Bibliografías temáticas / Australian fiction

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Literatura académica sobre el tema "Australian fiction"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 31 de julio de 2024

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Artículos de revistas sobre el tema "Australian fiction"

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Owens, Alison, and Donna Lee Brien. "Australian women writers’ popular non-fiction prose in the pre-war period: Exploring their motivations." Australasian Journal of Popular Culture 11, no. 1 (December 1, 2022): 63–80. http://dx.doi.org/10.1386/ajpc_00051_1.

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Since the 1970s, feminist scholars have undertaken important critical work on Australian women’s writing of earlier eras, profiling and promoting their fiction. Less attention has been afforded to the popular non-fiction produced by Australian women writers and, in particular, to that produced before the Second World War. Yet this writing is important for several reasons. First, the non-fiction writing of Australian women was voluminous and popular with readers. Second, this popular work critically engaged with a tumultuous political, social and moral landscape in which, as women’s rights were
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Smith, Michelle J. "Imagining Colonial Environments: Fire in Australian Children's Literature, 1841–1910." International Research in Children's Literature 13, no. 1 (July 2020): 1–14. http://dx.doi.org/10.3366/ircl.2020.0324.

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This article examines children's novels and short stories published in the late nineteenth and early twentieth centuries that feature bushfires and the ceremonial fires associated with Indigenous Australians. It suggests that British children's novels emphasise the horror of bushfires and the human struggle involved in conquering them. In contrast, Australian-authored children's fictions represent less anthropocentric understandings of the environment. New attitudes toward the environment are made manifest in Australian women's fiction including J. M. Whitfield's ‘The Spirit of the Bushfire’ (
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Leane, Elizabeth, and Stephanie Pfennigwerth. "Antarctica in the Australian imagination." Polar Record 38, no. 207 (October 2002): 309–12. http://dx.doi.org/10.1017/s003224740001799x.

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AbstractAntarctica and Australia share a geographical marginality, a commonality that has produced and continues to reinforce historical and political ties between the two continents. Given this close relationship, surprisingly few fulllength novels set in or concerned with the Antarctic have been produced by Australian authors. Until 1990, two latenineteenth- century Utopias, and two novels by Thomas Keneally, were (to our knowledge) the sole representatives of this category. The last decade, however, has seen an upsurge of interest in Antarctica, and a corresponding increase in fictional res
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Frank, Helen. "Discovering Australia Through Fiction: French Translators as Aventuriers." Meta 51, no. 3 (September 21, 2006): 482–503. http://dx.doi.org/10.7202/013554ar.

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Abstract The translation into French of referents of Australia and Australianness in fiction necessitates a considerable variety of translational tendencies and interpretive choices. This study focuses on French translations of selected passages and blurbs from Australian fiction set in regional Australia to determine how referents of Australian flora, fauna, landscape and people are translated and interpreted in a non-English speaking cultural system. Guided by concerns for the target readers’ understanding of the text, French translators employ normative strategies and adaptive procedures co
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Bahfen, Nasya. "1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (July 31, 2019): 29–38. http://dx.doi.org/10.24135/pjr.v25i1and2.479.

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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or
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Xu, Daozhi. "Australian Children’s Literature and Postcolonialism: A Review Essay." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 69, no. 2 (June 7, 2016): 193. http://dx.doi.org/10.5007/2175-8026.2016v69n2p193.

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http://dx.doi.org/10.5007/2175-8026.2016v69n2p193The theme of land and country is resonant in Australian children’s literature with Aboriginal subject matter. The textual and visual narratives present counter-discourse strategies to challenge the colonial ideology and dominant valuation of Australian landscape. This paper begins by examining the colonial history of seeing Australia as an “empty space”, naming, and appropriating the land by erasing Aboriginal presence from the land. Then it explores the conceptual re-investment of Aboriginal connections to country in the representation of Austr
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Richards, Isabel, and Anna-Sophie Jürgens. "Being the environment: Conveying environmental fragility and sustainability through Indigenous biocultural knowledge in contemporary Indigenous Australian science fiction." Journal of Science & Popular Culture 4, no. 2 (December 1, 2021): 153–71. http://dx.doi.org/10.1386/jspc_00031_1.

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In contemporary Indigenous Australian fiction, all (non-)human animals, plants and the land are interconnected and interdependent. They are aware that they are not in the environment but are the environment. The planet and its non-human inhabitants have a creative agency and capacity for experience that demands our ethical consideration. In this article we investigate how Ambelin Kwaymullina’s Tribe novels and Ellen van Neerven’s novella Water empower environmental awareness by promoting sustainability and protection of the environment – within their fictional worlds and beyond. We argue that
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Carter, David. "The literary field and contemporary trade-book publishing in Australia: Literary and genre fiction." Media International Australia 158, no. 1 (January 7, 2016): 48–57. http://dx.doi.org/10.1177/1329878x15622078.

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This article examines fiction as a major sector of trade-book publishing in exploring the place of Australian publishing within a globalised industry and marketplace. It traces the function of ‘literary fiction’ as industry category and locus of symbolic value and national cultural capital, mapping its structures and dynamics in Australia, including the impact of digital technologies. In policy terms, literature and publishing remain significant sites of national and state government investment. Following Bourdieu’s model of the field of cultural production, the literary/publishing field is pr
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Brown, Ruth, and Michael Wilding. "Studies in Classic Australian Fiction." Yearbook of English Studies 29 (1999): 337. http://dx.doi.org/10.2307/3509005.

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Kerry, Stephen Craig. "Australian Queer Science Fiction Fans." Journal of Homosexuality 66, no. 1 (November 7, 2017): 100–116. http://dx.doi.org/10.1080/00918369.2017.1395262.

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Tesis sobre el tema "Australian fiction"

1

Athique, Tamara Mabbott. "Textual migrations: South Asian-Australian fiction." Thesis, School of English Literatures, Philosophy and Languages - Faculty of Arts, 2006. https://ro.uow.edu.au/theses/621.

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This thesis responds to gaps in the scholarship of 'minority literatures' and makes a new contribution to diversifying the field of literary criticism. Given the prominence of South Asian diasporic fiction overseas, the study of South Asian-Australian fiction is now overdue. Given the growing recognition of multicultural and Asian-Australian literatures, the study of South Asian-Australian cultural production now requires attention. Working from the premise that a fictional text is a storytelling device open to a number of interpretations and a commodity with a degree of cultural capital, this
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2

Dahlstrom, James. "Imagining Australia: The Struggle to Locate Australian Identity in Peter Carey’s Early Fiction." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15356.

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In this thesis, I examine in Peter Carey’s early fiction the portrayal of Australia’s struggle to imagine a unique identity for itself. Three different, but overlapping, approaches will be woven together to serve as a lens through which his work can be read. First, it will be useful to situate the work within the context of Australian history and popular culture, which suggests an obsessive search for an “authentic” Australian identity, as well as the theoretical work on the social construction of such identities. Second, I will draw upon the work of Benedict Anderson, paired with that of Phen
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Dallmann, Tino [Verfasser]. "Telling Terror in Contemporary Australian Fiction / Tino Dallmann." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1105292754/34.

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Beere, Diana. "Nurturing ideology: Representations of motherhood in contemporary Australian adolescent fiction." Thesis, Griffith University, 2000. http://hdl.handle.net/10072/366558.

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This study analyses the ways in which motherhood is represented in a corpus of contemporary, critically acclaimed Australian adolescent fiction. The 18 texts in the research corpus were those short-listed by the Children's Book Council of Australia for its annual Book of the Year: Older Readers award in the years 1992 to 1994 inclusive. The publicity, prestige and power attached to these awards means that short-listed books, taken to be 'good' books for children and adolescents, are often used as educational resources in Australian schools, particularly to support teaching and learning activ
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Barker, Elaine M. "Civilization in the wilderness : the homestead in the Australian colonial novel, 1830-1860 /." Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09ARM/09armb255.pdf.

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Paton, Elizabeth, and n/a. "Creativity and the Dynamic System of Australian Fiction Writing." University of Canberra. Communication, 2008. http://erl.canberra.edu.au./public/adt-AUC20090825.125448.

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Given the growing interest in fiction writing in Australia, seen in the rise in the number of festivals, writers' centres, how-to books, biographies and creative writing classes, it is surprising that very little research has been done within Australia on the nature of literary creativity itself. A review of international literature on creativity from areas such as the arts, history, psychology, sociology, cultural studies, business and education shows movement away from traditional and conventional ideas of creativity that focus primarily on the individual, towards more contextual approaches
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Reid, Michelle. "National identity in contemporary Australian and Canadian science fiction." Thesis, University of Reading, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413934.

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Wang, Labao. "Australian short fiction in the 1980s : continuity and change." Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.

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This thesis offers a critical survey and a comprehensive bibliography of the Australian short story in the 1980s. Conceived partly as an continuation of Stephen Torre’s study of Australian short fiction of the 1940-1980 period, it starts where Torre’s thesis stopped, focusing on Australian short story writing published in the ten years between 1981 and 1990. Torre has summed up the 1940-1980 period as ‘a time of development and innovation’ in the history of Australian short fiction. In comparison, the 1980s is probably best described as a decade of unprecedented expansion and diversific
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Penazzi, Leonardo. "The fellow (novel) : and Australian historical fiction, debating the perceived past (dissertation) /." Connect to this title, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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Geddes, Robert John William. "The unsettled colony : contruction of aboriginality in late colonial South Australian popular historical fiction and memoir /." Title page, contents and conclusions only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arg295.pdf.

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Libros sobre el tema "Australian fiction"

1

Wilding, Michael. Studies in classic Australian fiction. [Sydney, N.S.W.]: Sydney Association for Studies in Society and Culture, University of Sydney, 1997.

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2

Wilding, Michael. Studies in classical Australian fiction. Sydney: Sydney Studies, 1997.

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Wilding, Michael. Studies in classic Australian fiction. Sydney, N.S.W: Sydney Studies, 1997.

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4

Bruce, Bennett. Australian short fiction: A history. St. Lucia, Qld., Australia: University of Queensland Press, 2002.

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Pierce, Peter. Australian melodramas: Thomas Keneally's fiction. St Lucia, Qld., Australia: University of Queensland Press, 1995.

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6

1965-, Doig James, ed. Australian gothic: An anthology of Australian supernatural fiction, 1867-1939. Mandurah, W.A: Equilibrium Books, 2007.

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Hanson, Donna Maree. Australian speculative fiction: A genre overview. Murrumbateman, N.S.W: Aust Speculative Fiction, 2005.

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White, Kerry. Australian children's fiction: The subject guide. Milton, Qld: Jacaranda, 1993.

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9

Stone, Graham. Australian science fiction bibliography 1848-1999. 2nd ed. Sydney: Graham Stone, 2010.

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Clancy, Laurie. A reader's guide to Australian fiction. Melbourne: Oxford University Press, 1992.

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Capítulos de libros sobre el tema "Australian fiction"

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Goodwin, Ken. "Symbolic and social-realist fiction." In A History of Australian Literature, 167–89. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-18177-3_8.

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Strehle, Susan. "The Home Elsewhere: Simone Lazaroo’s The Australian Fiancé." In Transnational Women's Fiction, 153–77. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583863_7.

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Althans, Katrin. "Ecologemes in Contemporary Australian Crime Fiction." In The Routledge Handbook of Crime Fiction and Ecology, 251–63. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003091912-24.

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Vernay, Jean-François. "The Erotics of Writing and Reading Australian Fiction." In Neurocognitive Interpretations of Australian Literature, 67–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-8.

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Bartha-Mitchell, Kathrin. "Testing the Limits of Apocalyptic Climate Fiction." In Cosmological Readings of Contemporary Australian Literature, 111–26. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003312154-9.

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Vernay, Jean-François. "Australian High-Functioning ASD Fiction in the Age of Neurodiversity." In Neurocognitive Interpretations of Australian Literature, 49–63. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-6.

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Teo, Hsu-Ming. "The Australian Convict Prostitute Romance." In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 26–49. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-2.

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Carter, David. "Beyond the Antipodes: Australian Popular Fiction in Transnational Networks." In New Directions in Popular Fiction, 349–70. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_17.

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Gelder, Ken, and Rachael Weaver. "Colonial Australian Detectives, Character Type and the Colonial Economy." In New Directions in Popular Fiction, 43–66. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52346-4_3.

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Klein, Dorothee. "Feeling the Land: Embodied Relations in Contemporary Aboriginal Fiction." In The Rise of the Australian Neurohumanities, 94–107. New York, NY : Routledge, 2021. | Series: Routledge focus on literature: Routledge, 2021. http://dx.doi.org/10.4324/9781003161424-8-8.

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Actas de conferencias sobre el tema "Australian fiction"

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Mubin, Omar, Mohammad Obaid, Wolmet Barendregt, Simeon Simoff, and Morten Fjeld. "Science Fiction and the Reality of HCI." In OzCHI '15: The Annual Meeting of the Australian Special Interest Group for Computer Human Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2838739.2838835.

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Vallis, Carmen. "Writing against the tide." In 25th Australasian Association of Writing Programs Conference 2020. Australasian Association of Writing Programs, 2020. http://dx.doi.org/10.32613/acp/2020.73.

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A tide of conservatism is rising. Despite bushfires and a global epidemic, many are unwilling or unable to grapple with the facts behind these catastrophes. What is not said drifts in and out of public consciousness. In present silences and lacunae, past stories wait to be told anew. In this presentation, I reflect on discontinuity and continuity in the curious silence around the Joh Bjelke-Petersen era in Queensland history, a time remembered for corrupt politicians and cops, but otherwise culturally (and conveniently) forgotten in literary fiction. I discuss my creative response to this era,
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Informes sobre el tema "Australian fiction"

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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world o
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