Bibliografías temáticas / Cultural heritage objects

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Literatura académica sobre el tema "Cultural heritage objects"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 6 de febrero de 2022

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Artículos de revistas sobre el tema "Cultural heritage objects"

Pratikakis, Ioannis, Michalis A. Savelonas, Pavlos Mavridis, Georgios Papaioannou, Konstantinos Sfikas, Fotis Arnaoutoglou y Dirk Rieke-Zapp. "Predictive digitisation of cultural heritage objects". Multimedia Tools and Applications 77, n.º 10 (30 de junio de 2017): 12991–3021. http://dx.doi.org/10.1007/s11042-017-4928-y.

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Wiescher, Michael y Khachatur Manukyan. "Scientific Analysis of Cultural Heritage Objects". Synthesis Lectures on Engineering, Science, and Technology 2, n.º 6 (31 de agosto de 2020): 1–246. http://dx.doi.org/10.2200/s01030ed1v01y202007est012.

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Craith, Máiréad Nic. "Intangible Cultural Heritages". Anthropological Journal of European Cultures 17, n.º 1 (1 de marzo de 2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.

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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and representation. A number of ethical issues are raised - such as the role of women in the transmission of heritage and the implications of information technology for copywriting traditional practices. The author also asks how one ensures that the process of globalisation facilitates rather than eliminates local cultural heritages? How does one enhance the local so that it becomes glocal and not obsolete?

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Афанасьев, Олег y Oleg Afanasiev. "PROTECTION OF THE RURAL DESTINATIONS AS THE WORLD CULTURAL HERITAGE SITES: INTERNATIONAL PRACTICES". Services in Russia and abroad 10, n.º 7 (7 de noviembre de 2016): 18–33. http://dx.doi.org/10.12737/21818.

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The article discusses the concept of “agrоcultural (agricultural) heritage” and composing it objects in rural (agricultural) tourism, for which they are the most important destinations. This research object is interdisciplinary, affecting a variety of spheres, particularly, agroourism, sightseeing, services and so forth, and economy in general. Agricultural heritage includes tangible objects of agricultural and technical culture, created for the production. Such objects are saved for better and complete study and understanding of their nature, not for contemplation; they are not works of art. This heritage is anthropogenic and technological. From the scientific and methodological point of view the very understanding of the term of "agricultural heritage" is still quite uncertain. The article presents a comprehensive understanding of it based on the nature-use concept as a binary object system "Man - Nature". The available experience of classification of agricultural heritage objects is considered. Starting 2002, at the initiative of the Food and Agriculture Organization (FAO) the criteria are developed and an inventory of objects of the world agro- cultural heritage, Globally Important Agricultural Heritage Systems (GIAHS), is conducted. One of the GIAHS goals is identifying objects of agricultural heritage that are most corresponding to the status of "global agricultural heritage" and their promotion for including to the UNESCO World Heritage List. The article presents for the first time ever full GIAHS list in Russian as of October, 2016. We have separated in special list 114 objects from 58 countries, corresponding in our view to the concept of "agricultural heritage" from the UNESCO World Heritage List current at the end of 2016. The article presets the attempt to classify them by 12 categories. The rating of countries in the world by the number of Agricultural UNESCO World Heritage Sites is submitted. The author notes that exactly this category of objects forms a primary resource base for the agricultural (rural) tourism development as the most important attractive destinations, especially in Europe. As the conclusions the reasons are formulated, under which agricultural tourism is a promising form of tourism organization both for individual agricultural enterprises on the basis of objects of agricultural heritage, and for the regions in which these objects are presented.

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Prysiazhniuk, Oleksii. "Basic stages of history of the underground gethsemane garden monastery in the context of monument protection". Bulletin of Mariupol State University. Series: History. Political Studies 10, n.º 27 (2020): 37–45. http://dx.doi.org/10.34079/2226-2830-2020-10-27-37-45.

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This research examines and identifies the main stages of the history of an underground monastery in the Gethsemane Garden, from the appearance of the object to the status of a cultural heritage monument. The author draws conclusions about the legal norms enshrined in the regulations that form a system of requirements for procedural actions that turn a cultural heritage object into a monument. The article describes the legal acts that regulate the field of cultural heritage protection and directly influence the process of institutionalization of cultural heritage objects. The process of institutionalization of a monument selected as an example is considered against the background of the history of the object itself in the context of important historical events and historiography of its study. Turning cultural heritage into a monument that is governed by regulations in modern conservation legislation is a complex process. Examples of completing formal procedures and obtaining cultural heritage status are monuments. That is why the author, on the example of cultural heritage – monuments of history, architecture of the underground monastery in the tract «Gethsemane Garden» describes the process of institutionalization of such objects. The institutionalization of cultural heritage means the process of defining and consolidating legal norms, rules, statuses, bringing them into a system capable of acting in the direction of satisfying the need of modern society for the preservation of cultural heritage objects.

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Kotrlý, M., I. Turková y V. Grunwaldová. "Forensic Science Analyses of Cultural Heritage Objects". Microscopy and Microanalysis 17, S2 (julio de 2011): 1814–15. http://dx.doi.org/10.1017/s1431927611009949.

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Eremina, T. Yu, A. V. Bogdanov, O. V. Sushkova y A. Jug. "Evacuation procedure features for cultural heritage objects". Пожаровзрывобезопасность 28, n.º 1 (2019): 54–66. http://dx.doi.org/10.18322/pvb.2019.28.01.54-66.

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IVANOVA, SVETLANA. "PROBLEMS OF CLASSIFICATION OF CULTURAL HERITAGE OBJECTS". Sociopolitical sciences 10, n.º 2 (30 de abril de 2020): 158–68. http://dx.doi.org/10.33693/2223-0092-2020-10-2-158-168.

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The purpose of the research work is to analyze the norms of Federal laws, as well as the laws of the Russian Federation's constituent entities, devoted to the definitions and classification of the concepts “cultural heritage”, “historical and cultural monuments”, “cultural values”. Conclusions obtained in the course of the research: based on the study of current legislation, it is concluded that the definitions of “cultural values”, “cultural property”, “objects of cultural inheritance” contained in various normative legal acts differ in content. Based on the research, the author proposes the concept of “cultural values”.

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Sipiran, Ivan, Patrick Lazo, Cristian Lopez, Milagritos Jimenez, Nihar Bagewadi, Benjamin Bustos, Hieu Dao et al. "SHREC 2021: Retrieval of cultural heritage objects". Computers & Graphics 100 (noviembre de 2021): 1–20. http://dx.doi.org/10.1016/j.cag.2021.07.010.

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Campfens, Evelien. "Whose Cultural Objects? Introducing Heritage Title for Cross-Border Cultural Property Claims". Netherlands International Law Review 67, n.º 2 (27 de agosto de 2020): 257–95. http://dx.doi.org/10.1007/s40802-020-00174-3.

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Abstract Cultural objects have a special, protected, status because of their intangible ‘heritage’ value to people, as symbols of an identity. This has been so since the first days of international law and, today, there is an extensive legal framework to protect cultural objects and to prohibit looting. Despite this, for as long as demand exists and profits are high, cultural objects continue to be looted, smuggled and traded. At some point, their character tends to change from protected heritage in an original setting to valuable art and commodity in the hands of new possessors. In this new setting, the legal status of such objects most likely will be a matter of ownership and the private law regime in the country where they happen to end up. This article suggests that, irrespective of the acquired rights of others, original owners should still be able to rely on a ‘heritage title’ if there is a continuing cultural link. The term aims to capture the legal bond between cultural objects and people, distinct from ownership, and is informed by international cultural heritage and human rights law norms. The proposition is that, whilst ownership interests are accounted for in national private law, legal tools are lacking to address heritage interests and identity values that are acknowledged in international law. Neither the existing legal framework for the art trade, based on the 1970 UNESCO Convention, nor regular ownership concepts appear particularly suited to solve title issues over contested cultural objects. The notion of ‘heritage title’ in a human rights law approach can act as a bridge in that regard.

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Tesis sobre el tema "Cultural heritage objects"

Macdonald, L. W. "Realistic visualisation of cultural heritage objects". Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471969/.

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This research investigation used digital photography in a hemispherical dome, enabling a set of 64 photographic images of an object to be captured in perfect pixel register, with each image illuminated from a different direction. This representation turns out to be much richer than a single 2D image, because it contains information at each point about both the 3D shape of the surface (gradient and local curvature) and the directionality of reflectance (gloss and specularity). Thereby it enables not only interactive visualisation through viewer software, giving the illusion of 3D, but also the reconstruction of an actual 3D surface and highly realistic rendering of a wide range of materials. The following seven outcomes of the research are claimed as novel and therefore as representing contributions to knowledge in the field:  A method for determining the geometry of an illumination dome;  An adaptive method for finding surface normals by bounded regression;  Generating 3D surfaces from photometric stereo;  Relationship between surface normals and specular angles;  Modelling surface specularity by a modified Lorentzian function;  Determining the optimal wavelengths of colour laser scanners;  Characterising colour devices by synthetic reflectance spectra.

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Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects". Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.

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Interference is a fundamental physical phenomenon proving the wave nature of energy. It is based on wave superposition forming natural waveeffects expressed both in nature under random selective conditions as well as in laboratory scientific experiments by carefully controlled selection of parameters. Science generates a number of technology applications using the inherited properties of waves after their superposition in space termed interference. These interfering waves have extremely rare properties compared to their initial physical systems and become entities with measurable quantities which can be used to quantify qualities in other phenomena, mechanisms, and physical objects with variety of physical properties. These waves are currently fully explored in theoretical and experimental physics finding many modern applications and enlightening the way to longstanding questions. Remote non contact study of surfaces and their reactions visually witnessing internal subsurface and unknown bulk information without need to implement destructing forces or penetrating irradiation to trace them and without interacting with it or interfering with the results is one of the most challenging modern applications of interference physics. Apart from everyday life applications artworks’ conservation is a field that interference properties are uniquely suited. It is the quality of light wave interference that is being utilised in this body of research and summarised in the present thesis. The context of the presented thesis unfolded in next chapters is constructed in one book on a contextual rather than chronological order. The contextual base presentation is achieved through clustering same context published articles that have resulted over the course of years of research which have been published in review journals, conference proceedings or governmental publications. The formation of laser interference fringe patterns and their exceptional qualitites in application for structural diagnosis with defect detection and definition, their unique properties utilised in studies of environmental and climate effects, the prototype optical geometries and novel experimental methodologies envisaged to solve specific application problems are presented along with examination on theoretical matters of exploring interference properties, qualities, geometries and their outmost final product the interference fringe pattern. Thus in this thesis the aim is to prove the contribution of the experimental research publications to the study of interference patterns as a highly sophisticated structural diagnostic tool in the complicated problems of Cultural Heritage applications. The implementation of interference phenomena and the development in experimental investigations applied in inhomogeneous, anisotropic, shape variant, multilayered, multicomposition cultural heritage objects, paves the way to implement “fringe patterns” as a scaleless (scale independent) diagnostic detector allowing generation of novel tools and practices on problem solving projects. The developments are beyond the specific application and are extended to other fields of science and technology. The articles and bibliography cited within the text including author's publications utilised as sources in the writing of this thesis are referenced in square brackets and are explicitly listed in ANNEX I The list of publications of the author is shown in ANNEX II. The originals of author's publications supporting the thesis are provided after the Annex II as have been published. Due to limitation in number of pages there is not included a section to present the fundamental principles of the phenomena presented here instead a list of books commonly found in most University libraries is provided for interested readers as BIBLIOGRAPHY at the last paragraphs of ANNEX I.

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Beltran, Sanchidrian Victòria. "Vibrational spectroscopies study of Pinus resin in materials from cultural heritage objects". Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/404064.

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Many historical objects have coatings or varnish layers on the surface. In order to determine their conservation and historical contextualization is necessary to know its origin, why they were applied, the application technique and how they aged. In this context we found that one kind of material used is diterpenic resin obtained from species of the Pinaceae family. A search in historical sources from 9th to 19th centuries was performed in order to know how Pinaceae resin was used during history. It has been observed that resins from certain Pinaceae species such as Abies alba Mill. or Larix decidua Mill. were mainly applied in valuable objects. On the other hand, Pinus species were mainly used in daily objects without artistic merit. Moreover, it is also noted that, generally, coatings made from Pinaceae species resin include also other resins, essential oils, drying oils, etc. However, the analytical data obtained from varnishes and coatings of historical objects from our geographical environment, demonstrate that Pinus resin was used in a wider range of objects than the ones mentioned in consulted historical sources. The analysis of varnish and coating layers is very intricate. Besides the complexity of its composition, these layers are very thin, <20 µm, and they are on the surface so many interferences can be found like deposition products or even remains of biological activity. This work is focused on the study of main compounds of Pinaceae species resins used in varnishes and coatings. Particularly, it is centred in resin from Pinus genus species: its aging processes and its markers in FTIR and Raman spectra in order to detect the oxidation degree of this material. The main analytical techniques used are vibrational spectroscopies µRaman and µFTIR. While these techniques have some limitations, particularly its low sensitivity, they provide information from a wide range of molecular and intermolecular bonds. Additionally, analysis are fast, the cost is moderate and have a reduced environmental impact, since waste generated is very low. Obtained results have been used for the analysis of coatings and varnishes from historical objects. These analysis have been performed with optimized sample preparation methods and using complementary analytical techniques such as optical microscopy, scanning electron microscopy (SEM-EDX) and analytical techniques with synchrotron sources for small heterogeneous samples with complex structure (µSR-FTIR in Diamond Synchrotron Light Source, Oxfordshire and µSR-XRD Synchrotron ALBA-CELLS, Barcelona).
A la superfície de molts objectes d’interès històric s ’hi troben capes de vernís o recobriments dels quals, per la seva conservació i contextualització històrica, és necessari conèixer el seu origen, la raó per la qual van ser aplicats, la tècnica d’aplicació i com els ha afectat el pas del temps. En aquest context ens trobem que un dels materials que ha estat àmpliament utilitzat és la resina diterpènica obtinguda d’espècies de la família Pinaceae. S’ha dut a terme una cerca en tractats i manuscrits d’entre els segles IX i XIX per veure quin impacte tenia el seu ús i com s ’aplicaven històricament. S'ha observat que resines d’espècies com ara Abies alba Mill. o Larix decidua Mill. eren principalment reservades per vernissos i recobriments d'objectes de valor artístic. En aquests tractats també es pot veure que l’ús principal de la resina extreta d’espècies de Pinus era per vernissos i recobriments d'objectes d’ús quotidià i, generalment, de poc valor artístic. De la mateixa manera, s'observa que habitualment els recobriments fets amb resina de Pinaceae contenien també altres tipus de resines, olis essencials, olis assecants, etc. No obstant això, les dades analítiques obtingudes d’objectes artístics de diferents èpoques del nostre entorn geogràfic, van indicant que la resina de Pinus era més àmpliament emprada del que es descriu a les fonts històriques consultades. La complexitat de l’anàlisi d’aquestes capes de vernís o recobriments, més enllà de la complexitat de la seva composició, és que acostumen a trobarse en capes de molt poc gruix, <20 μm, i que es tan en contacte amb l’ambient, i per tant s ’hi pot trobar també deposició de pols i, fins i tot, res idus d’activitat biològica. Aquest treball es centra en l’estudi dels components principals de les resines de la família Pinaceae utilitzades en vernissos i recobriments. Concretament en les espècies del gènere Pinus , els proces s os d’envelliment i l’obtenció de marcadors als espectres de FTIR i Raman per detectar-ne el grau d’oxidació del material. Les tècniques d’anàlisi principals han estat les espectroscòpies vibracionals μFTIR i μRaman. Si bé aquestes tècniques presenten algunes limitacions, especialment pel que fa a la sensibilitat, permeten obtenir informació d’un ampli ventall d’enllaços moleculars i intermoleculars. A més, les anàlisis són ràpides, el seu cost és relativament baix i tenen un reduït impacte mediambiental, ja que la generació de residus és gairebé nul·la. Els resultats obtinguts s ’han utilitzat per l’anàlisi de recobriments d’objectes d’interès històrico-artístic. Per dur a terme aquestes anàlisis s ’han optimitzat mètodes de preparació de mostra i utilitzat tècniques analítiques complementàries, com ara la microscòpia òptica i la microscòpia electrònics de ras treig (SEM-EDX) i l’ús de tècniques associades a la llum sincrotró quan la quantitat, heterogeneïtat i estructura de les mostres ho han fet necessari (μSR-FTIR al Sincrotró Diamond Light Source, Oxfordshire i μSR-XRD al Sincrotró ALBA-CELLS, Barcelona).
En la superficie de muchos objetos de interés histórico se encuentran capas de barniz o recubrimientos de los que, por su conservación y contextualización histórica, es necesario conocer el origen, por qué motivo fueron aplicados, la técnica de aplicación y cómo les ha afectado el paso del tiempo. En este contexto nos encontramos que uno de los tipos de materiales utilizados son las resinas diterpénicas obtenidas de especies de la familia Pinaceae. Se ha llevado a cabo una búsqueda en tratados y manuscritos de entre los siglos IX y XIX para conocer sus usos y cómo se han aplicado a lo largo de la historia. Se ha observado que resinas de ciertas especies de Pinaceae como Abies alba Mill. o Larix decidua Mill. eran principalmente reservadas a los objetos de valor artístico. En estos tratados también se comprueba que las resinas de las especies de Pinus se usaban principalmente en objetos de cotidianos y generalmente de poco valor artístico. Además se observa que, generalmente, los barnices hechos a partir de resinas de especies de Pinaceae suelen incluir también otras resinas, aceites esenciales, aceites secantes, etc. Sin embargo, los datos analíticos de los barnices y recubrimientos de objetos artísticos de diferentes épocas de nuestro entorno geográfico, van indicando que la resina de Pinus era más ampliamente empleada de lo que se describe en las fuentes históricas consultadas. La dificultad del análisis de estas capas de barniz o recubrimientos, además de la complejidad de su composición, reside en que suelen encontrarse en capas de muy poco grosor, <20 μm, y que están en contacto con el ambiente, de modo que en la superficie se puede encontrar también deposición de polvo e, incluso, residuos de actividad biológica. Este trabajo se centra en el estudio de los componentes principales de las resinas de la familia Pinaceae usadas en barnices y recubrimientos. Concretamente se centra en la resina de las especies del género Pinus, sus procesos de envejecimiento y la obtención de marcadores en los espectros de FTIR y Raman para detectar el grado de oxidación del material. Las técnicas analíticas principales han sido las espectroscopias vibracionales μFTIR y μRaman. Si bien estas técnicas presentan algunas limitaciones, especialmente en cuanto a la baja sensibilidad, permiten obtener información de un amplio abanico de enlaces moleculares e intermoleculares. Además, los análisis son rápidos, su coste es relativamente bajo y tienen un reducido impacto medioambiental, dado que la generación de residuos es prácticamente nula. Los resultados obtenidos se han utilizado para el análisis de recubrimientos de objetos de interés histórico-artístico. Para llevar a cabo estos análisis se han optimizado los métodos de preparación de muestra y se han usado técnicas analíticas complementarias, como la microscopía óptica, la microscopía electrónica de barrido (SEM-EDX) y el uso de técnicas asociadas a la luz sincrotrón cuando la cantidad, heterogeneidad y estructura de las muestras lo han hecho necesario (μSR-FTIR en el Sincrotrón Diamond Light Source, Oxfordshire y μSR-XRD en el Sincrotrón ALBA-CELLS, Barcelona).

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Wu, Sarina. "Ethnopolitics and intangible cultural heritage in Inner Mongolia, China". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ad67c504-0ddd-42c3-9624-16330fef982e.

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Tanner-Kaplash, Sonja. "The common heritage of all mankind : a study of cultural policy and legislation pertinent to cultural objects". Thesis, University of Leicester, 1989. http://hdl.handle.net/2381/4478.

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Government policy is subject to many influences, which may range from a philosophical position arising from changes in the value systems of a given society, to logistic considerations, such as available methods of implementation and the prevailing economic structure. The value system known as "the common heritage of all mankind" - the long-term global stewardship of natural and man-made resources - is explored in this thesis in the context of cultural policies, specifically those concerning cultural objects. Heritage, linked to the concept of inheritance as a legally protected future interest, is traced in its historical migration from the private sphere to the development of national public assets to an international awareness of global stewardship. Implementing legislation is a salient indicator of cultural policy; the cyclical relationship in which legal precepts internalized by a society from earlier laws become integral to the cycle of policy formulation and application is illustrated, featuring legislation from several States. While the thesis is cast within a particular philosophical framework, practical economic realities are among the most important logistic considerations for government policy development. Illicit activities have been recognized as a major threat to cultural objects in the modern world, in addition, these objects are frequently "luxury goods" for which historically, regulation and taxation have been the rule rather than the exception; the thesis argues for a practical, domestic and economic approach to the problem of protection. This implies control of cultural objects in some form, including the documentation of significant pieces. The thesis conclusions propose that both the responsibilities and associated costs could be defrayed and shared by governments and the private sector by means of a licensing program.

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Haber, Agnes [Verfasser]. "Analysis of porous media and objects of cultural heritage by mobile NMR / Agnes Haber". Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2012. http://d-nb.info/1024800342/34.

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Shyllon, Ololade Olakitan. "The right to the return of African cultural heritage : a human rights perspective". Diss., University of Pretoria, 2007. http://hdl.handle.net/2263/5846.

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This research focuses on how many African cultural objects found their way to Western museums or private collections. Therefore the author examines to what extent African states have succeeded in their quest for the return of their cultural objects and what the inadequacies in the current international legal regime for the return of cultural objects are. Can the return of African cultural objects properly be identified as a human right issue and will such identification present better chances for their return? Also look at how existing international human rights mechanisms are applied in the quest for the return of African cultural objects. Focuses on the specific African countries of Nigeria and Ethiopia in respect of their efforts towards the return of their tangible and moveable cultural heritage.
Thesis (LLM (Human Rights and Democratisation in Africa)) -- University of Pretoria, 2007.
A Dissertation submitted to the Faculty of Law University of Pretoria, in partial fulfilment of the requirements for the degree Masters of Law (LLM in Human Rights and Democratisation in Africa). Prepared under the supervision of Prof. Andreas Eshete of the Faculty of Law, University of Addis Ababa, Ethiopia.
http://www.chr.up.ac.za/
Centre for Human Rights
LLM

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Belhi, Abdelhak. "Digital Cultural Heritage Preservation : enrichment and Reconstruction based on Hierarchical Multimodal CNNs and Image Inpainting Approaches". Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2019.

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Le patrimoine culturel joue un rôle important dans la définition de l'identité d’une société. La préservation physique à long terme du patrimoine culturel reste fragile et peut induire de multiples risques liés à la destruction et aux dommages accidentels. Les technologies numériques telles que la photographie et la numérisation 3D ont fourni de nouvelles alternatives pour la préservation numérique. Cependant, les adapter au contexte du patrimoine culturel est une tâche difficile. En effet, la numérisation complète des objets culturels (visuelle avec une copie digitale et historique avec des métadonnées) n'est facile que lorsqu'il s'agit d’objets physiquement en bon état possédant toutes leurs données (entièrement annotés). Cependant, dans le monde réel, de nombreux objets culturels souffrent de dégradation physique et de perte d'informations. Habituellement, pour annoter et conserver ces objets, les institutions culturelles font appel à des spécialistes de l'art, à des historiens et à d'autres institutions. Ce processus est fastidieux, nécessite beaucoup de temps et de ressources financières et peut souvent s’avérer inexact. Notre travail se concentre sur la préservation effective et rentable du patrimoine culturel, basée sur des méthodes avancées d'apprentissage automatique. L'objectif est de fournir un Framework à la phase d'enrichissement du processus de préservation numérique du patrimoine culturel. A travers cette thèse, nous proposons de nouvelles méthodes permettant d’améliorer le processus de préservation des objets culturels. Nos défis sont principalement liés au processus d'annotation et d'enrichissement des objets dont les données sont manquantes et/ou incomplètes (annotations et données visuelles) ; ce processus est souvent inefficace lorsqu’il est effectué manuellement. Nous introduisons diverses approches basées sur l'apprentissage automatique et l'apprentissage profond pour compléter automatiquement les données culturelles manquantes. Nous nous concentrons principalement sur deux types essentiels de données manquantes : les données textuelles (métadonnées) et les données visuelles.La première étape est principalement liée à l'annotation et à l'étiquetage des objets culturels à l'aide de l'apprentissage profond. Nous avons proposé des approches exploitant des caractéristiques visuelles et textuelles disponibles des objets culturels pour effectuer efficacement leur classification. (i) La première approche est proposée pour la Classification Hiérarchique des objets afin de mieux répondre aux exigences de métadonnées de chaque type d’objets et augmenter les performances de classification. (ii) La seconde approche est dédiée à la Classification Multimodale des objets culturels où un quelconque objet peut être représenté, lors de la classification, avec les métadonnées disponibles en plus de sa capture visuelle. La deuxième étape considère le manque d'informations visuelles lorsqu’il s’agit d’objets culturels incomplets et endommagés. Nous avons proposé dans ce cas, une approche basée sur l'apprentissage profond à travers des modèles génératifs et le clustering d’images pour effectuer la reconstruction visuelle d’objets culturels. Pour nos expérimentations, nous avons collecté une grande base de données culturelles mais nous avons sélectionné les tableaux d’arts pour nos tests et validations car ils possèdent une meilleure qualité d’annotation et sont donc mieux adapté pour mesurer les performances de nos algorithmes
Cultural heritage plays an important role in defining the identity of a society. Long-term physical preservation of cultural heritage remains risky and can lead to multiple problems related to destruction and accidental damage. Digital technologies such as photography and 3D scanning provided new alternatives for digital preservation. However, adapting them to the context of cultural heritage is a challenging task. In fact, fully digitizing cultural assets (visually and historically) is only easy when it comes to assets that are in a good physical shape and all their data is at possession (fully annotated). However, in the real-world, many assets suffer from physical degradation and information loss. Usually, to annotate and curate these assets, heritage institutions need the help of art specialists and historians. This process is tedious, involves considerable time and financial resources, and can often be inaccurate. Our work focuses on the cost-effective preservation of cultural heritage through advanced machine learning methods. The aim is to provide a technical framework for the enrichment phase of the cultural heritage digital preservation/curation process. Through this thesis, we propose new methods to improve the process of cultural heritage preservation. Our challenges are mainly related to the annotation and enrichment of cultural objects suffering from missing and incomplete data (annotations and visual data) which is often considered ineffective when performed manually. Thus, we propose approaches based on machine learning and deep learning to tackle these challenges. These approaches consist of the automatic completion of missing cultural data. We mainly focus on two types of missing data: textual data (metadata) and visual data.The first stage is mainly related to the annotation and labeling of cultural objects using deep learning. We have proposed approaches, that take advantage of cultural objects’ visual features as well as partially available textual annotations, to perform an effective classification. (i) the first approach is related to the Hierarchical Classification of Objects to better meet the metadata requirements of each cultural object type and increase the classification algorithm performance. (ii) the second proposed approach is dedicated to the Multimodal Classification of cultural objects where any object can be represented, during classification, with a subset of available metadata in addition to its visual capture. The second stage considers the lack of visual information when dealing with incomplete and damaged cultural objects. In this case, we proposed an approach based on deep learning through generative models and image data clustering to optimize the image completion process of damaged cultural heritage objects. For our experiments, we collected a large database of cultural objects. We chose to use fine-art paintings in our tests and validations as they were the best in terms of annotations quality

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Dedecker, Kevin. "Multifunctional Hybrid materials for the capture and detection of volatile organic Compounds : Application to the preservation of cultural heritage objects". Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLV003.

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Lors de leur stockage ou de leur exposition, les objets du patrimoine sont soumis à des processus physico-chimiques d’altération liés à leur environnement et en particulier à l’action de polluants primaires (e.g. dioxyde de soufre, oxydes d’azote), secondaires (ozone) ou de composés organiques volatils (COVs). Il a été démontré que ces gaz/vapeurs se comportent comme des agents d’hydrolyse et d’oxydation. L’acide acétique fait partie des COVs ayant un impact considérable et reconnu dans la conservation des objets du patrimoine en particulier des films photographiques. En vue de lutter contre ses effets délétères, ce projet de thèse s’est focalisé sur la conception de nouveaux matériaux poreux hybrides multifonctionnels appelés « Metal-Organic Frameworks » (MOFs) pour la capture sélective de l’acide acétique en présence d’humidité (40% humidité relative) et à température ambiante. Les remarquables propriétés d’adsorption (sensibilité, sélectivité et capacité) et la grande versatilité des MOFs (balance hydrophile/hydrophobe, taille/forme des pores,…) ont été utilisés pour préconcentrer de façon sélective l’acide acétique en milieu humide. Les matériaux les plus performants ont ensuite été préparés sous forme de nanoparticules pour l’élaboration de films minces de qualité optique afin d’en étudier les propriétés d’adsorption et de co-adsorption (acide acétique/eau) par ellipsométrie. L’incorporation de nanoparticules métalliques plasmoniques a ensuite été effectuée afin de concevoir un capteur colorimétrique. L’objectif final de ce travail est de concevoir un nouveau type d’adsorbant caractérisé par une capacité et une sélectivité d’adsorption élevée et dont on pourrait aisément déterminer le niveau de saturation en acide acétique afin d’anticiper son remplacement et ainsi assurer la préservation des objets stockés et exposés dans les musées
During their storage or their exhibition, the cultural heritage objects undergo physicochemical alteration processes related to their environment and in particular to the action of primary (e.g. sulfur dioxide, nitric oxides), secondary (ozone) pollutants or Volatile Organic Compounds (VOCs). It has been demonstrated that these gases/vapors are involved in hydrolysis and oxidation reactions. Among the most common VOCs encountered in museums, Acetic acid has a significant and recognized role in the deterioration of cultural heritage objects such as photographic films. In order to face this issue, this Ph.D. thesis focused on the design of new porous multifunctional hybrid materials denoted « Metal-Organic Frameworks » (MOFs) for the selective capture of acetic acid in the presence of moisture (40% relative humidity) and at room temperature. The remarkable adsorption properties (sensitivity, selectivity and capacity) and the great versatility of MOFs (hydrophicity/hydrophobicity balance, size/shape of pores,…) were used to preconcentrate selectively the acetic acid in humid conditions. The most performing materials were then prepared as nanoparticles and then used for the elaboration of high optical quality thin films in order to study the coadsorption (acetic acid/water) properties of MOFs by ellipsometry. The incorporation of plasmonic metal nanoparticles was then carried out in order to design a colorimetric sensor. The final objective is to devise a novel type of adsorbent that integrates a high VOC adsorption capacity and selectivity under humid conditions and an easy on-line monitoring of their saturation capacityin order to anticipate its replacement and therefore ensure the preservation of the stored and exhibited objects in museums

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Littaye, Alexandra. "Finding time in the geographies of food : how heritage food discourses shape notions of place". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:259a4358-2b71-4d55-940d-9e7664f2d95d.

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This thesis presents a multi-sited and multi-scalar ethnography of the processes and practices through which producers attempt to designate food as heritage. Grounded in cultural geography, it adopts a cultural economy approach to addressing concerns within agro-food studies by joining in conversation notions of heritage, place-making and time. By underlining the intrinsic relation between articulations of time and constructions of place, this thesis further maps the alternative geographies of food. It engages with three overarching questions, drawing on research conducted within two heritage-based food initiatives in Mexico and Scotland, both linked to the Slow Food movement. These produce, respectively, a traditional sweet called pinole and 'real' bread. The thesis asks: what objectives are pursued through the heritagisation of food whereby various actors strategically coin foods as heritage? How is time articulated in the discourse of heritage food, and how do heritage food networks and producers understand time as a component of food quality? Finally, what senses of place emerge from the various uses of time as a quality in global, translocal and local heritage food discourses? This thesis explores Slow Food's heritage qualification scheme and the ensuing commodification of heritage food, as well as translocal networks, and practices of 'slow' production. Through empirical engagements it argues that the qualification of heritage foods is multifunctional and that various articulations of time enable small-scale producers to engage with a plethora of socio-economic and political issues. Numerous and at times conflicting constructions of place surface from the discourses woven around these two heritage products and problematise identity formation and narratives of the past linked to producers and communities. This thesis concludes that the constructions of place associated with heritage foods depend not only upon the authority and circumstances of actors articulating a heritage discourse, but also on the scale of the dissemination of that discourse, and on the notions and understandings of time associated with heritage and place.

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Libros sobre el tema "Cultural heritage objects"

Heritage management: Care, understanding and appreciation of cultural heritage. Jaipur: Publication Scheme, 2004.

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Cultural heritage microbiology: Fundamental studies in conservation science. Washington, DC: ASM Press, 2010.

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Dorfman, Eric. Intangible natural heritage: New perspectives on natural objects. New York: Routledge, 2012.

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Ayvazyan, Argam. Mshakutʻayin arzhēkʻneri Galfaean hawakʻatsoyi ardzanagir irerě: Inscribed objects of the Kalfayan Family cultural heritage. Erevan: Heghinakayin hratarakutʻyun, 2013.

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Uzielli, Luca, ed. Wood Science for Conservation of Cultural Heritage – Florence 2007. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-8453-396-8.

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COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restoration) of European Wooden Cultural Heritage Objects (WCHOs), by fostering targeted research and multidisciplinary interaction between Researchers in various fields of Wood Science, Conservators of wooden artworks, other Scientists from related fields. This book of Proceedings contains most of the papers presented in the International Conference held in Florence (Italy) on 8-10 November 2007, dealing with several of the Action's themes, including structure and properties of historic wood, ageing and non-biological degradation of wood material, contributions from Wood Science to conservation issues.

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Gril, Joseph, ed. Wood Science for Conservation of Cultural Heritage – Braga 2008. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-165-6.

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COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation of European wooden cultural heritage objects, by fostering research and interaction between researchers in various fields of wood science, conservators of wooden artworks, scientists from related fields. These proceedings contain the papers presented in the 2nd International Conference held in Braga (Portugal) 5-7/11/2008, dealing with themes such as material properties, biological degradation, characterization and measurement techniques, conservation, structures. This conference was patronized by the European Society for Wood Mechanics (ESWM), an informal body promoting wood mechanics in Europe by regular organisation of meetings through running COST Actions.

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Traviglia, Arianna, Lucio Milano, Cristina Tonghini y Riccardo Giovanelli. Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-517-9.

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It is a well-known fact that organized crime has developed into an international network that, spanning from the simple ‘grave diggers’ up to powerful and wealthy white-collar professionals, makes use of money laundering, fraud and forgery. This criminal chain, ultimately, damages and dissipates our cultural identity and, in some cases, even fosters terrorism or civil unrest through the illicit trafficking of cultural property.The forms of ‘possession’ of Cultural Heritage are often blurred; depending on the national legislation of reference, the ownership and trade of historical and artistic assets of value may be legitimate or not. Criminals have always exploited these ambiguities and managed to place on the Art and Antiquities market items resulting from destruction or looting of museums, monuments and archaeological areas. Thus, over the years, even the most renowned museum institutions have - more or less consciously - hosted in their showcases cultural objects of illicit origin. Looting, thefts, illicit trade, and clandestine exports are phenomena that affect especially those countries rich in historical and artistic assets. That includes Italy, which has seen its cultural heritage plundered over the centuries ending up in public and private collections worldwide.This edited volume features ten papers authored by international experts and professionals actively involved in Cultural Heritage protection. Drawing from the experience of the Conference Stolen Heritage (Venice, December 2019), held in the framework of the NETCHER project, the book focuses on illicit trafficking in Cultural Property under a multidisciplinary perspective.The articles look at this serious issue and at connected crimes delving into a variety of fields. The essays especially expand on European legislation regulating import, export, trade and restitution of cultural objects; conflict antiquities and cultural heritage at risk in the Near and Middle East; looting activities and illicit excavations in Italy; the use of technologies to counter looting practices.The volume closes with two papers specifically dedicated to the thorny ethical issues arising from the publication of unprovenanced archaeological objects, and the relevance of accurate communication and openness about such topics.

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Silk Roads Nara International Symposium (1993 Nara-shi, Japan). Conservation of cultural heritage and international assistance in Asian countries: The Silk Roads Nara International Symposium '93. Nara, Japan: Nara International Foundation, 1995.

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Silk Roads Nara International Symposium (1993 Nara-shi, Japan). Conservation of cultural heritage and international assistance in Asian countries: The Silk Roads : Nara International Symposium '93. Nara, Japan: Nara International Foundation Commemorating the Silk Road Exposition, 1993.

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Roosen-Runge, P. H. The virtual display case: Making museum image assets safely visible : a report prepared for the Canadian Heritage Information Network. 2^a ed. [Ottawa]: Canadian Heritage Information Network, 1998.

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Capítulos de libros sobre el tema "Cultural heritage objects"

Vigneron, Sophie. "Protecting Cultural Objects: Enforcing the Illicit Export of Foreign Cultural Objects". En Art, Cultural Heritage and the Market, 117–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45094-5_5.

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Brodie, Neil. "Cultural Heritage Objects and Their Contexts". En Encyclopedia of Global Archaeology, 1960–66. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1210.

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Brodie, Neil. "Cultural Heritage Objects and Their Contexts". En Encyclopedia of Global Archaeology, 3022–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1210.

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Sitnik, Robert y Maciej Karaszewski. "Automated Processing of Data from 3D Scanning of Cultural Heritage Objects". En Digital Heritage, 28–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_3.

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Bartolini, Ilaria, Vincenzo Moscato, Ruggero G. Pensa, Antonio Penta, Antonio Picariello, Carlo Sansone y Maria Luisa Sapino. "Recommending Multimedia Objects in Cultural Heritage Applications". En New Trends in Image Analysis and Processing – ICIAP 2013, 257–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41190-8_28.

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Arenghi, Alberto y Maria Agostiano. "Cultural Heritage and Disability: Can ICT Be the ‘Missing Piece’ to Face Cultural Heritage Accessibility Problems?" En Smart Objects and Technologies for Social Good, 70–77. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61949-1_8.

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Marcondes, Carlos H. "Implementing Culturally Relevant Relationships Between Digital Cultural Heritage Objects". En Metadata and Semantic Research, 123–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71903-6_13.

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Tiňo, Radko, Katarina Vizárová, František Krčma, Milena Reháková, Viera Jančovičová y Zdenka Kozáková. "Cleaning in Preservation of Cultural Heritage". En Plasma Technology in the Preservation and Cleaning of Cultural Heritage Objects, 3–10. First edition. | Boca Raton : CRC Press, [2021]: CRC Press, 2021. http://dx.doi.org/10.1201/9780429277610-2.

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Bein, Matthias, Sebastian Peña Serna, André Stork y Dieter W. Fellner. "Completing Digital Cultural Heritage Objects by Sketching Subdivision Surfaces toward Restoration Planning". En Progress in Cultural Heritage Preservation, 301–9. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34234-9_30.

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Moutafidou, Anastasia, Ioannis Fudos, George Adamopoulos, Anastasios Drosou y Dimitrios Tzovaras. "Reconstruction and Visualization of Cultural Heritage Artwork Objects". En Communications in Computer and Information Science, 141–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12957-6_10.

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Actas de conferencias sobre el tema "Cultural heritage objects"

Rizvic, Selma y Izabela Skalonjic. "Reconstructing cultural heritage objects from storytelling". En 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419501.

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Niang, Cheikh, Claudia Marinica, Elise Leboucher, Luc Bouiller y Christine Capderou. "An ontological model for conservation-restoration of cultural objects". En 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419476.

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González, Elizabeth M. Astorga, Esteban Municio, Maikel Noriega Alemán y Johann M. Marquez-Barja. "Cultural Heritage and Internet of Things". En GoodTechs '20: 6th EAI International Conference on Smart Objects and Technologies for Social Good. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3411170.3411267.

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Di Bitonto, Pierpaolo, Teresa Roselli y Veronica Rossano. "A Recommendation Technique for Cultural Heritage Hypermedial Objects". En 2009 Ninth International Conference on Intelligent Systems Design and Applications. IEEE, 2009. http://dx.doi.org/10.1109/isda.2009.217.

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D'Andrea, Andrea y Kate Fernie. "CARARE 2.0: A metadata schema for 3D cultural objects". En 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744745.

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Manfredi, Marcello, Greg Williamson, Dale Kronkright, Eric Doehne, Megan Jacobs, Emilio Marengo y Gregory Bearman. "Measuring changes in cultural heritage objects with Reflectance Transformation Imaging". En 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743730.

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Zakharova, Galina Borisovna. "Application of BIM in restoration of cultural heritage objects". En II International Conference “BIM in Construction & Architecture”. Saint Petersburg State University of Architecture and Civil Engineering, 2019. http://dx.doi.org/10.23968/bimac.2019.020.

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Sitnik, Robert, Maciej Karaszewski, Wojciech Zaluski y Pawel Bolewicki. "Automated full-3D shape measurement of cultural heritage objects". En SPIE Europe Optical Metrology, editado por Luca Pezzati y Renzo Salimbeni. SPIE, 2009. http://dx.doi.org/10.1117/12.828004.

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Parsova, V. "Cultural Heritage Objects’ Protection Areas: Legal Aspects In Digital Age". En GCPMED 2018 - International Scientific Conference "Global Challenges and Prospects of the Modern Economic Development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.157.

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Amato, Flora, Antonino Mazzeo, Vincenzo Moscato y Antonio Picariello. "Building and Retrieval of 3D Objects in Cultural Heritage Domain". En 2012 Sixth International Conference on Complex, Intelligent, and Software Intensive Systems (CISIS). IEEE, 2012. http://dx.doi.org/10.1109/cisis.2012.172.

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Informes sobre el tema "Cultural heritage objects"

Brinker, C. J., C. S. Ashley y A. S. Sellinger. Sol-gel preservation of mankind`s cultural heritage in objects constructed of stone. Office of Scientific and Technical Information (OSTI), enero de 1998. http://dx.doi.org/10.2172/573146.

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Buichik, A. G. CATEGORIES AND KINDS OF THE OBJECTS OF HISTORICAL AND CULTURAL HERITAGE ON RUSSIAN FEDERATION’S TERRITORY. Modern Science: Actual Problems of Theory and Practice №3, marzo de 2019. http://dx.doi.org/10.18411/buichik-ag-doi-7.

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Buichik, A. G. THE RELEVANCE OF THE POSITIONING OF THE RESTORED CULTURAL HERITAGE OBJECTS BY MEANS OF WEB PROJECTING. Modern Science: Actual Problems of Theory and Practice №3, marzo de 2019. http://dx.doi.org/10.18411/buichik-ag-doi-3.

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Levochkina, N. A. Lecture course for distance learning "Museum management" (training course: 43.03.02 "Tourism", 51.03.04 "Museology and protection of objects of cultural and natural heritage", level of higher education - bachelor's degree). Science and Innovation Center Publishing House, noviembre de 2016. http://dx.doi.org/10.12731/levochkina.01112016.22234.

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Levochkina, N. A. TOURISM OF THE OMSK REGION: The twentieth century (Thematic bibliographic index of literature) (direction: 43.03.02 "Tourism" (International and domestic tourism), 51.03.04 "Museology and protection of objects of cultural and natural heritage", level - bachelor). Science and Innovation Center Publishing House, septiembre de 2016. http://dx.doi.org/10.12731/levochkina.01092016.22121.

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