Bibliografías temáticas / Comrie

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Literatura académica sobre el tema "Comrie"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 30 de enero de 2023

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Artículos de revistas sobre el tema "Comrie"

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Martaus, Alaine. "Rain Rising by Courtne Comrie". Bulletin of the Center for Children's Books 76, n.º 2 (octubre de 2022): 45. http://dx.doi.org/10.1353/bcc.2022.0454.

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Helmers, H. y W. J. Lustenhouwer. "Grandidierite from the Comrie aureole". Scottish Journal of Geology 24, n.º 3 (marzo de 1988): 245–48. http://dx.doi.org/10.1144/sjg24030245.

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Leake, Bernard Elgey. "Professor John Graham Comrie Anderson, 1910–2002". Proceedings of the Geologists' Association 114, n.º 3 (enero de 2003): 275–78. http://dx.doi.org/10.1016/s0016-7878(03)80021-4.

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Campbell, Lyle. "Review of Comrie (): Language Universals and Linguistic Typology". Studies in Language 15, n.º 1 (1 de enero de 1991): 248–52. http://dx.doi.org/10.1075/sl.15.1.19cam.

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Declerck, Renaat. "From Reichenbach (1947) to Comrie (1985) and beyond". Lingua 70, n.º 4 (diciembre de 1986): 305–64. http://dx.doi.org/10.1016/0024-3841(86)90048-3.

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Hamp, Eric P. "Three brief studies: slovene and albanian". Linguistica 44, n.º 1 (1 de diciembre de 2004): 3–6. http://dx.doi.org/10.4312/linguistica.44.1.3-6.

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Bernard Comrie, in his contribution on the Slavic languages to the volume edit­ ed by J. Gvozdanović (p. 766), reports a fact of particular historical interest. In pre­ senting the forms and behavior of the 'teens amongst the numerals' Comrie states that two accentual patterns apply, an oxytone and a recessive, i.e. -nájst and ÚNIT­ najst. However, he points out that exceptionally in the case of '1l' only enájst the oxy­ tone occurs.
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Morato, Rodrigo Altair, Adriana Leitão Martins y Gisely Gonçalves de Castro. "Interview with Dr. Bernard Comrie: tense, aspect and mood". Scripta 24, n.º 51 (23 de septiembre de 2020): 540–57. http://dx.doi.org/10.5752/p.2358-3428.2020v24n51p540-557.

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Svantesson, Jan-Olof. "RELATIVE CLAUSES IN KAMMU AND THE KEENAN-COMRIE HIERARCHY". Studia Linguistica 40, n.º 1 (junio de 1986): 48–66. http://dx.doi.org/10.1111/j.1467-9582.1986.tb00762.x.

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Degand, Liesbeth. "Review of Comrie & Polinsky (1993): Causatives and Transitivity". Functions of Language 2, n.º 1 (1 de enero de 1995): 98–101. http://dx.doi.org/10.1075/fol.2.1.07deg.

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Camargos, Lidiane Szerwinsk. "As categorias de tempo, aspecto, modo e modalidade em Boróro". Revista Brasileira de Linguística Antropológica 2, n.º 2 (18 de abril de 2013): 241–64. http://dx.doi.org/10.26512/rbla.v2i2.16226.

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Neste artigo apresento uma análise alternativa às propostas de Crowell (1979, Viana (2003a, b) e Nonato (2008) sobre as categorias de tempo, modo, modalidade e aspecto na língua Boróro (Tronco Macro-Jê, Rodrigues, 1986). A análise se baseia principalmente nos trabalhos teóricos de Comrie (1976) e Chung e Timberlake (1985) sobre tempo, nos trabalhos de Vendler (1957), Comrie (1976), Chung e Timberlake (1985) e Desclés e Guentchéva (1997) sobre aspecto e Aktionsart, nos trabalhos de Jespersen (1924), de Chung e Timberlake (1985), e de Palmer (1986) sobre modo e modalidade.
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Tesis sobre el tema "Comrie"

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Prince, Kilu von Verfasser], Manfred [Akademischer Betreuer] [Krifka y Bernard [Akademischer Betreuer] Comrie. "A Grammar of Daakaka / Kilu von Prince. Gutachter: Manfred Krifka ; Bernard Comrie". Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät II, 2012. http://d-nb.info/1026914256/34.

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Prince, Kilu von [Verfasser], Manfred [Akademischer Betreuer] Krifka y Bernard [Akademischer Betreuer] Comrie. "A Grammar of Daakaka / Kilu von Prince. Gutachter: Manfred Krifka ; Bernard Comrie". Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät II, 2012. http://nbn-resolving.de/urn:nbn:de:kobv:11-100204626.

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Park, Jae-Eun [Verfasser]. "Driven by God : Active Justification and Definitive Sanctification in the Soteriology of Bavinck, Comrie, Witsius, and Kuyper / Jae-Eun Park". Göttingen : Vandenhoeck & Ruprecht, 2018. http://www.v-r.de/.

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Park, Jae-Eun. "Driven by God : Active Justification and Definitive Sanctification in the Soteriology of Bavinck, Comrie, Witsius, and Kuyper / Jae-Eun Park". Göttingen : Vandenhoeck & Ruprecht, 2018.

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Kellerman, Aliza C. "Kvetching with Comics: How 20th Century American Comics Reflect the Ashkenazi Ethos of Pride and Shame". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/750.

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One of the most fundamental ways of understanding the struggles and delights of an ethnic group is to study the art the group produces. Art –visual, literary, auditory– functions as an expression of the history of the group. Often, what is considered great art in one culture is disparaged in many others. In my thesis, I will be examining how comics function as an expression of simultaneous pride and shame among Ashkenazi Jews, particularly comics created in the 20th century. Perhaps comics do not seem like an obvious expression of Eastern European Judaism. After all, there are far more renowned, and even sophisticated works to look at, such as the whimsical art of Marc Chagall and stately rabbinical paintings of Isidor Kauffman, or even the heady philosophical work of Theodor W. Adorno. “Ashkenazi expression” and “comics” do not seem intuitively connected. This disconnect is precisely why I want to explore the relationship between comics and Ashkenazi Jewry. In addition to many of the most prominent comic creators being Jewish, I posit that there is something inherently yiddish, Jewish, about American comics. The purpose of this essay is not to name individual comic artists in an attempt to prove the Jewishness of the the comic-book industry. Rather, I will explore why Jews of Eastern European descent gravitated toward the comic-book industry in the early to mid 20th century. I posit that American comics acted as an expression of a pride-shame tension found in American Jews of Eastern European descent. To explore this connection, I will first examine the origins of simultaneous Jewish pride and shame by tracing the roots of Eastern European Jewish self-hatred. Next, I will delve into why comics encapsulate this balance of self-deprecation and self-glorification. I will analyze both the nature of the medium itself, and the circumstances grounding the formation of American comics. Ashkenazi Jews, or Jews of Eastern European, specifically German descent, have been at the center of much scholarly literature. Although an extremely small percentage of the world's population, the bulk of Jews are Ashkenazi, as opposed to Sefardic. Much literature has been devoted to Ashkenazi Judaism, as the ethnic division has produced an impressive body of scientific and literary accomplishment. Although the countries from which Ashkenazi Jews originate are diverse, the key words surrounding Ashkenazi discourse are reoccurring. Concepts such as “exile,” “self-hatred,” and “Jewish humor” all arise. Another central concept is Yiddishkeit. Yiddishkeit literally translates to “Jewishness” in none other but the language of Yiddish. Yiddish has been the subject of both outward Ashkenazi expression –there is a great deal of Yiddish literature and art– and scholarly examination. Perhaps most recently, Michael Wex published a book called Born to Kvetch, an in-detail study of the history of Yiddish, and how it embodies Ashkenazi culture. Within this book, a particular theme appears: the theme of simultaneously occuring pride and shame. Jews created Yiddish as a result of the primary culture's rejection. However, after this initial dismissal, great pride emerged out of Yiddish, manifesting itself in rich Yiddish culture. Other scholars have explored the concept of Jewish self-hatred, and the fine line this self-hatred straddles between bona fide self-hatred and isolationist pride. Sander Gilman, who writes extensively about the topic, discusses how language and literature embody this dichotomous tension of pride and shame. While conducting research for the connection between comics and class in 20th century American, I came to the understanding that many of the founders of and participants in the American comic industry were Jewish. I dug up analyses of specific comics/graphic novels (usually Maus) exploring certain Jewish themes in comics, yet I had a hard time finding extensive research asking the question as to why comics and Jews have such a strong connection. In my thesis, I hope to further this question by not only investigating the circumstances surrounding comics that made Jews turn to the industry, but why comics themselves embody Jewish pride and shame. On a much humbler scale, I hope to accomplish what Wex has in Born to Kvetch, a linguistic analysis that provides insight into the greater ethnic group engaging with it. In chapter one, I will establish the pride-shame dichotomy found in Ashkenazi Judaism. I will first explore several biblical passages, including Lamentations, Micah, and Isaiah. By exploring these instances in the tanach, I will try to establish the uniqueness the Jews feel due to their personal and punitive relationship with God. Throughout these passages, we will see the Jews taking pride in the punishment God doles out for them, because such pain is indicative of the Jews' superiority among other nations. Next, I will provide a brief explanation of why I am choosing to focus on the act of conversion in the Medieval time period as an indicator of Jewish pride and shame. In specific, I will focus on infamous Johannes Pfefferkorn, who converted from Judaism to Christianity. Pfefferkorn is the perfect example of a Jew who both detested his Judaism, yet used it to his advantage to speak authoritatively about Judaism to Christians, as his professed textual knowledge gave him clout. Next, I will give an introduction on the connection between Otherness and language, explaining how Hebrew and the Talmud spurred both fascination and disgust toward Jews from their surrounding neighbors. After segueing into the origins of Yiddish as a language created out of exile, I will explain how though Yiddish originated out of spurning, the language became a source of pride of its rejected roots. I will consider the statements of various Yiddish authors, in particular American immigrant Isaac Bashevis Singer. Through both an analysis of Singer's self-reflection of his own life and an analysis of his short story, Gimpel the Fool, I will establish the pride Ashkenazi Judaism takes in its outsider status. Singer himself remarks of the positivity of being lonely and different. His character, Gimpel, is a foolish outcast. Much like the Jews in the biblical passages explored earlier in the chapter, he suffers constant misfortune and mockery, yet his very pain is what lends him favor in God's eyes. In chapter two, I will explore how 20th century American comics reflect the Ashkenazi dichotomy of pride and shame. Much like Yiddish is not a mainstream language, the idea of comics as mainstream art or literature has been greatly contested. I will try to determine which circumstances surrounding 20th century comics, and the comics themselves, connect with this pride-shame tension. I will use Paul Buhle's Jews and American Comics as a frame of reference, since the book often links comics and Yiddish. I will first give a brief history of the American comic-book, starting with the Hogan's Alley comics strip, and exploring up until the mid 20th century. By understanding the working-class origins of comics, we can better understand the low-brow perception of them from the standpoint of both their readers and their critics. I will then explain how American comics in the 20th century contained Jewish themes of pride and shame, despite their characters not being explicitly Jewish. I will more closely explore this idea through an analysis of the character Superman, drawing on both the commentary from the character's creators and the content clues of the character himself. A true foreigner, Superman masks his real identity, his superhuman powers. While his alias is what makes him exceptional, it is also the thing he abhors the most. Will Eisner, a giant in the world of comics, denies inserting Jewish identity in his own characters. However, his assistant, Jules Feiffer, half-jokingly claimed that his character, Denny Colt, featured in Eisner's The Spirit series, is in actuality a secret Jew. Instead of focusing on Colt and The Spirit, I will do a close reading of one of Eisner's other works, A Contract with God, which is an exemplary work of Jewish pride and shame. Contract contains a motif that is similar to that of the biblical passages analyzed in chapter one. The protagonist, Russian-American immigrant Frimme Hershe, has a personal relationship with God that leaves him demoralized and punished. I will then explore the use of visual stereotype in Contract, comparing it to that of Art Spiegelman's Maus, and contrasting it with that of the film Inglorious Basterds. I will argue that through engaging with Jewish visual stereotypes, the first two reveal them as falsehoods. Thus, through an admittance of these shamed images, the comics mock them. The latter film chooses to ignore stereotypes, thus leaving them extant. I will conclude the chapter by positing that Jews have coped with their constant exile through through the self-deprecation of comics. Buhle mentions that comics about Jewish-American gangsters turned into a source of pride, presumably for Ashkenazi American Jews. The trope, hated by others, was lauded by those it was forced upon. Much like Yiddish, comics may have been born out of exclusion, but they came to be a source of pride among Ashkenazi Jews.
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MOHAMMAD, ZADEHVADGHA ALIREZA. "Transport combine". Nantes, 1989. http://www.theses.fr/1989NANT4005.

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L'aspect technique economique du transport combine, la conteneurisation le conteneur et ses caracteristiques, le ferroutage et ses differentes techniques; la technique porte-barge, technique de transroulage, le navire roulier, technique de translevage: le navire porte-conteneurs, le conteneur aerien. La conteneurisation et les pays en voie de developpement. Les aspects juridiques du transport combine, le document de transport combine, l'entrepreneur de transport combine, le commissionnaire de transport en droit francais, le regime juridique du transport combine, la notion de colis, la clause "said to contain", le conteneur en pontee, le regime unique de responsabilite pour l'etc, la liberte contractuelle. Systemereseau, systeme uniforme, le fondement de la responsabilite, l'assurance et le systeme de responsabilite, le systeme de responsabilite instaure par la convention de geneve du 24 mai 1980
The economic technical aspect of international transportation, the containerisation, the container and its characteristics, rail and road transportation and its varioustechniques, the "porte-barge" technique, the roll-on technique, the roll-on-roll-off ship, lift technique, the container ship, the containerfor air transportation. The containerisation and 3rd world countries. The juridical aspects of intermodal transportation, the intermodal transportation document, the intermodal transportation entrepreneur, the transportation commissionary in frenchlaw, the juridical system of intermodal transportation, the notion of "package", the "said to contain" clause, the container on deck, the sole system of responsability for etc (itc), contractual liberty, network system, uniform system, the basis of responsability, insurance and the system of responsability, the system of responsability created by the geneva convention on may 24th, 1980
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7

El, Boustany Rita. "Le compte joint". Paris 2, 2010. http://www.theses.fr/2010PA020024.

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L’étude pratique et théorique du compte joint conduit à révéler la singularité de cette institution bancaire mais aussi met-elle en jeu diverses branches du droit conduisant ainsi à l’interférence d’un amalgame de règles imprégnant son ouverture, sa vie et sa clôture. Perçu initialement comme un outil de fraude fiscale, le compte joint, armé d’une souplesse et d’une efficacité indéniables, a quand même survécu à toute accusation et s’est imposé comme un compte ordinaire des particuliers malgré les différentes perturbations dont sa mise en œuvre est susceptible d’engendrer. Marqué par l’influence du droit commun, ce compte puise son fondement dans les dispositions du Code civil. Ainsi est-il basé sur la solidarité active régie par les articles 1197 et suivants dudit code. Essence même du compte joint, cette modalité de l’obligation doit être expressément stipulée. Elle permet à chaque titulaire de faire fonctionner le compte sous sa seule signature même suite au décès d’un autre. Mais elle n’a d’incidences que dans les rapports de la banque avec les cotitulaires. Les rapports de ces derniers entre eux restent définis par la convention qui les unit. Créanciers solidaires à l’égard de la banque en cas de solde créditeur, les cotitulaires se trouvent débiteurs solidaires en cas de solde débiteur : la solidarité passive étant en général expressément stipulée parallèlement à la solidarité active. Ressortant de la catégorie des comptes collectifs, le compte joint est également caractérisé par la cotitularité. Il ne perd pour autant pas son unité : les cotitulaires étant réunie au sein d’une même partie à un acte unique. Il existe, en effet, un seul acte et il est conjonctif.
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Ali, Ahamada. "Le droit maritime comorien : étude de droit comparé : droit français / droit comorien". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01D020/document.

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Aux Comores, le droit maritime est une discipline qui, depuis longtemps, est restée dans le flou. Les textes internes qui étaient censés régir le droit maritime aux Comores étaient presque inconnus et difficilement trouvables. Ces textes hérités de la France, mériteraient d'être amendés ou remplacés par de nouvelles dispositions tenant compte des réalités et de normes internationales. A ce jour, le pays n'a adhéré à aucune des conventions internationales en vigueur régissant le droit maritime international. Il est en manque cruel de spécialistes en droit maritime, alors que les différends dans ce domaine ne cessent d'augmenter. Plusieurs zones d'ombre et de non-droit planent sur les questions relatives au droit maritime. en nous référant au droit français avec lequel le droit comorien entretient toujours d'étroites relations, cette thèse a pour objectif principal de revisiter le droit maritime comorien afin d'en déceler les lacunes et les originalités, dans la perspective de pouvoir proposer une réforme d'ensemble du droit maritime comorien
In the Comoros, the maritime law is a discipline which, for a long time, remained in the blur. The internal texts whiwh were supposed to govern the maritime law to the Comoros were almost inknown and not easily findable. These texts inherited France, would deserve to be amended or replaced by new provisions taking account of realities and the international standards. To date, the country adhered to none international conventions in force governing the international maritime law. It is in cruel lack specialists in maritime law, whereas the disagreements in this field do not cease increasing. Several not-right and remote regions plane on the relative questions with the maritime law. While referring to us with the French right with the Comotian Right maintains still and always close relations, this thesis aims main aim to revisit the Comorian maritime law in order to detect the gaps and the originalities of them, with a view to be able to propose an overallreform of the Comorian maritime law
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Narvaez, Annelise. "Plaute et la question du genre comique". Thesis, Normandie, 2017. http://www.theses.fr/2017NORMR144.

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Plaute est l'un des deux seuls auteurs latins dont des pièces entières aient été conservées : le corpus plautinien reste toutefois un ensemble problématique car les manuscrits ne nous ont transmis, sur les 130 circulant sous le nom de Plaute dans l'Antiquité, que vingt-et-une pièces, identifiées au Ier siècle avant J.-C. par le grammairien Varron comme étant caractéristiques de Plaute. Il n'est pas douteux que ces pièces du corpus plautinien soient des comédies car c'est dans le cadre rituel et ludique propre aux comédies que le poète les a fait représenter. Les pièces elles-mêmes évoquent par ailleurs à plusieurs reprises, dans leur texte, cette appartenance au genre de la comoedia. Il peut alors être intéressant de s'interroger sur ce genre théâtral : Plaute le revendique clairement comme cadre d'inscription de ses pièces, mais le genre comique semble jouer dans ses comédies une fonction supplémentaire. Notre travail cherche à interroger la spécificité du rapport de Plaute à la comédie, et met pour cela en lumière les différents moyens par lesquels la comédie plautinienne se désigne comme théâtre et plus spécifiquement comme comédie. La métathéâtralité, ou le fait de se désigner comme théâtre, apparaît alors comme un procédé ludique, qui cherche à jouer avec le spectateur et à susciter le rire. Notre travail vise également à montrer que certaines comédies de Plaute se constituent spécifiquement comme comédies à travers un jeu sur les genres littéraires de l'épopée et de la tragédie : Plaute proposerait ainsi ce que l'on peut appeler une métapoétique du genre comique
Plautus is one of the only two Roman playwrights whose plays have been preserved. However, the Plautinian corpus remains a problematic object : among the 130 plays that circulated under Plautus' name in the Antiquity, only 21 have been transmitted to us – those identified by the grammarian Varro in the 1st century BC as characteristic of Plautus. No doubt that these plays belonging to the Plautinian corpus are comedies, for the poet had them performed as comedies in the ritual context of the ludi. Moreover, the text of the plays themselves, on various occasions, mentions them as belonging the the genre of the comoedia. For those reasons, it can be interesting to question the dramatic genre : Plautus claims it as a framework for his plays, but the comic genre seems to play a further part in his comedies. This work aims at questionning Plautus' relationship to comedy : to do so, it lights up the various means through which Plautinian comedy shows itself as theatre in general, and as comedy in particular. Metatheatre – the explicit self-consciousness of being theatre – thus appears as a ludic process which tries to play with the audience and to trigger laughter. This works also aims to demonstrating that some of Plautus' comedies draw their comic specificity from playing on the epic and tragic genres. One could talk about Plautus of a metapoetics of the comic genre
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Schemper, Janel K. "Efficiency of combine usage: a study of combine data comparing operators and combines to maximize efficiency". Thesis, Kansas State University, 2014. http://hdl.handle.net/2097/17738.

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Master of Agribusiness
Department of Agricultural Economics
Vincent Amanor-Boadu
Farming is an important industry in the United States. The custom harvesting industry plays a major role in feeding the world. Schemper Harvesting is a family-owned and operated custom harvesting service that employs 20-25 seasonal workers and understanding how to manage a custom harvesting business professionally and efficiently is the key for its success. Today, there is data available through JDLink on John Deere combine performance beginning in year 2012. The purpose of this study is to examine the usefulness of this JDLink data to assess the efficiency of each of Schemper Harvesting’s seven combines, including machine efficiency and different combine operators. The goal is to determine how the data can improve Schemper Harvesting’s overall performance. Statistical methods were used to analyze Schemper Harvesting’s performance. The analysis indicated that fuel is a major expense and there are ways Schemper Harvesting can conserve fuel. This information may prove valuable in being able to operate a combine more efficiently and save money on expenses. Overall, the objective is to improve Schemper Harvesting’s performance, which results in higher profit without sacrificing quality. Precision technology is an added expense to the business. Being able to justify this expense with profit is the answer. Fuel, labor and machinery are the biggest inputs in the custom harvesting business. These costs related to production agriculture have increased the demand for precision agriculture to increase efficiency and profitability. In order to compensate for the investment in technology, it has been demonstrated that it pays for itself. Making correct use of precision technology adds to productivity. With experience, operators improve increasing their overall efficiency. Incentive plans can be utilized through this data. With the availability of data, the costs and benefits of precision technology can be further evaluated. Five of the seven combines are operated by family members and the other two by non-family employees. This study shows that the performance of the non-family employees was below that of family members. The initial assessment for this difference may be attributed to experience because all the family members have been operating combines for most of their lives. This implies that employing people with excellent performance experience records and/or a need to train non-family employees to help them understand the performance expectations at Schemper Harvesting. The results indicate that tracking operational output performance indicators, such as acreage and volume harvest should be completed so that they may be assessed in concert with the technical indicators such as time and fuel use. The study provides the potential benefits of using John Deere’s JDLink data service providing telematics information for its customers with the latest precision agriculture technologies.
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Libros sobre el tema "Comrie"

1

Hardie, James. Comrie characters and cameos. Edinburgh: Cleek Publications, 2001.

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Hardie, James. Comrie smiddy: It's birth, work and death. Edinburgh: Cleek, 1999.

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3

Miller, James. Bygone Comrie: Memories of the Comrie area and its personalities in the days before the First World War. [S.l.]: [s.n.], 1998.

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Booth, C. Gordon. Brothers of the broom: History of Comrie Curling Club. Comrie: Read-Books, 1999.

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1947-, Comrie Bernard, Corbett Greville G y Noonan Michael, eds. Case and grammatical relations: Studies in honor of Bernard Comrie. Philadelphia: John Benjamins Pub. Company, 2008.

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Miller, Carol. More bygone Comrie: A tale of two cottages and other local history stories. [S.l.]: [s.n.], 2002.

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Howard, Terris Clifton. Anderson families of Invergeldie, Comrie, Perthshire, Scotland and the Fisher, McCallum & Wallace families. Seattle: Terris C. Howard, 2003.

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Board, Perthshire Tourist. Your guide to Crieff, Comrie & Strathearn: Where the magic of the Highlands begins. Perth: Perthshire Tourist Board, 2003.

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Orkney, J. C. Dalginross, Comrie,Perthshire: An investigation and survey by dowsing of an 18-hut Bronze Age settlement. Stirling: the author, 2002.

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Graafland, C. Van Calvijn tot Comrie: Oorsprong en ontwikkeling van de leer van het verbond in het Gereformeerd Protestantisme. Zoetermeer: Boekencentrum, 1992.

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Capítulos de libros sobre el tema "Comrie"

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Croarken, Mary. "Comrie, Leslie John". En Biographical Encyclopedia of Astronomers, 451–53. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_296.

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Chinnici, Ileana, James M. Lattis, Mariafortuna Pietroluongo, Roberto Torretti, Marco Murara, Giancarlo Truffa, Thomas R. Williams et al. "Comrie, Leslie John". En The Biographical Encyclopedia of Astronomers, 245–47. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_296.

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Fusellier-Souza, Ivani. "12. Multiple Perspectives on the Emergence and Development of Human Language: B. Comrie, C. Perdue and D. Slobin". En Comparative Perspectives on Language Acquisition, editado por Marzena Watorek, Sandra Benazzo y Maya Hickmann, 223–41. Bristol, Blue Ridge Summit: Multilingual Matters, 2012. http://dx.doi.org/10.21832/9781847696045-014.

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Gill, Libby. "Commit". En Capture the Mindshare and the Market Share Will Follow, 29–52. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1007/978-1-137-51045-7_3.

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Kaindl, Klaus. "Comics in translation". En Handbook of Translation Studies, 36–40. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/hts.1.comi1.

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Bährle-Rapp, Marina. "combine(d)". En Springer Lexikon Kosmetik und Körperpflege, 126. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_2347.

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Heuss, Theodor. "»Commis Voyageur«". En Anton Dohrn, 158–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-76347-2_21.

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Kroker, Arthur, Marilouise Kroker y David Cook. "Panic Commies". En Panic Encyclopedia, 76–77. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19946-4_17.

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Brusan, Altay y Aytac Durmaz. "Commit Reforming". En Git for Electronic Circuit Design, 165–81. Berkeley, CA: Apress, 2022. http://dx.doi.org/10.1007/978-1-4842-8124-6_4.

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Sharrad, Paul. "Comrade Kirillov". En Reading India in a Transnational Era, 89–101. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003195801-9.

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Actas de conferencias sobre el tema "Comrie"

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Keršič, Vid. "Interactive Evolutionary Computation Approach to Permutation Flow Shop Scheduling Problem". En 7th Student Computer Science Research Conference. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-516-0.8.

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Artificial intelligence and its subfields have be-come part of our everyday lives and eÿciently solve many problems that are very hard for us humans. But in some tasks, these methods strug-gle, while we, humans, are much better solvers with our intuition. Because of that, the ques-tion arises: why not combine intelligent methods with human skills and intuition? This paper pro-poses an Interactive Evolutionary Computation approach to the Permutation Flow Shop Schedul-ing Problem by incorporating human-in-the-loop in MAX-MIN Ant System through gamification of the problem. The analysis shows that combin-ing the evolutionary computation approach and human-in-the-loop leads to better solutions, sig-nificantly when the complexity of the problem in-creases.
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Sheehan, Shane, Masood Masoodian y Saturnino Luz. "COMFRE". En AVI '18: 2018 International Conference on Advanced Visual Interfaces. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3206505.3206547.

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Akpınar, Kutalmış, Trevor Ballard, Kien A. Hua, Kai Li, Sansiri Tarnpradab y Jun Ye. "COMMIT". En MMSys'17: Multimedia Systems Conference 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3083187.3084022.

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Verma, Rohit, Surjya Ghosh, Mahankali Saketh, Niloy Ganguly, Bivas Mitra y Sandip Chakraborty. "Comfride". En RecSys '18: Twelfth ACM Conference on Recommender Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3240323.3240359.

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Wang, Tengjiao, Shiwei Tang, Dongqing Yang, Jun Gao, Yuqing Wu y Jian Pei. "COMMIX". En the 2002 ACM SIGMOD international conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/564691.564774.

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Ananthanarayanan, Ganesh, Venkata N. Padmanabhan, Lenin Ravindranath y Chandramohan A. Thekkath. "COMBINE". En the 5th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1247660.1247693.

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Doudali, Thaleia Dimitra y Ada Gavrilovska. "CoMerge". En MEMSYS 2017: The International Symposium on Memory Systems, 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3132402.3132418.

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Gurukar, Saket, Sayan Ranu y Balaraman Ravindran. "COMMIT". En SIGMOD/PODS'15: International Conference on Management of Data. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2723372.2737791.

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Goldman, Shelley y Molly Bullock. "Comic creation, comic relief". En IDC '13: Interaction Design and Children 2013. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2485760.2485835.

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Steff, Maximilian y Barbara Russo. "Commit graphs". En 2013 1st International Workshop on Data Analysis Patterns in Software Engineering (DAPSE). IEEE, 2013. http://dx.doi.org/10.1109/dapse.2013.6603798.

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Informes sobre el tema "Comrie"

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Scharffscher, Kristin Sørung. Fighting pandemics with enhanced risk communication: Messages, compliance and vulnerability during the COVID-19 outbreak (PAN-FIGHT): Summarised findings and recommendations. University of Stavanger, noviembre de 2022. http://dx.doi.org/10.31265/usps.256.

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This report is a product of the research collaboration project Fighting pandemics with enhanced risk communication: Messages, compliance and vulnerability during the COVID-19 outbreak (PAN-FIGHT). Project initiator and coordinator is The University of Stavanger, and main project partner institutions are the University of Geneva, Mid-Sweden University, King’s College London and DIALOGIK Germany. PAN-FIGHT is funded by the Research Council of Norway and has run from August 2020 to September 2022. Summarised findings and recommendations has been written and edited by Kristin S. Scharffscher with contributions from Ole Andreas Engen, Claudia Morsut, Mathilde Bourrier, Emma Comrie, Farnaz Mahdavian, Michael Deml, Evangelia Petridou, Jörgen Sparf, Frederic E. Bouder, Matan Shapiro, Darrick Evensen, George Warren, Sanjana Arora, Hilda Mjøll Gunnarsdottir, Susanna Öhman, Siri Wiig and Olena Koval.
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Hite, John E. y Jr. Comite River Diversion, Comite River, Louisiana: Hydraulic Model Investigation. Fort Belvoir, VA: Defense Technical Information Center, junio de 1994. http://dx.doi.org/10.21236/ada282507.

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Koons, H. C. y R. L. Walterscheid. Lightning Launch Commit Criteria. Fort Belvoir, VA: Defense Technical Information Center, febrero de 1996. http://dx.doi.org/10.21236/ada305539.

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Contessi, Silvio y Pierangelo De Pace. Do European Capital Flows Comove? Federal Reserve Bank of St. Louis, 2008. http://dx.doi.org/10.20955/wp.2008.042.

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Smith, Tyler Barratt y James Thomas Perry. Dual compile strategy for parallel heterogeneous execution. Office of Scientific and Technical Information (OSTI), junio de 2012. http://dx.doi.org/10.2172/1121974.

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Hanna, H. Mark y Darren H. Jarboe. Combine Cleanout for Identity-Preserved Grain Production. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-1846.

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Adams, R. C., R. S. Abramo, J. L. Parra y J. F. Moore. COMWIN Antenna System Fiscal Year 2000 Report. Fort Belvoir, VA: Defense Technical Information Center, septiembre de 2000. http://dx.doi.org/10.21236/ada384619.

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Sarkar, Vivek y John Hennessy. Compile-Time Partitioning and Scheduling of Parallel Programs. Fort Belvoir, VA: Defense Technical Information Center, enero de 1987. http://dx.doi.org/10.21236/ada177641.

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Kesselman, Carl y Marry Hall. Combining Interprocedural Compile-Time and Run-Time Parallelization. Fort Belvoir, VA: Defense Technical Information Center, mayo de 1999. http://dx.doi.org/10.21236/ada363906.

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Hinrichs, Susan. A Compile Time Model for Composing Parallel Programs. Fort Belvoir, VA: Defense Technical Information Center, abril de 1994. http://dx.doi.org/10.21236/ada278896.

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