Bibliografías temáticas / Church architecture Sacred space

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Literatura académica sobre el tema "Church architecture Sacred space"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Church architecture Sacred space"

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Tanumihardja ; Yenny Gunawan, Maria Angelina. "PURPOSE A SACRED ROOM OF CHRUCHES BY PASTOR MANGUNWIJAYA CASE STUDY: CHURCH OF MARIA ASSUMPTA KLATEN, CHURCH OF THERESIA SALAM, AND CHURCH OF MARY". Riset Arsitektur (RISA) 2, n.º 02 (4 de junio de 2018): 165–81. http://dx.doi.org/10.26593/risa.v2i02.2928.165-181.

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Abstract - Sacred space is everywhere and has become the part of human’s life since thousand years ago. Onemanifestation of the sacred space is the Catholic Church. A sacred space in the Catholic Church should be ableto accommodate liturgical activities in accordance with the rules and the order of their activities so thecelebration of the Eucharistic liturgy can run well. This study will attempt to understand the concept and themanifestation of the sacred space found in Romo Mangunwijaya’s churches in accordance to the concept andthe manifestation of the Catholic Church’s sacred space.Research will be carried out based on a preliminary study conducted by studying the universal sacred spacetheory proposed by Eliade and the theory of the Catholic Church’s sacred space that refers to the principles ofthe liturgy space. Results of analysis of each object of the study will then be processed further through acomparison table so that it can be concluded the manifestation of a sacred space in Romo Mangunwijaya’schurches.From the results of research on the objects of the study, showed that the manifestation of the sacred space of theRomo Mangunwijaya’s Churches dominantly shown in terms of orientation, ornaments, and atmosphere. Inaddition, the case study that shows the most dominant manifestation of the sacred space is Theresia SalamChurch.The benefits of this research are: for general public, this research can improve the knowledge of the importanceof the sacred space within the Catholic Church and how to integrate local values and culture into the sacredspace concept established in the Catholic Church's rules. Meanwhile, for the architects and institutions of theCatholic Church, this research can improve the knowledge of the concept of sacred space in the CatholicChurch and how to manifest the concept of the sacred space into the architecture of the Catholic Church.Key Words : sacred space, church, Y.B. Mangunwijaya
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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture". Yaroslavl Pedagogical Bulletin 2, n.º 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of these trees for construction in a sacred meaning and using of individual parts of these temples as a community center and place for ancient rituals. The lexis, connected with the folk architecture, indicates the anthropomorphic nature of the architectural space of the temple. The construction, as it were, is assembled from «large», qualitatively significant components of the human body: head, neck, face, eyes, kokoshnik, forehead, rib, human bust, etc. This tradition is preserved and strengthened by the circumstance that since ancient times, the proportions of the human body acted as a tectonic (building) model of the entire architectural structure. The research substantiates an algorithm for the interactionof the mythopoetic worldview and the Orthodoxy on the architectural structure, and the significance of church architecture. The temple occupied a central place in the sacred space of the northern peasant world. The conducted research made it possible to convincingly prove that wooden churches are a symbolic heritage of the Russian North and the Arctic. The pinnacle of the development of wooden architecture, embodied in the northern temple architecture, was a natural result of ancient Russian architectural – constructional traditions and a reflection of the talent of the Russian people, which allows us to translate the concept of «Russian carpenter» into the category of «Russian architect».
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Crosbie, Michael J. "Defining the Sacred". Actas de Arquitectura Religiosa Contemporánea 5 (25 de julio de 2018): 352–67. http://dx.doi.org/10.17979/aarc.2017.5.0.5163.

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How do we define what is sacred architecture? People of all ages are turning away from organized religion, and looking for a more genuine, personal experience of the spiritual. In considering sacred architecture, a distinction is whether architecture itself is sacred or that architecture is an instrument that calls forth the sacred. Distinctions should be drawn between situational versus substantive sacred space. A divine presence is believed to reside in substantive sacred space. In situational, anyplace can be sacred depending on the presence, location, and actions of human beings, often acting in community.Edward Anders Sovik was one of the most influential architects in the design of modern churches in the US. Active from the mid-20th-century through the 1970s, Sovik designed mostly Protestant churches and wrote extensively about church design and its liturgical underpinnings. Sovik believed that early Christians perceived themselves as a community of faith unattached to any place. His skepticism about the sacredness of buildings and objects sits squarely within Protestant theology. His religious architecture offers a good model for today, as the definition of sacred architecture is changing. Sovik’s emphasis on the secular and the sacred is prescient regarding the current state of religion and spirituality, and became the basis of a recent graduate design studio at Catholic University of America.
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Heldman, Marilyn E. "Creating Sacred Space: Orthodox Churches of the Ethiopian American Diaspora". Diaspora: A Journal of Transnational Studies 15, n.º 2-3 (marzo de 2011): 285–302. http://dx.doi.org/10.3138/diaspora.15.2-3.285.

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This essay examines the creation of places of worship by Ethiopian Orthodox congregations in North America, focusing primarily on the District of Columbia and adjacent areas in the states of Maryland and Virginia. Following a discussion of the historical background and development of church architecture in Ethiopia, the essay demonstrates that the shaping of the interior space of Ethiopian Orthodox churches in North America follows a modern model developed in Addis Ababa during the early 1960s. The study concludes with a brief analysis of painted decoration, a necessary component of the sacred space of an Ethiopian Orthodox church. (3 February 2009)
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Vukoszávlyev, Zorán. "Dümmerling’s Guiding Manual for Transformation of Sacred Spaces". Actas de Arquitectura Religiosa Contemporánea 6 (3 de abril de 2020): 144–55. http://dx.doi.org/10.17979/aarc.2019.6.0.6235.

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The Sancrosanctum Concilium approaches the artistic aspects of architecture from the liturgy, while the Charter of Venice approaches the architectural space from the principles of heritage protection. Both emphasized simplicity, functionality and readability. The significance and the combined effect of the two documents in the practice of church construction in Eastern Europe can be considered significant, since the possibility of redesigning the liturgical space arose mainly in the context of the renovation of historic buildings in the atheist political environment. The proof of this statement is presented in the manuscript of the architect Ödön Dümmerling. The architect - a practitioner of monument restorations and an admirer of the spirit of modern architecture - was called upon to draw up design guide after the Second Vatican Council was closed, making recommendations for new equipment for liturgical spaces.
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Barashkov, V. V. "Modern Church Architecture as an Intercultural Space of Aesthetic and Moral Communication". Concept: philosophy, religion, culture 4, n.º 3 (28 de septiembre de 2020): 149–57. http://dx.doi.org/10.24833/2541-8831-2020-3-15-149-157.

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The paper analyses the messages modern architecture communicates to audience and to individual. Architects and theologians regard a church as a community place, and raise questions of aesthetic features of church buildings. At the same time, church space is essential to the visitors’ abilities to remember, to compassionate and to concentrate.The article focuses on the concepts of three modern theologians: Thomas Erne, Bert Daelemans and Sigurd Bergmann. According to Erne, churches are becoming a space of self-transcendence; they are open to various social and aesthetic values within the sphere of the infinite. Daelemans formulates three dimensions of a church building — synaesthetic, kerygmatic and eucharistic — and doing so, establishes the notion of theotopy, the nonverbal theology of architecture. Bergmann considers the sacred place as a critical place. In addition, architects seek not only the theological reflection on such spaces, but also on solutions that reveal their transcendental dimension.Church architecture gives an opportunity to express the inexpressible by figurative means, keeping in mind the thoughts of the visitors. A complex religious space, a church is presented to a person and, therefore, can be grasped in a range of ways. So the church space is constructed. Overall, as a space for dialogue and communication, which is not only a religious, but also an aesthetic and moral construct, a temple remains significant despite secularization trends.
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Singler, Sofia y Maximilian Sternberg. "The Civic and the Sacred: Alvar Aalto's Churches and Parish Centres in Wolfsburg, 1960–68". Architectural History 62 (2019): 205–36. http://dx.doi.org/10.1017/arh.2019.8.

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AbstractThis article considers Alvar Aalto's two church and parish centre projects in Wolfsburg in light of the architectural, political and sociocultural contexts that framed their design and construction in post-war Germany. The study interrogates how architect and parish came together to build the ecclesiastical complexes of Heilig-Geist (1960–62) and Stephanus (1963–68), and how the parties interacted and engaged with widely debated issues in church architecture and urban planning. Close analysis of the buildings and their design processes, based on site visits as well as the study of architectural drawings and models, shows that Heilig-Geist and Stephanus acquire sacred character primarily through the connections they establish between interior and exterior space. The dynamic between inside and outside relates the buildings to key ideas in contemporaneous church architectural theory concerning inward- and outward-looking church-building, part of the broader discourse on the relationship between the sacred and the profane.
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Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories". Resourceedings 2, n.º 3 (12 de noviembre de 2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblematic ellipse plan of the Baroque, such as the churches Santa Maria della Sanita` and San Giovanni dei Fiorentini by Fra’ Nuvolo prove. Fanzago’s architectonic research was followed by the studies by Bartolomeo and Francesco Antonio Picchiatti, father and son, up to Domenico Antonio Vaccaro that was the most representative director of the Baroque sacred space scene. Moving from the analysis and comparison of the most representative churches of Neapolitans Baroque era, the paper proposes an unedited studio about the evolution of sacred space’s idea related to decoration, symbology and allegory, with a focus on Domenico Antonio Vaccaro’s works, such as the churches of Santa Maria della Concezione in Montecalvario neighbourhood, San Michele Arcangelo in Naples’ Piazza Dante, San Michele in Anacapri (on Capri Island), the Palazzo Abbaziale di Loreto and Saviour Church in San Guglielmo al Goleto Monastery, both near Avellino.
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Alexander, John. "Shaping Sacred Space in the Sixteenth Century: Design Criteria for the Collegio Borromeo's Chapel". Journal of the Society of Architectural Historians 63, n.º 2 (1 de junio de 2004): 164–79. http://dx.doi.org/10.2307/4127951.

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In this article, I present a newly discovered, late-sixteenth-century design drawing for the chapel of the Collegio Borromeo, in Pavia, Italy, and investigate it in the context of contemporary Catholic ecclesiastical architecture. Historiographically, the period is dominated by the church of the Gesù, in Rome, interpreted as a typological paradigm characterized by austere architecture and restrained decoration. This view is called into question by the Collegio's chapel. The initial design (represented by the drawing) drew from ancient sources in order to achieve spatial complexity. The realized chapel is spatially simpler, but ornately ornamented and decorated. The chapel differs from what is considered the norm, but is the chapel an anomaly, or are traditional understandings of the Gesù invalid? On investigation, it becomes evident that patrons may have established a number of criteria for their churches, but architects had a degree of freedom in designing them. In few if any contemporary cases, however, was architectural severity a goal for Catholic churches. With the example of the Collegio's chapel, these findings take on greater significance: the patron, Carlo Borromeo (1538-1584), was one of the most important in the history of ecclesiastical architecture. The chapel's architect, Pellegrino Tibaldi (1527-1596), restored, renovated, and built numerous sacred spaces for Borromeo. What they achieved demonstrates that Catholic reformers of the latter half of the sixteenth century sought architectural magnificence for buildings dedicated to the worship of God.
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Gnatiuk, Liliia. "TRENDS OF FORMATION OF SACRED SPACE IN THE TWENTIETH CENTURY". Urban development and spatial planning, n.º 76 (1 de marzo de 2021): 49–62. http://dx.doi.org/10.32347/2076-815x.2021.76.49-62.

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The article analyzes the iconic temples of the twentieth century. The anthroposophical theory of architecture is presented, which assumed that the world and man are permeated by different types of spiritual forces, due to the forms of objects of the visible world can be strengthened or weakened. An understanding of the harmony of forms in the formation of sacred space is presented. The architecture of the sacred constructions erected on the principle of organic architecture is considered. The influence of German Expressionist architects on the formation of the temple architecture they created, as well as the regularity of the use of geometric figures and the use of magic numbers are presented. A look at the mysterious nature of the connection of people in a society that is close to the types of connections that connect religious communities is presented. The forms of individual sacred buildings and ways of organizing their interiors are analyzed, which led to the conclusion that the ideas of the revival of social unity arose as a result of a combination of various elements, such as Christian religion and non-political socialism. The phenomenon of perception of the Church as a social organization is presented, but also of the church as a building, which became a model of a proper social organization in the early 20th century. Perceptions of the Gothic cathedral as a phenomenon of the community association of architects are highlighted. The use of Gothic typography for the design of publications of the early twentieth century is considered. The need to take into account the relationship between certain forms and messages, which are transmitted through them in the formation of sacred space. An attempt is also made to adapt the principles of modernism to the needs of the formation of sacred space. The tendencies of formation of sacred space in the XX century are revealed, namely: Anthroposophical; community worship and liturgical reform.
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Tesis sobre el tema "Church architecture Sacred space"

1

Williams, Malachy Marie. "Sacred space God's architectural design for God-centered worship /". Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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Hassett, Valerie Jane. "Creating sacred space: a Spiritualist church". Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53375.

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When contemplating the history of religious architecture several typologies become apparent. There is the refinement of Gothic cathedrals where the volume and use of material not only reinforced the liturgy but gave breath to a tempo of chant. There also is the small New England chapel steeple and modest gable which provide such a compelling image that it has become an icon in American culture. This thesis explores the design of a sacred space independent of traditional symbolism. Rather than attempting to refine an existing typology this design explored what is fundamental in creating a sacred space. A church for a congregation of Spiritualists, who currently are renovating a Methodist church in Georgetown. [2] This design is centered on a few elements. In response to Spiritualist liturgy which is devoid of an altar there is an exploration of defining void thus creating a focal point by the enclosure of space. The importance of views is emphasized, expressly views to sacred areas that are not actually touched. Layering of transparency is explored which provides a vehicle for information between discrete areas.
Master of Architecture
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LITTLE, DAVID BRUCE. "VALUES IN CHURCH ARCHITECTURE". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053547720.

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Valencia, Javier. "Redesigning the megachurch: reintroduction of sacred space into a highly functional building". Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/4973.

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"Megachurches offer a unique way of being religious in modern society; one that fits the social and religious context of many people says Scott Tumma “Beyond Megachurch myths”. These Massive congregations of two to fifteen thousand participants occupy an undeniable space in the religious and social landscape. It is not only their massive buildings, locations, activities or television broadcasts that make these churches important. It is the role that they play in changing society (Hartford, 2006)” Architecturally the Megachurch has failed today, it has become a “big box”, a well developed building which houses thousands of members and provides them with all the necessary entertainment and functions that are needed; but, has lost its essence. The Megachurch today has lost its focus; it is focused on the function that the building has to offer and has failed to recognize the purpose of the space. By achieving a highly functional space the sacredness of this space has disappeared. This thesis presents an investigation into how to deal with the notion of sacred space in today’s Megachurch; it will introduce the sacred biblical pattern of coming into the presence of God trough architecture, it will deal with how to make an extremely massive space into a personal and spiritual. The goal of this thesis is to redesign the Megachurch as a highly efficient building that provides the user with the sense of awe, majesty and reverence that is lost in today’s Megachurches. The sacred aspect of this thesis project will be emphasized in the architectural poetics thru the use of symbolism represented in the right use of spatial organization and embedded religious cues; also will be focused on the materiality and the archetypes used to express a sacred feeling; Furthermore the study of natural light and structural systems for vast large spaces in a sacred manner will be investigated. The outcome of this project intends to change the negative connotation of the Megachurch today; it intends to teach society that this institution can be a sacred place to worship God and not just a place to be entertained.
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Connelly, Angela. "Methodist Central Halls as public sacred space". Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/methodist-central-halls-as-public-sacred-space(c9dea4ca-53f1-48a3-8da2-1054ba8f7f9a).html.

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Few people know that the first sessions of the General Assembly of the UN in 1946 were held in a place of worship - Westminster Central Hall. It was part of an ambitious construction programme, initiated by the Wesleyan Methodists, which resulted in Central Halls in most British cities. They were, and in some cases still are, flexible, multi-functional spaces used on a daily basis for a wide range of purposes. They are widely perceived as public space but they are also sacred - camouflaged churches, created as sites for missionary activity and social outreach by a faith which from its origins has challenged the dichotomy between sacred and secular space. They have never been systematically studied – even their number and locations were unknown. This thesis tells their story by presenting them as an undocumented building type of social and cultural significance. It explores the concept of building type and the dimensions of social and cultural analysis that may be explored with the method. The typological approach is then demonstrated with a specific monographic focus on Methodist Central Halls from the 1880s to the present. Using a combination of visual methods, archival research and personal testimony, the analysis offers insights into the many aspects of Methodism through the long twentieth century – the church’s spatial distribution, its modes of mission and worship, its cultural identity and its business model. These centrally located assembly halls with their landmark architecture are for many towns still the top venues for meeting and entertainment. The typology of such public sacred spaces is not only a chapter in the history of British cities but provides findings of wide interest for religion and society.
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Beesley, Mark B. "At the boundary of place : rethinking the provenance of early Christian architecture". Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1165.

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Archaeologists and historians have sought to understand the architecture of the early church using methods common to their respective fields of inquiry. This has included an approach to architecture which classifies buildings according to type and style. Limitations of both method and evidence has led some scholars to conclude that there was no Christian architecture before A.D. 200. This present study intends to broaden the understanding of architecture beyond mere tectonics and realise its significance as a boundary of place with a view toward examining the foundations of early Christian architecture. Boundary and place are primary components of the cosmos within Judaism. The Hebrews came to understand the world according to a concept of holiness manifested as a scheme of circular boundaries ascending into the presence of God, located within the Temple. As an outgrowth of Judaism, the early Church held similar views of place and boundary which gave them an affinity for the Temple. By understanding architecture as a boundary of place we can connect the sacred places and boundaries of the Jews from Creation to the Land and Temple. The Church proclaimed Jesus as God incarnate and Himself the Temple transformed. The traditional view has been that the synagogue was the connecting link between the Church and the Temple, but the origins and role of the synagogue are now doubted. The predominance of the house in the life and ministry of Jesus combined with its prevalence in the NT and the early Christian writers indicates that the Christians understood sacred place in terms of their domestic reality. The house provided not only a strong ligature connecting Church and Temple, it was also an archetype for the Church’s sacred place and developing architectural boundaries.
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LEIVADIOTI, STYLIANI. "SACRED ILLUMINATION: The connection between the built form and the history of the modern Swedish Church". Thesis, KTH, Ljusdesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280037.

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The use of light has always been a vehicle of symbolic meaning and spiritual experience in religious spaces. Depending on culture and religion this use differs, but in any case, the connection between the built form, the architecture and the history makes the relationship with light a compelling issue that is worth exploring. This thesis aims to study the role that light played in the designing of St: Eskilskyrkan church in Sweden, and the way it affected the perception of the architecture and its materials. In order to answer this question, a methodology based on both qualitative and quantitative methods, was generated. Evaluation and discussion of literature review, interviews, survey on perception of light, a comparison between two similar buildings, daylight analysis using lighting software and testing lighting design tools are the key elements to create the guidelines for the lighting design proposal that will be generated in the last part of the thesis. This proposal aims to redevelop the existing illumination of the interior of the church, emphasizing on functionality, on the built form and the enhancement of spiritual experience.
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Kareš, Martin. "Proměny světla a skla v sakrálním prostoru". Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-233218.

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Diversity of today´s castles and its lucid establishment in tradition or on the other hand the unique of its forms calls up questions, the need to look back and the need of reflection. This contribution is focused on phenomenon of sacral space from the point of view of certain type - opened and closed - especially on co-influencing of light and glass as one of themost important attributes of these archepypes influencing the creation of liturgics area composition.
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Martone, Dragani Concetta. "Between Heaven and Earth: Negotiating Sacred Space at the Church of the Certosa di San Martino in Early-Seventeenth-Century Naples". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/200336.

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Art History
Ph.D.
At the beginning of the viceregal era, the Certosa di San Martino, a Carthusian monastery of medieval foundation, experienced a resurgence that culminated in the rebuilding of its church starting in the late 1580s. The new church of the Neapolitan Certosa featured an innovative design and an extensive and complex decorative program that distinguished it from all other churches of the order. This dissertation examines the rebuilding of the church of the Certosa di San Martino as a process deeply rooted in the changing religious culture of the time and one that also reveals the tensions inherent to the redefinition of monastic identity in Post-Tridentine Spanish Naples. The development of the Carthusian project paralleled the institutional re-organization of the order, but it also assumed a unique trajectory aimed at highlighting the role of the white monks and contemplative spirituality in the production of sanctity in Naples. By tracing the evolution of the rebuilding initiative within its proper cultural, religious and social context, I clarify the goals of the patrons and the expectations placed on the artists, and I define the scope of the project according to new parameters of spiritual authority. The reconstruction of the rebuilding process relies on primary sources from the Neapolitan State Archives and on recent historical and archaeological research, in addition to comparative studies. This dissertation challenges the view of Post-Tridentine monastic architecture as a mere response to the new liturgical requirements and sides with more recent interpretations by seeing monastic sacred spaces as dynamic places of exchange, and their designs and decorations as expressions of the spiritual authority of the monastic body they house. The rebuilding of the church of the Certosa di San Martino stands as an important example of the process by which spiritual authority was produced and redirected in Spanish Naples. Since 1973, when the first and only monograph on the art of the Certosa di San Martino was published, studies have been sporadic and limited to the analysis of particular works contained in the church. I analyze the new architectural plan and decoration of the church as fundamentally bound to the transformation of Spanish Naples into a holy city.
Temple University--Theses
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MEASEL, GEOFFREY EDWARD. "DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773.

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Libros sobre el tema "Church architecture Sacred space"

1

Sacred power, sacred space: An introduction to Christian architecture and worship. Oxford: Oxford University Press, 2008.

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2

Chartres: Sacred geometry and mystical space. Edinburgh: Floris, 2003.

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Arhitectura sacră contemporană =: Sacred architecture today. București: Noi Media Print, 2003.

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The Carolingian debate over sacred space. New York: Palgrave Macmillan, 2012.

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1949-, Klein Richard y Armstrong Cara 1969-, eds. A guide to Cleveland's sacred landmarks. Kent, Ohio: Kent State University Press, 1992.

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Klanten, Robert. Closer to God: Religious architecture and sacred spaces. Berlin: Gestalten, 2010.

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Bennett, Vicki. Sacred space and structural style: The embodiment of socio-religious ideology. Ottawa: University of Ottawa Press, 1997.

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Edward, Willis Alfred, ed. Sacred spaces: Los Angeles' historic religious architecture. New York: Princeton Architectural, 2003.

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Nilsén, Anna. Focal point of the sacred space: The boundary between chancel and nave in Swedish rural churches : from Romanesque to Neo-Gothic. Uppsala: Uppsala Universitet, 2003.

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Berger, Robert. Sacred spaces: Historic houses of worship in the City of Angels. [Los Angeles]: Balcony Press, 2003.

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Capítulos de libros sobre el tema "Church architecture Sacred space"

1

Valenti, Rita y Emanuela Paternò. "Imagined Spaces in Church Architectural Furnishings: Solomon’s Temple in Small-Scale Architectural Language". En Advances in Utopian Studies and Sacred Architecture, 203–13. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_17.

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Martínez-Medina, Andrés, Vincenzo Bagnolo y Andrea Pirinu. "The Church of Cristo Re in Cagliari, 1952–1963, G. Genta and S. Panzarasa: Tradition and Modernity in the Architecture of the Central Sacred Space". En Digital Modernism Heritage Lexicon, 259–84. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_12.

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Averna, Marta. "A Unique Space for Different Religions?" En Advances in Utopian Studies and Sacred Architecture, 179–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_15.

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Sheringham, Olivia. "The ‘Brazilian’ Transnational Church: Social Hub and Sacred Space". En Transnational Religious Spaces, 111–46. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137272829_5.

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Helmy, Mona. "Sacred Places: The Interaction Between Space, Time and Faith". En Advances in Utopian Studies and Sacred Architecture, 29–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_5.

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Mary Davalos, Karen. ""The Real Way of Praying": The Via Crucis, Mexicano Sacred Space, and the Architecture of Domination". En Horizons of the Sacred, editado por Timothy Matovina y Gary Riebe-Estrella, 41–68. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501731969-004.

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Tribble, Evelyn B. y Nicholas Keene. "Sacred Space: The Reconfiguring of Cognitive Ecologies in the Parish Church". En Cognitive Ecologies and the History of Remembering, 47–70. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230299498_3.

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Çağaptay, Suna. "Into the Sacred Space: Facing Ayasoluk and Its Gate of Persecutions". En Architecture and Visual Culture in the Late Antique and Medieval Mediterranean, 193–206. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ama-eb.5.124442.

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Marinis, Vasileios. "What Makes a Church Sacred? Symeon of Thessalonike’s Commentary on the Rite of Consecration". En Architecture and Visual Culture in the Late Antique and Medieval Mediterranean, 69–76. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ama-eb.5.124434.

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Magli, Giulio. "Architecture, Astronomy, and Sacred Space: The Case of the Avenue of the Sphinxes". En Sustainable Conservation and Urban Regeneration, 33–39. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65274-0_3.

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Actas de conferencias sobre el tema "Church architecture Sacred space"

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Mele, Maria Grazia Rosaria. "Cagliari capitale e città di frontiera nel Mediterraneo di età moderna: l’utilizzo dello spazio e le mura nelle fonti d’archivio". En FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11547.

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Cagliari capital and frontier city in the Mediterranean of the modern age: the use of space and walls in archival sourcesIn a city already formed in its essential traits, with its historic districts of Castello, Stampace, Villanova and Llapola, the Hispanic Monarchy had a great influence on Cagliari urban structure adapting the defenses to the new war needs, exploiting to the most the internal walls space and encouraging the cultivation of extra moenia areas left in a state of abandonment. Cagliari was a composite city, were the inner integration between Catalans-Aragonese and Sardinians progressively settled and interacted with different ethnicities, as in other urban realities of the Mediterranean frontiers of that time. Through the archive sources (emphyteusis concessions of state property and notarial acts), it is possible to perceive a lively city and locate the sacred and profane places: palaces, streets, squares, fountains, churches and convents are cited as fundamental citizen reference points. The emphyteusis give us an important basic framework which allows us to know both the urban structure and the policy of the Crown at the same time, through the management of the state properties. Notary’s acts integrate these data bringing interesting information on private estates and on architectural characteristics of the realty.
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DE SILVA, WASANA y NISAL AMARAKOON. "SUSTAINABLE CITY GEOMETRIES: SACRED GEOMETRY OF RITUAL SPACE, ARCHITECTURE AND CITY LANDSCAPE IN KANDY, SRI LANKA". En SUSTAINABLE CITY 2020. Southampton UK: WIT Press, 2020. http://dx.doi.org/10.2495/sc200131.

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Bokovenko, Nikolay. "Entrance into the sacred funeral space among the ancient peoples of Middle Yenisei IV–I millenium B. C." En ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-63-70.

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Moreno Hernández, Álvaro, Ana Espinosa García-Valdecasas y María Espinosa García-Valdecasas. "Una iglesia entre hormigón: la puesta en obra de un proyecto docente. *** A church in concrete: the placing of an undergraduate project." En 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7438.

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La ponencia presenta el proceso de una obra singular –una iglesia- concebida en hormigón blanco visto, con una materialidad muy definida y la voluntad de integrarse en una línea contemporánea de arquitectura sacra. Transformar la dificultad en oportunidad se convirtió en el lema del proyecto para poder sortear la crisis iniciada en 2008. Es así como se relata el proceso de renuncias necesarias para su construcción y cómo esta escasez permite recurrir a la experimentación con el hormigón para fabricar los elementos de la liturgia, entre ellos el altar, que se convertirá en la síntesis del proyecto.***The lecture introduces the process of a unique construction –a church- conceived in exposed white concrete, with a very defined texture and with desire to become part of a contemporary line of sacred architecture. Transforming difficulty into opportunity became the projectÅLs motto, to cope with the crisis that started in 2008. This is the narration of the process of renunciations that where necessarily made for its construction, and how this scarcity gave way to the experimenting with concrete to produce some of the elements of the Liturgy, including the altar, which will become the synthesis of the project.
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Lacagnina, Michele, Francesco Petrone y Rosario Sinatra. "Application of a Five-Axis Robot Manipulator to Maintenance Operations". En ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/vib-8400.

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Abstract This paper describes the application of a five-axis manipulator with a particular architecture containing only revolute joints to the performance of maintenance operations on the concrete spire of the “Madonna delle Lacrime” church, in Siracusa, Italy. The kinematics model is derived and a computation of the joint coordinates and their time rates are calculated by the least-squares approximation, as proposed by Angeles. The Newton-Eulero algorithm is implemented for a simulation of the inverse dynamics of a not-simple trajectory in Cartesian space required to perform the maintenance task.
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