., V. B. Nepoklonov, V. V. Pogorelov, V. N. Solov’ev, and L. V. Afanas’eva. "Arctic gravity exploration: state of the art and prospects." Izvestiya, Physics of the Solid Earth 52, no. 3 (May 2016): 443–51. http://dx.doi.org/10.1134/s1069351316030058.

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49

Abbass, D. K. "Captain Cook and the Pacific: Art, Exploration & Empire." Terrae Incognitae 51, no. 1 (January 2, 2019): 104–5. http://dx.doi.org/10.1080/00822884.2019.1574073.

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50

Linesch, Debra, Hilda C. Aceves, Paul Quezada, Melissa Trochez, and Elena Zuniga. "An Art Therapy Exploration of Immigration With Latino Families." Art Therapy 29, no. 3 (September 2012): 120–26. http://dx.doi.org/10.1080/07421656.2012.701603.

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