Bibliografías temáticas / Arts and crafts movement

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Literatura académica sobre el tema "Arts and crafts movement"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Arts and crafts movement"

1

Whyte, W. "The Arts and Crafts Movement." English Historical Review CXXIII, no. 501 (2008): 486–88. http://dx.doi.org/10.1093/ehr/cen025.

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Filippov, Vasily D. "Arts & crafts in architecture." Urban construction and architecture 11, no. 4 (2021): 113–24. http://dx.doi.org/10.17673/vestnik.2021.04.14.

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In the middle of the 19th century, the Arts and Crafts movement emerged in England. The development of the movement in England, USA, Germany is described. The influence of the ideas of the novel News from Nowhere by William Morris on the emergence of the idea of a garden city by Ebenezer Howard and on the preservation of the historical heritage of cities is shown. Describes the influence of Peter White on the emergence of Arts and Crafts in the United States, on the formation of the Chicago School, as well as the worlds first manifestation of modern in the architecture of Louis Sullivan. Shows
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Brett, David, and Paul Larmour. "The Arts and Crafts Movement in Ireland." Circa, no. 63 (1993): 61. http://dx.doi.org/10.2307/25557763.

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Crawford, Alan. "Inspiring Reform: Boston's Arts and Crafts Movement. Exhibition.Inspiring Reform: Boston's Arts and Crafts Movement. [Catalogue]. Marilee Boyd Meyer." Archives of American Art Journal 37, no. 3/4 (1997): 28–31. http://dx.doi.org/10.1086/aaa.37.3_4.1557878.

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Amos, Johanna. "Meaning and ‘Material Reality’: Jane Morris’ Keepsake Books." Journal of Design History 33, no. 2 (2019): 107–22. http://dx.doi.org/10.1093/jdh/epz052.

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Abstract Though long overshadowed by her socialist–designer husband, Jane Burden Morris, wife of arts and crafts pioneer William Morris, has begun to receive recognition for her contributions to the alternative art movements of the nineteenth century, including her work as a Pre-Raphaelite model and arts and crafts embroiderer. This article furthers this exploration by examining Jane Morris’ engagement with the book arts. Through an analysis of the textual, visual and material qualities of four keepsake volumes Morris made c.1880, this article considers how the books illuminate Morris’ materia
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Stankiewicz, Mary Ann. "From the Aesthetic Movement to the Arts and Crafts Movement." Studies in Art Education 33, no. 3 (1992): 165. http://dx.doi.org/10.2307/1320898.

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Freeman, Meghan. "NEWCOMB COLLEGE POTTERY, ARTS AND CRAFTS, AND THE NEW SOUTH." Journal of the Gilded Age and Progressive Era 17, no. 1 (2018): 121–44. http://dx.doi.org/10.1017/s1537781417000573.

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In the history of the American Arts and Crafts Movement, New Orleans's Newcomb College Pottery (founded in 1894) is often singled out as distinctive by virtue of its genesis as an experimental educational venture, all the more remarkable for emerging out of a small women's college located in the Deep South. Scholarship on NCP frequently rehearses the regionalist character of its diverse handicrafts and its adherence to the central tenets of Arts and Crafts. This article explores how Newcomb College Pottery was neither so strictly regionalist nor so pure an embodiment of the Arts and Crafts spi
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Anscombe, Isabelle. "An Outpost of the Arts and Crafts Movement." Journal of Decorative and Propaganda Arts 8 (1988): 80. http://dx.doi.org/10.2307/1503971.

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Bowe, N. G. "The Arts and Crafts Movement in Central Europe." Journal of Design History 18, no. 4 (2005): 399–401. http://dx.doi.org/10.1093/jdh/epi061.

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Danahay, Martin. "The Arts and Crafts Movement, Steampunk, and Community." Victorian Review 41, no. 1 (2016): 40–46. http://dx.doi.org/10.1353/vcr.2016.0008.

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Tesis sobre el tema "Arts and crafts movement"

1

Sprague, Abbie Noel. "The craftsman painters of the arts and crafts movement." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.

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Wright, Christopher Wellman. "The Arts and Crafts aesthetic in a contemporary setting /." Online version of thesis, 1988. http://hdl.handle.net/1850/11547.

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Denney, Matthew John. "Arts and Crafts furniture and vernacular furniture." Thesis, Bucks New University, 1997. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714467.

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Hitchmough, Ruth Wendy. "Studies in the symbolism and spirituality of the arts and crafts movement." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340859.

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Machenheimer, Cassandra Elizabeth. "An American "Bookbuilder": An Examination of Loyd Haberly and the Transatlantic Arts and Crafts Movement." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556243824913042.

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Quinn, Natalie. "The "Crafting" of Austen: Handicraft, Arts and Crafts, and the Reception of Austen during the Victorian Period." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2942.

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This thesis addresses the significant but often overlooked relationship between Jane Austen's works and the body of criticism about them and the two major craft movements of the nineteenth century: the Handicraft Movement and the Arts and Crafts Movement. The connections occur at two important moments during that century—first, at the moment of Austen's career during the Regency/Romantic period, and second, at the Victorian moment of the years surrounding the 1869 publication of James Edward Austen-Leigh's Memoir about Austen. In both of these moments, critics and reviewers repeatedly respond
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Roberts, Rosalie. "Crafting Radical Fictions: Late-Nineteenth Century American Literary Regionalism and Arts and Crafts Ideals." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19668.

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This dissertation demonstrates that Sarah Orne Jewett’s The Country of the Pointed Firs (1896), Mary Hunter Austin’s The Land of Little Rain (1906), Kate Chopin’s The Awakening (1899), and Mary Wilkins Freemans The Portion of Labor (1903) exemplify the radical politics and aesthetics that late nineteenth-century literary regionalism shares with the Arts and Crafts Movement. Despite considerable feminist critical accomplishments, scholarship on regionalism has yet to relate its rural folkways, feminine aesthetics, and anti-urban stance to similar ideals in the Arts and Crafts Movement. Jewett,
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Ibbotson, Verity Rose. "Collaboration and the Arts and Crafts Movement : the Art Workers' Guild, the Arts and Crafts Exhibition Society, the Quarto Imperial Club, and related group endeavour in Boston and Chicago." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577638.

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Rubinson, Claude. "The Production of Style: Aesthetic and Ideological Diversity in the Arts and Crafts Movement, 1875--1914." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194514.

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What explains the aesthetic diversity of the Arts and Crafts movement? Typically, artistic movements are characterized by a single style but the Arts and Crafts produced both organic and geometric forms. Examining two Arts and Crafts retrospective exhibitions, I find that organic aesthetics predominated in Great Britain, Scandinavian countries, and Hungary and that geometric aesthetics were more prevalent in the United States, Germany, and Austria. This finding is largely consistent with previous sociological research on artistic form, which has found that stronger political-economies are more
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Gower, Beverley Michael. "Craft idealism as an influence on design : with particular reference to furniture and interiors." Thesis, Cape Technikon, 1989. http://hdl.handle.net/20.500.11838/1322.

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Thesis (Masters Diploma (Technology))--Cape Technikon, Cape Town,1989<br>In iniustrialised societies which are !:JecoIninJ increasingly reliant on ca:rprter te::hnology the proliferation of han::lcraft would seem to be an anachramism. 'Ihis phenomenon has been explored from the viewpoint of the discipline of design and !OClre specifically in the areas relating to interiors and furniture. Against the background of a survey of contemporary activity in South Africa the historical evolution of craft has been examined in an attenpt to trace the relevance of this recent occurrence. The quali
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Libros sobre el tema "Arts and crafts movement"

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Adams, Steven. The arts & crafts movement. Chartwell Books, 1987.

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Adams, Steven. The arts & crafts movement. Tiger Books, 1992.

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Massey, James C. Arts & crafts. Abbeville Press, 1995.

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Blakesley, Rosalind P. The arts and crafts movement. Phaidon, 2006.

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Wendy, Kaplan, ed. The arts and crafts movement. Thames and Hudson, 1991.

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Anscombe, Isabelle. Arts & crafts style. Phaidon Press Ltd., 1996.

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Haslam, Malcolm. Arts & crafts. Macdonald Orbis, 1988.

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Jill, Bace, and Rae Graham, eds. Arts & crafts. DK Pub., 2005.

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Haslam, Malcolm. Arts and crafts carpets. David Black, 1991.

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Todd, Pamela. The arts & crafts companion. Bulfinch Press, 2004.

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Capítulos de libros sobre el tema "Arts and crafts movement"

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Adams, Brian. "Nell Brooker Mayhew and the Arts and Crafts Movement in America." In The Routledge Companion to Women in Architecture. Routledge, 2021. http://dx.doi.org/10.4324/9780429278891-5.

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Ahuja, Naman P. "Creating the Sensibility of the Modern Indian Artist-Craftsman: Santiniketan & the Arts and Crafts Movement." In The Making of a Modern Indian Artist-Craftsman Devi Prasad. Routledge India, 2022. http://dx.doi.org/10.4324/9781003157250-1.

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Rotman, Deborah L. "Domestic Production for Public Markets: The Arts and Crafts Movement in Deerfield, Massachusetts, c.1850–c.1911." In Historical and Archaeological Perspectives on Gender Transformations. Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-4863-1_3.

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Mann, Amandeep Kaur. "The Early Twentieth Century and Beyond: The Influence of Lethaby, the Arts and Crafts Movement and Occult Concepts." In William Lethaby, Symbolism and the Occult. Routledge, 2022. http://dx.doi.org/10.4324/9780429356599-11.

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Luckman, Susan. "Precarious Labour Then and Now: The British Arts and Crafts Movement and the Ethics of Rural Cultural Work Re-visited." In Locating Cultural Work. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283580_3.

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Mallinson, Jonathan. "6. 1913–14: A New Beginning." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.06.

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We consider the practical difficulties faced by Moorcroft in his first year at the new factory, built to a tight budget and at high speed. The move to full production was inevitably slow, and the consequential financial pressures were compounded by continuing disputes with Watkin about the market value of stock which Moorcroft bought from Macintyre’s. Drawing on contemporary documents and ledgers, we examine the design of the new works and its informed compliance with the ‘Regulations for the Manufacture and Decoration of Pottery’, enacted in 1913. Its distinctiveness, though, lay not just its
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Wilkinson, Philip. "Arts and Crafts." In 50 Schlüsselideen Architektur. Spektrum Akademischer Verlag, 2013. http://dx.doi.org/10.1007/978-3-8274-3066-3_21.

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Brown, Stephen J. "Arts and Crafts." In The World of Imagery. Routledge, 2024. http://dx.doi.org/10.4324/9781003583196-25.

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Livesey, Graham, and Mohammad Moezzi. "Arts and Crafts." In Modern Architecture. Routledge, 2024. http://dx.doi.org/10.4324/9781003403975-8.

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Winstedt, R. O. "Arts and Crafts." In The Malays. Routledge, 2024. http://dx.doi.org/10.4324/9781003463726-9.

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Actas de conferencias sobre el tema "Arts and crafts movement"

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Lanu, Sami, and Katariina Mäenpää. "SKILL NEEDS ASSESSMENT FOR THE ARTS AND CRAFTS SECTOR." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.0337.

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Lanu, Sami, and Katariina Mäenpää. "EXPANDING SUSTAINABLE THINKING IN VOCATIONAL EDUCATION IN ARTS AND CRAFTS." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1136.

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Mäenpää, Katariina, and Sami Lanu. "DEVELOPING TEACHER COMPETENCES FOR SOCIAL INCLUSION IN VOCATIONAL EDUCATION IN ARTS AND CRAFTS." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1130.

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Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.20.

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In discussions of craft since the digital revolution in architecture of the past twenty years it is common for an author to situate their position relative to the Arts and Crafts movement of the late 19th and early 20th centuries. Scholars have repeatedly and rightly noticed striking parallels between reactions in design thinking to the industrial revolution and reactions to the digital revolution in architecture. Proponents of various digital schools invoke the likes of William Morris and John Ruskin as historical theoretical foils to visions of craft in the digital age. There is, however, a
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Barnes, Anthony. "Learning with Lutyens: Noel Bamford and the Design of Ngahere, Auckland (1907)." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5014ps6dt.

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Architects F. Noel Bamford (1881-1952) and A.P. Hector Pierce (1879-1918) both worked in Edwin Lutyens’ London office before establishing their Auckland partnership in 1907. Just prior to the formation of the partnership, Bamford designed a house called Ngahere in the Auckland suburb of Epsom. Ngahere is known as an early and important example of Arts and Crafts architecture in Aotearoa New Zealand. It is a novel application of the butterfly plan, with a dominant central section and two articulated wings. Although built in timber on a foundation of basalt, like some larger villas in surroundin
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Sawatani, Yuriko, and Nobuo Kanai. "New human engagement-first governance approach in craft startups." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003108.

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The research finds a new relationship with customers through crowdfunding in the case of BrewDog, a craft startup. Originally, the concept of craft was regarded as a primitive form of manufacturing that was passing away. However, the Arts and Crafts Movement, started by Morris and others (1892) against the Industrial Revolution, was an attempt to rediscover the potential of human beings themselves. By rethinking the purpose of life as an anti-capitalist movement and analyzing craft startups, where symbolism, aesthetic qualities, and entrepreneurial identity are important elements, we found a c
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Farikha, Alfi Yusrina. "The Existence of Indonesian Craft in the Middle of DiY Craft Movement by Millennial Community." In 4th International Conference on Arts Language and Culture (ICALC 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.060.

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Latifah, Anne Enur, I. Wayan Suardana, and Meysa Dj Hasiru. "Ergonomic Aesthetic Existence in Tasikmalaya Woven Crafts." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.032.

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Amirbekovna, Gadzhalova Fatima. "PRESERVATION AND DEVELOPMENT OF PEOPLE ART CRAFTS AND CRAFTS ON EMBROIDERY IN CUBA." In Folk arts and crafts of the Russian Federation. ALEF, 2019. http://dx.doi.org/10.33580/978-5-00128-340-9-2019-104-107.

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Wang, Ning. "A Viewpoint on Intervention with Inheritance of Traditional Arts and Crafts by Vocational Teaching of Arts and Crafts." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.138.

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Informes sobre el tema "Arts and crafts movement"

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Klein, Randal, and Sam Johnson. Environmental Assessment: Proposed Automotive/Arts and Crafts Skills Center, Hill Air Force Base, Utah. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada530627.

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Rito, Carolina, and Paul Goodwin. The Changing Same? British Black Artists and Visual Arts Organisations in the Midlands. Coventry University, 2023. http://dx.doi.org/10.18552/camc/2023/0001.

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The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands’ is a research network funded by the Arts and Humanities Research Council (AHRC). Co-led by Carolina Rito (Coventry University) and Paul Goodwin (University of the Arts London), this project explored the institutional and curatorial strategies of the movement in the 1980s, and the institutional support in promoting and showing Black curators and artists then and today. The publication includes new insights about the process, and interviews with key researchers and practitioners in the field. It presents a
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Skow, Jason. PR676-233801-R01 The State of the Art Pipeline Risk Assessment for Crack Management. Pipeline Research Council International, Inc. (PRCI), 2025. https://doi.org/10.55274/r0000105.

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Pipeline Research Council International Inc. (PRCI)'s Crack Management SRP has identified that circumferential cracking is a challenge for pipeline operating companies. The objective of this work was to create a framework to identify, assess and mitigate the risk due to circumferential cracking threats. Susceptibility to failure from circumferential cracking is linked to (1) circumfer-ential cracks subject to increasing axial or bending strains, or (2) growth in circumferential cracks at locations of residual strain. This project focusses on the first. No single inline inspection (ILI) technol
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De Tolentino, Marianne, and Sara Hermann. Inside and Out: Recent Trends in the Arts of the Dominican Republic. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006413.

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For many years the artistic movement in the Dominican Republic was a -best-kept secret. Their growing international contributions to contemporary visual arts have been changing that picture, but may also be characterized by even greater drive, selectivity, and regularity. We could say that of all the islands of the Caribbean, the Dominican Republic is, along with Cuba, Puerto Rico, and Haiti, the country most prolific in regard to modern and contemporary artists.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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Tradition and Entrepreneurship: Popular Arts and Crafts from Peru. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0006434.

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An exhibition honoring Peru, and the city of Lima, host of the 45th Annual Meeting of the Board of Governors of the Inter-American Development Bank, presented folk objects and crafts various regions of Peru in which tradition has evolved within age-old artistic expressions. The exhibit also included objects that reflect recent innovations introduced by artisans and entrepreneurs with the idea of making such expressions economically sustainable. The exhibition was organized and curated by the IDB Cultural Center, with the participation of the Museum of the Central Bank of Peru.
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Tradition and Entrepreneurship: Popular Arts and Crafts from Peru. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0008268.

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Presents an exhibition of folk objects and crafts from Peru, representing various regions in which tradition has evolved within oldage artistic expressions, was be presented at the Art Gallery of the Cultural Center of the InterAmerican Development Bank, in Washington, D.C., from February 26 to April 30. The exhibit also includes objects that reflect recent innovations introduced by artisans and entrepreneurs with the idea of making such expressions more economically sustainable.
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