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Tesis sobre el tema "Art, modern – 21st century – congresses"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Knezevic, Nina. "Interpreting the autobiographical archive." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.

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2

Fletcher, Lauren Jean. "Adaptive realities : effects of merging physical and virtual entities." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018557.

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In the worlds of virtual reality, whole objects and bodies are created in an immaterial manner from lines, ratios and light pixels. When objects are created in this form they can easily be manipulated, edited, multiplied and deleted. In addition, technological advances in virtual reality development result in an increased merging of physical and virtual elements, creating spaces of mixed reality. This leads to interesting consequences where the physical environment and body, in a similar vein to the virtual, also becomes increasingly easier to manipulate, distort and change. Mixed realities th
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3

van, der Walt Jonathan Petra. "Craftsmanship in contemporary art: an exposition of selected artists’ practical non-involvement." Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/21285.

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Craftsmanship in contemporary art production is the main area of focus for this visual arts based research. An exploration into the artistic production processes of selected contemporary artists’ work, reveals a tendency of physical non-involvement on the part of the artist, who takes up the role of art director. The research enquiry attempts to provide an answer as to whether credit should be given to the craftsman as well as to the artist in this artist/craftsman relationship. The use of a practice-led research strategy allows the researcher’s art-making practice to become an integral part o
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4

Williams, Court. "Sensitive skin." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28932.

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The work being considered for examination will be my gallery installation Affliction. Consisting of approximately six hundred digitally printed and hand constructed three dimensional models, it will be installed on the gallery floor as a part of the Postgraduate Degree show at Sydney College of the Arts (Tuesday December 9th through to Wednesday December 17th). My masters project explores the isolation and dislocation experienced in the urban environment and situates un-commissioned street art as a construct that potentially generates modes of plurality through immediate encounter, co
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5

Haines, David Sean. "Osmologies : towards aroma composition." Phd thesis, Sydney College of the Arts, 2012. http://hdl.handle.net/2123/14423.

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6

Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting
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7

Abdullah, Sarena. "Postmodernism in Malaysian art." Phd thesis, Department of Art History and Film Studies, 2010. http://hdl.handle.net/2123/9457.

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8

Gawronski, Alex. "No new Utopia? : the crisis of art as critique under globalisation." Phd thesis, Sydney College of the Arts, 2005. http://hdl.handle.net/2123/3967.

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9

Roche, Judith D. "The role of the artist at the beginning of the twenty-first century: An exploration of dialectical processes in art and science with particular reference to biologically based art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/1571.

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This thesis examines the role of the artist at the beginning of the twenty-first century. It focuses on the interaction between art and science in an exploration of the dialectical processes that may occur in that interaction. Researchers have recently developed techniques in stem cell technology and genetic modification that offer remarkable potential and bring possible advantages and disadvantages for scientists and the wider community. In response to these new technologies, scientists and artists have developed collaborative projects and, in some instances, artists have moved from the studi
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10

Wedderburn, Michael Roderick. "Living in the Shadow of death: purging the unconscious for the creation of a personal visual language." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/13250.

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This visual arts based research explores the autonomous process of mark-making from the unconscious for the sake of expressing inner turmoil that comes with ‘Living in the Shadow of Death series’ (2014). The manner by which emotions are, in a sense, naturally released in automatic drawing and painting underpin the basis of this research as part of the development of an expressive visual language. ‘Living in the Shadow of Death’ is definitively concerned with how an emotional predisposition, a severe case of unconscious aggression due to struggles with the illness of Marfan Syndrome comes to th
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11

Haviland, Maya. "Side by side? : practices of collaborative ethnography through creative arts." Phd thesis, Canberra, ACT : The Australian National University, 2012. http://hdl.handle.net/1885/109596.

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In this thesis I investigate collaborative ethnography through creative arts as a growing global field of practice, based on common influences from anthropology and contemporary art. I seek to understand the nature of this field and to critically examine some of the assumptions that we make as collaborative ethnography/art practitioners about our work as forms of collaboration and social change. Practices of collaborative ethnography through creative arts occur in diverse settings around the world and produce different creative forms such as books, films, photography and theatre. Despite this
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12

Heymans, Simone. "Habitual transience : orientation and disorientation within non-places." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013141.

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This mini-thesis is a supporting document to the exhibition titled via: a phenomenological site-specific series of intermedia interventions and installations at the 1820 Settlers National Monument in Grahamstown. This mini-thesis examines ways in which one negotiates the movement of the self and interactions with others within the non-place. Non-places are ‘habitually transient’ spaces for passage, communication and consumption, often viewed from highways, vehicles, hotels, petrol stations, airports and supermarkets. Characteristic of these generic and somewhat homogenous spaces is the paradox
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13

Ewin, Glenda. "Being and circumstance." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/23387.

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This thesis culminates in an exhibition resulting from the artist’s investigation of the relationship between space and time, and on perception and experience of space with connections to ‘everyday’ ideas of space. A recurring link in this paper is the process of ‘being present’ in relation to spatial viewing. The artist’s studio practice focuses on the visual changes she sees within a particular space or spaces, and how these visual changes are perceived and experienced when presented to the viewer in a photographic image. The intention is to present a photographic image to the viewer that no
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14

Willacy, Eric. "The search for "self" in a fragmented mind." Thesis, The University of Sydney, 2011. https://hdl.handle.net/2123/28928.

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The reason for making art goes beyond a desire to pictorially represent a chosen subject. The subject and the production methodology chosen to present it, are to art, what scaffolding is to a new building; a necessary means to an end, but to me at least, not an end in and of itself. I contend that when we produce art, we instil into it some aspect of ourselves, a fragment of our psyche that we cannot describe. We know it only by its presence, which can only be detected through the nature of our response to visual or other sensory stimuli. This response is characterised through the way it mak
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15

Rauber, Rogério [UNESP]. "Do bagaço da pintura às pictocartografias." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/131959.

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Made available in DSpace on 2015-12-10T14:22:47Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-30. Added 1 bitstream(s) on 2015-12-10T14:28:58Z : No. of bitstreams: 1 000852999.pdf: 42160957 bytes, checksum: 1761b105afacbaf617d9c6ea8d8a7665 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Nesta dissertação descrevo as experiências da série O Bagaço da Pintura, que procuram responder ao problema da morte da arte e investigam a linguagem pictórica em campo expandido. No ambiente acadêmico, esta pesquisa abriu uma nova vertente poética, também aqui desc
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16

Rauber, Rogério 1960. "Do bagaço da pintura às pictocartografias /." São Paulo, 2015. http://hdl.handle.net/11449/131959.

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Orientador: Rosangela da Silva Leote<br>Banca: Lucimar Bello Pereira Frange<br>Banca: José Paiani Spaniol<br>Resumo: Nesta dissertação descrevo as experiências da série O Bagaço da Pintura, que procuram responder ao problema da morte da arte e investigam a linguagem pictórica em campo expandido. No ambiente acadêmico, esta pesquisa abriu uma nova vertente poética, também aqui descrita e analisada: as Pictocartografias<br>Abstract: In this dissertation I describe the experiences of series The Bagasse of the Painting, which seek to respond to the problem of the death of art and investigate the p
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17

Dawson, Louisa Art College of Fine Arts UNSW. "Moving house: the renovation of the everyday." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43084.

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This paper describes my research project and body of work, which investigates social inequalities through the different language and functions of everyday objects. The research moves on from my previous Honours research project on the dou ble nature of caravan parks in NSW and looked at the changing demographics of these locations. I noted the increase of semi-permanent, residential 'homes' for low income earners and the unemployed, in these holiday locations. This paper examines broader social issues of homelessness and social inequalities within our society. I look at the complexities in t
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18

Andres, Kelly Jaclynn, and University of Lethbridge Faculty of Arts and Science. "Desiring machinations of Matertekhnologi." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2008, 2008. http://hdl.handle.net/10133/729.

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Desiring Machinations of Matertekhnologi is an Individualized Multidisciplinary thesis that synthesizes feminist frameworks with new media art to investigate the mediated body in relation to communications technology. The thesis illustrates contemporary, twenty-first century artists working with feminist strategies, the body, performance and technological media. Theoretical discussions are developed that imagine or suggest new forms of subjectivity that could be experienced through artistic appropriation of communicative, networked and technological media. These discussions include my studio i
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19

Albuquerque, Ricardo Bezerra de 1963. "Auké - A Ilha Invisível : pintura e dramaturgia /." São Paulo, 2017. http://hdl.handle.net/11449/151137.

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Orientador: Sergio Mauro Romagnolo<br>Banca: Lúcia Regina Vieira Romano<br>Banca: Joasé Paiani Spaniol<br>Banca: Rosa Gabriella de Castro Gonçalves<br>Banca: Alvaro Seixas<br>Resumo: O trabalho apresenta o processo de criação do texto dramatúrgico Auké - A Ilha Invisível e a produção pictórica criada especificamente para ele. O texto dramatúrgico discute os desdobramentos que a comunicação cria a partir do encontro entre personagens oriundos de mundos diferentes e os desentendimentos relacionais consequentes. O trabalho busca integrar a pintura com a dramaturgia teatral para compor uma nova si
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20

Wasserman, Minke. "'Becoming animal': motifs of hybridity and liminality in fairy tales and selected contemporary artworks." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019759.

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‘Becoming Animal’: Motifs of Hybridity and Liminality in Fairy Tales and Selected Contemporary Artworks serves as a theoretical examination of the concept of the hybrid. My research unpacks the liminal aspect of hybridity, locating the hybrid in the imaginative world of popular fairy tales, folk lore and mythology. In my accompanying MFA exhibition, Becoming(s), I explore these motifs through an installation of mixed-media sculptures which are based on the hybrid creatures that populated the fantasy world of my childhood. The written component of my MFA submission will relate directly to my pr
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21

Morelatto, Felipe 1989. "Pintura e apropriação : a ação poética na interface entre o pessoal e coletivo /." São Paulo, 2019. http://hdl.handle.net/11449/190954.

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Orientador(a): Sergio Mauro Romagnolo<br>Banca: Agnaldo Valente Germano da Silva<br>Banca: Mônica Soares Tinoco Sanovicz<br>Resumo: Esta dissertação consiste numa análise de minha produção plástica preexistente do corpo de obras realizadas no período de dois anos do curso do mestrado. Esse estudo tem como foco um aprofundamento na investigação da apropriação de imagens prontas como procedimento artístico, tema extremamente relevante para produção artística atual, pois consiste como um dos eixos que norteiam a minha produção artística, já se fazendo presente em meus primeiros estudos e trabalho
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22

Behrens, Monika Art College of Fine Arts UNSW. "Silent bang." Publisher:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/42557.

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The research project uses still life as a means of exploring current events of violence and oppression. These events are represented through juxtaposing plastic toys with organic objects. The toys include a range of popular generic toys such as army men, cowboys and Indians and toy soldiers. The organic objects were selected for their relationship to the specific event being represented. The toys and organic objects were positioned to create interesting and logical compositions. Themes of the series include opposing objects and ideas pitched against each other such as plastic/organic, perpetr
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23

Lima, Vera Ferreira 1967. "Espaços expositivos contemporâneos." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285317.

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Orientador: Mauricius Martins Farina<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T17:02:44Z (GMT). No. of bitstreams: 1 Lima_VeraFerreira_M.pdf: 17948557 bytes, checksum: 19c248c3e9867a869c23cd112712c983 (MD5) Previous issue date: 2015<br>Resumo: Esta dissertação de mestrado busca identificar a configuração ideal dos espaços expositivos contemporâneos, mais especificamente museus, para exibição das criações artísticas realizadas a partir dos anos 1950. Durante o processo investigativo constatou-se a necessidade de
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24

Garisch, Margaret Isabel. "Consuming pasts : imaging food as Identity and (post)memory in post-apartheid South Africa." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018556.

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This mini-thesis interprets the convergence of food and memory and explores dialectical processes associating food, identity and (post)memory, particularly in the context of post-apartheid South Africa. Considering works by prominent South African Artists Berni Searle and Churchill Madikida as well as my own artistic practise and usage of food as conceptual medium, this study considers the converging effects of food, identity and memory, together with the materiality of food, from a fine arts perspective, as particularly rich and developing arena for memory work
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25

Pereira, Adriana Camargo 1974. "Inhotim e sensorialidade : um estudo do corpo na arte contemporânea." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284628.

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Orientador: Maria de Fátima Morethy Couto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T11:20:26Z (GMT). No. of bitstreams: 1 Pereira_AdrianaCamargo_M.pdf: 5246882 bytes, checksum: cf0d620ec8d8535bb1019ffa7415bdf4 (MD5) Previous issue date: 2014<br>Resumo: Esta dissertação reflete sobre a necessidade de pensar, investigar e estudar o corpo na arte contemporânea. O local que se elegeu para abordar o objeto de estudo foi o Instituto Inhotim - Centro de Arte Contemporânea, que se encontra em Brumadinho - MG. O texto e
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26

Válio, Luciana Benetti Marques 1978. "Renata Lucas e os espaços públicos : intrincamento e fissura." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285212.

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Orientador: Maria José de Azevedo Marcondes<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T17:11:03Z (GMT). No. of bitstreams: 1 Valio_LucianaBenettiMarques_D.pdf: 19188044 bytes, checksum: 89dc378e5989e4e90bc9d6f5cca49e49 (MD5) Previous issue date: 2014<br>Resumo: Pretende-se na tese "Renata Lucas e os espaços públicos: intrincamento e fissura" discutir o conjunto dos trabalhos da artista que se configuram como instalações e intervenções no espaço, com ênfase nas intervenções nos espaços públicos. Parte-se das premissas
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27

Stirling, Scott. "The neo-diaspora : examining the subcultural codes of hip-hop and contemporary urban trends in the work of Kudzanai Chiurai and Robin Rhode." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002219.

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This thesis is structured around an exploration of the global phenomenon hip-hop. It considers how its far-reaching effects, as a cultural export from the United States,have influenced cultural production in South Africa. The investigation focuses specifically on the work of two visual artists: Zimbabwean born, Johannesburg-based Kudzanai Chiurai, and Cape Town born, Berlin-based Robin Rhode. The introduction familiarises the reader with the two artists and briefly outlines their histories and methods, as well as giving a short history of the development of hip-hop as a subculture from its beg
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28

Knijnenburg, Nicholas. "What are the issues that arise in the creation and presentation of a hybrid art work?" Thesis, Queensland University of Technology, 2001. https://eprints.qut.edu.au/35838/1/35838_Digitised%20Thesis.pdf.

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As a creative expression, the multi or hybrid art form is in its infancy and still battling to achieve recognition and acceptance. This thesis recognises the importance of this new form and considers the place of artistic hybridity in history to constrnct a clear definition. This definition is used as a template for the construction of a new hybrid work, called Coma Neck 8. Using a Performance as Research methodology Coma Neck 8 provides data for the exploration of issues encountered in preparing and presenting a hybrid work. The issues are categorised as the intention of the work, form, amat
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29

Barbosa, Andrea Lombardi. "Narrativas do desencontro: o MAM e as novas mídias." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20252.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-07-27T12:24:08Z No. of bitstreams: 1 Andrea Lombardi Barbosa.pdf: 9398124 bytes, checksum: 98ce7398f49a670adefc80ffe05c928b (MD5)<br>Made available in DSpace on 2017-07-27T12:24:08Z (GMT). No. of bitstreams: 1 Andrea Lombardi Barbosa.pdf: 9398124 bytes, checksum: 98ce7398f49a670adefc80ffe05c928b (MD5) Previous issue date: 2017-06-21<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Fundação São Paulo - FUNDASP<br>The present research proposes to understand the narratives between the new media and the Museu
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30

Cardoso, Silvia Helena dos Santos. "Estrada, paisagem e capim - = fotografias e relatos no Jalapão." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284439.

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Orientador: Luise Weiss<br>A biblioteca do IA acompanha 2 DVD-R<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-19T02:45:00Z (GMT). No. of bitstreams: 1 Cardoso_SilviaHelenadosSantos_D.pdf: 204143936 bytes, checksum: 8684d797a1436e3233a9c041032a67bb (MD5) Previous issue date: 2011<br>Resumo: Estrada, Paisagem e Capim - Fotografias e Relatos no Jalapão é uma pesquisa em Poética Visual constituída por viagens - como deslocamento e experiência estética - ao cerrado jalapoeiro, no interior do Estado do Tocantins. A fotografia dig
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31

Kühn, Carol. "Digital sculpture : conceptually motivated sculptural models through the application of three-dimensional computer-aided design and additive fabrication technologies." Thesis, [Bloemfontein] : Central University of Technology, Free State, 2009. http://hdl.handle.net/11462/50.

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Rios, Edna Maria 1966. "A Finitude e seus Afetos : entre sabores e falas." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285324.

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Orientador: Francisco Elinaldo Teixeira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T09:40:46Z (GMT). No. of bitstreams: 1 Rios_EdnaMaria_M.pdf: 1169066 bytes, checksum: 9f2ceefed4050cc633a6ae7802e6de8a (MD5) Previous issue date: 2015<br>Resumo: A presente dissertação, apropria-se da experiência audiovisual do dispositivo-jantar como objeto de reflexão, perpassa as seis cerimônias realizadas entre as cidades de Salvador e São Paulo, e encontra, nos rituais instalados em situação de rua, a possibilidade tanto de si
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33

"傳統的擬像: 從當代藝術的混雜性反思傳統". 2007. http://library.cuhk.edu.hk/record=b5893235.

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梁嘉賢.<br>"2007年8月".<br>論文(藝術碩士)--香港中文大學, 2007.<br>參考文獻(leaves 46-48).<br>"2007 nian 8 yue".<br>Abstract also in English.<br>Liang Jiaxian.<br>Lun wen (Yi shu shuo shi)--Xianggang Zhong wen da xue, 2007.<br>Can kao wen xian (leaves 46-48).<br>Chapter (一） --- 前言：一覺之間的疑 惑 --- p.1<br>Chapter (二） --- 知覺：傳統的定義與印 象 --- p.4<br>Chapter 2.1 --- 神聖的規範<br>Chapter 2.2 --- 印象與符號<br>Chapter (三） --- 超越真實：傳統影像的再現與接 收 --- p.8<br>Chapter 3.1 --- 眼前的傳統<br>Chapter 3.2 --- 真實以外<br>Chapter 3.3 --- 符號慣性<br>Chapter (四） --- 相遇：當代藝術形態中的混雜模 式 --- p.17<br>Chapter 4.1 --- 從二元到多元的混雜<br>Chapter 4.2 --- 文化超市<br>Chapter (五）
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34

Pereira, Ana Isabel Morais Lavrador. "The perfect paint in modern art conservation: a comparative study of 21st century vinyl emulsions." Doctoral thesis, 2015. http://hdl.handle.net/10362/16840.

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Contemporary painting places, and will continue to place, several questions about its meaning, its chemical nature, its durability and the best way to preserve it. This research aims at putting together comprehensive data on vinyl based paints, including their components, their properties, their aging behavior and their response to selected cleaning products. In this project degradation mechanisms of vinyl binders and formulations used in the 20th and 21st century were studied. Stability over time of selected vinyl polymers was assessed through natural indoor and artificially aging. The objec
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35

Cheney, Jacqueline Patricia. "The mythology of the uncanny : as theory and practice in Australian contemporary art." Phd thesis, 2012. http://hdl.handle.net/1885/150841.

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A sensation raw and primal, unwelcome yet not wholly alien but peculiarly familiar, neither a penetrating roar nor shriek from the depths but a more eerily pervasive murmuring, without being discredited as irrational but instead being elevated within academia - the mythology of the uncanny persists. This inquiry focusses on the phenomenon of the uncanny and its exemplification in the visual arts. Whilst extant literature relates uncanniness to the broader field of aesthetics, especially enlarged upon in literature, film-studies and architecture, it is a comparatively neglected topic in th
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36

Nixon, Karla. "Re- an exploration of transience in the work of selected artists." Thesis, 2017. http://hdl.handle.net/10321/2497.

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Submitted in partial fulfilment of the requirements for the Masters of Technology in Fine Art Degree, Durban University of Technology, 2017.<br>The aim of this research is to investigate the exploration of transience in the work of selected artists. This study used qualitative, practice-led research methodology. This research is practice-led as my art making plays an integral part in guiding my research. Process philosophy provides the theoretical underpinning and contextual framework for this dissertation. I focus on both contemporary artists and philosophers who explore the notion of tra
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37

Ewin, Glenda, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Being and circumstance." 2003. http://handle.uws.edu.au:8081/1959.7/23387.

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This thesis culminates in an exhibition resulting from the artist’s investigation of the relationship between space and time, and on perception and experience of space with connections to ‘everyday’ ideas of space. A recurring link in this paper is the process of ‘being present’ in relation to spatial viewing. The artist’s studio practice focuses on the visual changes she sees within a particular space or spaces, and how these visual changes are perceived and experienced when presented to the viewer in a photographic image. The intention is to present a photographic image to the viewer that no
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Vekony-Harper, Delia. "What defines a good work of art within the contemporary art word? theories, practices and institutions." Diss., 2010. http://hdl.handle.net/10500/4047.

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The dissertation explores how quality-judgments on works of art are created within the contemporary art world. The research starts with the examination of modernist art theories supported by the museum, and continues with the exploration of the impact of the art market on quality-judgments. Although the art market had already distorted the idea of quality, further contradictions and difficulties have risen within judgment-making after the 1960s due to the dematerialisation of the work of art. Art criticism should have been able to deal with this complexity, but it is demonstrated that art crit
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Coats, Elizabeth. "Organic growth and form in abstract painting." Phd thesis, 2012. http://hdl.handle.net/1885/151306.

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This doctorate explores 'Organic Growth and Form in Abstract Painting', as the focus of my studio-based research, and which has resulted in two significant series of paintings, Organica and Streaming. The accompanying exegesis addresses experiences that are realized within the studio practice, and complements the two series of paintings. In the exegesis I describe the innovative and distinctive painting processes I have developed, and explain my motivation for working this way. I cite the writing of the philosopher of science, Henri Bortoft, in particular his description of 'active' seeing, wh
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Lahy, Waratah. "Painted objects : investigating the imagery of Australian iconic culture." Phd thesis, 2007. http://hdl.handle.net/1885/149626.

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Frederick, Ursula K. "On and off the road : creative intersections between cars and art." Phd thesis, 2013. http://hdl.handle.net/1885/156072.

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Thesis: Over the past decade there has emerged a growing body of scholarship concerned with the impacts and influences of automobility. Its purpose has been to understand the dominance of the car not simply as a technology of transport but as a system of actors, materials, objects, ideas and infrastructure. While much of this research recognises the pervasive presence of the car in our lives in terms of different representational formats, relatively little consideration has been given to what creative artists might contribute to this research. Adopting an interdisciplinary framework incorporat
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Hoyne, Hanna. "Commitment, devotion and belonging in the world with particular reference to the work of two Indian contemporary artists." Phd thesis, 2009. http://hdl.handle.net/1885/150148.

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Commitment, Devotion and Belonging in the World with Reference to Indian Contemporary Art: Research into the ethical and political concerns in the work of two urban contemporary artists from Bombay/ Mumbai, Shilpa Gupta and Tushar Joag. The descriptive analysis of artworks explores the motivations evidenced in their strategic uses of audience interactivity, masquerade and social activism. The artists' quest for an ethical identity is framed in the greater theoretical context of Indian and global contemporary art. A study taking the form of an exhibition of sculpture exhibited at the ANU Bergma
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Day, Elizabeth A. "Discontinued narratives of migration and an art practice with earth." Thesis, 2011. http://handle.uws.edu.au:8081/1959.7/uws:31338.

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Based in a theory of art integrally related to earth, my art practice is a form of transplantation/transplanting. It finds its roots in Minimal Art, or better, in the transplanting of Minimal Art into the installation art form known as earthworks pioneered by the American artist Robert Smithson. Smithson’s practice ‘uprooted” Minimalism. One might say that he deterritorialised it, taking it out of the art gallery into the outside world.1 In that gesture, Smithson responded to Marcel Duchamp’s famous importation of non-art into the gallery, ostensibly turning non-art into art by the very act of
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Guth, Robert Ern-Yuan. "Engaging audiences to value and invest in participatory art practice through reciprocal and relational interactions." Phd thesis, 2012. http://hdl.handle.net/1885/151414.

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This research project examines certain forms of exchange and reciprocity in participatory art from a practitioner's perspective. It refers to aspects of Nicolas Bourriaud's Relational Aesthetics, touches on the food works of Rirkrit Tiravanija and uses practice-led research to examine audience interactions. In each research event the audience was given the opportunity to participate in some form of exchange, mostly involving food. Eight small research events and one larger work (staged in four editions) were produced. These works are examined as a means of gaining further knowledge of the stag
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Wepener, Daneille. "Conflicting conventions: space as a medium in the works of Gerhard Richter and Serge Nitegeka". Thesis, 2017. https://hdl.handle.net/10539/24581.

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A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the degree of Masters of Arts in Fine Arts (MAFA) Johannesburg, 2017<br>This dissertation aims to examine Gerhard Richter and Serge Nitegeka’s artistic practices, in order to understand and identify how artists can potentially use space as a medium and contextualise my own practice within this realm. I position the conventions and principles of space through reference to French theorists’ Henri Lefebvre, Michel de Certeau and Michel Foucault. The thesis begins with a br
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Trapani, Alex. "Bruce Nauman : the true artist is an absurd fountain." Diss., 2017. http://hdl.handle.net/10500/23276.

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Link to dataset: https://doi.org/10.25399/UnisaData.14152106.v1<br>The work of Bruce Nauman can be understood as an enquiry into the absurd. His work is a critique of art, the artist and society, and is in part viewed as a mediation of stereotypical ‘truth’. The absurd is defined and analysed to elucidate the nature of art and human behaviour by means of literary comparison, in particular of Camus, Sartre and Wittgenstein. This research focusses on Nauman’s subversive performance- based work and analyses how he simulates a particular work of Duchamp. I propose that Nauman espouses human activi
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PETRÁŠOVÁ, Jitka. "Vlakové nádraží." Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-47975.

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The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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Willemse, Emma Wilhelmina. "The phenomenon of displacement in contemporary society and its manifestation in contemporary visual art." Diss., 2010. http://hdl.handle.net/10500/4343.

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As an alternative to existing research which states that the phenomenon of displacement resists theorisation because of its complex nature, this study conducts a Phenomenological examination of the nature of displacement in which the interlinked losses in the key concepts of the consciousness of the displaced, namely Memory, Land and home and Identity, are navigated. It is shown that the current consciousness of society mimics these losses with the effect of displacement being experienced as a state of mind by contemporary society. By comparing selected artworks of artists Rachel Whiteread and
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Jirátová, Kristýna. "Samota uprostřed davu: Charles Baudelaire a umění 20. století a současnosti." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-386502.

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Alone in a Crowd: Charles Baudelaire and 20th-Century and Contemporary Art The dissertation called Alone in a Crowd explores the influence of the poet Charles Baudelaire's personality and work on 20th-century and contemporary art. Due to the field of study, the main focus is on the visual arts, but literature, music, philosophy, and film are also included to a large extent. This dissertation is divided into four substantive chapters. The first chapter, The Inner Message, introduces the poet's life, his family and acquaintances, as well as Baudelaire's poetry collection The Flowers of Evil. The
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Cloete, Zelda. "Site-specificity in The educators new clothes by Mark Rautenbach." Diss., 2019. http://hdl.handle.net/10500/27031.

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Text in English, with summaries and keywords in English, Sesotho and Afrikaans<br>This study is an enquiry into how The educator’s new clothes by Mark Rautenbach is an example of site-specific art. The aim is to demonstrate how boundaries in TENC become blurred between site-specific performance, other art forms, and every-day activities. The key concepts explored are: Rautenbach’s approach to the concept of site, the connections that develop between his performance and each site that he travels to; his use of the art gallery and viewer participation. Through literature study relevant theory i
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