Bibliografías temáticas / Contemporary art

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  1. Artículos de revistas
  2. Tesis
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Literatura académica sobre el tema "Contemporary art"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Contemporary art"

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Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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Kesarwani, Sachin. "IN THE CONTEXT OF CONTEMPORARY INDIAN ART-CONTEMPORARY ART." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 281–84. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3755.

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English: The overall development of art is part of the historical, social process. The artist establishes new dimensions through innovative experiments. In present times, not only in India but in the whole world, experimentism can be clearly marked. As change is a continuous process that exists from time to time in which the prevailing beliefs go on being accepted by generations. But a thoughtful conscious community rejects those beliefs and leads the society towards a new direction and new values. This is where change starts, as fast as the meanings of life are changing, the art is changing a
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Oguibe, Olu, and Nicole Guez. "L'Art Africain Contemporain/Contemporary African Art: Guide." African Arts 30, no. 1 (1997): 91. http://dx.doi.org/10.2307/3337485.

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Oh, Younjung. "Two Approaches to Discussing Japanese Contemporary Art : Japan’s Contemporary Art or the Art of Contemporary Japan." Journal of Korean Modern & Contemporary Art History 46 (December 31, 2023): 119–43. http://dx.doi.org/10.46834/jkmcah.2023.12.46.119.

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Sladkova, Hanka. "Framing Contemporary Art." International Journal of Communication and Linguistic Studies 12, no. 2 (2015): 15–27. http://dx.doi.org/10.18848/2327-7882/cgp/v13i02/43649.

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Herwitz, Daniel, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Journal of Aesthetics and Art Criticism 50, no. 3 (1992): 265. http://dx.doi.org/10.2307/431243.

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Mirfenderesky, Jamshid, Stephen Bann, and William Allen. "Interpreting Contemporary Art." Circa, no. 58 (1991): 39. http://dx.doi.org/10.2307/25557645.

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Belik, Eva, and Matthew Cullerne Bown. "Contemporary Russian Art." Leonardo 23, no. 4 (1990): 447. http://dx.doi.org/10.2307/1575353.

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Cooper, John, Stephen Bann, and Willian Allen. "Interpreting Contemporary Art." Leonardo 24, no. 5 (1991): 631. http://dx.doi.org/10.2307/1575685.

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Ezra, Kate, and Sidney Littlefield Kasfir. "Contemporary African Art." African Arts 34, no. 1 (2001): 11. http://dx.doi.org/10.2307/3337728.

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Tesis sobre el tema "Contemporary art"

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Fouquet, Monique. "Contemporary art/contemporary pedagogy : interrupting mastery as paradigm for art school education." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31304.

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Contemporary art/contemporary pedagogy: interrupting mastery as paradigm for art school education is a narrative exploration of artistic and pedagogical practices within the specific context of post-secondary art school education in stand alone art schools as opposed to a university art department. This study considers the following three primary questions: How can art school education better reflect postmodern cultural production? What are some of the ways in which pedagogical practice disrupts the monolithic model of mastery? How can art school pedagogy be re-oriented away from an overly det
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Mokhtabad-Amrei, Seyed Abdolhossein. "Iranian contemporary art music." Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500084.

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Chalker, Melissa Grace. "Contemporary Non-objective Art." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18614.

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My project, Contemporary Non-objective Art, is a practice-led investigation into the dominant narratives surrounding non-objective or abstract art, and how they can be revisited and reimagined. This project aims to challenge typical and chronological ideologies that have defined non-objective art and to demonstrate a new outlook. Particularly by demonstrating how theatricality in art can be embraced, filling the work with both irony and symbolic weight. Throughout this project I use the term “non-objective art” as a way of describing and focusing on the aesthetic and technical elements of my
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Meneses, Romero Mariana. "Women cooking art : hospitality and contemporary art practices." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20638/.

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This thesis examines the notion of hospitality in light of contemporary food-based artistic practices created from 2000 to 2015 by female artists Sonja Alhauser, Mary Ellen Carroll, Leah Gauthier, Ana Prvacki, Alicia Rfos, Jennifer Rubel I, Miriam Si mun, and Anna Dumitriu, and the experimental food artists Sam Bompas and Harry Parr. The aim is to make sense of how food practices, art, and feminism intersect, especially in light of the gendered history of the food system, including cooking, when opened onto a philosophically developed notion of hospitality. I explore the intricacies of hosting
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Lagana, Louis. "Prehistoric Malta and contemporary art." Thesis, Loughborough University, 2005. https://dspace.lboro.ac.uk/2134/7718.

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Malta, a small island in the middle of the Mediterranean is extremely rich in its Prehistoric archaeological heritage. Local and also foreign artists were and continue to be fascinated and influenced by prehistoric art during the course of their careers. This thesis demonstrates the ways in which contemporary artists interpret Neolithic symbolism, particularly the images of Neolithic Goddesses found in various temples on the islands. The well preserved state of the Maltese Temples and their artefacts, and their beauty, still stimulate the imagination of artists to create works of art that show
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Hill, Katie. "On relocating contemporary Chinese art." Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401481.

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Owen, Evelyn. "Geographies of contemporary African art." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/18143.

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This thesis explores how the art world negotiates what contemporary African art means, in the context of the international contemporary art system and in relation to the histories of Western perspectives on Africa. Using conceptual and methodological approaches drawn from cultural geography, it examines the field of contemporary African art, foregrounding the terms of negotiation framing contested geographical imaginations and ideas of Africa. The research considers curatorial practices, exhibitions, art institutions, networks and the wider art infrastructure as an arena in which geographical
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Withey, Andrew. "Contemporary, emigrant, Middle Eastern art." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/44734/.

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The thesis focuses on those artists who have emigrated from their Middle East homelands since the middle of the Twentieth Century. The first Chapter proposes that the artists form an identifiable group, through the use of common themes deriving from their heritage. The second chapter debates if Post-Colonial theories of alienation, hybridity and ‘third space' are useful concepts and tools for these artists. The last chapter discusses the different approaches to the concept of universalism, which is frequently used in the presentations of the work of these artists. Chapter One identifies the th
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Tanchio, Paul Albert. "Transcultural aesthetics and contemporary art." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10225.

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‘Transcultural aesthetics’, in Proceedings of the Pacific Rim Conference in Transcultural Aesthetics (1998), is a generic term used by comparative philosophers and aestheticians to denote a theoretical assessment of distinctive applied aesthetic concepts and experience of cultures. This thesis is concerned with transcultural art and transcultural aesthetics, and it uses the argument put forward by comparative philosopher and aesthetician Eliot Deutsch, in his On Truth: An Ontological Theory (1979), that its practitioners’ distinctive art forms, especially Anselm Kiefer, Imants Tillers, John Y
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Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual a
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Libros sobre el tema "Contemporary art"

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Muteba, Luntumbue Toma, Poinas Claire, and Musée royal de l'Afrique centrale., eds. ExitCongoMuseum: Hedendaagse kunst = art contemporain = contemporary art. Koninklijk Museum voor Midden-Afrika, 2001.

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(Auctioneers), Phillips New York. Contemporary art. Phillips Auctioneers, 2000.

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Sotheby, Parke-Bernet, London. Contemporary art .... Sotheby's, 1989.

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Sotheby's (Firm). Contemporary art. Sotheby's, 2003.

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Sotheby's (Firm). Contemporary art. Sotheby's, 2001.

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Phillips Son & Neale (New York, N.Y.), ed. Contemporary art. Phillips, 1999.

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Sotheby, Parke-Bernet, London. Contemporary art ... . Sotheby's, 1989.

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Sotheby, Parke-Bernet, London. Contemporary art .... Sotheby's, 1989.

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(Firm), Sotheby's, ed. Contemporary art. Sotheby's, 1997.

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Honnef, Klaus. Contemporary art. BenediktTaschen, 1988.

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Capítulos de libros sobre el tema "Contemporary art"

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Ting Wing Yan, Vivian, and Ying Yan. "Curating contemporary art." In Curating Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-21.

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Castellano, Carlos Garrido. "Caribbean contemporary art." In Global Art Markets. Routledge, 2024. http://dx.doi.org/10.4324/9781003400868-11.

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Makhoul, Bashir. "Contemporary Palestinian Art." In Routledge Handbook on Palestine. Routledge, 2024. http://dx.doi.org/10.4324/9781003031994-33.

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Birbragher-Rozencwaig, Francine. "Contemporary Cuban Art." In Essays on 20th Century Latin American Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-4.

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Vogel, Sabine B. "Global Art and Contemporary Art." In Edition Angewandte. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-7091-0251-0_9.

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Hay, Penny. "Contemporary art and children's art." In Teaching Art Creatively. Routledge, 2022. http://dx.doi.org/10.4324/9781315691114-3.

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Bleicher, Steven. "Color in Fine Art." In Contemporary Color, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003242741-9.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_20.

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Krysa, Joasia. "The politics of contemporary curating." In Curating Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-60.

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Potts, John. "Displacement in Contemporary Art." In The Handbook of Displacement. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47178-1_47.

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Actas de conferencias sobre el tema "Contemporary art"

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Sandholm-Bark, Julianna. "LEARNING THROUGH ART: EXPERIENTIAL APPROACHES TO TEACHING CONTEMPORARY ART." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.0237.

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Yang, Bingjie. "Female Art in Chinese Contemporary Art." In 2021 International Conference on Education, Language and Art (ICELA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.179.

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Partin, Laura. "�DECEPTION� IN CONTEMPORARY ART." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s15.52.

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Wands, Bruce. "The Engagement of Digital Art with Contemporary Art." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.69.

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Livatino, Salvatore. "Virtual Museum of Contemporary Art." In 17th International Conference on Artificial Reality and Telexistence (ICAT 2007). IEEE, 2007. http://dx.doi.org/10.1109/icat.2007.55.

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Chistyakova, Olga. "Postmodern Philosophy and Contemporary Art." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.26.

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Kabronska, Joanna. "CONTEMPORARY ART AND CIVIC ENGAGEMENT." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/6.3/s12.015.

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Barchugova, Elena, and Natalia Rochegova. "Contemporary Art and the City." In 4th International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2022). Athena International Publishing B.V., 2023. http://dx.doi.org/10.55060/s.atssh.221230.050.

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Tarasyuk, I. I. "The development of contemporary art." In CULTURE AND ART: DEVELOPMENT TENDENCIES OF SCIENTIFIC TRENDS. Baltija Publishing, 2025. https://doi.org/10.30525/978-9934-26-545-7-12.

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Wands, Bruce. "CREATING CONTINUITY BETWEEN COMPUTER ART HISTORY AND CONTEMPORARY ART." In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.21.

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Informes sobre el tema "Contemporary art"

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Van Eck, Steve. Neighborhood Economic Impacts of Contemporary Art Centers. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6319.

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Fleming, Brian P. Hybrid Threat Concept: Contemporary War, Military Planning and the Advent of Unrestricted Operational Art. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada545789.

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Johnson, Joann. The treatment of the concept of impersonation within the art of oral interpretation : a contemporary perspective. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5503.

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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the
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Plessi, Fabrizio, Celestino Soddu, and Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.
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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impress
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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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Sweeney, Liam. Free for All: Contemporary Arts Museum Houston. Ithaka S+R, 2018. http://dx.doi.org/10.18665/sr.308086.

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Sweeney, Liam. Free for All: Contemporary Arts Museum Houston. Ithaka S+R, 2018. http://dx.doi.org/10.18665/sr.309177.

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