Bibliografías temáticas / Dessalines, Jean-Jacques

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Literatura académica sobre el tema "Dessalines, Jean-Jacques"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Dessalines, Jean-Jacques"

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Déus, Frantz Rousseau, and Berno Logis. "Jean-Jacques Dessalines, "O Selvagem"." Projeto História : Revista do Programa de Estudos Pós-Graduados de História 81 (December 13, 2024): 307–32. https://doi.org/10.23925/2176-2767.2024v80p307-332.

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O propósito deste artigo é discutir por meio de uma abordagem historiográfica, a maneira como Jean-Jacques Dessalines, um dos maiores revolucionários negros do final do século XVIII e do início do XIX é retratado na historiografia euro-americana. Minimizado em boa parte da historiografia hegemônica, Dessalines é representado de forma desprezível. O historiador francês Louis Dubroca o trata como “inimigo da cultura e dos valores europeus”. Essa forma de representar Dessalines está relacionada tanto ao lugar do poder na produção da história quanto ao que chamamos de minimização histórica, que se
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C. Mocombe, Paul. "Jean-Jacques Dessalines the Avenger and Mediato." Journal of Cultural and Social Anthropology 1, no. 1 (2019): 33–43. http://dx.doi.org/10.22259/2642-8237.0101005.

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Grafenstein Gareis, Johanna von. "Jean Jacques Dessalines, fundador de la nación haitiana." Secuencia, no. 05 (January 1, 1986): 112. http://dx.doi.org/10.18234/secuencia.v0i05.142.

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<p>Semblanza de la figura del prócer independentista, tradicionalmente soslayada por la historiografía colonialista y racista. Análisis de las características del poder, de la política agraria y exterior de su administración.</p>
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Mocombe, Paul C. "Socialism with Haitian Characteristics." Studies in Social Science & Humanities 3, no. 3 (2024): 30–36. http://dx.doi.org/10.56397/sssh.2024.03.06.

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This work argues that following the Haitian Revolution, which is a revolt against slavery and mercantilist capitalism, the founder of the country, Jean-Jacques Dessalines, attempted to synthesize three forms of system and social integration on the island in order to constitute the nation of Haiti: the mercantilist and liberal capitalism of the Affranchis, petit-bourgeois blacks and mulatto elites, respectively; and the Lakouism, communism, of the African majority on the island. In this sense, Dessalines, represented the first embodiment of Kojève’s end of history Hegelian thesis, and defined H
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Philippe R. Girard. "Jean-Jacques Dessalines and the Atlantic System: A Reappraisal." William and Mary Quarterly 69, no. 3 (2012): 549. http://dx.doi.org/10.5309/willmaryquar.69.3.0549.

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Deborah Jenson. "Jean-Jacques Dessalines and the African Character of the Haitian Revolution." William and Mary Quarterly 69, no. 3 (2012): 615. http://dx.doi.org/10.5309/willmaryquar.69.3.0615.

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Largey, Michael. "Recombinant Mythology and the Alchemy of Memory: Occide Jeanty, Ogou, and Jean-Jacques Dessalines in Haiti." Journal of American Folklore 118, no. 469 (2005): 327–53. http://dx.doi.org/10.2307/4137917.

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Abstract During the first United States occupation ofHaiti, from 1915 to 1934, Haitian band composer Occide Jeanty wrote compositions for the Haitian Presidential Band that contained culturally encoded critiques of U.S. occupation forces. In his compositions, Jeanty invoked the legend of Haitian general Jean-Jacques Dessalines, the soldier who led Haiti to independence in 1804 and whose spirit was absorbed into the Vodou religion as a type of Ogou, or warrior spirit, through a process that I term "recombinant mythology," in which people in the present use mythologically oriented language to hi
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Ciccariello-Maher, George. "'So Much the Worse for the Whites': Dialectics of the Haitian Revolution." Journal of French and Francophone Philosophy 22, no. 1 (2014): 19–39. http://dx.doi.org/10.5195/jffp.2014.641.

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This article sets out from an analysis of the pioneering work of Susan Buck-Morss to rethink, not only Hegel and Haiti, but broader questions surrounding dialectics and the universal brought to light by the Haitian Revolution. Reading through the lens of C.L.R. James’ The Black Jacobins, I seek to correct a series of ironic silences in her account, re-centering the importance of Toussaint’s successor, Jean-Jacques Dessalines, and underlining the dialectical importance of identitarian struggles in forging the universal. Finally, I offer Frantz Fanon’s reformulation of the Hegelian master-slave
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Dorcé, Ricarson. "La soupe au giraumon : un patrimoine intime sur la Liste représentative de l’Unesco." Rabaska 22 (2024): 65–83. http://dx.doi.org/10.7202/1114167ar.

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La soupe au giraumon, un plat emblématique faisant partie du riche patrimoine culinaire intime d’Haïti, est inscrite sur la Liste du patrimoine culturel immatériel de l’humanité. À l’origine, ce mets était réservé aux colons et se composait de viande, de légumes – carottes, céleri, navet, courge – et de pâtes. Depuis le 1er janvier 1804, faisant suite à la première révolte d’esclaves réussie sous le leadership de Jean-Jacques Dessalines, la soupe au giraumon est devenue un symbole de liberté, de résistance contre la colonisation, contre l’esclavage et contre le racisme. Ce plat incarne les val
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Mobley, Christina. "Defenders of Liberty: The Congos and the Question of African Agency in the Haitian Revolution." Americas 81, no. 2 (2024): 275–84. http://dx.doi.org/10.1017/tam.2023.87.

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In April 1802, the leaders of the Haitian Revolution faced a choice that would expose fundamental differences in their vision of liberty in post-emancipation society: join General Leclerc's army or continue the fight against French expeditionary forces. Henri Christophe, Toussaint Louverture, and Jean Jacques Dessalines agreed, whilst Kongo leader Macaya and Sans-Souci refused, the latter describing his forces as “defenders of liberty.”1 Following his arrest, Louverture famously declared: “In overthrowing me, you have cut down in Saint Domingue only the trunk of the tree of the liberty of the
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Tesis sobre el tema "Dessalines, Jean-Jacques"

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Renauld, Martin. "Jean-Jacques Dessalines dans la guerre d'indépendance haïtienne : les stratégies utilisées pour imposer son leadership." Thèse, 2004. http://hdl.handle.net/1866/16817.

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Libros sobre el tema "Dessalines, Jean-Jacques"

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DuPont, Berthony. Jean-Jacques Dessalines: Itinéraire d'un révolutionnaire. L'Harmattan, 2006.

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2

Louis-Charles, Thony. Le second assassinat de l'empereur Jean-Jacques Dessalines! T. Louis-Charles, 2005.

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3

Haiti. Lois et actes sous le règne de Jean Jacques Dessalines. Editions Presses nationales d'Haïti, 2006.

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1758-1806, Dessalines Jean-Jacques, ed. Lois et actes sous le règne de Jean Jacques Dessalines. Editions Presses nationales d'Haïti, 2006.

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Chronique d'un départ annoncé-- le fil des évenéments. Bèljwèt Pubs., 2004.

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6

Bello, Bayyinah, and Fondation Marie Claire Heureuse Felicite Bohneur Dessalines. Jean-Jacques Dessalines: 21 Facts about His Life. BELLO, BAYYINAH, 2020.

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7

Jean, J. A. Gracien. L'empereur Jean Jacques Dessalines sacrifié á l'Aube: Opéra en 5 actes. 2009.

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Editors, Charles River. Toussaint L'Ouverture and Jean-Jacques Dessalines: The History and Legacy of the Haitian Revolution’s Most Famous Leaders. Independently published, 2020.

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Past, Mariana F., and Benjamin Hebblethwaite. Stirring the Pot of Haitian History. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859678.001.0001.

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Stirring the Pot of Haitian History is an original translation of Ti difé boulé sou istoua Ayiti (1977), the first book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of Haitian history, Trouillot analyzes the pivotal role of self-emancipated revolutionaries in the Haitian Revolution and War of Independence (1791-1804), a generation of people who founded the modern Haitian state and advanced Haiti’s vibrant contemporary cultures. This book confronts the problems of self-serving politicians and the racial mythologizing of historical figures like Jean-Jacque
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Capítulos de libros sobre el tema "Dessalines, Jean-Jacques"

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"Jean-Jacques Dessalines, “Liberty or Death: Proclamation, 28 April 1804”." In Nineteenth-Century Southern Gothic Short Fiction. Anthem Press, 2020. http://dx.doi.org/10.2307/j.ctvsn3nn9.19.

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Sepinwall, Alyssa Goldstein. "No White Hero, No Funding?" In Slave Revolt on Screen. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496833105.003.0005.

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This chapter chronicles epics on the Haitian Revolution which were never made, whether proposed by African American legends such as Harry Belafonte or Danny Glover, white Hollywood legends like Gregory Peck or Anthony Quinn, or leading world cinema directors like Euzhan Palcy. Some of these films aimed to be biopics of Haitian king Henri Christophe, while others would have centered on Toussaint Louverture or Jean-Jacques Dessalines. However, because the Revolution’s storyline involves violence by African-descended revolutionaries, without obvious white heroes, the chapter argues, these project
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Cohen, Ashley L. "Political Slavery and Oriental Despotism from Haiti to Bengal." In The Global Indies. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300239973.003.0005.

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This chapter builds on the critique of the Atlantic world paradigm initiated in the previous chapters. It begins in Haiti, where revolutionary leaders like Jean-Jacques Dessalines opposed not only chattel slavery but also “political slavery,” or subjection to the absolute rule of a foreign conqueror — namely, colonialism. From classical antiquity through the Age of Revolutions, political slavery was associated with Asia and Oriental despotism. This helps explain why eighteenth-century writers ubiquitously associated slavery with India even while they denied that actual chattel slavery was prac
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Little Wood, Roland. "In Defence of Euhemerus." In Religion, Agency, Restitution. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780199241972.003.0005.

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Abstract The I was,, the Haitian gods who possess their initiates in vodu, comprise a number of different families. The benign and nurturant rada spirits came to Haiti from Dahomey with the slaves who served them; the kongo spirits from further east, again during the slave trade. Many of the characteristics of these deities can still be identified in their African cognates in their personality, sentiments, and physical comportment, ritual paraphernalia, and so on. One group of gods however, called creole, or petro, appeared only during the period of Caribbean slavery: in this pantheon we find
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Sepinwall, Alyssa Goldstein. "Introduction." In Slave Revolt on Screen. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496833105.003.0001.

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This chapter introduces the Haitian Revolution, the most important uprising by enslaved people in modern history. It surveys existing films on this event, and asks why there are not more. The chapter introduces the Revolution’s most famous icons, such as Toussaint Louverture, Boukman, Jean-Jacques Dessalines, Henri Christophe, and revolutionary precursor Makandal. It raises questions about inequities in film funding and how they prevent certain storylines about Black History from appearing on screen; it ties this to the problems that former slaveholding countries such as the U.S. and France ha
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6

"Defense and Distribution: Agricultural Policy in Haiti During the Reign of Jean-Jacques Dessalines, 1804-1806." In Politics or Markets? Routledge, 2002. http://dx.doi.org/10.4324/9780203160091-17.

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Fradinger, Moira. "For the People, By the People, With the People Félix Morisseau-Leroy’s 1953 Vodou Antigòn an Kreyòl." In Antígonas. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192897091.003.0004.

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Abstract Chapter 2 focuses on the Haitian national quest in the 1950s to recover its African roots in the face of the elites’ centuries-old Francophilia, through the study of Félix Morisseau-Leroy’s Antigòn an Kreyòl (1953). The chapter argues that this Haitian drama rethinks the legacy of the Haitian revolution, national identity, and modernization in Haitian terms. The play was paramount in the struggle to legitimize Haitian Creole and Vodou religion as the language and culture of the African enslaved peoples who, in the playwright’s eyes, made Haiti’s independence possible. Through Antigòn’
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"The little orange tree grew." In Stirring the Pot of Haitian History, edited by Mariana Past and Benjamin Hebblethwaite. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859678.003.0006.

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The sixth chapter likens the Haitian Revolution to a cockfight and begins to question Toussaint Louverture’s uses of power. By January 26, 1801 Toussaint has become the dominant cock, largely due to his huge political organization in the Northern provinces. A hint of reproach echoes in the discourse of narrator Grinn Prominnin because of the unacknowledged debt owed by Toussaint to the masses of formerly enslaved people who participated in the Revolution. At this point the black rebels were often insufficiently armed or were pitted against one another. Some fought for personal interests, other
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