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Artículos de revistas sobre el tema "Culturème"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 26 de julio de 2025

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1

Zając-Krupa, Renata. "Les spécialités culinaires lyonnaises – du culturème gastronomique local au culturème gastronomique national." Romanica Cracoviensia 23, no. 2 (2023): 157–65. http://dx.doi.org/10.4467/20843917rc.23.016.18402.

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The culinary specialties of Lyon – from the local gastronomic cultureme to the national gastronomic cultureme The article deals with the question of Lyon specialties as French “gastronomic culturemes”, as well as with the presentation and definition of Lyonnais dishes offered in typical restaurants, known as “Bouchons Lyonnais”. Each culinary specialty name carries a story and expresses a tradition: local, regional or national. We are going to ponder about the context in which Lyon culturemes with a culinary connotation appeared, about the evolution of the terms in use, and finally, about thei

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Henri, Boyer. "Identitèmes : retour sur un repérage et une ébauche de typologie." Thélème. Revista Complutense de Estudios Franceses 36, no. 2 (2021): 131–43. http://dx.doi.org/10.5209/thel.74358.

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En préalable à l’analyse du statut et des fonctionnements de l’identitème on s’intéresse ici à la patrimonialisation, d’abord sous sa modalité territorialiste, puis sous d’autres modalités qui concernent d'autres objets du réel sociétal autres que les lieux, comme les personnes, les événements, les périodes, les dates… et donc d’autres types de dénominations, comme une dénomination particulièrement sujette à patrimonialisation : le logonyme On considèrera ici la patrimonialisation comme l'intégration dans l'ensemble des repères identitaires d’une communauté donnée, après figement, de sig

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Dahou, Chahrazed. "Entre culturème et identitème : le processus de patrimonialisation du « voile » en France." Thélème. Revista Complutense de Estudios Franceses 36, no. 2 (2021): 145–52. http://dx.doi.org/10.5209/thel.76565.

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Ce qui caractérise la notion d’identitème est la promotion médiatique et politique d’un mot ou d’un groupe de mots que l’usage transforme en référents identitaires. Qu’on le choisisse ou qu’on le refuse, qu’on le loue ou qu’on le stigmatise, qu’on le banalise ou qu’on le diabolise, le voile, dans son processus de construction comme un identitème, semble avoir franchi toutes les étapes de patrimonialisation nécessaires à un mot pour s’établir comme un identitème. En prenant en compte les promotions médiatiques et scientifiques des « affaires du voile », quasi-permanentes en France depuis la fin

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4

Atouga, Jean Pierre. "Traduction et créativité langagière dans la littérature orale eton. Une lecture plurielle de l'épopée Nnomo Ngah'Wono dans ses versions originale et traduite." TAFSIRI. Revue panafricaine de traduction et d'interprétation / Panafrican Journal of Translation and Interpretation 1, no. 1 (2021): 105–25. https://doi.org/10.46711/tafsiri.2021.1.1.6.

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La constitution de la littérature orale africaine en domaine d’étude à part entière a bénéficié de l’apport de la linguistique et de la traductologie. Si les sciences du langage ont rendu possible la transcription et l’analyse totale des textes oraux, la science de la traduction, elle, a contribué au transfert du sens d’une langue à l’autre. Dans cette opération, le traducteur ou la traductrice reste confronté·e aux défis de la restitution des culturèmes et des non-di

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Dado, Fjoralba, and Eglantina Gishti. "La problématique du transfert culturel : le cas de quelques culturèmes dans Madame Bovary de Flaubert." Synergies Europe, Nº 16 - 2021 (December 30, 2021): 163–74. https://doi.org/10.5281/zenodo.6048731.

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Lors de la traduction d’une &oelig;uvre littéraire, les obstacles à franchir par le traducteur peuvent être nombreux dont celui des culturèmes, à savoir des termes à charge culturelle. La traduction ne s’effectue pas seulement entre deux langues mais également entre deux cultures, elle est souvent considérée comme une opération interculturelle. En se concentrant sur la traduction en tant que produit, notre intérêt pour ses éléments s’explique d’une part, par la fréquen

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Slimani, Asma. "Traduire l’Anthroponyme-Culturème dans la Trilogie Nordique Dibienne : Préservation de l’Etrangéité et/ou Primat du Sens." Traduction et Langues 18, no. 2 (2019): 36–51. http://dx.doi.org/10.52919/translang.v18i2.428.

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Translating the Cultural Anthroponym in the DibianNordic Trilogy: Preservation of Foreignness and/ or Fundamental Meaning Cette étude s’inscrit dans le cadre des enjeux culturels de la traduction littéraire. Nous y abordons la problématique de la traduisibilité des anthroponymes envisagés comme culturèmes dans les romans Dibiens : Les Terrasses d’Orsol (1985), Le sommeil d’Eve (1989) et Neiges de marbre (2003). Nous nous appuyons sur des études portant sur la traduction des unités culturelles : Lungu-Badea (2012) et Ballard (2001) afin de comparer les options relevant de deux stratégies

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Cristina, Ilinca. "ISSUES IN TRANSLATING CULTUREMES." Studii de gramatică contrastivă, no. 39 (July 4, 2023): 138–42. https://doi.org/10.5281/zenodo.8112524.

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<em>This article aims at presenting some issues related to translating culturemes. The first part deals with defining key concepts such as culture, cultureme, and their relation to language and translation. A few examples of difficulties in translating culture-bound words will be presented in the second part of the paper.</em>

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Ivanov, Vladislav E., and Natalia M. Nesterova. "On Using of Translation Transformations in the Culturemes Transmission." Nizhnevartovsk Philological Bulletin 9, no. 2 (2024): 117–24. https://doi.org/10.36906/2500-1795/24-2/10.

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This paper focuses on the study of translation transformations used to convey culturemes–culturally specific elements that often lack direct analogs in other languages and cultures. These elements reflect unique aspects of a society’s life, traditions, and mentality, making their translation a challenging task. The paper primarily addresses the theoretical aspects of translating culturemes, such as cultural transfer, cultureme, and translation transformation. Cultural transfer is viewed as the process of transferring cultural elements from one culture to another through translation. Cultureme

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9

Bizzotto, Elisa. "Decadent Culturemes. Translating Bernard Shaw’s Widowers’ Houses into Italian." LEA - Lingue e Letterature d'Oriente e d'Occidente 6 (April 18, 2024): 47–59. http://dx.doi.org/10.36253/lea-1824-484x-15113.

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This article discusses my recent Italian translation (2022) of George Bernard Shaw’s first play, Widowers’ Houses (1892), mainly by considering the concept of the cultureme. Culturemes, which are semantic units that exemplify and serve as paradigms of certain cultures, have been employed in translation studies in recent years to see how, and even if, culture-specific concepts can be translated. Culturemes are here seen in the light of the transculturality of decadent poetics, and hence interpreted as possible facilitators in the translation into Italian of Widowers’ Houses, a play written in t

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10

Rutkovska, Kristina. "National Values and the Ways of Reading Them. Dialect Text at the Etnolinguist’s Workshop." Vilnius University Open Series, no. 5 (December 4, 2020): 102–33. http://dx.doi.org/10.15388/vllp.2020.6.

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The study aims to present certain methodological approaches used in the research of dialect narratives. In the introductory part of the article, the author discusses the links between the related sciences, analysing oral text: traditional dialectology, oral history and ethnolinguistics. The concept of cultureme as the unit describing realia, deeply entrenched in a certain type of culture, composing a certain identity of an ethnic group, is also introduced. The notion of a cultureme is very close to the notions of a keyword, described by Anna Wierzbicka, and a stereotype or concept, described b

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11

Moon, Kyounghee, and Soonhee Kwon. "Comparative Study of Linguistic and Cultural Differences in the Korean Movie ‘Veteran’ and its Chinese remake ‘Big Shot’." Korean Society of Bilingualism 82 (March 31, 2021): 25–59. https://doi.org/10.17296/korbil.2021..82.25.

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The purpose of this study is to compare and analyze the Korean film ‘Veteran’ and the Chinese remake ‘Big Shot’ by analyzing differences in language and culture between Korea and China and providing educational sources for cultural awareness. In order to compare and analyze the film ‘Veteran’ and ‘Big Shot’, the study used the qualitative analysis, which helped categorize linguistic and cultural differences in the video text of those movies. The two films are based on the same story, while fundamentally changing the various culturemes, social perspectives, and social issues in order to give th

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12

Demirci, Feyzanur. "BÂKÎ’NİN BİR GAZELİNİN GÖSTERGE BİLİMSEL (SEMİYOLOJİ) ANALİZİ." Culture and Civilization, no. 8 (April 23, 2025): 1–13. https://doi.org/10.62425/culture.1550584.

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İnsanoğlunun geçmişten bugüne önemli sorunlarından biri de metinleri kavrayış noktasındaki eksikliğidir. İlk metinlere bakıldığında sanatın ham bir yapıda olduğu görülmektedir. Nitekim toplumların gelişmişlik düzeyi arttıkça sanat da bununla paralellik göstererek estetik zevk kazanmıştır. Zaman içerisinde, ortaya konulan eserlerin sadelikten uzaklaşarak süslü ve sanatlı bir anlatım biçimine bürünmesi, metinleri idrak problemini beraberinde getirmiştir. Bu problem de çeşitli yöntemlerin geliştirilmesini sağlamıştır. Klasik Türk şiirinde, şairlerin kelimeler üzerinde ustaca oynadıkları görülür.

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13

Kabay, Orhan. "Kültür ve Medeniyet Kavramlarının Anlam Farklılığı Üzerine Değerlendirme." Culture and Civilization, no. 8 (April 23, 2025): 28–35. https://doi.org/10.62425/culture.1652015.

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Bu makalenin ana teması “kültür” ve “medeniyet” kavramlarının birbirinden farklı tanımlar içerdiğini belirtmektir. İnsanlığın ilk defa tarih sahnesine çıkışından itibaren toplumlar sosyolojik olarak değişimler geçirmiştir. Bu değişim, “kültür” kavramının ortaya çıkması ve “medeniyet” kavramının oluşmasına zemin hazırlamasıyla birlikte gerçekleşmiştir. “Kültür” kavramı, toplumları diğer toplumlardan ayıran özgün unsurlar beslerken, “medeniyet” kavramı ise uluslararası unsurları içerisinde barındırmaktadır. Sosyoloji bilimi çerçevesinde ele alınan “kültür” ve “medeniyet” kavramlarının tanımları

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14

Yaylaçiçeği, Ebru, and Arya Dilek Erenoğlu Ataizi. "Sinemada Oksimoron." Culture and Civilization, no. 8 (April 23, 2025): 49–69. https://doi.org/10.62425/culture.1655026.

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Okuyucu, dinleyici veya izleyicide şaşkınlık uyandırması beklenen oksimoron birbiriyle çelişen kavramları birbirine bağlayan bir terimdir. Bu dil kullanımı, neşeli kötümser, modern klasik, orijinal kopya gibi keskin çelişki özelliğini bir arada taşıyan sanatlı bir söyleyiş biçimidir. Oksimoron, sanatta ve gerçek hayatın içerisinde kullanım alanı bulan bir zihin oyunudur. Mantıksal düzlemde birbiriyle uyumsuz ve çelişki içerisinde olan kavramlar bir arada kullanılarak yeni bir anlam, oksimoron, oluşturur. Oksimoron sadece yazın alanında değil basın, politika, reklamcılık, resim, sinema gibi ala

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15

Gül Araz, Gülsevin, and Murat Karademir. "TOPLUMSAL HAFIZADA ÇİÇEK İMGESİ." Culture and Civilization, no. 8 (April 23, 2025): 14–27. https://doi.org/10.62425/culture.1647038.

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Toplumsal hafıza kavramını 1920’li yıllarda ilk kez ortaya atan ve modern sosyoloji literatürüne girmesini sağlayan Fransız Sosyolog Maurice Halbwachs, toplumsal hafıza konusunun teorisyeni olarak kabul edilmektedir. Halbwachs’a göre toplumsal hafıza kavramı etkenler/uyarılar karşısında bir toplumun üyelerinin ortak bir tutum, davranış, algı ve psikolojiye sahip olmasına imkân veren bilişsel hafıza olarak tanımlanır. Semboller dünyasının nesneleştirilmesi ile oluşturulan toplumsal hafıza törenler, mimari yapılar, müzeler, anıtlar, çiçekler ve benzeri öğelerle aktarılır. Her toplumda kendine ha

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16

Karadaş, Ahmet Faruk. "DİLAVER DÜZGÜN, Dertli Divanı Karşılaştırmalı Metin, Erzurum Fenomen Yayıncılık, 2011, ISBN 978-605-4370-16-0." Culture and Civilization, no. 8 (April 23, 2025): 70–73. https://doi.org/10.62425/culture.1638810.

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XVI. yüzyıldan günümüze kadar sürekli olarak gelişim ve değişim gösteren Âşık edebiyatı, XIX yüzyılda Osmanlı İmparatorluğu’nun yaşadığı gerilemenin aksine nitelik bakımından ilerlemeler kaydetmiştir. Tanzimat Fermanı’nın ilan edildiği bu dönemde; âşıklar çoğalmış, âşıklar arasında okuryazar oranı artmış, kahvehanelerde fasıllar yapılmaya başlanmış ve en önemli üç âşık kolunun temeli bu dönemde atılmıştır. Bu yüzyılın önemli âşıklarından biri olan Âşık Dertli; Gerede’de doğmuş, ömrünün büyük bir kısmını gurbette geçirmiş, eserlerinde gurbet temasını çoğunlukla işlemiş ve çalıştığı kahvehaneler

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Akçil Aydin, Berna. "Erzurum Masallarında Değerler Eğitimi." Culture and Civilization, no. 8 (April 23, 2025): 36–48. https://doi.org/10.62425/culture.1653065.

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Masallar, ait olduğu toplumun kültürünü yansıtan ve nesilden nesile aktarılan anlatılardır. Öğüt verici özellikleriyle ön plana çıkan masallar, hayal dünyasının kapılarını açarak iyilik ve güzellik temalarını işler. Değerler ise bireyi çeşitli yönlerden geliştirerek topluma kazandıran duygu ve davranış biçimleridir. Değerler eğitimi, toplumun huzuru ve değerlerin gelecek kuşaklara aktarılması için hayati bir öneme sahiptir. Masal türü ile değerler eğitimi kavramlarını birlikte konu edinen bu çalışmada Erzurum masallarında bulunan değerlerin tespit edilmesi ve bu masalların değer ve kültür akta

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Consiglio dei Ministri (book author), Presidenza del, Dipartimento per gli Affari Regionali (book author), Dipartimento per l' Informazione e l'Editoria (book author), and Lydia M. Rende (review author). "Italia, territori, culture. Profili del paesaggio culturale italiano, regioni, simboli." Quaderni d'italianistica 25, no. 2 (2004): 158–59. http://dx.doi.org/10.33137/q.i..v25i2.9204.

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19

Shizhang, Yang. "Cultranslatology in China." Lomonosov Translation Studies Journal, no. 3, 2024 (December 30, 2024): 46–61. https://doi.org/10.55959/msu2074-6636-22-2024-17-3-46-61.

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Culture has long been noticed in translation practice, and theoretical research on translation and culture has a history of over 40 years. Unlike the cultural schools of translation studies in the West, Chinese scholars have been studying the construction of cultranslatology based on the ontology of translation, in order to establish cultranslatology as a sub discipline of translation studies. Th e goal of this article is to study the emergence, establishment, and development of cultranslatology in China, reveal the contributions of Chinese scholars to cultranslatology and even general transla

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20

Țaran Andreici, Mața. ""The concept of linguistic cultureme in Translation Studies"." Scientific Bulletin of the Politehnica University of Timişoara Transactions on Modern Languages 17 (April 3, 2020): 67–71. http://dx.doi.org/10.59168/xidd8441.

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The cultureme is a concept that could encapsulate the great subtlety of traductologyrelated issues. A complex concept, the cultureme stems from the variety of phenomena and realities it designates. It features in the metalanguage of translation theorists and translators, derived from the need to reconsider, from the perspective of translation theories, certain aspects traditionally researched and studied by linguistics (such as connotations, semantic fields, etc.) in order to shape the critical apparatus appropriate to this process. Since they refer to an extra-linguistic context, to a situati

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Sarvinoz, Akhmedova, and Rakhimova Nargiza. "SPECIFICS OF BORROWED WORDS FROM ENGLISH INTO UZBEK." International Journal of Education, Social Science & Humanities. FARS Publishers 11, no. 2 (2023): 901–4. https://doi.org/10.5281/zenodo.7689638.

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The goal of the current article is to examine the linguocultural aspects of terms that have been assimilated from English into Uzbek. These words are often employed in daily speech and contribute to the transmission of national stereotypes and value systems from one generation to the next. The purpose of the research is to examine the relationship between language and culture, as well as the issues that arise when they are combined, as well as how each has an impact on the other's growth and how they relate to social life, and philosophy, psychology

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Nagy, Imola Katalin. "Apple Varietal Names as Culturemes: Translation Issues in Scientific Textual Environments." Acta Universitatis Sapientiae, Philologica 12, no. 3 (2020): 172–87. http://dx.doi.org/10.2478/ausp-2020-0030.

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AbstractIn this study, our purpose is to establish a link between the concept of cultureme and a very intriguing type of specialized discourse: scientific texts belonging to the field of pomology (horticultural sciences). At least a segment of apple (and other fruit) varietal or cultivar names (especially those restricted to a certain geographical and cultural area or region) can be considered from a linguistic and translational viewpoint lexemes which carry cultural meaning. In our research, we focus on the apple varietal names which are specific to the region of Transylvania. We intend to se

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Bakić, Sarina. "Demokratizacija kulture ili kultura demokratije." Obrazovanje odraslih/Adult Education, no. 1 2013 (2013): 53–65. http://dx.doi.org/10.53617/issn2744-2047.2013.13.1.53.

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Rudimentary question regarding understanding of culture, education and democracy always emphasize the right of every human being on education and culture. Right on education, culture, and self-acknowledgement and self-validation is the best to observe through manners of their practical attainments or their failures. This obsrevation underlines guesstimate that democracy of culture has generated completely different approaches vis-a-vis the role and position of culture in life of each individual. Furthermore, this article aims to accentuate clear distinction points between two significant socia

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Dimitrov, Kiril, and Marin Geshkov. "Dominating Attributes Of Professed Firm Culture Of Holding Companies – Members Of The Bulgarian Industrial Capital Association." Economic alternatives 12, no. 3 (2018): 384–418. https://doi.org/10.5281/zenodo.1442380.

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Summary This article aims to outline the diversity of cultural phenomena that occur at organizational level, emphasizing the place and role of the key attributes of professed firm culture for the survival and successful development of big business organizations. The holding companies, members of the Bulgarian Industrial Capital Association, are chosen as a survey object as the mightiest driving engines of the local economy. That is why their emergence and development in the transition period is monitored and analyzed. Based on an empirical study of

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Ganzert, Anne, Beate Ochsner, and Robert Stock. "Introduction to the Special Issue “Media Practices Commoning”." Open Cultural Studies 4, no. 1 (2020): 107–11. http://dx.doi.org/10.1515/culture-2020-0010.

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Beinsteiner, Andreas. "Conviviality, the Internet, and AI. Ivan Illich, Bernard Stiegler, and the Question Concerning Information-technological Self-limitation." Open Cultural Studies 4, no. 1 (2020): 131–42. http://dx.doi.org/10.1515/culture-2020-0013.

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AbstractIn his book Tools for Conviviality (1975), Ivan Illich calls for human self-limitation in technology development. His aim is neither environmental protection nor the prevention of unforeseen side-effects of technology development, but the comprehensibility of technologies’ operating principles for the user. For if the construction or repairing of tools requires expert knowledge inaccessible to the public, this necessarily entails social imbalances in power. In a similar manner, Bernard Stiegler conceives the delegation of know-how to technological systems as a kind of proletarianizatio

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Gilbert, Jeremy. "Platforms and Potency: Democracy and Collective Agency in the Age of Social Media." Open Cultural Studies 4, no. 1 (2020): 154–68. http://dx.doi.org/10.1515/culture-2020-0014.

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AbstractAttitudes to digital communication technologies since the 1990s have been characterized by waves of optimism and pessimism, as enthusiasts have highlighted their democratic and liberating potentials, while critics have pointed to the socially, politically and psychologically deleterious consequences of unchecked digital capitalism. This paper seeks to develop an analytical framework capable of appreciating and assessing the capacities of such technologies both to genuinely enhance democratic agency, and to become tools through which capitalist power is enhanced with widespread negative

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Adloff, Frank. "Experimental Conviviality: Exploring Convivial and Sustainable Practices." Open Cultural Studies 4, no. 1 (2020): 112–21. http://dx.doi.org/10.1515/culture-2020-0011.

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AbstractThe paper develops a concept of conviviality as a form of friendly togetherness that includes people, technical infrastructures and nature. Therefore, Marcel Mauss’s concept of the gift, different strands of thinking about conviviality (e.g. Ivan Illich), John Dewey’ experimentalism and the political theory and movement of convivialism are firstly depicted and discussed. The goal, secondly, is to integrate these various theoretical perspectives in order a) to better grasp already existent forms of conviviality and to b) develop an analytical and normative standpoint that on the one han

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Ronge, Bastian. "The Capitalist Form of Life, and How To Deconstruct It." Open Cultural Studies 4, no. 1 (2020): 122–30. http://dx.doi.org/10.1515/culture-2020-0012.

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AbstractThe article sets out the thesis that the social-ontological account based on the form of life concept can be used to analytically and normatively reflect alternative economies and their attempt to overcome capitalistic structures.2 To develop the thesis, I provide conceptual work on the “economic form of life”, pointing at its plasticity due to the general substitutability of economic practices. Against this background, I argue that Capitalism makes use of this plasticity to create a fully commodified, radical contingent form of life. Actors of alternative economies can wake up of from

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Savic, Selena, Viktor Bedö, Michaela Büsse, Yann Martins, and Shintaro Miyazaki. "Toys for Conviviality. Situating Commoning, Computation and Modelling." Open Cultural Studies 4, no. 1 (2020): 143–53. http://dx.doi.org/10.1515/culture-2020-0015.

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AbstractThis article explores the use of agent-based modelling as a critical and playful form of engagement with cooperative housing organizations. Because of its inherent complexities vis-à-vis decision-making, commoning is a well-suited field of study to explore the potential of humanities-driven experimental design (media) research to provoke critical reflection, problem-finding and productive complication. By introducing two different agent-based models, the interdisciplinary research team discusses their experience with setting up parameters for modelling, their implications, and the poss

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Álvarez, Ignacio. "New Problems of Realism in Martín Rivas." Open Cultural Studies 5, no. 1 (2021): 16–26. http://dx.doi.org/10.1515/culture-2021-0007.

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Abstract This article discusses a central feature in the poetics of Martín Rivas (1862): its realism. It describes the way in which the particularisation of experience and the breakdown of the old theory of the levels of discourse – two main components of realism – are embodied in the novel. Like its models in French realism, Martín Rivas focuses on the unique experiences of singular subjects. This particularisation, however, rarely acquires an interclass dimension, as it did in French forms. The “ideas of realism” are misplaced in Martín Rivas. The novel represents times, spaces, and people i

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Patruno, Luigi. "What About Realism? Alberto Blest Gana, Georg Lukács, and Their Chilean Readers." Open Cultural Studies 5, no. 1 (2021): 54–65. http://dx.doi.org/10.1515/culture-2021-0008.

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Abstract In this article, I analyse Georg Lukács’s theories of realism in relation to Alberto Blest Gana’s work. For this purpose, I explore two essays that have greatly contributed to locating the Chilean author’s novels within the realm of literary realism. The texts chosen for my study are Jaime Concha’s prologue to the Martín Rivas edition by the Ayacucho Library and Ricardo A. Latcham’s essay “Blest Gana y la novela realista” [Blest Gana and the Realist Novel]. Concha and Latcham find appropriate categories for the interpretation of Blest Gana’s work in Lukács’s essays. In their readings,

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Stephens, Miari Taina. "Black Feminist Organizing and Caribbean Cyberfeminisms in Puerto Rico." Open Cultural Studies 6, no. 1 (2022): 147–66. http://dx.doi.org/10.1515/culture-2022-0149.

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Abstract This article centers Black feminist organizing in Puerto Rico, highlighting social media as a tool for racial and gender justice. Collaboration between Puerto Rican feminist organizations on social media platforms amplifies their on-the-ground work and demands. Mapping Caribbean Cyberfeminisms (2016) theorizes Caribbean cyberfeminisms as “knowledge-producing spaces of political thought and action” online by Caribbean feminists. I argue that through content creation and curation, reposting and sharing, commenting and captioning, broadcasting live, Black feminist collectives, organizati

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Mozes, Dorottya. "“It Was Like Listening to Someone Laughing Their Way Toward Death”: Black Noise, Vocal Experiments, and Sonic Silence in Chester Himes’s The Heat’s On." Open Cultural Studies 6, no. 1 (2022): 167–84. http://dx.doi.org/10.1515/culture-2022-0152.

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Abstract The article draws together sound studies and Black studies to examine Himes’s sonic inventions and interventions for imagining the persistence of Black life under conditions of extreme domination. Taking up Sharpe’s call for recognizing “insistent Black visualsonic resistance to that imposition of non/being,” it finds that Himes’s soundscapes in The Heat’s On offer alternatives to how western sound studies theoreticians think about the relationship between sound, white supremacy, and the environment (21). The article contributes to research on the sonic modalities of resistance and do

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Al-Zgoul, Omair, and Saleh Al-Salman. "Fansubbers’ Subtitling Strategies of Swear Words from English into Arabic in the Bad Boys Movies." Open Cultural Studies 6, no. 1 (2022): 199–217. http://dx.doi.org/10.1515/culture-2022-0156.

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Abstract This research investigates the strategies used by fansubbers to translate English culture-bound expressions into Arabic. It further investigates the functions of swear words and how the fansubber regenerated their functional connotations. The corpus of the study consists of English subtitles and Arabic fansubs of the Bad Boys movies. The researchers analyzed the data both quantitatively and qualitatively. The frameworks adopted in this research are the strategies proposed by Diaz-Cintas and Remael and the classification model of swear words presented by Ljung. The findings showed that

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Tholia, Shipra, and Amar Singh. "Recontextualizing the Cinematic Code: The “Female Gaze” of Sai Paranjpye in Sparsh, Chashme Buddoor, and Katha." Open Cultural Studies 6, no. 1 (2022): 113–26. http://dx.doi.org/10.1515/culture-2022-0153.

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Abstract A central concern of the article is to examine how the female gaze is evident in the films of Indian film director Sai Paranjpye. More specifically, this research article analyses the ways, how female gaze asserts itself by playing with established cinematic codes while keeping the political and social condition of the time in the foreground. In this article, the focus is on examining the reflexive disposition of Sai by recontextualizing the conversant tropes popularized in Hindi films. This article also explores the ways in which a film itself participates in defining the “gaze” or,

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Fernández Pérez, María del Rocío. "A comparative Study of Agnes Grey’s Spanish Translations." Open Cultural Studies 6, no. 1 (2022): 127–36. http://dx.doi.org/10.1515/culture-2022-0150.

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Abstract Writers use a certain style to create their literary works and translators should transmit such style to the target audience as faithfully as possible. This article is based on the novel Agnes Grey by Anne Brontë and makes a comparative analysis between the two existing Spanish translations – in 1997 by Menchu Gutiérrez López and in 2000 by Elizabeth Power – focusing on the style used by the English author. Although the examples presented through these pages show the translators’ fidelity to the content of the source text, both translations reflect how the target audience could influe

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Oliphant, Vanessa Nicole, Deja Broyles, Déjà N. Clement, and LaRicka R. Wingate. "Mental Health Strategies Informed by Black Feminist Thought." Open Cultural Studies 6, no. 1 (2022): 137–46. http://dx.doi.org/10.1515/culture-2022-0151.

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Abstract There is currently a gap in the literature that explicitly connects Black feminist thought with psychological theory, research, or intervention. This article review aims to assist in filling the gap and inspire scholars to actively utilize the knowledge of Black feminism and apply it to culturally specific mental health resources for Black women. There is a need for a new generation of Black feminists to intentionally center Black women’s mental health in psychological research and therapeutic practices. Black women’s mental health is an important part of Black feminism, and according

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Rowe, Kristin Denise. "“Unmanageable”: Exploring Black Girlhood, Storytelling, and Ideas of Beauty." Open Cultural Studies 6, no. 1 (2022): 243–59. http://dx.doi.org/10.1515/culture-2022-0160.

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Abstract This article explores how Black women use storytelling to construct their Black girlhood on the axes of Black hair and beauty politics. The study includes a discourse analysis of a series of focus groups with a student organization dedicated to Black women’s natural hair at a midwestern predominantly white institution. I ask: How do young Black women use storytelling as a tool to construct, recall, and (re)negotiate their childhood experiences of hair and beauty politics? I explore the ways these women use storytelling to articulate how their Black girlhood was in part shaped by encou

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Zinobia, Bennefield, and Jackson Taylor. "The Girls Are Alright: Examining Protective Factors of US Black Culture and Its Impact on the Resilience of Black Girls and Women." Open Cultural Studies 6, no. 1 (2022): 218–27. http://dx.doi.org/10.1515/culture-2022-0148.

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Abstract An overarching narrative exists that the self-concept of Black girls is adversely impacted by the negative portrayals of Black Americans in the mainstream media. We assert that this mainstream narrative presents a deficit model account in which Black girls are perpetual victims of white racism. A more complete narrative, one that we offer in this essay, is that while the white patriarchal society has tried, through various means, to undermine the self-esteem of Black Americans, Black girls are healthy, confident, and full of belief in themselves, their beauty, and their power. We argu

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Rababah, Sarah, and Linda Al-Abbas. "Overcoming Constraints in Literary Translation: A Case Study of Rendering Saud Al-Sanousi’s Saq Al-Bambu into English." Open Cultural Studies 6, no. 1 (2022): 260–71. http://dx.doi.org/10.1515/culture-2022-0159.

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Abstract This article aims to investigate the constraints on the English translation of the Arabic novel Saq Al-Bambu (The Bamboo Stalk) and identify the translation strategies that were adopted to render the literary work in light of Baker’s Taxonomy (1992). Examples were collected and classified thematically into four categories: social constraints, political constraints, religious constraints, and cultural constraints. The findings showed that the English translation used general terms to refer to specific concepts in the original novel, and some words were added for explicating purposes. T

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Abreu, Georgina. "The Queen Caroline Affair in Radical Periodicals." Open Cultural Studies 6, no. 1 (2022): 88–99. http://dx.doi.org/10.1515/culture-2022-0145.

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Abstract The rendering of the Queen Caroline affair by the radical periodical press constitutes a case study of the intersection of the press, propaganda, gender, class, politics, and, ultimately, a metaphor of political and cultural change. Rooted in this assertion, the present essay examines and interprets the version of the Queen Caroline affair in the three radical periodicals that resisted the passing of the Six Acts in 1819. These were The Republican, edited by Richard Carlile; Cobbett’s Weekly Political Register, edited by William Cobbett; and the Black Dwarf, edited by Thomas Jonathan

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McConaghy, Mark. "The Potentials and Occlusions of Zhonghua Minguo/Taiwan: In Search of a Left Nationalism in the Tsai Ing-wen Era." Open Cultural Studies 6, no. 1 (2022): 38–53. http://dx.doi.org/10.1515/culture-2020-0131.

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Abstract Tsai Ing-wen has consistently referred to the nation that she governs as 中華民國台灣 (The Republic of China Taiwan), the term representing a major rhetorical feature of her administration. Breaking from the exclusively Taiwan-centered discourse which traditionally defined DPP politics, Tsai has seemingly created an entirely new name for the state she governs. This article examines both the discursive potentials, but also the occlusions, of this newly coined neologism. It argues that the term is defined by a lack of materialist critique, in which essential questions regarding labor exploita

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Anand, Ajit, and Priyanka Tripathi. "Topoanalysis and the City Space in the Literary Writings of Amitava Kumar." Open Cultural Studies 6, no. 1 (2022): 64–75. http://dx.doi.org/10.1515/culture-2022-0143.

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Abstract In the postmodernist transnational moment, the “city” is a “distinctive location of diasporic dwelling, belonging and attachment” and that the city as home is rooted in “city-specific memories” (Blunt and Bonnerjee 237). Emotions and feelings are not static in nature; the very place where one is born becomes a memory house once the individual moves out. Thus, with dispersion, the spaces of “home” transcend to other physical aspects related to it, i.e., the “locality, town or city spaces” (Roy 141) where one has spent a considerable amount of time. Gaston Bachelard in his formulation o

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Duggan, Anne E. "Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat." Open Cultural Studies 5, no. 1 (2021): 208–20. http://dx.doi.org/10.1515/culture-2020-0132.

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Abstract The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, class, human/thing, and species fluidity, which undermines hierarchies supported by dichotomies that in very similar ways privilege men over women, the upperclass over lowerclass, persons over things, and human animals over non-human animals. The essay traces these different forms of fluidit

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Prasetyo, Hery, Dien Vidia Rosa, Raudlatul Jannah, and Baiq Lily Handayani. "The Revival of the Past: Privatizing Cultural Practices in the Festival Era." Open Cultural Studies 5, no. 1 (2021): 194–207. http://dx.doi.org/10.1515/culture-2020-0125.

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Abstract The issue of indigenous community revivalism is crucial related to identity problems and cultural practices in sustainable development. Capital accumulation through cultural commercialization becomes a means to create a cultural creative sector based on tourism. The case of Osing communities in Banyuwangi, East Java, explained and highlighted the cultural practices of indigenous identity to a political-economic agenda. The research used a discursive analysis method with the findings of several issues. First, there were discrepancies between the indigenous and village institutions over

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Denzel, Valentina. "Ah!Nana’s Fairytale Punk-Comics: From the Comtesse de Ségur’s “Histoire de Blondine, Bonne-Biche et Beau-Minon” to Nicole Claveloux’s “Histoire de Blondasse, de Belle-Biche et Gros Chachat”." Open Cultural Studies 5, no. 1 (2021): 235–47. http://dx.doi.org/10.1515/culture-2020-0136.

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Abstract During its brief existence from 1976 to 1978 the French underground feminist magazine Ah!Nana represented a powerful medium to discuss various topics related to women, sexuality, and discrimination. One of its main goals was to challenge traditional (literary) female role models, including housewives, submissive mothers, and “damsels in distress.” Through the adaptation of fairy tales, a genre particularly suited through its imaginative worlds to challenge preconceptions and norms, Ah!Nana deconstructed and questioned binary gender roles and heteronormativity. This article analyzes ca

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Ready, Psyche Z. "The Transgender Imagination in Folk Narratives: The Case of ATU 514, “The Shift of Sex”." Open Cultural Studies 5, no. 1 (2021): 221–34. http://dx.doi.org/10.1515/culture-2020-0133.

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Abstract “The Shift of Sex” is a folktale type that begins with a young woman dressing in men’s clothes to have an adventure, and ends when the protagonist is magically transformed into a man, marries a woman, and lives happily ever after. My goal in this project is to analyze the 26 variants as a group in order to illuminate what they communicate about gender and transgender. ATU 514 has been treated as an aberration or anomaly, a tale that defies categorization. Several feminist scholars have argued that the climactic change of gender reinforces heteronormativity and sexist, patriarchal gend

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DeLutis-Eichenberger, Angela N. "Countering Acts of Dispossession through Alberto Blest Gana’s Mariluán." Open Cultural Studies 5, no. 1 (2021): 107–22. http://dx.doi.org/10.1515/culture-2021-0010.

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Abstract In the scant scholarship relative to Alberto Blest Gana’s Mariluán, several critics have underscored the unfeasibility or superfluidity of the protagonist’s aspired project for restitution, indigenous assimilation, and fraternity in the Araucanía during the novel’s context of enunciation. Under the theoretical framework of Athena Athanasiou and Judith Butler on dispossession, and in dialogue with the concept of “sediments of time” by Reinhart Koselleck, this study argues that an analysis of the overlapping chronologies in “play” in Mariluán serves to revise the statements seemingly of

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Kaempfer, Alvaro. "Paris, the End of the Party in Alberto Blest Gana’s Los Trasplantados." Open Cultural Studies 5, no. 1 (2021): 27–39. http://dx.doi.org/10.1515/culture-2021-0012.

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Abstract Los Trasplantados [the Transplanted; the Uprooted] (1904) relates the saga of the Canalejas, a Hispanic American family that travels to France to educate their children. With the sole purpose of entering the ranks of the European aristocracy, they ultimately sacrifice one of their daughters by way of marriage. The family patriarch’s entrepreneurial vocation for social climbing, which served him well as he successfully rose into the ranks of the provincial elite in his country of origin, collapses in Paris. The Canalejas’ initial expectations of a journey give way to aspirations to int

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