Literatura académica sobre el tema "Character voice"
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Artículos de revistas sobre el tema "Character voice":
Ichikawa, Akira. "Character voice communication system". Journal of the Acoustical Society of America 93, n.º 3 (marzo de 1993): 1676. http://dx.doi.org/10.1121/1.406756.
Smith, Jennifer. "Voices, Combat, and Music". Journal of Sound and Music in Games 2, n.º 2 (2021): 42–62. http://dx.doi.org/10.1525/jsmg.2021.2.2.42.
Howell, Peter. "CHARACTER VOICE IN ANIME SUBTITLES". Perspectives 14, n.º 4 (24 de julio de 2007): 292–305. http://dx.doi.org/10.1080/09076760708669045.
Feng, Dezheng y Peter Wignell. "Intertextual voices and engagement in TV advertisements". Visual Communication 10, n.º 4 (14 de octubre de 2011): 565–88. http://dx.doi.org/10.1177/1470357211415788.
Mitchell, Liam. "Damsels Who Distress". Camera Obscura: Feminism, Culture, and Media Studies 35, n.º 2 (1 de septiembre de 2020): 63–93. http://dx.doi.org/10.1215/02705346-8359518.
Pongkittiphan, Teeraphon, Daisuke Saito, Nobuaki Minematsu y Keikichi Hirose. "Eigenvoice-Based Character Conversion for Arbitrary Speakers Using Various Character Voices of a Skilled Voice Actor". Journal of Signal Processing 17, n.º 4 (2013): 139–42. http://dx.doi.org/10.2299/jsp.17.139.
Smith, Jennifer. "Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II". Soundtrack 11, n.º 1 (1 de agosto de 2020): 75–97. http://dx.doi.org/10.1386/ts_00006_1.
Adnan Al-Khayyat, Amal. "When the Old Woman Speaks in Soueif’s “Her Man” and “The Wedding of Zeina” and Rifaat’s “Bahiyya’s Eyes”". Advances in Language and Literary Studies 11, n.º 1 (27 de febrero de 2020): 65. http://dx.doi.org/10.7575/aiac.alls.v.11n.1p.65.
Duerfahrd, Lance. "Sisyphus screams: The rift between sound and image in Matka". Short Film Studies 4, n.º 1 (1 de abril de 2014): 27–30. http://dx.doi.org/10.1386/sfs.4.1.27_1.
Sun, Xinxin y Wenkui Jin. "Health Informatics Study of Smart Human-Computer Interaction Devices for Elderly Patients". Journal of Medical Imaging and Health Informatics 9, n.º 8 (1 de octubre de 2019): 1607–13. http://dx.doi.org/10.1166/jmihi.2019.2780.
Tesis sobre el tema "Character voice":
Swickard, Michael. "Defining a Character Through Voice Quality: An Analysis of the Character "George" in Sondheim and Lapine's Sunday in the Park With George Using the Estill Voice Model". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2800.
M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
Veninger, Laurie Rose. "Mothers in two contemporary women's autobiographies : a linguistic study of voice, character and relationship". Thesis, Lancaster University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587550.
Timmins, Will Nicholas. "Out of character? : the voice of the 'I' and Christian identity in Romans 7". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708558.
Rusanen, Sirius. "Character voice in subtitles: a case study of the Japanese subtitles of The Witcher". Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37461.
Holmes, William Paul. "Voice input for the disabled /". Title page, contents and summary only, 1987. http://web4.library.adelaide.edu.au/theses/09ENS/09ensh749.pdf.
Typescript. Includes a copy of a paper presented at TADSEM '85 --Australian Seminar on Devices for Expressive Communication and Environmental Control, co-authored by the author. Includes bibliographical references (leaves [115-121]).
Byun, JaeHwan. "EFFECTS OF CHARACTER VOICE-OVER ON PLAYERS' ENGAGEMENT IN A DIGITAL ROLE-PLAYING GAME ENVIRONMENT". OpenSIUC, 2012. https://opensiuc.lib.siu.edu/dissertations/595.
Vass, Verity. "Aspects of narration and voice in Zora Neale Hurston’s Their Eyes Were Watching God". The University of the Western Cape, 2017. http://hdl.handle.net/11394/6467.
Zora Neale Hurston is a significant figure in American fiction and is strongly associated with the Harlem Renaissance, the period noted for the emergence of literature by people of African-American descent. Hurston worked as a writer of fiction and of anthropological research and this mini-thesis will discuss aspects of her novel, Their Eyes Were Watching God, first published in 1937. While the novel traces the psychological development of the central female character, Janie Mae Crawford and, thus, demonstrates several features of a conventional Bildungsroman, the novel also contains some intriguing innovations in respect of narration and voice. These innovations imply that the novel can be read in terms of the qualities commonly associated with the Modernist novel. This contention becomes significant when it is understood that a considerable degree of critical responses to the novel have discounted these connections. The novel is widely accepted to be a story about a woman’s journey to self-actualisation through the relationships she has with the men in her life. Much of the criticism related to the novel is based on this aspect of it, with many stating that Janie’s voice is often silenced by the third-person narrator at crucial moments in the text and that, as a consequence, she does not achieve complete self-actualisation by the end of the novel. This thesis will examine the significance of the shifts between first-person and thirdperson narration and the manifestations of other voices or means of articulation, which give the novel a multi-vocal quality. The importance of this innovation will also be considered, particularly when it is taken into account that Hurston sought to incorporate some elements associated with the oral tradition into her work as a writer of fiction.
MacRae, Marianne. "A Rat-Shaped Tear ; and, Beyond the other : animals in the poetry of D.H. Lawrence, Elizabeth Bishop and Marianne Moore". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33081.
Válková, Jana. "Formy zadávání a zpracování textových dat a informací v podnikových IS - trendy a aktuální praxe". Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-114263.
Stenquist, Sanya. "Having a voice : Representation in fiction and why it matters". Thesis, Mälardalens högskola, Hälsa och välfärd, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-28310.
Libros sobre el tema "Character voice":
Brouwer, Sigmund. Thunder voice. Wheaton, Ill: Victor Books, 1995.
Brouwer, Sigmund. Thunder voice. Minneapolis: Bethany House, 2001.
Parsons, Richard. GCSE anthology AQA poetry study guide (character & voice) higher. Broughton-in-Furness: Coordination Group Publications Ltd, 2010.
Parsons, Richard. GCSE anthology AQA poetry study guide (character & voice) foundation. Broughton-in-Furness: Coordination Group Publications Ltd, 2010.
Schwartz, Richard B. The last voice you hear. Woodbury, Minn: Midnight Ink, 2006.
Lewis, Pamela. Talking funny for money: An introduction to the cartoon/character/looping area of voice-overs. New York: Applause Theatre & Cinema Books, 2003.
Newman, Margaret. AQA anthology: Moon on the tides : character and voice, and place. Deddington: Philip Allan Updates, 2011.
Camilleri, Andrea. Voice of the violin. New York, NY: Viking, 2004.
Camilleri, Andrea. Voice of the violin. New York: Viking, 2003.
McIntosh, Pat. The stolen voice. New York: Soho Constable, 2009.
Capítulos de libros sobre el tema "Character voice":
Dunkelberg, Kendall. "Character and Voice". En A Writer's Craft, 65–75. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-61096-6_7.
Wadley, Greg y Martin R. Gibbs. "Speaking in Character: Voice Communication in Virtual Worlds". En Online Worlds: Convergence of the Real and the Virtual, 187–200. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84882-825-4_15.
Quillot, Mathias, Jarod Duret, Richard Dufour, Mickael Rouvier y Jean-François Bonastre. "Influence of Speaker Pre-training on Character Voice Representation". En Speech and Computer, 577–88. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-87802-3_52.
Nouza, Jan, Petr Kolář y Josef Chaloupka. "Voice Chat with a Virtual Character: The Good Soldier Švejk Case Project". En Text, Speech and Dialogue, 445–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-46154-x_63.
Trencsényi, Klára y Vlad Naumescu. "Migrant Cine-Eye: Storytelling in Documentary and Participatory Filmmaking". En IMISCOE Research Series, 117–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_7.
Frow, John. "Voice". En Character and Person, 149–80. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198704515.003.0005.
"Character Voice". En Voice Into Acting, 238–60. Bloomsbury Publishing Plc, 2013. http://dx.doi.org/10.5040/9781472515803.ch-013.
"Character Voice". En Voice into Acting. Methuen Drama, 2021. http://dx.doi.org/10.5040/9781350064959.ch-014.
"Character". En Voice and Vision, 153–75. Harvard University Press, 2009. http://dx.doi.org/10.2307/j.ctvjnrv08.16.
"INTONING VOICE:". En Out of Character, 153–98. Stanford University Press, 2014. http://dx.doi.org/10.2307/j.ctvqsdvvf.8.
Actas de conferencias sobre el tema "Character voice":
Cabral, João Paulo, Benjamin R. Cowan, Katja Zibrek y Rachel McDonnell. "The Influence of Synthetic Voice on the Evaluation of a Virtual Character". En Interspeech 2017. ISCA: ISCA, 2017. http://dx.doi.org/10.21437/interspeech.2017-325.
Rynkiavichutse, Hreta. "Голос как форма проявления сознания персонажа в цикле пьес М. Арбатовой «Поздний экипаж»". En Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.10.
Szabó, Zoltán y Eniko T. Enikov. "Development of Haptic Communication Device for Disabled Persons". En ASME 2016 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/imece2016-65404.
Rodríguez-Contreras, Laura y Juan-José Igartua. "Narrative tools to quit smoking. Indirect effects of audience-character similarity and narrative voice in the intention to quit smoking". En TEEM'19: Technological Ecosystems for Enhancing Multiculturality. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3362789.3362852.
Dinu, Liviu P. y Ana Sabina Uban. "Finding a Character’s Voice: Stylome Classification on Literary Characters". En Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-2210.
Yılmaz, Selin y Deniz Yengin. "Analysis of Emotional Approach of Digital Surveillance in Film Studies". En COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.020.
Vieira, Alex de Souza, Álan Lívio V. Guedes, Daniel de Sousa Moraes, Lucas Ribeiro Madeira, Sérgio Colcher y Carlos de S. Soares Neto. "ListeningTV: Accessible Video using Interactive Audio Descriptions". En Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/webmedia_estendido.2020.13065.
Vishnubhotla, Krishnapriya, Adam Hammond y Graeme Hirst. "Are Fictional Voices Distinguishable? Classifying Character Voices in Modern Drama". En Proceedings of the 3rd Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-2504.
Sakai, Erika, Akinori Ito y Takayuki Itoh. "Towards an Analysis of Voice Features of Game Characters". En 2016 Nicograph International (NicoInt). IEEE, 2016. http://dx.doi.org/10.1109/nicoint.2016.38.
Greene, Erica, Taniya Mishra, Patrick Haffner y Alistair Conkie. "Predicting character-appropriate voices for a TTS-based storyteller system". En Interspeech 2012. ISCA: ISCA, 2012. http://dx.doi.org/10.21437/interspeech.2012-589.