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Artículos de revistas sobre el tema "Art, modern – 21st century – congresses"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Demeschenko, Violeta. "Peculiarities of genre formation in 21st century cinematography." Culturology Ideas, no. 23 (1'2023) (2023): 55–67. http://dx.doi.org/10.37627/2311-9489-23-2023-1.55-67.

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This scientific exploration is an attempt to consider the theoretical problems of genre development in modern cinema. Even today in the 21st century, modern cinematography remains one of the art forms that continues to develop dynamically. It is this development that continues to transform its genre classification rather quickly. This process occurs because the large number of modern films does not fit into the traditional genre classification and creates the need to search for new principles regarding the formation of the genre as such. The process of genre creation takes place permanently, b

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2

Chmil, Hanna, Victor Sydorenko, Olena Berehova, Maryna Mishchenko, and Nataliia Zhukova. "Artistic Paradigms in The 21st Century: The Variability of Human Choice." Herança 7, no. 2 (2024): 69–81. http://dx.doi.org/10.52152/heranca.v7i2.832.

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The relevance is that modern art is a field that requires the analysis of all creative processes because in its context there are continuous updates and changes in priorities. These transformations call for research on creativity and the creator, who expresses his position through an artistic interpretation of reality or imagination. The purpose of the article the modern cultural space, the nature of the interaction between the artist and the audience, and the significance of the creator, whose activity no longer serves to satisfy purely aesthetic needs, but is accompanied by the emergence of

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3

Vahabova, D. "ON CERTAIN PROPERTIES OF THE AZERBAIJANI FINE ARTS OF THE 21ST CENTURY." Sciences of Europe, no. 137 (March 26, 2024): 4–8. https://doi.org/10.5281/zenodo.10874468.

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D.Vahabova’s article “On certain properties of the Azerbaijani fine arts of the 21<sup>st</sup> century” is devoted to the problems of forming and development of conceptual art in Azerbaijan. Besides the description of concrete facts concerning the Azerbaijan art of the current period the author contemplates upon the nature of the conceptual art development as a whole as well as the aesthetical problems in modern creativity and role of art in life of the modern society. The author’s initial position is in idea of élite and autonomous character of art as a self-su

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4

Tsuhorka, Oleksandr. "Modern Ukrainian Icon Painting Trends." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 228–33. https://doi.org/10.31866/2410-1176.40.2019.172708.

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The purpose of the article is to determine the prospects for the development of Ukrainian icon painting of the 21st century in the context of the revival of national sacred art. Methodology of the research. The historical-comparative method was used to study the dynamics of development of the Ukrainian Baroque style; the method of stylistic art history analysis - to determine the features of technical and technological methods and pictorial stylistics in the works of modern Ukrainian icon painters; the typological and system-structural methods - to identify the individual style features of bar

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5

Chekalina, Olga Dmitrievna. "Relevance of higher art education in the 21st century." Uchenyy Sovet (Academic Council), no. 6 (May 19, 2025): 340–43. https://doi.org/10.33920/nik-02-2506-02.

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The relevance of higher art education in the context of the modern pace of life and the use of computer technology is considered. Higher education is often called a ticket to a better life: in the public consciousness it is associated with a higher salary and recognition in society. However, the price of education and the time it takes make one wonder whether it is worth the effort. The article shows that this position is not correct, and higher education remains relevant and necessary.

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6

Ye, Ping, Liu Qi Wu, and Duo Wang. "Landscape City: The Ideal Direction of Cities Development of 21st Century in China." Advanced Materials Research 243-249 (May 2011): 6660–63. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.6660.

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Landscape city is a new concept of city construction which is proposed by Chinese famous scientist Qian Xuesen.It contains many factors such as garden、culture、art 、technology . Landscape city covers the western modern urban theory, and at the same time Chinese culture connotation, it stands for 21st century Chinese socialist urban development ideal direction. In the early of 1990s, one of the famous scientists of China, Professor Qian Xuesen proposed the concept of landscape city, and it embodies Qian’s deeply expectation that the cities in the 21st century are landscape cities. What is the la

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7

Pulatov, Dilmurod Saymamutovich Ubaydullaev Makhmudjon Akhmadjonovich. "FORMATION OF NEW CREATIVE DIRECTIONS IN MODERN FINE ART OF UZBEKISTAN." SOLUTION OF SOCIAL PROBLEMS IN MANAGEMENT AND ECONOMY 2, no. 2 (2023): 34–39. https://doi.org/10.5281/zenodo.7623742.

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This article provides detailed information about the formation of new creative directions in modern fine art in the 21st century, the processes of mastering the modern principles of painting by artists, and the processes of the development of new directions in sculpture.

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8

GAO, Xiaotian. "WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.

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The article deals with a non-canonical art practice in modern Chinese fine art, mural painting of public spaces. The actualization of the above-mentioned problem is caused by the appearance of changes and supplements to the morphological system of Chinese fine art: Chinese state has opened up to the world, dynamic urbanization has begun, the attitude of the society to public spaces and the tasks of mural painting in their visualization have changed. The purpose of the article is to understand the place of modern wall painting in the non-canonical structure of fine art in China at the beginning

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9

Sadovenko, Svitlana, and Oleg Zaitsev. "Historiography of the study of theatrical and decorative art in the theatrical culture of Transcarpathia in the 20th – first quarter of the 21st century." Almanac "Culture and Contemporaneity" 26, no. 1 (2024): 31–39. http://dx.doi.org/10.63009/cac/1.2024.31.

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The purpose of the study is to review and systematise the source base of research on theatrical and decorative art, to consider the dynamics of the latter in the theatrical culture of Transcarpathia in the 20th and first quarter of the 21st century. The research methodology is based on the cultural-historical method. The article reveals for the first time the historiography of cultural studies of theatrical and decorative art, summarises, systematises and periodises sources that deepen the understanding of theatrical and decorative art of the theatrical culture of Transcarpathia in the period

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10

Sadovenko, Svitlana, and Oleg Zaitsev. "Historiography of the study of theatrical and decorative art in the theatrical culture of Transcarpathia in the 20th – first quarter of the 21st century." Scientific journal “Library Science Record Studies Informology” 26, no. 1 (2024): 31–39. http://dx.doi.org/10.63009/ac/1.2024.31.

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The purpose of the study is to review and systematise the source base of research on theatrical and decorative art, to consider the dynamics of the latter in the theatrical culture of Transcarpathia in the 20th and first quarter of the 21st century. The research methodology is based on the cultural-historical method. The article reveals for the first time the historiography of cultural studies of theatrical and decorative art, summarises, systematises and periodises sources that deepen the understanding of theatrical and decorative art of the theatrical culture of Transcarpathia in the period

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11

Demeschenko, Violeta. "Features of genre formation in film art of the 21st century." Interdisciplinary Cultural and Humanities Review 2, no. 2 (2023): 11–19. http://dx.doi.org/10.59214/2786-7110-2023-2-2-11-19.

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The relevance of the study lies in rethinking the specifics of existing film genres, the processes of their transformation in the cinema of the 21st century. Objective of the study is to recreate the logic of the formation of a modern genre system that includes new hybrid forms. The following methods are used: structural-system, general scientific methods of theoretical research (analysis, synthesis, induction, deduction, generalisation, classification, etc.). The features of the formation of modern film genres were examined. It is established how new hybrid genres are formed, and the features

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12

Vazhynskyi, Serhii. "Forming the Image of Ukrainian Theater in the 21st century." Current Issues of Mass Communication, no. 36 (2024): 12–20. https://doi.org/10.17721/cimc.2024.36.12-20.

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The article examines the process of forming the contemporary Ukrainian theater’s image in the twenty-first century. The author analyzes the key aspects that influence the creation and establishment of the theater’s image in the contemporary cultural context. The main thematic areas include theatrical experimentation, the use of modern technologies in productions, interaction with the audience, and the role of theater in shaping public consciousness. The article aims to reveal the unique features of contemporary Ukrainian theater and its impact on the cultural image of Ukraine in the twenty-fir

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13

Kostenko, Nataliia. "PEDAGOGICAL TRADITIONS OF DOMRA PERFORMANCE INKHARKIV IN THE 21ST CENTURY." Aspects of Historical Musicology 22, no. 22 (2021): 27–50. http://dx.doi.org/10.34064/khnum2-22.02.

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An essay on the modern history related to the domra has been offered in the light of the jubilee event – the 95th anniversary of the Department of Folk Instruments of Ukraine of Kharkiv National University of Arts named after I. P. Kotlyarevsky. The aim of the research is to assess the current state of the domra art in Kharkiv on the basis of systematization of scholarly and methodological materials. Among the tasks of the research there is a description of the activities of modern teachers-domrists, who represent the Kharkiv Domra School; to systematize historical periods and provide a genera

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14

Sultanova, Gulizar Ahmedovna. "WAYS OF SEARCHING FOR A MODERN THEME IN THE THEATRICAL ART OF DAGESTAN." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 26 (June 4, 2021): 77–82. http://dx.doi.org/10.31029/vestiyali26/11.

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The article deals with the search for a modern theme and images in the drama and theater of the early 21st century both on the scale of the Russian theater and in the Dagestan drama. On specific examples from the practice of creative activity of the theaters of the republic for two decades of the XXI century, ways and means of solving the problem are identified.

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15

Till, Geoffrey. "21st Century Ellis: Operational art and strategic prophecy for the modern era; 21st Century Sims: Innovation, education, and leadership for the modern era." Mariner's Mirror 101, no. 4 (2015): 491–92. http://dx.doi.org/10.1080/00253359.2015.1097234.

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16

Khatuna Kerashvili, Khatuna Kerashvili. "Educational Leader’s Management Style of 21st Century Education Management." Economics 107, no. 1-2 (2025): 79–82. https://doi.org/10.36962/ecs107/1-2/2025-79.

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The art of leadership and qualities of management are the necessary conditions on which the success of any institution depends, be it the private or public sector. This is why the development of management as a science is becoming more and more priority. As civilization progresses, the 21st century offers new challenges that make it necessary to study the qualities of the modern leader who influence successful governance. These qualities, of course, must correspond to their functions and duties. The scientific approach to education management in Georgia is relatively new, so leadership is also

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17

Umarova, Zarrina. "Characteristics of development of Tajik jewelry art at the turn of the 21st century." SHS Web of Conferences 50 (2018): 01226. http://dx.doi.org/10.1051/shsconf/20185001226.

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The paper identifies and analyzes the characteristic features of the development of Tajikjewelry art in the late 20th - early 21st centuries. The author believes that at this time, after a long period of oblivion, there is a marked way to restoration of many lost and nearly forgotten folk traditions in Tajik jewelry art. This period of time can be distinguished as a transitional period in the history of Tajik jewelry art development. This issue carries a significant value in the history of Tajikistan because the jewelry art in the period from the 80ies ofthe 20th century to the early 20th cent

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18

Tulqinovna, Samadova Ezoza. "Modern Forms of Diplomacy." American Journal Of Social Sciences And Humanity Research 5, no. 4 (2025): 136–39. https://doi.org/10.37547/ajsshr/volume05issue04-32.

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Diplomacy, as the art and practice of conducting negotiations and maintaining relations between states, has undergone significant transformation in the 21st century. The emergence of new technologies, global challenges, and shifting power dynamics have given rise to modern forms of diplomacy, including digital diplomacy, public diplomacy, economic diplomacy, and multilateral diplomacy. This article explores these contemporary forms, their characteristics, and their implications for international relations. By analyzing the interplay between traditional diplomatic practices and modern innovatio

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19

Mamadjanova, Elnora. "Musical Art of Uzbekistan in the 21st Century: Globalization and Preservation of Identity." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 10 (December 7, 2022): 57–60. http://dx.doi.org/10.30819/aemr.10-7.

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This article discusses meaning of era of globalization, new definitions, and concepts. Rapid changes and transformation music heritage and genres of traditional music in modern projects can lead to ineradicable consequences in future. What is the uniqueness of the musical art of Uzbekistan, and what changes should be expected in the new era? This article focuses on changes in music education, performing art in pandemic period, and its positive and negative consequences.

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20

Buychik, Alexander, and Anisiia Tomanek. "The influence of postmodernism on the evolution of art in the 21st century." European Scientific e-Journal 4, no. 4 (2020): 43–53. https://doi.org/10.47451/art2020-12-005.

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In the modern world, a person is surrounded by an endless stream of data, which is often difficult to control. However, whether explicitly or implicitly, this flow has an impact on us: through advertising images, products in stores, the Internet and television. So, this leaves a huge imprint on our worldview and perception of the world not only at the everyday level but also at the level of perception of modern art. The article provides a comparative analysis of the influence of postmodernism ideas and philosophy on the transformation of the 21st century art from the point of view of the forma

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21

Kruglova, Marina G. "Methodical Approach to Research of Musical Pedagogy History." Uchenye Zapiski RGSU 20, no. 2 (2021): 113–20. http://dx.doi.org/10.17922/2071-5323-2021-20-2-113-120.

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The arsenal of methodology of history and theory of musical pedagogy in Russian science of the beginning of the 21st century is actively expanding due to concepts and approaches from the field of philosophy, aesthetics, cultural studies, psychology, sociology and art science in general. Music pedagogy today is studied on the basis of sociocultural, axiological, semiotic, civilizational, paradigmic, intonational, hermeneutic and dialogical methods considered in the article. The fundamental principles of these methods are determined, due not only to the connection between musical art and pedagog

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22

Bussey, Peter J. "Einstein for the 21st century. His legacy in science, art and modern culture." Contemporary Physics 60, no. 1 (2019): 96–97. http://dx.doi.org/10.1080/00107514.2019.1606045.

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23

Havrylash, Ilona. "Mural Art in the Context of the Mass Culture of the 21st Century." Issues in Cultural Studies, no. 34 (December 7, 2018): 133–42. https://doi.org/10.31866/2410-1311.34.2018.154059.

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The purpose of the article is to dentify the specifics and trends of mural art in the context of the mass culture of the 21st century. The research methodology consisted in the set of the following general scientific methods of knowledge: analytical, source study and historical (for processing scientific literature, reference materials and identifying the features of formation of mural art) and cultural approaches: typological (to identify the characteristic features of mural art) and evolutionary methods (to determine the specifics of the development of mural art in the context

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24

Kuklinskaya, M. Ya. "Opera and “Director’s” Theatre of the 21st Century." Observatory of Culture 15, no. 3 (2018): 272–81. http://dx.doi.org/10.25281/2072-3156-2018-15-3-272-281.

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The article raises the issues of interaction between modern direction and the musical text of opera. Researches of foreign and domestic scientists in the fi eld of theatre studies and musicology allow analyzing a musical performance as an independent text, in which there is an interchange between different types of art. The author focuses on the opera as a dialogue between music and theater. The author proposes three main forms of the dialogue for consideration: the director and the composer, the director and the viewer, the director and the actor. The article expresses the opinion that, in th

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25

Ajimuda, Olufunsho Stephen, and Olusegun Aminu. "Art for art’s sake: death of the author in the 21st century?" Kampala International University Interdisciplinary Journal of Humanities and Social Sciences 1, no. 2 (2020): 68–78. http://dx.doi.org/10.59568/kijhus-2020-1-2-05.

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The poetics of modern literature can be divided into two broad spectra - the linguistic and the extra-linguistic principles. According to Abrams (1973:4), whatever the language of all critical theories, they discriminate four elements in the total situation of a work of art. These four elements are: the mimetic theory, the pragmatic theory, the expressive theory and the objective theory. Since the advent of the Objective theory in the 19th century, exponents of this school regard art as non-didactic, that is, one whose end-purpose or intention is within itself and not dependent upon the achiev

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26

Kosytska, Zinaida. "The works of ukrainian and lithuanian masters of the paper cutting art pieces of the 20th – early 21st centuries. Comparative analysis." InterConf, no. 46(205) (June 19, 2024): 214–23. http://dx.doi.org/10.51582/interconf.19-20.06.2024.023.

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A brief retrospective review of the development of art in Ukraine and Lithuania from the late 19th to the early 21st century is submitted in the article. A comparative analysis of the works of modern Ukrainian and Lithuanian artists, working in the technique of paper cutting, is carried out. The common features and distinctive artistic peculiarities typical for the paper cutting art pieces of Ukrainian and Lithuanian masters are described.

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27

Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.

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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which in

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28

CHОNG, Dingye. "GENRE-PLOT TYPOLOGY OF INTERIOR DECORATIVE PAINTING IN CHINESE PAINTING OF THE BEGINNING OF THE 21ST CENTURY." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 96–105. http://dx.doi.org/10.33625/hudprom2023.02.096.

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The article is devoted to Chinese decorative painting of the beginning of the 21st century. The purpose of the article is the genre-plot typology of the interior decorative painting in Chinese painting of the beginning of the 21st century. It is indicated that the actualization of the problem of the development of interior decorative painting was due to the dynamic urbanization of China, the improvement of the living conditions of ordinary citizens of the country since the beginning of the 21st century. The author examines the state of Chinese and foreign scientific discourse on the mentioned

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29

Pyrozhkov, Serhii, and Nazip Khamitov. "Ukraine in the 21st Century: Strengthening Civilisational Agency." Diplomatic Ukraine, no. XXI (2020): 595–604. http://dx.doi.org/10.37837/2707-7683-2020-28.

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The article addresses the issue of Ukraine’s civilisational agency in the modern world. The authors state that a civilisational destiny of a state is determined by geopolitical actors claiming a superpower status, the state’s own choice, people’s will, its political and intellectual elite. Then, a state becomes a unit of international relations and law, world geopolitics, science, art; a civilisational actor of history, the present, and the future. Ukraine strives to become such an actor, have its civilisational project, and implement it. Our country is located between the Euro-Atlantic and Eu

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30

Yueyue, Xie. "Watercolor in St. Petersburg, St.Petersburg in watercolor: main trends in the first quarter of the 21st century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 12-1 (2022): 262–67. http://dx.doi.org/10.31166/voprosyistorii202212statyi40.

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The article is devoted to the understanding of St. Petersburg as a unique space, which is not only the object of refl ection of many modern watercolor artists, but also plays an important role in the development of this area of fi ne art. Based on the analysis of a number of St. Petersburg watercolor painting projects of the fi rst quarter of the 21st century, scientifi c articles and reviews on certain projects or the works of watercolorists, the article discusses the phenomenon of the St. Petersburg school of watercolor painting in the context of Russian artistic culture in the fi rst quarte

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31

Dodonova, Svetlana Gennadievna. "Possibilities of the XXI century music art in the spiritual formation of the youth audience." Culture. Art. Education, no. 2 (January 23, 2023): 66–74. http://dx.doi.org/10.37816/2949-1762-2023-1-1-66-74.

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The article considers the problem of sovereignty of modern domestic culture, which has a great influence on the spiritual formation of young people. As a result, there is a growing need for contemporary art that can adequately respond to changes in public consciousness while retaining its individuality and independence. This has determined the purpose of the work – to show the new possibilities of modern musical art and its authors, whose activities are aimed at attracting and supporting greater attention and interest of young people to the spiritual and creative environment of the 21st centur

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32

Cui, Yingying. "The Aesthetic Education Value of Thematic Art Creation." Journal of Contemporary Educational Research 5, no. 12 (2021): 147–50. http://dx.doi.org/10.26689/jcer.v5i12.2847.

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Thematic art creation is a product of a complex social, historical, and cultural context, and it fills an important position in the development of modern and contemporary Chinese art history. Since the 21st century, with the introduction and implementation of a series of national major thematic art creation projects, thematic art creation has gradually moved from a marginal position in art history to a core area, becoming a visual narrative method with independent aesthetic value. Moving towards cultural consciousness and carrying cultural self-confidence, thematic art creation requires the gu

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33

Volobuev, A., T. Romanchuk, N. Romanchuk, and S. Bulgakova. "Science of Cognitive Brain and Quantum Biophysics Homo sapiens 21st Century: hybrid Neuroimaging and Nuclear medicine, 5P Medicine and 5G Technology, Neurobiology and Neurophysiology of Quantum Brains, Psychoanalysis, Art-Medicine, Bioelementology and Nutriciology." Bulletin of Science and Practice 10, no. 6 (2024): 161–94. http://dx.doi.org/10.33619/2414-2948/103/23.

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New discoveries in the field of genetics and epigenetics, the scientific union of neurobiology and neurophysiology of the quantum brain Homo sapiens of the 21st century, the achievements of biophysics, hybrid neuroimaging and nuclear medicine, the introduction of nutritionology and bioelementology technologies, the 5P of Medicine and 5G Technology, the replication of compliance of art medicine and modern psychoanalysis made it possible to manage 21st century Human cognitive brain. Scientific progress and 33 years of experimental experience of biophysics in the field of neurogeriatrics and neur

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34

Stolyarova, Elena G., and Andrey Ev Berezin. "Aesthetic principles of expressionism in modern architecture." Urban construction and architecture 14, no. 1 (2024): 150–56. http://dx.doi.org/10.17673/vestnik.2024.01.17.

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The purpose of the article is to study the aesthetic principles of expressionism that influenced the development of modern architecture. An analysis of the concepts and means of artistic expression of the direction under study is proposed. The conditions for the emergence and formation of expressionism, its artistic methods of expression from conventionally realistic to abstract, as well as the manifestation of this direction of art in architectural design are considered. A brief analysis of the connection between expressionism and other parallel trends or movements of art of the twentieth cen

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35

YARMAK, V. I. "TETYANA BORYSIVNA LUKINOVA — A NOTED UKRAINIAN SLAVIST." Movoznavstvo 327, no. 6 (2022): 34–47. http://dx.doi.org/10.33190/0027-2833-327-2022-6-003.

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The article describes the life path and stages of scientific growth of T. B. Lukinova as a linguist, as well as her contribution to the development of modern Ukrainian linguistics. The range of scientific interests of the researcher has been analyzed: problems of Slavic vocabulary and word formation, issues of comparative and historical Slavic linguistics, historical typology of the Slavic languages, etymology, reconstruction of the spiritual culture of ancient Slavs based on the vocabulary of Slavic languages, etc. Special attention is paid to the most significant achievements of T. B. Lukino

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36

Kravchenko, Marta. "Artistic peculiarities of jewellery in Ukraine at the beginning of the 21st century. Concepts of morphogenesis." Text and Image: Essential Problems in Art History, no. 1 (2019): 77–89. http://dx.doi.org/10.17721/2519-4801.2019.1.05.

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The article reveals the tendencies in development of contemporary art jewelry in Ukraine in 2000-2015. The feature of jewelry art of the last third of XX - beginning of XXI century in Ukraine is a parallel activity of three generations of artists, which apply to different materials, imaginative solutions in decorations. During 2000-2015, modern Ukrainian decorative applied art reached a new level, there was a galaxy of young artists who interpret a new jewelry and possess strong position in the European artistic space. Alternative or avant-garde thinking was closer to the young generation of j

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37

Abdurakhmanova, Farangiz Naimjon kizi. "THEORETICAL FOUNDATIONS OF THE ART OF CONDUCTING AND MODERN APPROACHES." European International Journal of Pedagogics 5, no. 6 (2025): 5–10. https://doi.org/10.5281/zenodo.15610124.

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This article analyzes the theoretical foundations of the art of conducting, its stages of formation, and its significance in modern musical education and performance. Aspects such as the main methodological approaches to conducting, the culture of working with a score, and methods of creative communication with the orchestra are covered on a scientific basis. At the same time, new approaches emerging in conducting with the development of musical technologies in the 21st century - the use of multimedia resources, digital scores, online ensemble management, and interactive teaching methods - are

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Dyadyk, Natalia. "Art of the second half of XX — early XXI centuries as visual philosophy." Socium i vlast 4 (2021): 95–106. http://dx.doi.org/10.22394/1996-0522-2021-1-95-106.

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Introduction. The article is focused on studying the area of intersection of contemporary art and philosophy, it is a continuation of the research project on conceptual art and its intersection with philosophy, which we started earlier. By conceptual art, we mean art aimed at intellectual comprehension of what has been seen, art that appeals to thinking and generates philosophical meanings. But if earlier we explored conceptual cinema and mainly visual art of the early 20th century, then in this article we want to turn to the visual art of the second half of the 20th century — the beginning of

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Fishel, Simon, Anna-Katerina Hadjantonakis, Berenika Plusa, et al. "Breakthroughs and challenges of modern developmental biology and reproductive medicine." International Journal of Developmental Biology 63, no. 3-4-5 (2019): 77–82. http://dx.doi.org/10.1387/ijdb.180398aa.

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In recent decades we have witnessed unprecedented progress in the field of the developmental biology of mammals. Building on 20th century discoveries, we have managed to increase our understanding of the molecular and cellular mechanisms governing early mammalian embryogenesis and link them to other biological questions, such as stem cells, regeneration, cancer, or tissue and organ formation. Consequently, it has also led to a creation of a completely new branch of reproductive medicine, i.e. assisted reproductive technology (ART). In this Special Issue of The International Journal of Developm

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Gulyás, Gusztáv, Zoltán Mátrai, Csaba Kunos, Pál Pesthy, Zoltán Doleviczényi, and Miklós Kásler. "Modern breast surgery." Orvosi Hetilap 153, no. 1 (2012): 31–38. http://dx.doi.org/10.1556/oh.2012.29255.

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Today, as a result of the complex and coordinated medical treatment of breast malignancies the long-term survival rate reaches 80%. Modern breast surgery plays a prominent role in the multidisciplinary treatment of breast tumors. Breast surgery in the 21st century simultaneously performs medical and aesthetic procedures on the same organ. Modern day breast surgery is founded on a complex view of breast malignancies, multidisciplinary cooperation, oncoplastic practice, and selecting the optimal surgery techniques, based on state of the art tools and a detailed treatment plan. Authors present th

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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 1 (2019): 82–98. http://dx.doi.org/10.17816/vgik11182-98.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x

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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 102–15. http://dx.doi.org/10.17816/vgik112102-115.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x

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Khrenov, Nikolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 3 (2019): 94–106. http://dx.doi.org/10.17816/vgik11394-106.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x

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Khrenov, Nikolay. "Modern Art History As a Human Science in a Situation of Cultural Turn." Journal of Flm Arts and Film Studies 11, no. 4 (2019): 98–113. http://dx.doi.org/10.17816/vgik11498-113.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts selfprotection against deviations from the established methodology.&#x0

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Plakhotnyuk, Oleksandr. "PERCEPTION OF THE WORLD OF JAZZ DANCE IN THE ARTISTIC SPACE OF THE 20TH CENTURY." Baltic Journal of Legal and Social Sciences, no. 2 (October 26, 2022): 157–62. http://dx.doi.org/10.30525/2592-8813-2022-2-26.

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In the provisions of the scientific article, the author substantiates the worldview and philosophical perception of jazz dance in the cultural and artistic space of the historical period of the 20th century – early 21st century in the context of the development of modern choreographic art. As a result of the study, an expansion of ideas about the philosophy of choreographic art is formed, which is reflected in the formation of the perception of modern dance in modern science. Also, in defining the worldview of jazz dance in the artistic space, which manifests itself at all stages of its develo

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Orna, Mary Virginia, and Marco Fontani. "The Modernity of Ancient Pigments: A Historical Approach." Colorants 1, no. 3 (2022): 307–46. http://dx.doi.org/10.3390/colorants1030019.

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Naturally occurring and synthetic ancient pigments have a history of use spanning thousands of years. Curiously, some of their newly discovered properties make them excellent candidates for semiconductors, anticounterfeiting agents and so much more. In this paper, we will review their ancient roots in art and modern emergence as 21st century workhorses. You can never judge a pigment by its color alone!

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PODOLSKAYA, KSENYA S. "YSTEM-STRUCTURAL ANALYSIS OF CONTEMPORARY INTERACTIVE SCULPTURE." Университетский научный журнал, no. 83 (December 29, 2024): 156–60. https://doi.org/10.25807/22225064_2024_83_156.

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The article is devoted to the features of the application of system-structural analysis in works of modern interactive sculpture. Changes in approaches to the creation of sculptural objects in the second half of the 20th century and early 21st century, the use of new materials, the development of methods of communication of the work with the surrounding space and the recipient led to the actualisation of the issues of the methodology of studying works of modern art. The article reveals the advantages of system-structural analysis in the study of interactive sculpture. It is noted that the use

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Niroumand, Hamed, M. F. M. Zain, and Maslina Jamil. "Modern Architecture in the 21^st Century." Advanced Materials Research 457-458 (January 2012): 403–6. http://dx.doi.org/10.4028/www.scientific.net/amr.457-458.403.

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This paper presents the modern architecture in the current century. Modern architecture is a new architectural style that emerged in many countries in the decade after World War I. It was based on the “rational” use of modern materials, the principles of functionalist planning, and the rejection of historical precedent and ornament. Modern architecture was adopted by many influential architects and an architectural educator, gained popularity after the Second World War, and continues as a dominant architectural style for institutional and corporate buildings in the 21st century. According to t

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Perfilieva, I. Yu. "Architectural Motifs in Jewellery Art of the 20th — the First Quarter of the 21st Century." Art & Culture Studies, no. 4 (December 2023): 310–43. http://dx.doi.org/10.51678/2226-0072-2023-4-310-343.

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Throughout the history of jewellery, craftspeople have appealed to architectural motifs in the composition of church utensils or jewellery. In different historical periods, this process developed in accordance with the aesthetic requirements of the time, the peculiarities of the artistic and stylistic development of art in general and jewellery in particular. As a result, a number of certain artistic techniques have been formed; they were used by masters in past eras and are used by modern artists and jewellers, as well as architects and designers working in this field of decorative art. This

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Kandalova, Alla, and Anna Adonina. "Techno-utopian ideal of El Lisitsky." Innovative Project 8, no. 14 (2024): 6–9. http://dx.doi.org/10.17673/ip.2023.8.14.1.

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The article is devoted to the creativity and development of architectural theory developed by El Lissitzky. At the beginning of the 20th century, artists who realized the idea of the avant-garde predicted the development of a special spatial atmosphere that would be formed due to the latest achievements of science, technology and art. The article examines works of architecture and art, as well as philosophical works concerning the process of development of the techno-utopian ideal of spaces. El Lissitzky, noting the outstanding importance of technical means for modern architecture and art, for

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