Bibliografías temáticas / Costumes Costumes Costumes

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Literatura académica sobre el tema "Costumes Costumes Costumes"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 9 de febrero de 2022

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Artículos de revistas sobre el tema "Costumes Costumes Costumes"

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Andersson, Therése. "Costume Cinema and Materiality: Telling the Story of Marie Antoinette through Dress." Culture Unbound 3, no. 1 (2011): 101–12. http://dx.doi.org/10.3384/cu.2000.1525.113101.

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In ’Costume Cinema and Materiality: Telling the Story of Marie Antoinette through Dress’ a materiality-based approach for analysing film narratives through costumes is examined. Sofia Coppola’s film Marie Antoinette (2006) serves as the empirical starting point and the theme of dressing and redressing is pursued throughout the film, crystallizing costume as a significant feature for reading the movie. The article argues that costumes, on a symbolic level, work as agents. It thus focuses on the interdependence between costume and interpretations of the screenplay’s main character. A theoretical
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Colpaert, Lisa. "Costume on film: How the femme fatale’s wardrobe scripted the pictorial style of 1940s film noir." Studies in Costume & Performance 4, no. 1 (2019): 65–84. http://dx.doi.org/10.1386/scp.4.1.65_1.

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The character of the femme fatale and the visual style of film noir are vital elements in our understanding of that genre. Film costumes worn by the femme fatale are crucial, and are defining elements in genre recognition precisely because of their explicit cinematic visualization, rather than functioning as unequivocal signs. This article proposes a methodology for film costume researchers to conduct a pictorial analysis, without necessarily analysing film costume in terms of a meaning-making repertoire adhering to our understanding of film as a ‘language’. In the proposition of a framework f
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Kalmakurki, Maarit. "Snow White and the Seven Dwarfs, Cinderella and Sleeping Beauty: The Components of Costume Design in Disney’s Early Hand-Drawn Animated Feature Films." Animation 13, no. 1 (2018): 7–19. http://dx.doi.org/10.1177/1746847718754758.

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Costumes in feature films can be deliberately used for narrative purposes to reveal or conceal something related to the plot, functioning as a key element for cinematic storytelling. Costume design in animation is an integral part of character creation; however, relatively little is known about the design process. Previous research concentrates on either the history of hand-drawn animation, the principles of making animated films or character construction. This article presents several key components of the animators’ costume design process in Walt Disney’s animated feature films Snow White an
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Liu, Wen. "Discussion on the Green Design in Costumes." Advanced Materials Research 317-319 (August 2011): 393–96. http://dx.doi.org/10.4028/www.scientific.net/amr.317-319.393.

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In recent years, the consumers’ demand for costumes tends to become environmental protection, security and health from traditional utility, beauty and durability, and the costumes tend to be more comfortable, simple and natural. The idea of green design in costumes shall become dominant in costume designing. The article mainly elaborates the green designing idea and its necessity of application in the costume from surface materials, color, structure, production and marketing.
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Meng, Xin, and Ping Xiao. "Analysis on the Development of New Chinese Costume Innovation Based on Popularization." E3S Web of Conferences 275 (2021): 03029. http://dx.doi.org/10.1051/e3sconf/202127503029.

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The rise of new Chinese costumes reflects national cultural confidence. In response to how to quickly develop a questionnaire in the new Chinese costume market, it is designed and innovative through the public’s data analysis of new Chinese costumes, color, fabrics, and patterns, through the innovation, color innovation, fabric innovation of new Chinese costumes. The newness of the texture innovation promotes its development and analyzes the development of good apparel brand marketing strategies. Combined with the advantages of integration innovation and development, broaden the new Chinese co
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Dean, Sally E. "Somatic costumes™: Traversing multi-sensorial landscapes." Scene 2, no. 1 (2014): 81–87. http://dx.doi.org/10.1386/scene.2.1-2.81_1.

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This article introduces Sally E. Dean’s ‘Somatic Movement & Costume Project’ by presenting examples of the ‘somatic costumes’ created and the costume design, choreographic and pedagogic methodologies applied. ‘Somatic costumes’ aim to facilitate multi-sensorial experiences that change our relationships to ourselves, others and the environment. Although costume has been incorporated in performance for centuries, this project argues for a critical social–cultural paradigm shift: the aesthetic and movement of the performance work comes from the somatic experiences (kinaesthetic and sensorial)
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Eromosele, Owens Patricia. "Costumes as depiction of cultural identity in Pedro Agbonifo-Obaseki’s Idia." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (2020): 310–20. http://dx.doi.org/10.4314/ejotmas.v7i1-2.20.

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In Nigeria, costumes present interesting vistas for exploring cultural identity. They have social implications and at times are politically implicated. This may be attributed to Nigeria’s multi-cultural atmosphere that makes costumes a reflection of the cultural identity of the people. Nigerian performances in festivals and play productions provide a platform to study and appreciate this phenomenon. Using the participant observation and literary methods, this article interrogates how costumes can depict the cultural identity of a people. It appropriates the dynamics of costumes as depiction of
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Roy, Suddhabrata Deb. "The Indian Superheroine costume: Analysing Indian comics’ first superheroine." Film, Fashion & Consumption 10, no. 1 (2021): 313–24. http://dx.doi.org/10.1386/ffc_00027_7.

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Comics are an important form of Indian popular culture. Like other forms of popular culture which have engaged with superheroes, male superheroes have dominated the comic book industry in India. Costumes enable the social construction of these characters in comics, determine their characteristic traits and emphasize their gendered roles. Female characters have had to struggle against multiple patriarchal social processes which are integral to the global comics’ culture. Costumes play a critical role in how these characters engage with the overall narrative of the comics. The article analyses t
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Wilkinson, Clare M. "Wrinkles in Time: Ageing Costume in Hindi Film." BioScope: South Asian Screen Studies 9, no. 1 (2018): 46–72. http://dx.doi.org/10.1177/0974927618767280.

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Today’s philosophy and practice of costume ageing, even in mainstream commercial Bollywood output, skews strongly towards an avowed ‘realism’. Consequently, accurate ageing and the subtle impressions of wear are valued in contrast to the ‘theatrical’ and ‘inauthentic’ ageing of most pre-1990s films (and some films still today). Designers argue that costume ageing has simply improved but this answer oversimplifies the complex narrative and organisational imperatives at stake. Older, more theatrical costume ageing, embedded within the melodramatic mode of expression, worked for its audience beca
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Fensham, Rachel. "Repetition as a methodology: Costumes, archives and choreography." Scene 2, no. 1 (2014): 43–60. http://dx.doi.org/10.1386/scene.2.1-2.43_1.

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This article considers how costumes contribute to choreographic aesthetics through their capacity to be repeated. I develop different conceptions of repetition – replication (copying); representation (appearance within a frame that represents an image); and reproduction (as construction or manufacture) of costume objects and ideas over time. Being interested in the material process of making and wearing costumes, it also investigates how repetition leads to the possibility of invention. Using Walter Benjamin’s concept of the dialectical image to discuss costumes as objects within a dance archi
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Tesis sobre el tema "Costumes Costumes Costumes"

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Chu, Hoi-shan. "Museum for traditional Chinese garment." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956875.

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Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

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This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct
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Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.
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Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

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Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)
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Burris, Sarah M. "Creatures series of sculptural costumes /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227280056.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Jan. 5, 2010). Advisor: Paul O'Keeffe. Keywords: sculpture, performance, fabric, beauty, sewing, feminine. Includes bibliographical references (p. 28).
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Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

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Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

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Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr
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Luetkenhaus, Deana M. "Annealing fear : designing costumes for "The Crucible" /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1328054851&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Zanelato, Henrique. "Ceticismo e Montaigne: uma apologia dos costumes." Universidade Estadual do Oeste do Paraná, 2018. http://tede.unioeste.br/handle/tede/3937.

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Submitted by Marilene Donadel (marilene.donadel@unioeste.br) on 2018-09-13T18:45:11Z No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5)<br>Made available in DSpace on 2018-09-13T18:45:11Z (GMT). No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5) Previous issue date: 2018-06-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The following research deals with the investigation of one of the most important questions concerning skeptical doctrine: th
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Varhaugvik, Amanda. "A Merging of Costumes, Voice & Transcendence." Thesis, Konstfack, Textil, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7221.

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I am an interdisciplinary artist working with a merging of costumes and voice through the performance art medium. In this masters degree project I present costume as the main performer and look at the ability for my performance to create a transcendent experience in a secular art context. The paper will lift some of the historical and contemporary ideas about transcendence in art. I will argue that the singing voice can be used as an enchanting tool to create presence and communicate the inexplicable. By using my own practice as an example I present costume as the initiator and leading star of
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Libros sobre el tema "Costumes Costumes Costumes"

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Beaton, Clare. Costumes. Warwick Press, 1990.

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Schaefer, Lola M. Costumes. Pebble Books, 1999.

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Casey, Kevin K. Costumes. Rourke Publications, 1996.

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Costumes. Thomson Learning, 1995.

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L'Evêque. Portuguese costumes. Edições Inapa, 1993.

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Belkaïd, Leyla. Costumes d'Algérie. Editions Rais, 2003.

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Ida, Nicolaisen, Carlsbergfondet (Copenhagen Denmark), and Carlsberg Foundation's Nomad Research Project., eds. Mongol costumes. Thames and Hudson, 1993.

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India. Ministry of Information and Broadcasting. Publications Division., ed. Indian costumes. Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1985.

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Piñol, Roser. Creating costumes. Blackbirch Press, 2000.

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Saunders, Beverly. Edwardian costumes. National Trust in association with Cape, 1985.

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Capítulos de libros sobre el tema "Costumes Costumes Costumes"

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Guler, Sibel Deren, Madeline Gannon, and Kate Sicchio. "Wearable Costumes." In Crafting Wearables. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1808-2_15.

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van Buren, Anne H. "Van Lathem’s Costumes." In Invention. Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.mef-eb.3.825.

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Draper, R. P. "Sets and Costumes." In The Winter’s Tale. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06739-8_10.

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Doyle, Barbara Freedman. "Costumes and Props." In Understanding Design in Film Production. Routledge, 2019. http://dx.doi.org/10.4324/9781315163642-9.

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Jürgens, Anna-Sophie. "Costumes of belonging." In Social Beings, Future Belongings. Routledge, 2019. http://dx.doi.org/10.4324/9781315200859-7.

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Lambeth, Cheralyn L. "Character Costumes/Mascots." In Introduction to Puppetry Arts. Routledge, 2019. http://dx.doi.org/10.4324/9780429442858-8.

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Owens, Jim. "Makeup and Costumes." In Television Production. Routledge, 2019. http://dx.doi.org/10.4324/9780429027581-13.

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Bonds, Alexandra B. "The World of Traditional Jingju." In Beijing Opera Costumes. Routledge, 2019. http://dx.doi.org/10.4324/9781315146195-1.

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Bonds, Alexandra B. "The World of Traditional Jingju Costumes." In Beijing Opera Costumes. Routledge, 2019. http://dx.doi.org/10.4324/9781315146195-2.

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Bonds, Alexandra B. "The Form and Historical Roots of Costumes." In Beijing Opera Costumes. Routledge, 2019. http://dx.doi.org/10.4324/9781315146195-3.

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Actas de conferencias sobre el tema "Costumes Costumes Costumes"

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Maurhofer, Christoph, Gokcen Cimen, Mattia Ryffel, Robert W. Sumner, and Martin Guay. "AR costumes." In VRCAI '18: International Conference on Virtual Reality Continuum and its Applications in Industry. ACM, 2018. http://dx.doi.org/10.1145/3284398.3284402.

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Kirkland, Arden, Michael Lesk, and Allison Steffmann. "Context for costumes: faceted access to historic costumes." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.11.

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Honauer, Michaela. "Designing Interactive Costumes." In DIS '17: Designing Interactive Systems Conference 2017. ACM, 2017. http://dx.doi.org/10.1145/3064857.3079166.

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Isbister, Katherine, and Kaho Abe. "Costumes as Game Controllers." In TEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2015. http://dx.doi.org/10.1145/2677199.2688813.

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Kang, Yeonkyung, Sehee Wu, Young-A. Ko, Kathi Martin, and Hyeong-Seok Ko. "Digital production of traditional costumes." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743742.

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Honauer, Michaela. "Creating and Staging Interactive Costumes." In TEI '18: Twelfth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2018. http://dx.doi.org/10.1145/3173225.3173343.

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Kutt, Aimei. "Art-directed costumes at pixar." In SA '18: SIGGRAPH Asia 2018. ACM, 2018. http://dx.doi.org/10.1145/3277644.3277767.

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Tanenbaum, Theresa Jean, Karen Tanenbaum, Katherine Isbister, Kaho Abe, Anne Sullivan, and Luigi Anzivino. "Costumes and Wearables as Game Controllers." In TEI '15: Ninth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2015. http://dx.doi.org/10.1145/2677199.2683584.

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Schumm, David, Johanna Barzen, Frank Leymann, and Lutz Ellrich. "A pattern language for costumes in films." In the 17th European Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2602928.2603083.

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Du, Bo, and Manqian Wang. "Han Chinese festive costumes form of inheritance." In 2017 3rd International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/essaeme-17.2017.394.

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Informes sobre el tema "Costumes Costumes Costumes"

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Tawfiq, Wijdan, and Sara Marcketti. The Meaning and Symbolism of Traditional Bridal Costumes in the Western Region of Saudi Arabia. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-434.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished wit
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Arthur Bradley, Linda. Mounting a Costume Exhibit:. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-609.

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Jablon-Roberts, Sara, and Eulanda Sanders. Historical Accuracy in Costume Design: Experiences and Perceptions of Broadway Costume Designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1745.

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Lennon, Sharon J., Aziz Fatnassi, and Zhiying Zheng. Sexualization of Halloween Costumed Women. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1423.

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Seybold, Patricia. Want Costumner-Contributed Content? Patricia Seybold Group, 2009. http://dx.doi.org/10.1571/bp09-01-09cc.

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Rhee, Jongeun, and Susanna Bordelon. �Choli�: Re-Design and Engineering Functional Belly Dancing Costume. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8283.

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McCracken, Arienne, April Elisha Stanley, Huanjiao Dong, and Sara Marcketti. Survey of Historic Costume Course Redesign Using Bloom's Taxonomy. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-368.

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Satinsky, Emily, and Denise Green. The Furry Fandom: constructing a costumed society for identity exploration. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-158.

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Kwon, Yumi, and Sook Jin Kim. Study on Development of Convergence Subjects for Software Education in Fashion Design: Convergence Education of Western Costume History and 3D Virtual Costume Programs. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1698.

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