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Literatura académica sobre el tema "Danwer"

Autor: Grafiati

Publicado: 28 de mayo de 2022

Última modificación: 30 de julio de 2025

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Artículos de revistas sobre el tema "Danwer"

Surya, Windi Kartika, and Nerosti Nerosti. "Eksistensi Tari Andun Dalam Upacara Adat Perkawinan Di Kecamatan Seluma Kabupaten Seluma Provinsi Bengkulu." Jurnal Sendratasik 10, no. 4 (2021): 51. http://dx.doi.org/10.24036/js.v10i4.114175.

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This research has a problem regarding the formulation of "The Existence of Andun Dance in Seluma Marriage, Seluma Regency, Bengkulu Province". The purpose of this research is to describe and analyze the existence of Andun Dance in traditional wedding ceremonies in Seluma District, Seluma Regency, Bengkulu Province. This research uses descriptive qualitative analysis. Data collection techniques or through literature study, observation, interviews and documentation. The research found that the Andun Dance consists of two types, namely: (1) the Andun lelawanan dance which is danced in pairs and w

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Yoshida, Yasuyuki, Arunas Bizokas, Katusha Demidova, Shinichi Nakai, Rie Nakai, and Takuichi Nishimura. "Determining Partnering Effects in the “Rise and Fall” Motion of Competitive Waltz by the Use of Statistical Parametric Mapping." Baltic Journal of Sport and Health Sciences 1, no. 120 (2021): 4–12. http://dx.doi.org/10.33607/bjshs.v1i120.1047.

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Background. Competitive dance, also known as “DanceSport,” is a competitive style of ballroom dance. The waltz features a particular movement in which the dancer lifts and lowers his/her body while dancing. In ballroom dance terms, this movement is known as the “rise and fall.” The purpose of this research was to examine partnering effects in relation to the vertical component of dancers’ center of mass when performing the competitive waltz. Methods. This investigation was conducted through statistical parametric mapping of the movements of 13 national level competitive dance couples and

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Gailīte, Elīna. "Tautas deju definēšanas problemātika mūsdienās Latvijā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 94–104. http://dx.doi.org/10.37384/aplkp.2021.26-2.094.

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The article “Problems of defining folk dance in Latvia today” examines the aspects that affect the current situation in Latvia, where folk dances are understood as both folk dances that have not been modified by choreographers, dances passed down through generations that can be danced every day, and stage folk dances, which are a type of art performed by folk dance ensembles, created by choreographers and dances adapted to the stage performance. The research aim is to identify and describe the problems that currently exist in the Latvian cultural space, where the definition of folk dances crea

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Hoppu, Petri. "Nordic Folk Dances as Imaginary Geographies." Congress on Research in Dance Conference Proceedings 2012 (2012): 76–80. http://dx.doi.org/10.1017/cor.2012.8.

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Geography is a feature that typically belongs to the realm of folk dance. Folk dances are often defined as belonging to a certain region, and it is seldom they are considered a result of artistic creativity. In the Nordic countries, folk dancers have co-operated intensively since the early twentieth century, sharing dances with each other. In this presentation, I am arguing that this co-operation has created imaginative geographies of the Nordic region, filled not with landscapes, terrains, or water systems, but with movements, holds, and music. As an example, I will present two Nordic folk da

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Wang, Ziqiao. "Analysis of the Importance of Demeanor Training to the Study of Chinese Folk Dance—Taking Uighur Dance as an Example." Journal of Educational Theory and Management 2, no. 3 (2018): 84. http://dx.doi.org/10.26549/jetm.v2i3.992.

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Chinese folk dance has a long history and is quite abundant. It is an indispensable source of Chinese classical dance, court dance and professional dance creation. Chinese folk dances are characterized by unpretentiousness, diverse forms, rich content, and vivid images. But these require professional dancers to express through professional training. Even amateur dances need to be completed through well-trained and emotionally full actors.[1] In the process of training, in addition to the necessary basic skills and other physical training, we also need to train the demeanor. We often say that t

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Kepekçi, Yalçın, Can Boğa, Zühey Günal, Hamza Çivi, and Emine Özmen. "MYOGLOBINURIA, HEMOGLOBINURIA AND BLOOD PRESSURE CHANGES iN TURKISH FOLK DANCERS." European Journal of Therapeutics 2, no. 1 (1991): 42–48. http://dx.doi.org/10.58600/eurjther.19910102-501.

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Turkish folk dancers hava won many international competitions i.e. first place in 1986 at Dijon, France; gold hatched in 1986 at Zakupane Poland. Turkish folk danca has almost the sama characteristics as other sports. Soma of the figures in the dances is characteristics as other sports. Soma of the figures in the dances is characterised by sudden movements of the feet to the ground. Rhabdomyolysis has been defined in skiers, football players, and in clay drum players according to previous reports. During the 1991 Turkish folk dance competition, the effects of physical activity and extremity co

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Langdon, Susan W., and Gina Petracca. "Tiny dancer: Body image and dancer identity in female modern dancers." Body Image 7, no. 4 (2010): 360–63. http://dx.doi.org/10.1016/j.bodyim.2010.06.005.

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York-Pryce, Sonia. "A body of work." Dance, Movement & Spiritualities 6, no. 1-2 (2020): 133–53. http://dx.doi.org/10.1386/dmas_00007_1.

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This article examines the paradigm of ageing regarding older professional dancers who prolong their careers, challenging the normative standards set down in western dance culture. With interest gaining momentum in introducing dance to an ever-increasing ageing population, it seems ironic that the older professional dancer continues to be undervalued or often invisible. The established aesthetics that persist within classical ballet, but less so within contemporary dance, supports the rejection of the bodies of these disenfranchised dancers, who embody a palimpsest of lived danced experience. I

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Elron, Sari. "Rina Nikova and the Yemenite Group: Between East and West, North and South." Congress on Research in Dance Conference Proceedings 39, S1 (2007): 63–68. http://dx.doi.org/10.1017/s2049125500000121.

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Rina Nikova, a Jewish dancer, ballet master, and choreographer, was born in Russia around 1898 and died in Israel in 1974. Nikova established her Yemenite Singing Ballet in 1932. She trained her dancers—young Jewish emigrates from Yemen—with classical ballet technique augmented with various local and migrating influences. She gathered firsthand information on folk dances, music, and costumes by visiting Arab towns and villages and communities of Oriental Jews. Nikova combined those influences into an original creation that was to become a cornerstone of nation-building in Israel.

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Tang, Xuan, Boyu Shen, Youngsuk Kim, Xuan Qiu, Chaojie Wu, and Sukwon Kim. "Asymmetrical gait in young female dancers of different training styles." Molecular & Cellular Biomechanics 22, no. 1 (2025): 507. https://doi.org/10.62617/mcb507.

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Background: the objective of this study is to evaluate gait symmetry in female dancers of different dance styles aged 19–21 years. The findings would enable us to understand the effects of long-term training on dancers’ gait. Material and methods: 21 dancers (8 modern dancers, 6 ballet dancers, and 7 Korean dancers) and 15 normal participants completed three validated walking tests at normal speed on a 5 m × 1 m walking track. Results: The modern dancer group showed a significant difference from the control group in terms of step length symmetry index. The right hip sagittal plane ROM was smal

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Tesis sobre el tema "Danwer"

Barry, Julia. "Adapting and integrating elements of best practice in dancer wellness in elite adolescent pre-professional dance programmes into private dance studio contexts." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/214099/1/Julia_Barry_Thesis.pdf.

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Awareness of the well-being of adolescent dance students is important for their health, safety, performance ability and longevity of participation in dance. This research project investigated current strategies for supporting adolescent dance student physical, psychological, and social well-being (i.e., dancer wellness) within elite pre-professional dance training programmes and private dance studios in Australia, identifying strengths and challenges in the implementation of dancer wellness programmes. The findings offer considerations for private dance studio teachers on potential strategies

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Danner, Daniel [Verfasser], and Dirk [Akademischer Betreuer] Hagemann. "Cognitive ability beyond IQ / Daniel Danner ; Betreuer: Dirk Hagemann." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/1179230248/34.

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Kownatzki-Danger, Daniel [Verfasser]. "Phospholamban - Identification of novel interaction partners / Daniel Kownatzki-Danger." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1234846853/34.

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Sage, Marion. "Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30." Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30036.

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A partir des expériences singulières de danseurs expressionnistes allemands qui débutent leur carrière sous la République de Weimar et émigrent à Paris dans les années 30, il s’agira d’analyser des esthétiques politiquement engagées à gauche : quel langage scénique produit l’investissement politique de ces danseurs d’Allemagne ? Nous relèverons alors les différentes formes chorégraphiques de l’engagement, nous distinguerons plusieurs registres de la dénonciation et, à plus petite échelle, nous tenterons de répertorier une palette de gestes politiques à l’œuvre dans ces danses.Il faudra ensuite

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Long, Julie-Anne, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Contemporary Arts. "The leisure mistress dances : an investigation of a practice where fact and fiction collide." THESIS_FPFAD_CAR_Long_J.xml, 1999. http://handle.uws.edu.au:8081/1959.7/541.

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The leisure mistress project is a perverse contemporary burlesque about leisure and inactivity investigated through a low-key style of dance performance, in an age where leisure pursuits are exhausting business. Julie-Anne questions her notions of dance, its place in her life and her work and challenges other ideas about what dance is. The concerns of the work include social, political, cultural and aesthetic issues. The core theme of leisure facilitates cultural investigation via performance with social critique being implicit. The process and the product are private, personal, idiosyncratic

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Henderson, Bryant. "An Inquiry Into Men's Experiences In Collegiate Dance." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22683.

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This qualitative research study was designed to gain a deeper, more profound understanding of the lived experiences of collegiate male dancers. Through three phases of research, this study uncovered societal and familial obstacles collegiate male dancers often endure during their dance journeys, and describes how males navigate and transcend them. Extensive interviewing offers detailed glimpses into the lives of 9 male students who participate in collegiate dance programs. The study reveals participants’ dance experiences prior to and during college; recognizes and questions common factors tha

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Bock, Sheila Marie. "From harem fantasy to female empowerment : rhetorical strategies and dynamics of style in American belly dance /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144685165.

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Ryan, Susan M. "Life-span developmental perspectives of the professional dance career." Thesis, Queensland University of Technology, 2002. https://eprints.qut.edu.au/36671/1/36671_Digitised%20Thesis.pdf.

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A professional career in dance can be challenging, with training commitments often from a young age, years of physically exacting work, and, in the latter career stages for some dancers, the struggle to preserve physical abilities in an effort to maintain performance roles. Yet, there is scant empirical knowledge of the degree to which the pursuit of a dance career relates to dancers' psychological and career development across the life-span. The present research, comprising three studies, investigated dance performers' identification with the dancer role and their career development prior to,

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Fagergren, Emma. "Wa-UM-eii : How a Choreographer Can Use Sonification to Communicate With Dancers During Rehearsals." Thesis, Linköpings universitet, Filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-79766.

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A sonification is a nonverbal speech act and might sound like “wa-UM-eii”, or “wooosh!” The purpose of this study was to investigate a choreographer’s use of sonification in dance instructions, to see if there are different types of sonifications and if the use of these might differ with a change in context. Video material capturing the rehearsals of a noted dance company was analyzed using a cognitive ethnography-based approach. Nine different types of sonifications were identified and described according to purpose, and a context-based analysis showed that certain kinds of sonifications occu

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Pollitt, Joanna T. "Accumulated response in live improvised dance performance." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1038.

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The response project and accompanying thesis aim to affirm the role of the dancer as an authority in revealing patterns and traces of accumulated lived experience, knowledge and ideas through the practice and performance of dance improvisation. The dancing body is investigated as a dynamical and complex system of research that is embedded in a process of continual response to the present. These bodily inscriptions and the process of active response form the seminal grounds for the physical and energetic exchange of improvised dance in performance.

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Libros sobre el tema "Danwer"

Dancer, Henry. Henry Dancer: Danser avec les lignes, la lumière--, danser la couleur--. Mémoire des arts, 2004.

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Lever, Maurice. Isadora: Roman d'une ire. Presses de la Renaissance, 1987.

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1948-, Hirt-Manheimer Aron, ed. The dancer within: Intimate conversations with great dancers. Wesleyan University Press, 2008.

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Park, Iris. Na ŭi ch'um, na ŭi yŏnghon. Tosŏ Ch'ulp'an Sanbang, 1989.

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Chan, Vanessa S. The Flower Drum Dancers' guide to Chinese dances. Flower Drum Dancers, 1990.

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Pani, Birendra. Boy dancer: Convergence & continuum : a performance by Gotipua dancers from Orissa. Gallery Espace, 2007.

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Sander, Sonia. Danger rangers: Danger alert. Educational Adventures, 2006.

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Adair, Christy. Women and dance: Sylphs and sirens. Macmillan, 1991.

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Adair, Christy. Women and dance: Sylphs and sirens. Macmillan, 1992.

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Zeil, Martin. Danner-Preis 2011: Danner award 2011 : Danner Stiftung. Danner-Stiftung, 2011.

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Capítulos de libros sobre el tema "Danwer"

Carvalko, Joseph R. "Blending Dances and Dancers." In Conserving Humanity at the Dawn of Posthuman Technology. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26407-9_39.

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Dickey, Sara. "Who's Performing When the God Dancer Dances?" In The Routledge Companion to the Anthropology of Performance. Routledge, 2023. http://dx.doi.org/10.4324/b23216-13.

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Christensen, Anders Chr N. "11. Collecting Minuets in Denmark in the Twentieth Century." In The Nordic Minuet. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0314.11.

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The chapter presents the process of the documentation of minuet traditions in Denmark. The minuet was preserved in some parts of the country until the twentieth century: the island of Ærø, islands of Lolland and Falster, and Randers region in Jutland. In the islands, several dances called minuets were collected at the beginning of the twentieth century. In Randers region, documentation started in the 1930s and lasted sporadically until the 1980s. Danish minuets have been published in several folk dance manuals, and many of them are an active part of Danish folk dancers’ repertoire today.

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Henning, Tim. "Deciding About Child Bone Marrow Donation – Procedural Moral Pitfalls." In Philosophy and Medicine. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04166-2_11.

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AbstractThis chapter focuses on two morally significant procedural issues that arise in decisions about intra-family bone marrow donations. 1.) There is a danger of violating what moral philosophers refer to as the separateness of persons, and of viewing the children as mere “value receptacles.” 2.) There is a special danger to the child’s autonomy – the danger of using the burdens of autonomy to undermine autonomy. These dangers are described, and possible ways to avoid them are explored.

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Baird, Bruce. "Ashikawa Yôko." In A History of Butô. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197630273.003.0003.

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This chapter describes the career of Hijikata’s principal dancer and rehearsal director Ashikawa Yôko. Ashikawa joined Hijikata’s studio at roughly the same time as his turn to his generative dance methods, and she knew more about them than any other dancer. She undoubtedly even contributed to his methods and likely deserves some choreographic credit for Hijikata’s generative dance methods. After Hijikata died, she was not content to rest on her laurels and continue to rehash his works, but rather struck out on her own and created her own dances. She incorporated free jazz improvisation into h

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Thorp, Jennifer. "“Engraven in Characters and Figures for the Use of Masters”." In The Gentleman Dancing-Master. Liverpool University Press, 2024. http://dx.doi.org/10.3828/liverpool/9781638040958.003.0007.

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Twenty-two Isaac dances survive, all but one solo being danced duets. All were notated during his lifetime in the French system known as Beauchamps-Feuillet notation, which recorded the steps and geometric figures made by the dancers as they moved and the way that the steps should fit the music; the notations were subsequently published for pedagogic purposes or as souvenirs of an important event. Isaac was the first dancing-master in London to see his dances recorded in this way and worked with three main notators. The first was John Weaver, who additionally translated Raoul-Auger Feuillet’s

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Gennaro, Liza. "Agnes de Mille on Broadway: 1943–1945." In Making Broadway Dance. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190631093.003.0004.

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Examination of Agnes de Mille as a radical dance maker in her choreographic trifecta—Oklahoma! (1943), One Touch of Venus (1943), and Bloomer Girl (1944)—reveals an ideological shift in the production of dance on Broadway and the development of a paradigm for making dances in the musical theater. This chapter further explores de Mille’s ability to employ dance as a medium for presenting social commentary, developing character, and creating a space for female spectatorship. Her artistic project required dancers who were not merely technicians but rather actor-dancers capable of embodying charac

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Decker, Todd. "Partners." In Astaire by Numbers. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197643587.003.0007.

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Abstract Two-thirds of Astaire’s dances are duos done with one other dancer. This part considers Astaire’s duo dances from two quantitative perspectives: how much time the partners touch each other and how the two partners relate to each other physically. Astaire’s use of closed ballroom position often indicates a conventional heterosexual relationship between the couple. His use of vaudeville double-act position—dancers facing front and dancing in unison—establishes a parity between partners. Surprisingly, Astaire relates to female and male partners in much the same way, with the major differ

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Sommer, Sally. "Dehn, Mura (1903–1987)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1904-1.

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Mura Dehn was a dancer, choreographer, writer and filmmaker whose work focussed on African-American vernacular jazz dance. Her greatest contribution to Modernism and jazz discourses is her extraordinary film, The Spirit Moves (1973), a coherent culmination of her lifelong work of presenting jazz dancing. The film features rare footage of some of the finest African-American social dancers of the twentieth century performing their interpretations of popular dances from the early 1900s through the 1980s, plus some reels of specialty dance or comedy acts that would have been performed in black var

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Gennaro, Liza. "Introduction." In Making Broadway Dance. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190631093.003.0001.

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I come to my interest in musical theater dance genetically. My father, Peter Gennaro, was a Tony Award winning choreographer and star dancer/choreographer on Broadway and television variety shows. My mother was a ballerina-turned-Broadway-dancer who danced for Bronislava Nijinska, Agnes de Mille, and Michael Kidd. My father, before becoming a choreographer in his own right, danced for Katherine Dunham, Hanya Holm, Michael Kidd, Bob Fosse, and Jerome Robbins. My parents were voracious dance and theater goers and I spent my childhood and teenage years seeing great dance and theater that included

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Actas de conferencias sobre el tema "Danwer"

Zhao, Wanqing, Jun Chen, Qian Ge, and Xiaolong Han. "Dynamic Testing and Serviceability Evaluation of Dance Induced Vibration in High Frequency Building Floor Systems." In IABSE Symposium, Tokyo 2025: Environmentally Friendly Technologies and Structures: Focusing on Sustainable Approaches. International Association for Bridge and Structural Engineering (IABSE), 2025. https://doi.org/10.2749/tokyo.2025.3241.

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<p>With the rise of mass fitness sports and the influence of modern pop culture, the number and size of dance venues in China's major cities are increasing. In this paper, a dance excitation vibration analysis and monitoring study is conducted for a building-covered venue to assess the vibration impacts of dance excitation on the high frequency floor structure. Firstly, the existing theoretical models of dance loads are investigated and summarized, and the selection principles of dancing load model parameters are discussed. This paper then suggests that both extreme value peak accelerati

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Gardner, Robert L. "Electromagnetic Terrorism a Real Danger." In EMC_1998_Wroclaw. IEEE, 1998. https://doi.org/10.23919/emc.1998.10834787.

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Talpa, Svetlana. "Stage folk dance versus character dance." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.09.

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In the article, the author’s main objective is to argue the need to study and capitalize on folk stage dance and character dance by comparatively assigning their methodological and aspectual features. For this purpose, the analytical method of approaching the problem is used, as well as the pedagogical aspect. Performing folk dance and character dance exploits the capacity of the mind of both a professional dancer (ballet artists) and of an amateur dancer, by educating the body in order to be aware of each movement performed. From a methodological point of view, the stage folk dance and the ch

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Landry, Steven, and Myounghoon Jeon. "Participatory Design Research Methodologies: A Case Study in Dancer Sonification." In The 23rd International Conference on Auditory Display. The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.069.

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Given that embodied interaction is widespread in Human-Computer Interaction, interests on the importance of body movements and emotions are gradually increasing. The present paper describes our process of designing and testing a dancer sonification system using a participatory design research methodology. The end goal of the dancer sonification project is to have dancers generate aesthetically pleasing music in real-time based on their dance gestures, instead of dancing to prerecorded music. The generated music should reflect both the kinetic activities and affective contents of the dancer’s m

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Shulman, Ami, and Jorge Soto-Andrade. "A random walk in stochastic dance." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.71.

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Stochastic music, developed last century by Xenakis, has older avatars, like Mozart, who showed how to compose minuets by tossing dice, in a similar way that contemporary choreographer Cunningham took apart the structural elements of what was considered to be a cohesive choreographic work (including movement, sound, light, set and costume) and reconstructed them in random ways. We intend to explore an enactive and experiential analogue of stochastic music, in the realm of dance, where the poetry of a choreographic spatial/floor pattern is elicited by a mathematical stochastic process, to wit a

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Ding, Yuanyuan, and Shuyu Wang. "AIDanceFriend: An Intelligent Mobile Application to Automate the Dance Rating using Artificial Intelligence and Computer Vision." In 13th International Conference on Computer Science, Engineering and Applications (CCSEA 2023). Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130505.

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In recent years, dance has become a popular entertainment for many people and also an occupation. As a dancer, sometimes it is hard to check how close your cover is vs. the choreographer's because our eyes are not always accurate when we are judging dynamic movement of people, so can artificial intelligence help us to do the work? This paper develops an application which utilizes artificial intelligence, and data analysis skills to develop an application which works on dance scoring [4]. In the application, users can upload two videos, one is their own cover while another one is the original c

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Uspuriene, Aiste Barbora. "COMMUNICATION PECULIARITIES OF ADOLESCENTS ATTENDING IN DANCE ACTIVITIES." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-508527.

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Dance is related to the peculiarities of communication between teenagers, because the essence of these dances is the performance of dance in a couple, During dance classes, adolescents have the opportunity to acquire excellent communication skills, to consciously discover and improve their weak points, to raise their communication level to a higher, more enjoyable level, There is lack of literature on communication between dancers of all ages and skill levels, There is a significant lack of scientific data on the impact of dance on adolescent communication.

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Leick, Eva. "Encircling Transnational Peace through Khaita – Joyful Dances." In 8th Peace and Conflict Resolution Conference [PCRC2021]. Tomorrow People Organization, 2021. http://dx.doi.org/10.52987/pcrc.2021.004.

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Abstract This article investigates how Khaita- Joyful Dances promote an understanding of peace from a transrational and Buddhist perspective. Khaita dances have been created by the Buddhist Dzogchen master Namkhai Norbu as a practice of presence and collaboration, promoting an inner attitude of peace spreading from the individual to the group. Peace is hereby understood as a multi-faceted, intra- as well as interpersonal, dynamic state perceived and experienced not only by the intellectual mind but also through the body and subtle energies. This article is structured in three parts. First, I w

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Hung, Catherine. "A Machine Learning/Deep Learning Hybrid for Augmenting Teacher-LED Online Dance Education." In 10th International Conference on Computer Networks & Communications (CCNET 2023). Academy and Industry Research Collaboration Center (AIRCC), 2023. http://dx.doi.org/10.5121/csit.2023.130403.

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For online dancers, learning a dance move properly without the feedback of a live instructor can be challenging because it is difficult to determine whether a move is done correctly. The lack of proper guidance can result in doing a move incorrectly, causing injury. In this work – we explore the use of a hybrid Deep Learning/Machine Learning approach to classify dance moves as structurally correct or incorrect. Given a video clip of the dancer doing a move, such as the grand plie, the algorithm should detect the correctness of the movement. To capture the overall movement, we proposed various

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Prokopová, Vendula. "Understanding Food Purchase Influences and Consumer Segmentation among Dancers." In Konference doktorandů. Vysoká škola finanční a správní, 2024. https://doi.org/10.37355/kd-2024-08.

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The purpose of this article is to identify the factors that influence dancers when purchasing food and to segment them, where segmentation is an important marketing tool for companies. Data was collected from 183 respondents using an online questionnaire. Factor and cluster analysis were used to identify 6 factors influencing food purchases and 5 different clusters of consumers. Namely, these 6 factors were revealed: quality and taste, dance/nutritional aspect of purchase, willingness to participate in shopping, saving and preparing, reviews from loved ones and visiting several stores. “Dancer

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Williams, Thomas. Cell Biology Board Game: Cell Survival Drive. University of Dundee, 2023. http://dx.doi.org/10.20933/100001276.

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When dangers strike a cell, they are detected by sensors. Sensors tell messengers about the danger. Messengers tell the organiser. The organiser plans the cell defence, using responders and recyclers. Researchers in the MRC-PPU are figuring out how these different parts interact with each other.

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Kadac-Czapska, Kornelia, and Małgorzata Grembecka. The mysterious danger of microplastics. Edited by Reece Hooker. Monash University, 2023. http://dx.doi.org/10.54377/e7c8-7412.

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Stevens A. J. Estimated induced activity using danger parameters. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/1157482.

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Goldie, James. Interactive: Fire danger days are growing. Monash University, 2023. http://dx.doi.org/10.54377/3a98-8950.

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Alexander, Jacob. 2024 Wildfire Danger Rating Update: Analysis of the Wildfire Danger Rating Instruction for Kirtland Air Force Base. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2429982.

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Moore, G. M. Radiological Weapons: How Great Is The Danger? Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/15007319.

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Vardoulakis, Sotiris, Veronica Matthews, Linda Payi Ford, et al. Danger of poor housing in remote communities. Edited by Chris Bartlett. Monash University, 2023. http://dx.doi.org/10.54377/0722-8bd8.

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Goldie, James. The danger as Antarctica's sea ice melts. Monash University, 2024. http://dx.doi.org/10.54377/b969-1e37.

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Lankov, Andrei. Dangers of stasis, dangers of change in North Korea. East Asian Bureau of Economic Research, 2014. http://dx.doi.org/10.59425/eabc.1400623226.

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Cohen, Jack D., and John E. Deeming. The national fire-danger rating system: basic equations. U.S. Department of Agriculture, Forest Service, Pacific Southwest Forest and Range Experiment Station, 1985. http://dx.doi.org/10.2737/psw-gtr-82.

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