Bibliografías temáticas / Contemporary Film

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Literatura académica sobre el tema "Contemporary Film"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "Contemporary Film"

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Barnes, Heather L. "Digital Curation and Contemporary Documentary Filmmaking." Preservation, Digital Technology & Culture 51, no. 4 (2022): 141–54. http://dx.doi.org/10.1515/pdtc-2022-0021.

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Abstract Documentary films have evolved considerably since 1922s Nanook of the North. Fans of nonfiction now stream multi-episode documentaries on platforms like Netflix or catch a feature at one of many documentary-centered film festivals around the world. Inexpensive video cameras and internet distribution have expanded the documentary film universe exponentially. From 1-min films to feature-length theater releases, moviegoers around the world have embraced this diverse and growing genre. To the benefit of aspiring filmmakers, documentaries can now be filmed on a wide array of digital video
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Morozova, Irina V. "American Biopic in Contemporary Cinema." Journal of Flm Arts and Film Studies 8, no. 1 (2016): 105–14. http://dx.doi.org/10.17816/vgik81105-114.

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Biopic has recently become a leading genre in the world film industry. These films are especially popular in the USA. It is the dominant and most influential trend in the modern American film production. The article analyses American biopic conventions, defines the stages of its evolution and basic types, categorizes its characters.
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Kuang, Yuxuan. "The Interpretation of Contemporary “New Mainstream” Cinema." SHS Web of Conferences 148 (2022): 02013. http://dx.doi.org/10.1051/shsconf/202214802013.

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The new mainstream film is an upgraded version of the main theme film, which is more commercial, entertaining and popular. The themes are more extensive, and the casting is bolder and more grounded. Nowadays, the rise of new mainstream films also means that Chinese films have embarked on a new journey. A new type of film that combines artistry and commercialism skillfully has its unique advantages from both artistic and commercial perspectives.
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Murray, Jonathan. "Contemporary Scottish Film." Irish Review (1986-), no. 28 (2001): 75. http://dx.doi.org/10.2307/29736045.

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Miao, Zheng. "Fragmented viewing of movies in contemporary society." Journal of Education, Humanities and Social Sciences 3 (September 22, 2022): 117–28. http://dx.doi.org/10.54097/ehss.v3i.1556.

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With the popularity and rapid development of the Internet, online video has played a very important role in promoting film and television communication. On the basis of online video, the rise of the short video industry has also brought about a huge change in people's movie habits. The fragmented aesthetics of movies are increasingly prominent under the influence of digital technology. The effects stemming from market forces are particularly profound. Marketization requires film production to take into account the types of audiences and to take care of the audience's spiritual fragments, and t
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Kelly, Brendan D. "Psychiatry in contemporary Irish cinema: a qualitative study." Irish Journal of Psychological Medicine 23, no. 2 (2006): 74–79. http://dx.doi.org/10.1017/s0790966700009617.

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AbstractObjective: Media portrayals of mental illness and psychiatry have a considerable impact on public perceptions of mental health issues. This paper aims to focus on portrayals of psychiatry and psychiatrists in four contemporary Irish feature films in order to make wider points on this theme.Methods: Contemporary Irish feature-films that made substantial reference to psychiatry, psychiatrists or mental health in Ireland were identified though electronic searches and consultation with the Film Institute of Ireland. Selected films were viewed. Electronic searches were performed in the medi
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Slattery, James Lawrence. "Matthew Holtmeier (2019) Contemporary Political Cinema." Film-Philosophy 23, no. 3 (2019): 399–402. http://dx.doi.org/10.3366/film.2019.0124.

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Ivanova, L. S. "INTERACTIVITY IN CONTEMPORARY FILM." Digitalization 2, no. 3 (2021): 38–46. http://dx.doi.org/10.37993/2712-8733-2021-2-3-38-46.

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Halle, Randall. "Re-imagining the German East: Expulsion and Relocation in German Feature and Documentary Film." German Politics and Society 31, no. 4 (2013): 16–39. http://dx.doi.org/10.3167/gps.2013.310402.

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Film history marks the various transformations in the material and imaginative relations between Germans and Poles in the postwar era. This article explores how film—the primary contemporary vehicle for imaginative communities—has played an important role in envisioning various spatial relationships, as well as the political and cultural shifts in the general population of Germany, West and East, and Poland. The article surveys the representation of flight and expulsion from the East first in the fictional feature film and then in the documentary genre. It then turns to contemporary production
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Vital, Feofania Yu. "Emotional Influence on the Viewer in Contemporary American Cinema." Journal of Flm Arts and Film Studies 8, no. 1 (2016): 91–104. http://dx.doi.org/10.17816/vgik8191-104.

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The article studies the methods and means used in modern American film drama to control the audiences emotional state, sorting out the major techniques of such control as exemplified by specific films. The main focus is on the catharsis as the key moment of watching a film.
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Tesis sobre el tema "Contemporary Film"

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Laseur, Carol. "Seeing film: Reading contemporary film culture." Thesis, Laseur, Carol (1998) Seeing film: Reading contemporary film culture. PhD thesis, Murdoch University, 1998. https://researchrepository.murdoch.edu.au/id/eprint/52799/.

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This thesis works towards a revisionist structure of film and film theory in contemporary popular culture. Rather than taking the film text as a 'received object' of analysis, the aim is to foreground certain film texts and the ways of seeing that they demand. The films examined throughout this thesis are positioned as being not merely vehicles for driving theory. Rather, they stand as sites of investigation into the everyday aspects of cinema and popular culture. This work is concerned with the way major theorists of film construct and focus on a classical canon and intends to develop a m
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Rogers, Alan. "The contemporary horror film." Thesis, Sheffield Hallam University, 1990. http://shura.shu.ac.uk/3121/.

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This thesis approaches the contemporary horror film from a number of directions. Firstly, it is considered in relation to the historical roots of horror fiction, the tradition of the literary Gothic which stretches back as far as the late eighteenth century. The same chapter elaborates the broad outline of a methodology, drawing upon an established body of genre theory in both literary and film studies, which is then applied to the gradual diffusion of the Gothic legacy into the related genres of detective stories/thrillers, horror, and science-fiction, the inter-relatedness of these three gen
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Holtmeier, Matthew. "Contemporary Political Cinema." Digital Commons @ East Tennessee State University, 2019. https://www.amzn.com/1474423418.

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The political films that have emerged on the global film festival circuit since the 1990s mark a shift in cinematic strategies for critically addressing dominant, militant, or otherwise repressive ideologies. From a focus on the representation of oppression in films like The Battle of Algiers, films such as Timbuktu, Nobody Knows About Persian Cats and Chop Shop now contribute to the active formation of political characters and viewers, a form not fully realized until the 21st century due to shifts in information technologies and resulting political organization. This book demonstrates that a
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Dolby, F. J. "Docu-realism in contemporary Chinese film." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598587.

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This dissertation concerns a group of young Chinese filmmakers, some of whom are referred to as the “Sixth Generation”, who have made films outside the state-run filmmaking system since the 1990s. Their strikingly innovative works have increasingly attracted attention both inside and outside China. In fact, this film practice, arising from new film aesthetics, has formed a new film genre: docu-realism, a term I coin to refer to the new genre in contemporary Chinese fiction film. This is a type of fiction film that for the most part employs documentary mechanisms and adopts documentary aestheti
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Rowan-Legg, Shelagh. "Distorted realities : contemporary Spanish fantastic film." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/distorted-realities(d76909a3-82b4-45eb-869e-cebe9b187cf9).html.

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Over the past 20 years, Spanish cinema has embraced the fantastic genres in filmmaking. Films such as El día de la bestia/The Day of the Beast (Álex de la Iglesia, 1995), Los otros/The Others (Alejandro Amenábar, 2001), El laberinto del fauno/Pan’s Labyrinth (Guillermo del Toro, 2006) and Los cronocrímenes/Timecrimes (Nacho Vigalondo, 2007) have expressed the cultural outlook of the new generation of Spanish filmmakers, and have gained popularity as productions aimed at national and international audiences. While scholarly articles and essays have been written on some of these films and filmma
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Fernández-Meneses, Jara. "Contemporary Spanish film policies, 1982-2010." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/58339/.

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This thesis examines how the Spanish film legislation that was passed between 1982 and 2010 has shaped the production, circulation and reception of contemporary Spanish cinema. The study of film legislation is crucial to understanding how the cultural value of contemporary Spanish cinema is created since laws are the main instrument through which the Spanish state has established the funding policies directed towards the production of films. Owing to the weak nature of the Spanish production sector since its inception, and the lack of private investment, the Spanish state, and, since 1999, the
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McHugh, Ian Paul. "Liminal subjectivities in contemporary film and literature." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/38659/.

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This thesis discusses the intersection of subjectivity and the liminal in contemporary literary and filmic texts. In discussion of eight texts, the thesis weighs the dual meaning of “liminal subjectivities” – the liminal space between subjectivities, and the condition of subjectivity as it negotiates the liminal. It aims to explore how liminality manifests in manners both universal and specific to the literary or filmic form, in the embodiments of characters, and the rhythms and poetics of the text. It considers the liminal a privileged trope of destabilised subjectivity, a space of suspension
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Downes, Sarah. "Bodily sensation in contemporary extreme horror film." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/17114.

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Bodily Sensation in Contemporary Extreme Horror Film provides a theory of horror film spectatorship rooted in the physiology of the viewer. In a novel contribution to the field of film studies research, it seeks to integrate contemporary scientific theories of mind with psychological paradigms of film interpretation. Proceeding from a connectionist model of brain function that proposes psychological processes are underpinned by neurology, this thesis contends that whilst conscious engagement with film often appears to be driven by psychosocial conditions – including cultural influence, gender
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Ainslie, Mary Jane. "Contemporary Thai horror film : a monstrous hybrid." Thesis, Manchester Metropolitan University, 2012. http://e-space.mmu.ac.uk/556479/.

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This thesis aims to dispute derogatory and disdainful attitudes towards contemporary Thai film, ones that follow a long history of viewing Thailand and Thai culture as inferior. Through conducting a case study of the popular horror genre I illustrate that New Thai cinema follows a hybrid film form that has resulted in such condescending interpretations. This is an amalgamation of an earlier post-war 'characteristically Thai' film style that is a product of the lower-class rural context and the globally dominant EuroAmerican 'Natural Language' of horror. Furthermore, I illustrate that while Tha
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Clarke, Louisa. "The reproductive body in contemporary science fiction film /." Title page, table of contents and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arc5985.pdf.

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Libros sobre el tema "Contemporary Film"

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Coleman, Lindsay, and Joakim Tillman, eds. Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9.

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Contemporary Japanese film. Weatherhill, 1999.

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Staley, Samuel R. Contemporary Film and Economics. Routledge, 2018. http://dx.doi.org/10.4324/9781351258203.

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Contemporary Theatre Film & Televison. Cengage Gale, 2009.

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McGowan, Todd. Lacan and contemporary film. Other Press, 2004.

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Presence, Steve, Mike Wayne, and Jack Newsinger, eds. Contemporary Radical Film Culture. Routledge, 2020. http://dx.doi.org/10.4324/9781351006385.

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Sheila, Kunkle, ed. Lacan and contemporary film. Other Press, 2004.

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Stevens, Matthew. Directory of contemporary Dutch films and film-makers. Flicks Books, 1990.

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The trickster in contemporary film. Routledge, 2012.

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Film in contemporary Southeast Asia. Routledge, 2011.

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Capítulos de libros sobre el tema "Contemporary Film"

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Wilde, Alison. "Contemporary comedy." In Film, Comedy, and Disability. Routledge, 2018. http://dx.doi.org/10.4324/9781315582368-3.

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Boschi, Elena. "Film, interrupted." In Contemporary Radical Film Culture. Routledge, 2020. http://dx.doi.org/10.4324/9781351006385-13.

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Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Contemporary American cinema." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-13.

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Benyahia, Sarah Casey, John White, and Freddie Gaffney. "Contemporary British cinema." In A Level Film Studies. Routledge, 2020. http://dx.doi.org/10.4324/9780429324628-14.

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Coleman, Lindsay, and Joakim Tillman. "Introduction." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_1.

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Coleman, Lindsay. "Dario Marianelli Interview." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_10.

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Tillman, Joakim. "Solo Instruments and Internal Focalization in Dario Marianelli’s Pride & Prejudice and Atonement." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_11.

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Coleman, Lindsay. "Mychael Danna Interview." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_12.

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Golub, Peter, and Katy Jarzebowski. "Mychael Danna: Music as Metaphor." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_13.

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Audissino, Emilio. "John Williams and Contemporary Film Music." In Contemporary Film Music. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57375-9_14.

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Actas de conferencias sobre el tema "Contemporary Film"

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Bai, Juanjuan. "Film poetry: the theoretical institution and development in the early film theories." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.29.

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Karmakar, Mintu, Suplal Tudu, Susenjit Sarkar, and Samar Chandra Mondal. "COMPARISON OF ERRORS IN CALCULATING THE JOURNAL FORCE OF A SHORT CYLINDRICAL OIL FILM BEARING." In CONTEMPORARY ISSUES IN COMPUTING. VOLKSON PRESS, 2020. http://dx.doi.org/10.26480/cic.01.2020.59.63.

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Ruan, Jiale, and Jue Wang. "Practice of Deleuze's Film Theory. Evaluation and Analysis on the American Film Adaptation." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.19.

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Feng, Yunpeng. "The Generation Mechanism for the Long-term Coexistence of China's Sound Film and Silent Film." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.41.

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Cirstea, Remus Petre. "The Fulldome Documentary Film In The Contemporary Media And Education Context." In Edu World 7th International Conference. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.05.02.119.

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Jing, Peng. "Application of Color and Musical Language in Chinese Contemporary Animation Film." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.13.

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Wu, Jianxun. "Thinking of Film Education with Media Convergence Background." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.299.

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Guo, Yu. "Discussion on Conceptual Design in Fantasy Film." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.89.

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Luo, Jinjun. "Analysis on the Cultural Transmission of Film and TV Music — Taking the Film “Parasite” as an Example." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.051.

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Kong, Rui. "On Perfume Advertisement in Film Art during the Digital Age." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.212.

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Informes sobre el tema "Contemporary Film"

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Álvarez-Hernández, C., B. González de Garay-Domínguez, and FJ Frutos-Esteban. Gender representation in contemporary Spanish teen films (2009-2014). Revista Latina de Comunicación Social, 2015. http://dx.doi.org/10.4185/rlcs-2015-1079en.

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Lamontagne, M., K. B. S. Burke, and L. Olson. Felt reports and impact of the November 25, 1988, magnitude 5.9 Saguenay, Quebec, earthquake sequence. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/328194.

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The November 25, 1988, moment magnitude 5.9 (Mw) Saguenay earthquake is one of the largest eastern Canadian earthquakes of the 20th century. It was preceded by a magnitude (MN) 4.7 foreshock and followed by very few aftershocks considering the magnitude of the main shock. The largest aftershock was a magnitude (MN) 4.3 event. This Open File (OF) Report presents a variety of documents (including original and interpreted felt information, images, newspaper clippings, various engineering reports on the damage, mass movements). This OF updates the report of Cajka and Drysdale (1994) with additiona
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Regan, Jack, and Robin Zevotek. Study of the Fire Service Training Environment: Safety and Fidelity in Concrete Live Fire Training Buildings. UL Firefighter Safety Research Institute, 2018. http://dx.doi.org/10.54206/102376/wxtw8877.

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The goal of fire service training is to prepare students for the conditions and challenges that they face on the fireground. Among the challenges that firefighters routinely face on the fireground are ventilation-controlled fires. The hazard of these fires has been highlighted by several line-of-duty deaths and injuries in which a failure to understand the fire dynamics produced by these fires has been a contributing factor. The synthetic fuels that commonly fill contemporary homes tend to result in ventilation-controlled conditions. While synthetic fuels are common on the residential firegrou
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Hendricks, Kasey. Data for Alabama Taxation and Changing Discourse from Reconstruction to Redemption. University of Tennessee, Knoxville Libraries, 2021. http://dx.doi.org/10.7290/wdyvftwo4u.

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At their most basic level taxes carry, in the words of Schumpeter ([1918] 1991), “the thunder of history” (p. 101). They say something about the ever-changing structures of social, economic, and political life. Taxes offer a blueprint, in both symbolic and concrete terms, for uncovering the most fundamental arrangements in society – stratification included. The historical retellings captured within these data highlight the politics of taxation in Alabama from 1856 to 1901, including conflicts over whom money is expended upon as well as struggles over who carries their fair share of the tax bur
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