Bibliografías temáticas / Audre Lorde

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Literatura académica sobre el tema "Audre Lorde"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 26 de abril de 2022

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Artículos de revistas sobre el tema "Audre Lorde"

1

Christian, Barbara. "Remembering Audre Lorde". Agenda, n.º 19 (1993): 21. http://dx.doi.org/10.2307/4065991.

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Aptheker, Bettina. "Audre Lorde, Presente!" WSQ: Women's Studies Quarterly 40, n.º 3-4 (2013): 289–94. http://dx.doi.org/10.1353/wsq.2013.0011.

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Musser, Amber Jamilla y Lana Lin. "Audre Lorde Revisited". ASAP/Journal 6, n.º 1 (2021): 1–15. http://dx.doi.org/10.1353/asa.2021.0000.

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Veaux, Alexis De. "Searching for Audre Lorde". Callaloo 23, n.º 1 (2000): 64–67. http://dx.doi.org/10.1353/cal.2000.0010.

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Shaw, Andrea, Audre Lorde y Joan Wylie Hall. "Conversations with Audre Lorde". World Literature Today 80, n.º 1 (2006): 60. http://dx.doi.org/10.2307/40159055.

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Coss, Clare. "Audre Lorde (1934-1992". Affilia 10, n.º 1 (abril de 1995): 104–6. http://dx.doi.org/10.1177/088610999501000114.

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Nunes, Alina. "AUDRE LORDE: CONTRIBUIÇÕES PARA UMA EPISTEMOLOGIA DA CRÍTICA FEMINISTA À LITERATURA LÉSBICA NEGRA". Revista de Literatura, História e Memória 17, n.º 30 (1 de febrero de 2022): 159–75. http://dx.doi.org/10.48075/rlhm.v17i30.28049.

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Este artigo explora a possibilidade da construção de uma epistemologia para a crítica feminista à literatura lésbica negra através de Audre Lorde. A partir das contribuições de Elaine Showalter, Adrienne Rich e Conceição Evaristo, exploro as ideias da zona selvagem, do sonho de uma língua em comum, do continuum lésbico e da escrevivência, alinhando esses conceitos ao que foi escrito por Audre Lorde em ensaios escritos na década de 1970. Nesse sentido, discuto a ideia do erótico como potência para a escrita e a escrevivência como estratégia de esperança. Essas ideias são importantes para a construção de uma epistemologia da literatura lésbica negra, que, assim como Audre Lorde fez em sua obra, alinhe a vida à escrita e a teoria à poesia.
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Lewis, Gail. "Audre Lorde: Vignettes and Mental Conversations". Feminist Review, n.º 34 (1990): 100. http://dx.doi.org/10.2307/1395310.

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Lewis, Gail. "Audre Lorde: Vignettes and Mental Conversations". Feminist Review 34, n.º 1 (marzo de 1990): 100–114. http://dx.doi.org/10.1057/fr.1990.14.

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Lewis, Gail. "Audre Lorde: Vignettes and Mental Conversations". Feminist Review 80, n.º 1 (julio de 2005): 130–45. http://dx.doi.org/10.1057/palgrave.fr.9400222.

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Tesis sobre el tema "Audre Lorde"

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Nayak, S. A. "Re-reading Audre Lorde : declaring the activism of black feminist theory". Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/314017/.

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Early in January 2013, whilst I was at home in the middle of the day writing this thesis, I was subjected to an armed burglary. The experience resonates with themes that preoccupy this re-reading of Audre Lorde, specifically with regards to: the timing, place and impact of ‘epistemic violence’ (Spivak, 1988:280) visited on Black feminisms; the theft of thinking; and the disregard for, and appropriation of, the temporal and spatial dimensions of historical and socio-economic contexts that constitute Black women’s lives. Armed with weapons of authenticity, historical amnesia, hierarchies of oppression, the ‘always already’ (Althusser, 1971) and categories of identity designed to suppress Black feminism, the violations of Black women are unannounced and uninvited. My starting point is that ‘[t]he shadow obscuring this complex Black women’s intellectual tradition is neither accidental nor benign’ (Hill Collins, 2000:3). This thesis picks up on the idea of the impossibility of hospitality (Derrida, 2000) and the ‘critic as host’ (Hillis Miller, 1979) to frame a critical analysis of the occupation and location of Black feminist praxis. This thesis negotiates ‘…a channel between the “high theoretical” and the “suspicious of all theories”’ (Boyce Davies, 1994:43). The challenge of ‘Re-Reading Audre Lorde: Declaring the Activism of Black Feminist Theory’ is to maintain a persistent, hypervigilant sensitivity towards the hostility of ‘epistemic violence’ (Spivak, 1988:280). I think it is possible to re-read Spivak’s (1988) question, ‘Can the Subaltern Speak?’ in terms of, ‘Can Black feminist theory speak?’ The question of what is read and utilised and what is not, particularly when the ‘what is not’ refers to Black feminist scholarship in general, and to the work of Lorde in particular, is fundamental to this thesis. This thesis produces new re-readings of Lorde’s work that go beyond a literary textual analysis. The Kristevan idea of intertextuality as intersubjectivity (Kristeva, 1969:37) is used to show that the space and place between the words in ‘Black feminism is not white feminism in blackface’ (Lorde, 1979a:60) function as the space and place between Black and white feminisms. The predicaments of positionality reiterated throughout this thesis mirror the predicaments within feminism. How can feminist theory present authoritative, metanarrative claims (and they need to be authoritative in the face of a racist, homophobic patriarchy that denies the legitimacy of Black women) whilst being implicated? The quandary is that of how to establish and communicate any sense of a comprehensible, coherent re-reading of Lorde when each re-reading destabilises and contests any notion of an ‘established.’ The quandary takes on particular significance in relation to Black feminist political writings and communication of political imperatives. In other words, is there a possibility of ‘the transformation of silence into language and action’ (Lorde, 1977a:40) in the condition of the impossibility of language? Re-reading Lorde is both to occupy the margin and to make use of the margin so that the impossible, the unavailable, and the fissures of re-reading Black feminist theoretical communications are the conditions of the activism of Black feminist theory. Three principles of Black feminist methodology that underpin the work of this thesis include: 1. Lorde’s Black feminist ‘uses of the erotic’ (Lorde, 1978a); 2. The dialogical and dialectical relationship between experience, practice and scholarship (Hill Collins, 2000:30); 3. That methodology is contingent upon, and constituted through, Black feminist activism. Throughout this thesis, I make a concerted effort to transfer the text of Black feminist critical theory from the page to the day-to-day struggles of Black feminist activism. For example, I demonstrate the relevance of Lorde in terms of constructing Black women-only reflective spaces and service provision, interventions to confront sexual violence against Black women and the ‘…psychological toll…’ (The Combahee River Collective, 1977:266) of ‘…learn[ing] to lie down with the different parts of ourselves…’ (Abod, 1987:158). This thesis is a work of re-membering; it is a deliberate transgression of fixed, theoretical and disciplinary borders, which reinvigorates the activism of theory.
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Aikman, Louise. "Autobiography and poststructuralism - redefining the relationship : Maxine Hong Kingston, Jeanette Winterson and Audre Lorde". Thesis, Loughborough University, 2001. https://dspace.lboro.ac.uk/2134/8691.

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In a comparative analysis of three texts in which the narrators question and revise the dominant cultural discourses of the countries in which they are born, this thesis investigates contemporary women's autobiographical negotiations with 'history' (a Foucauldian sense) and sexual, racial and national identities. Concentrating on the works of Maxine Hong Kingston, Jeanette Winterson and Audre Lorde, this dissertation is concerned with the difficulty of theorising women's autobiography as a radical imaginative space. Utilising the term the 'autobiographical novel', this work traces how the authors' deployment of fantasy, myth and desire in ways that are politically radical, destabilise conventional notions of the self and hegemonic historical narratives. As such, this thesis develops a new paradigm within which to explore autobiography. It utilises poststructuralist theory, whilst confronting the paradox of how one argues for the validity of identity within this framework. Rethinking the relationship between autobiography and the 'indifferent' subject position associated with poststructuralism, this thesis argues that the relationship between black Women critics and deconstructionism offers a path in which to subvert dominant paradigms of subjectivity, identity and expression. By challenging the conventional distinctions between the tenns 'writer', 'critic' and 'theorist', black writers create an autobiographical space which challenges categories of the 'writing I'. Experience and theory can, therefore, become conflated as the generic constraints of writing associated with the autobiographical self are subvel1ed. Kingston, Winterson and Lorde, it is argued, problematise cultural and representational hegemonies through their postmoden narratives. (Continues...).
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Lester, LaTida Michelle. "Writing "Openly" an Impossibility: Juxtaposing Bell Hooks, Audre Lorde, and Patricia J. Williams' Autotheoretics". The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392311054.

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Ortega, Kirsten Bartholomew. "The poet flâneuse in the American city Gwendolyn Brooks, Adrienne Rich, Diane di Prima, and Audre Lorde /". [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0014881.

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Ng, Tsz-yin Carina. "Illness, ideology, and identity the "pregnancy" of cancer /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38671074.

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Casto, Estella Kathryn. "Reading feminist poetry : a study of the work of Anne Sexton, Adrienne Rich, Audre Lorde, and Olga Broumas". Connect to resource, 1990. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1226003868.

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Manes, Caralynn. "I'm Every Woman: Audre Lorde's Creation of an Interior Community in Zami: A New Spelling of My Name". University of Toledo Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors151334487983631.

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Reichert, Jorge Alberto. "Crossing borders : voices from the "margins"". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/35074.

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Em um mundo cada vez mais transnacional e multicultural, a identidade cultural é formada por meio de um processo constante de mobilidade e deslocamentos, resultando na formação de identidades culturais diaspóricas. Tais identidades culturais híbridas e heterogêneas se caracterizam por travessias de fronteiras e limitações impostas à construção da subjetividade. O presente estudo consiste em uma análise interpretativa de representações de identidades culturais diaspóricas em dois escritos autobiográficos ficcionais: Borderlands/La Frontera: The New Mestiza (1987), de Gloria Anzaldúa e Zami A New Spelling of my Name, a biomythography (1982), de Audre Lorde. As representações de identidades culturais diaspóricas desenvolvidas em ambos os textos produzem efeitos que desestabilizam a política de representação da identidade cultural articulando identificações e desejos informados por hibridismo e diferença bem como reconstruindo a categoria da experiência e a produção do conhecimento através da ficcionalização da construção da identidade. O objetivo é investigar como as vozes narrativas projetam representações de identidades culturais diaspóricas simultaneamente resistentes e marginais em relação à cultura hegemônica. Tais representações são analisadas à luz do seguinte referencial teórico: a reconstrução da categoria da experiência de Joan Scott; a teoria dos conhecimentos situados de Donna Haraway; e uma estratégia crítica que propõe uma intersecção entre argumentos advindos do pensamento feminista e pós-moderno, que postulam a identidade como um constructo fluído, múltiplo, e instável, sustentada em The Politics of Postmodernism, de Linda Hutcheon; a coleção de ensaios editada por Linda Nicholson, Feminism/Postmodernism; e The Postmodern Condition, de Jean-François Lyotard. O referencial teórico oferece uma perspectiva privilegiada para a investigação de representações de identidades culturais que questionam a concepção de identidade como fixa autônoma e anterior ao contexto sócio-histórico no qual a identidade e sua representação são formadas.
In an increasingly transnational and multicultural world, cultural identities are shaped through a constant process of mobility and displacements, resulting in the formation of diasporic cultural identities. These hybrid heterogeneous cultural identities are characterized by multiple crossings of borders and limitations imposed on the construction of a sense of subjectivity. The present study consists of an interpretative analysis of representations of diasporic cultural identities in two fictional autobiographical writings: Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza (1987) and Audre Lorde’s Zami A New Spelling of my Name, a biomythography (1982). The representations of diasporic cultural identities developed in both texts produce disruptive effects on the politics of representation of cultural identity by articulating identifications and desires informed by hybridity and difference as well as reconstructing the category of experience and the production of knowledge through the fictionalization of the construction of identity. The objective is to investigate how the narrative voices project representations of diasporic cultural identities simultaneously resistant and “marginal” to the hegemonic culture. These representations are analyzed under the following theoretical framework: Joan Scott’s reconceptualization of the category of experience; Donna Haraway’s theory of situated knowledges; and a critical strategy that proposes an intersection of arguments derived from feminist and postmodern thinking, which posit identity as a fluid, multiple, and unstable construct, supported on Linda Hutcheon’s The Politics of Postmodernism; the collection of essays edited by Linda Nicholson, Feminism/Postmodernism; and Jean-François Lyotard’s The Postmodern Condition. The theoretical framework provides a privileged perspective to investigate representations of cultural identity that question the conception of identity as fixed, autonomous, and prior to the social-historical context in which identity and its representation are shaped.
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Lawrence, David Todd. ""Negotiating cooly" : the intersection of race, gender, and sexual identity in Black Arts poetry /". free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3100056.

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Miller-Haughton, Rachel. "Re-Calling the Past: Poetry as Preservation of Black Female Histories". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1005.

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This paper discusses the poetry of Audre Lorde and Natasha Trethewey, and the ways in which they bring to attention the often-silenced histories of African American females. Through close readings of Lorde’s poems “Call” and “Coal,” and Trethewey’s “Three Photographs,” these histories are brought to the present with the framework of the words “call” and “re-call.” The paper explores the ways in which Lorde creates a new mythology for understanding her identity as “black, lesbian, mother, warrior, poet” in her innovative, intersectional feminist poetry. This is used as the framework for understanding modern poets like Trethewey, whose identity as a biracial black woman from the American South colors her lyric, more formal work. Lorde uses the vocal, oral tradition of calling as Trethewey relies on visual, gaze-focused recall. Recall is memory and re-call means bringing the hidden past into the future. The paper concludes by saying that all black female writers may participate in their own ways of calling out the truth and remembering what should be forgotten.
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Libros sobre el tema "Audre Lorde"

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Lorde, Audre. Conversations with Audre Lorde. Jackson: University Press of Mississippi, 2004.

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Lorde, Audre. The collected poems of Audre Lorde. New York: Norton, 1997.

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Veaux, Alexis De. Warrior poet: A biography of Audre Lorde. New York: W.W. Norton, 2004.

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Lorde, Audre. The Audre Lorde compendium: Essays, speeches, and journals. London: Pandora, 1996.

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Autobiographical representation in Pier Paolo Pasolini and Audre Lorde. Tübingen: Stauffenburg, 2001.

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Lorde, Audre. I am your sister: Collected and unpublished writings of Audre Lorde. New York: Oxford University Press, 2009.

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Women reading women writing: Self-invention in Paula Gunn Allen, Gloria Anzaldúa, and Audre Lorde. Philadelphia, PA: Temple University Press, 1996.

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Georgoudaki, Ekaterini. Race, gender and class perspectives in the works of Maya Angelou, Gwendolyn Brooks, Rita Dove, Nikki Giovanniand Audre Lorde. Thessaloniki: Aristotle University of Thessaloniki, 1991.

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Georgoudaki, Ekaterini. Race, gender, and class perspectives in the works of Maya Angelou, Gwendolyn Brooks, Rita Dove, Nikki Giovanni, and Audre Lorde. Thessaloniki, Greece: Aristotle University of the Thessaloniki, 1991.

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Birkle, Carmen. Women's stories of the looking glass: Autobiographical reflections and self-representations in the poetry of Sylvia Plath, Adrienne Rich, and Audre Lorde. München: W. Fink, 1996.

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Capítulos de libros sobre el tema "Audre Lorde"

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Gersdorf, Cathrin. "Lorde, Audre". En Metzler Autorinnen Lexikon, 315–17. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_221.

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Birkle, Carmen. "Lorde, Audre". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12033-1.

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Alexander, M. Jacqui. "Audre Lorde (1934–1992)". En Fifty-One Key Feminist Thinkers, 139–43. Abingdon, Oxon; New York, NY : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315558806-28.

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Kraft, Marion y Dagmar Schultz. "Audre Lorde (1934–1992)". En Frauenliebe Männerliebe, 247–51. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_55.

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Birkle, Carmen. "Lorde, Audre: Das lyrische Werk". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12034-1.

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Grattan, Laura. "Audre Lorde and the Poetics of Love". En American Political Thought, 42–54. New York, NY : Routledge, [2017] | Series: Routledge series on identity politics: Routledge, 2017. http://dx.doi.org/10.4324/9781315619415-4.

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Steele, Cassie Premo. "“My eyes are always hungry and remembering”: Audre Lorde and the Poetry of Witness". En We Heal From Memory, 73–80. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-12313-8_6.

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Steele, Cassie Premo. "“We are sisters and our survival is mutual”: Audre Lorde and the Connections between Individual and Collective Trauma". En We Heal From Memory, 27–39. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-12313-8_3.

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Keeling, Kara. "Audre Lorde". En B Jenkins, 79. Duke University Press, 2010. http://dx.doi.org/10.1215/9780822392675-056.

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"Audre Lorde". En The American Radical, 389–96. Routledge, 2013. http://dx.doi.org/10.4324/9780203406359-53.

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Actas de conferencias sobre el tema "Audre Lorde"

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Suhadi, Agung, Kiagus Baluqiah y Yupika Mariansyah. "The Comparative Analysis of Feminism Thought In Poems of Maya Angelou and Audre Lordre". En Ninth International Conference on Applied Linguistics (CONAPLIN 9). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/conaplin-16.2017.33.

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