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Tesis sobre el tema "Costumes Costumes Costumes"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 9 de febrero de 2022

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1

Chu, Hoi-shan. "Museum for traditional Chinese garment." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956875.

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2

Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

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This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct
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3

Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.
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4

Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

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Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)
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5

Burris, Sarah M. "Creatures series of sculptural costumes /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1227280056.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Jan. 5, 2010). Advisor: Paul O'Keeffe. Keywords: sculpture, performance, fabric, beauty, sewing, feminine. Includes bibliographical references (p. 28).
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Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

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7

Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

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Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr
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8

Luetkenhaus, Deana M. "Annealing fear : designing costumes for "The Crucible" /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1328054851&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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9

Zanelato, Henrique. "Ceticismo e Montaigne: uma apologia dos costumes." Universidade Estadual do Oeste do Paraná, 2018. http://tede.unioeste.br/handle/tede/3937.

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Submitted by Marilene Donadel (marilene.donadel@unioeste.br) on 2018-09-13T18:45:11Z No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5)<br>Made available in DSpace on 2018-09-13T18:45:11Z (GMT). No. of bitstreams: 1 Henrique_Zanelato_2018.pdf: 966050 bytes, checksum: c45242d719cfbd0cf89a2fc1bb5be4d8 (MD5) Previous issue date: 2018-06-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The following research deals with the investigation of one of the most important questions concerning skeptical doctrine: th
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10

Varhaugvik, Amanda. "A Merging of Costumes, Voice & Transcendence." Thesis, Konstfack, Textil, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7221.

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I am an interdisciplinary artist working with a merging of costumes and voice through the performance art medium. In this masters degree project I present costume as the main performer and look at the ability for my performance to create a transcendent experience in a secular art context. The paper will lift some of the historical and contemporary ideas about transcendence in art. I will argue that the singing voice can be used as an enchanting tool to create presence and communicate the inexplicable. By using my own practice as an example I present costume as the initiator and leading star of
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11

Åkerfelt, Nicolina. "Gender in LittleBigPlanet : Analysis of LittleBigPlanet's Costumes." Thesis, Uppsala universitet, Institutionen för speldesign, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297857.

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In this study, ninety costumes from the LittleBigPlanet (Media Molecule, 2008, 2011; Sumo Digital 2014) franchise were analyzed in order to answer the question on how the LittleBigPlanet series have represented diversity of different genders through the available costumes to a seemingly gender neutral character. This is done by dividing the costumes into three categories: feminine, masculine and neutral. The costumes are categorized according to set criteria, and in the results it is revealed that there are mostly feminine costumes, even though the difference is minor. The study also analyses
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12

Neckman, Karolina, and Elgé Petrulyté. "Historical fashion and modern action : Historical accuracy in female costumes in games." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-18967.

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This thesis will investigate how developers can create recognizable and historically realistic female game characters while balancing historically accurate aspects and creative aesthetics.This paper is meant to give a better understanding of the importance of accurate historical female costumes in games, and investigate whether or not these are preferable to a gaming audience. The results will be reached by analysing the results collected from two online surveys where six 3D models’ turnarounds from two different eras with different levels of historical accuracy will be represented.
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13

Coulon, Anne. "Du maniaque à l'insouciance, la stratégie du costume chez les chorégraphes contemporains." Paris 1, 2000. http://www.theses.fr/2000PA010585.

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En danse contemporaine, le champs du costume recouvre un large domaine, allant du nu à une quasi accessoirisation du corps, en passant par la fripe ou des tenues diversement élaborées. Réelle interface entre le corps du danseur et le regard du spectateur, le costume reste trop souvent du domaine de l'évidence, ne bénéficiant que rarement d'une attention dans les discours relatifs à la danse. C'est la relation entre les costumiers et les chorégraphes que nous nous proposons de regarder ici de plus près, au-delà des relations trop souvent obscures qui lient costume et danse. Après un retour dans
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14

Nguimfack-Perault, Sylvie. "Une approche ethnologique du costume de spectacle, de ceux qui le portent à ceux qui le fabriquent : identité, savoir faire et transmission." Paris 7, 1999. http://www.theses.fr/1999PA070117.

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On reconnaît l'individu de spectacle à son allure. On ne peut confondre l'acrobate avec la danseuse, la tragédienne avec le clown. Le costume de scène conjugué à l'attitude du corps constitue un puissant indicateur implicite sur le personnage représenté. Dans ce cadre, la danse et en particulier le music-hall où le paraître est porté à son comble constituent une référence obligée. La formation pour passer du statut de danseuse à celui de Girl est identique à une forme d'initiation. On en retrouve les ingrédients : le choc émotionnel (l'audition), l'isolement (la formation), la régression (le s
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15

Kang, Zi Young. "Reproduction of historic costumes using 3D apparel CAD." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/16869/.

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The progress of digital technology has brought about many changes. In the world of fashion, 3D apparel CAD is attracting attention as the most promising product which reduces time and cost in the design process through virtual simulation. This study highlights the potential of its technology and tries to extend the boundaries of its practical use through the simulation of historical dresses. The aim of this study is to identify the desirable factors for digital costume development, to produce accurate reproductions of digital clothing from historical sources and to investigate the implications
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16

Juchet, Aurore. "Les costumes de scène et leurs dessinateurs à Paris au temps du Romantisme 1825-1850 : le triomphe du costume historique." Paris 10, 2008. http://www.theses.fr/2008PA100164.

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Au début du XIXe siècle, il était encore fréquent de voir sur scène des acteurs jouer ensemble dans une même représentation vêtus de costumes de différents styles et différentes époques. Pourtant, depuis le milieu du XVIIIe siècle, un vaste mouvement de réforme s’était engagé visant à rétablir la vérité historique dans le costume. Mais ce n’est finalement qu’entre 1825 et 1850 que les costumes historiques, élaborés par des artistes à partir de sources archéologiques et de documents anciens s’imposèrent véritablement sur la scène tant au théâtre qu’à l’opéra. L’intérêt nouveau du public pour to
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17

Françozo, Laura de Campos. "Lume teatro: trajes de cena e processo de criação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13112015-101124/.

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O objetivo deste trabalho é analisar o processo de criação dos figurinos dos espetáculos do grupo Lume Teatro. Já que este grupo é, antes de tudo, um núcleo de pesquisa, o presente trabalho busca então compreender de que forma as linhas de pesquisa do Lume Teatro influenciam ou modificam o modo de produção dos trajes de cena. Para atingir essa meta, analisamos o pensamento acerca dos figurinos dos mestres teatrais que foram a base do trabalho desenvolvido pelo Lume. A seguir, foram entrevistados os sete atores-pesquisadores do Lume e dois figurinistas que trabalham com frequência com o grupo.
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18

Walrond-Patterson, Jean Thomasine. "Caribbean-Canadians celebrate Carnival, costumes and inter-generational relationships." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ47111.pdf.

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19

Mercier, Caroline. "Designing theatrical costumes in collaboration : a contribution to theatre." Thesis, Durham University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400679.

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20

Cousins, Jennie. "Unstitching the 1950s film costumes : hidden designers, hidden meanings." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/42353.

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This thesis showcases the work of four costume designers working within the genre of costume drama during the 1950s in France, namely Georges Annenkov, Rosine Delamare, Marcel Escoffier, and Antoine Mayo. In unstitching the cinematic wardrobes of these four designers, the ideological impact of the costumes that underpin this prolific yet undervalued genre are explored. Each designer’s costume is undressed through the identification of and subsequent methodological focus on their signature garment and/or design trademark. Thus the sartorial and cinematic significance of the corset, the crinolin
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21

Curtis, Vesta. "A study of Parthian costumes : their origin and distribution." Thesis, University College London (University of London), 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245160.

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22

Lisboa, Carolina Cardoso Guimarães. "Normas constitucionais não escritas: costumes e convenções da constituição." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/2/2134/tde-29082013-082952/.

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Cette thèse prétends analyser les normes constitutionnelles non-écrites découlant de la pratique institutionnelle des ordres juridiques ayant des constitutions codifiés. On y cherche à identifier les fondements, les catégories et les caractéristiques, à partir des exemples de l\'expérience constitutionnelle de quelques Etats, tel que la France et l\'Italie. On vise aussi à présenter certains cas du constitutionnalisme brésilienne.<br>Esta tese pretende analisar as normas constitucionais não escritas decorrentes da prática institucional dos ordenamentos jurídicos dotados de constituições docume
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23

Li, Yiman. "Study of symbolic expressions in Peking Opera's costumes and lyrics." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002149.

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24

Teixeira, Carla Maria de Sousa Amorim. "Moralidade e costumes na sociedade de além-Douro : 1433-1521." Dissertação, Porto : [Edição do Autor], 1996. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000046067.

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25

Trevisan, Diego Kosbiau. "A metafísica dos costumes: a autonomia para o ser humano." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-04012012-164642/.

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Esta dissertação tem por objetivo analisar o lugar sistemático ocupado pela Metafísica dos Costumes no interior da filosofia prática kantiana, interpretando-a como uma metafísica da moral aplicada a um elemento empírico mínimo: a natureza humana. Em suas duas partes, a Doutrina do Direito e a Doutrina da Virtude, o princípio supremo da moral, o princípio da autonomia, adquire o significado de uma autonomia jurídica e ética que guia as situações fundamentais da vida prática do homem. Na primeira parte da dissertação, o transcurso do projeto de uma Metafísica dos Costumes ao longo do desenvolvim
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26

Silva, Cláudio José da. "A Doutrina dos Usos e Costumes da Assembléia de Deus." Pontifícia Universidade Católica de Goiás, 2003. http://localhost:8080/tede/handle/tede/918.

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Made available in DSpace on 2016-07-27T13:48:50Z (GMT). No. of bitstreams: 1 Claudio Jose da Silva.pdf: 505243 bytes, checksum: 51cc21fd775b8216560333f11139e4e5 (MD5) Previous issue date: 2003-12-31<br>In this production, we tryed to achieve an investigation about all the changes on the Doctrine of uses and behaviors that the God`s Assembly has been sufferins nowadays. It had been started fron the theory that uses and behavier, that were always conduct rules created by the believers from God`s Assembly, have been constanthy questioned by many influences, from both insde and outside the churc
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Machado, Claudia Carvalho. "A FOLIA DE SANTOS REIS: Valores e Manutenção de Costumes." Pontifícia Universidade Católica de Goiás, 2010. http://localhost:8080/tede/handle/tede/2037.

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Made available in DSpace on 2016-07-27T14:22:01Z (GMT). No. of bitstreams: 1 CLAUDIA CARVALHO MACHADO.pdf: 6127928 bytes, checksum: de883dbd7e97d32b78e63716e3aba472 (MD5) Previous issue date: 2010-03-15<br>The Folia de Reis is considered a cultural ritual of Brasilian folklore that has suffered the consequences of significant changes occurring today. It becomes essential, from the standpoint of Psychology, the development of studies correlating the Folia with personal values and the meaning of the Folia in different religious groups and participants. This study assumes that the recovery and
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28

Motta, Nykolas Friedrich Von Peters Correia. "A Grundlegung sob a perspectiva de uma metafísica dos costumes." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/150314.

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A presente dissertação tem como objeto o prefácio da Fundamentação da Metafísica dos Costumes (FMC). Sua investigação concentra-se na concepção aí contida da disciplina da Metafísica dos Costumes, concepção essa pouca levada em conta para a compreensão da argumentação ulterior da FMC. Inicialmente abordamos (i) o que seria essa disciplina a partir da topologia das disciplinas filosóficas oferecida por Kant. Em seguida, exploramos (ii) o conceito de vontade pura, declaradamente o objeto de uma Metafísica dos Costumes. Na sequência investigamos (iii) o conceito de boa vontade, a fim de localizar
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29

Teixeira, Carla Maria de Sousa Amorim. "Moralidade e costumes na sociedade de além-Douro : 1433-1521." Master's thesis, Porto : [Edição do Autor], 1996. http://hdl.handle.net/10216/18534.

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30

Fickling, Sarah. "Costume Design and Production of An Enemy of the People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461090962.

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31

SILVA, Sandro Vasconcelos da. "O Costume da praça vai à casa : as transformações urbanas e suas influências sobre os costumes da classe burguesa do Recife oitocentista (1830 - 1880)." Universidade Federal Rural de Pernambuco, 2011. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/6187.

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Submitted by Mario BC (mario@bc.ufrpe.br) on 2016-12-29T13:47:33Z No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5)<br>Made available in DSpace on 2016-12-29T13:47:33Z (GMT). No. of bitstreams: 1 Sandro Vasconcelos da Silva.pdf: 8088173 bytes, checksum: c9c8e24d2ed78b9bb99a1f303780832d (MD5) Previous issue date: 2011-07-29<br>Influencé par la modernité européenne du XIXe siècle, et en partie par les changements à Rio de Janeiro, avec l'arrivée de la famille royale et plus tard avec la formation de l'Empire, la ville de Recif
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32

Chu, Hoi-shan, and 朱海山. "Museum for traditional Chinese garment." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983856.

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33

Burrington, David J. "Dancing Around Costuming: A Symbiotic Relationship of Disciplines, Costume Design for Dance 2011: Parallel and Intersect." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334347548.

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34

Ennis, Elizabeth Susan. "Don't Fall in Love: Designing Costumes for Shakespeare's Romeo and Juliet." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/488826.

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Theater<br>M.F.A.<br>The purpose of this thesis is to recount the creative process used when designing the costumes for Temple University’s Spring 2018 production of Romeo and Juliet. This process begins with a thorough reading of the play and moves through the phases of research, planning, and implementation of the author’s designs. Subjects discussed include historical fashion of the early Italian Renaissance, the challenges of working with costume rental companies, and the collaborative nature of costume construction. The author will reflect on the struggles and successes of her contributio
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Souza, Hélio José dos Santos [UNESP]. "O problema da motivação moral na fundamentação da metafísica dos costumes." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/93139.

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Made available in DSpace on 2014-06-11T19:26:19Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-04-18Bitstream added on 2014-06-13T20:34:11Z : No. of bitstreams: 1 souza_hjs_me_mar.pdf: 427980 bytes, checksum: a42bbaabdb2f039edea37cf64bff8501 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A Fundamentação da metafísica dos costumes tem por finalidade encontrar o princípio supremo da moralidade. Segundo Kant, somente a razão é suficientemente capaz de fornecer, totalmente a priori, o princípio incondicionado da moralidade. Surge, porém, um problema: por
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Souza, Hélio José dos Santos. "O problema da motivação moral na fundamentação da metafísica dos costumes /." Marília : [s.n.], 2008. http://hdl.handle.net/11449/93139.

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Orientador: Ricardo Montiagudo<br>Banca: José Carlos Bruni<br>Banca: Paulo Roberto Licht dos Santos<br>Resumo: A Fundamentação da metafísica dos costumes tem por finalidade encontrar o princípio supremo da moralidade. Segundo Kant, somente a razão é suficientemente capaz de fornecer, totalmente a priori, o princípio incondicionado da moralidade. Surge, porém, um problema: por que é que devemos nos submeter à lei moral? O que é capaz de motivar o homem a agir conforme o imperativo categórico e, portanto, moralmente? O presente trabalho pretende examinar, a partir dos apontamentos realizados por
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Li, Bo. "Falocentrismo e resistência no feminino em "Brandos costumes" e "Ju Dou"." Master's thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/18784.

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Mestrado em Línguas, Literaturas e Culturas<br>Esta dissertação aborda o falocentrismo e as resistências femininas nos dois filmes “Brandos Costumes” e “Ju Dou”, que relatam, respetivamente, uma história acontecida em Portugal durante o período do Estado Novo e a outra história ocorrida na China, no início do século XX. O nosso estudo visa conhecer o estatuto das mulheres e as resistências do feminino, nestes dois filmes. Além disso, e devido à grande diferença entre Portugal e a China nos aspetos de história, de cultura e de política, as resistências feitas pelas mulheres dos dois país
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Machado, Fabio da Silva. "Fazenda Machadinha: memória e tradições culturais em uma comunidade de descendentes de escravos." reponame:Repositório Institucional do FGV, 2006. http://hdl.handle.net/10438/2115.

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Made available in DSpace on 2008-10-20T20:23:07Z (GMT). No. of bitstreams: 1 CPDOC2006FabiodaSilvaMachado.pdf: 1327609 bytes, checksum: 551da6da1f2cd909adaee887fe79774a (MD5) Previous issue date: 2006-03-24T00:00:00Z<br>O objetivo do presente trabalho é estudar a memória, a identidade e as tradições culturais dos moradores da Fazenda Machadinha, uma comunidade localizada em Quissamã, no estado do Rio de Janeiro, formada por descendentes de escravos. A importância das tradições culturais na manutenção da identidade e na sustentabilidade econômica daquela comunidade quilombola é também anali
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39

Jay, Corey M. "The Unraveling of Shakespeare's Othello." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/117.

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This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.
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Sorenson, Lesley. "Shoes first the process of designing costumes for Shakespeare's Measure for measure /." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4638.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains vi, 74 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 72-74).
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Nockert, Margareta. "The Högom find and other migration period textiles and costumes in Scandinavia /." Umeå : University of Umeå, Department of archaeology, 1991. http://catalogue.bnf.fr/ark:/12148/cb37171831p.

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42

Quèguiner, Anne Thomasseau Jean-Marie. "Les costumes à la Comédie-Française (1665-1847), du secret au visible." Saint-Denis : Université de paris VIII, 2008. http://www.bu.univ-paris8.fr/web/collections/theses/QueguinerThese.pdf.

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43

Albrizio, Eileen M. "Wearing costumes and crossing borders : search for self in Chicano/a literature /." Abstract, 2008. http://eprints.ccsu.edu/archive/00000551/01/1995Abstract.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2008.<br>Thesis advisor: Katherine Sugg. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 114-116). Abstract available via the World Wide Web.
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44

CASTRO, LUCAS CABRAL DE. "COMEDY, POLITICS AND COSTUMES: THE COMIC VOCABULARY OF MARTINS PENA (1836-1845)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27380@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O presente trabalho analisa o vocabulário utilizado pelo comediógrafo fluminense Luís Carlos Martins Pena. Parte de uma preocupação quanto aos significados em torno dos gêneros usados pelo autor, buscando-se destacar as finalidades da comédia. O comediógrafo usou e reutilizou vocabulários e chistes recorrentes no seu meio para atingir seus propósitos reformadores. Em suas obras, há um uso proposital de palavras do vocab
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Oliveira, Marcos Alberto de. "A ideia de uma ciencia da virtude na metafisica Kantiana dos costumes." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281065.

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Orientador: Zeljko Loparic<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-04T16:41:37Z (GMT). No. of bitstreams: 1 Oliveira_MarcosAlbertode_D.pdf: 17873725 bytes, checksum: bfec905f9aa6e8dc1d98ce8187dff057 (MD5) Previous issue date: 2005<br>Resumo: Não informado<br>Abstract: Not informed.<br>Doutorado<br>Filosofia<br>Doutor em Filosofia
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Zanella, Diego Carlos. "O cosmopolitismo kantiano : do melhoramento dos costumes humanos ? institui??o da paz." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2012. http://tede2.pucrs.br/tede2/handle/tede/2900.

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Made available in DSpace on 2015-04-14T13:55:15Z (GMT). No. of bitstreams: 1 441538.pdf: 2111358 bytes, checksum: 0670f86bb8bb1aa2c2f0e878e293b7c8 (MD5) Previous issue date: 2012-12-30<br>The aim of this thesis is to defend Kantian cosmopolitanism as a proposal to progressively and continuously organize the political and legal relations in the world. This proposal has, on the one hand, clearly Stoic roots. On the other hand, it shows the Enlightenment ideals of Kant s time as intrinsic to cosmopolitanism. Due to this, this proposal does not sufficiently separate the spheres of law and morali
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Zanella, Diego Carlos. "O cosmopolitismo kantiano: do melhoramento dos costumes humanos à instituição da paz." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/3528.

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Made available in DSpace on 2013-08-07T18:56:07Z (GMT). No. of bitstreams: 1 000441538-Texto+Completo-0.pdf: 2111358 bytes, checksum: 0670f86bb8bb1aa2c2f0e878e293b7c8 (MD5) Previous issue date: 2012<br>The aim of this thesis is to defend Kantian cosmopolitanism as a proposal to progressively and continuously organize the political and legal relations in the world. This proposal has, on the one hand, clearly Stoic roots. On the other hand, it shows the Enlightenment ideals of Kant’s time as intrinsic to cosmopolitanism. Due to this, this proposal does not sufficiently separate the spheres of
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Espírito, Santo Marília Lopes de Figueiredo do. "Autonomia da vontade e dedução transcendental na Fundamentação da Metafísica dos Costumes." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/56018.

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Santos, Rogério do Amaral [UNIFESP]. "Kant e o problema da liberdade na fundamentação da metafísica dos costumes." Universidade Federal de São Paulo (UNIFESP), 2014. http://repositorio.unifesp.br/handle/11600/39256.

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Submitted by Andrea Hayashi (deachan@gmail.com) on 2016-06-22T11:58:24Z No. of bitstreams: 1 dissertacao-rogerio-do-amaral.pdf: 658576 bytes, checksum: 8841f3bae71e1d82d54772760a09e292 (MD5)<br>Approved for entry into archive by Andrea Hayashi (deachan@gmail.com) on 2016-06-22T11:58:55Z (GMT) No. of bitstreams: 1 dissertacao-rogerio-do-amaral.pdf: 658576 bytes, checksum: 8841f3bae71e1d82d54772760a09e292 (MD5)<br>Made available in DSpace on 2016-06-22T11:58:55Z (GMT). No. of bitstreams: 1 dissertacao-rogerio-do-amaral.pdf: 658576 bytes, checksum: 8841f3bae71e1d82d54772760a09e292 (MD5) Pr
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Mehta, Archana. "STORAGE OF EIGHTEENTH-CENTURY WOMEN’S COSTUMES AT THE KENT STATE UNIVERSITY MUSEUM." University of Akron / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=akron1185477321.

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