Bibliografías temáticas / Dramaturgi

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  2. Tesis
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Literatura académica sobre el tema "Dramaturgi"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Dramaturgi"

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Varianda, Mentari, Sahrul Nazar, and Roza Muliati. "TARI BALEGA DI TANAH MANANG KARYA SUSAS RITA LORAVIANTI DALAM KAJIAN DRAMATURGI TARI." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 377. http://dx.doi.org/10.24114/gr.v10i2.27465.

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Balega di Tanah Manang is an attempt to express the situation and condition of Minangkabau society in a matrilineal setting. This study discusses the practice of dance dramaturgy in the creation of Balega di Tanah Manang by Susas Rita Loravianti. The work of creation through the birth of dramaturgical forms and concepts seen in dramaturgical practice. The pattern of work in the creation process through the views of the choreographer and dramaturg in their work. The practice of dialogue between the choreographer and dramaturg is carried out. The research method uses a dramaturgical approach, wh
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Pramayoza, Dede, and Pandu Birowo. "The Transition of Dramaturgy During Pandemic: From Staging to Streaming." Journal of Urban Society's Arts 9, no. 1 (2022): 71–86. http://dx.doi.org/10.24821/jousa.v9i1.6697.

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This study discusses the transition of performances dramaturgy during the Covid-19 pandemic from analog to digital formats, from live performances commonly called staging to mediated performances which can be called performance streaming. The aim of study is to understand the application of ‘dramaturgical tactics’; and the reasons. Applying the dramaturgical analysis method investigation is directed at the transformation process from the basic concept of the performance to the practice of its presentation. The research departs from the premise that a dramaturgical process, namely the pre-produ
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Redaktion. "Bidragsydere." Peripeti 2, no. 3 (2024): 159. http://dx.doi.org/10.7146/peri.v2i3.143743.

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Marlene Ballebye Dramaturg (cand.mag.), uddannet ved Afdeling for Dramaturgi, Institut for Æstetiske Fag, Aarhus Universitet. Majse Garde Bergmann Dramaturg (cand.mag.) ved Danmarks Radio. Erik Exe Christoffersen Lektor (mag.art.) ved Afdeling for Dramaturgi, Institut for Æstetiske Fag, Aarhus Universitet. Annelis Kuhlmann Lektor (ph.d., cand. mag. et art.) ved Afdeling for Dramaturgi, Institut for Æstetiske Fag, Aarhus Universitet. Nanna C. Rohweder Stud.mag. ved Afdeling for Dramaturgi, Institut for Æstetiske Fag, Aarhus Universitet. Janek Szatkowski Lektor (cand.phil.) ved Afdeling for Dram
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Branth, Janicke, Karen-Maria Bille, Bent Holm, et al. "Dramaturger om dramaturgi." Peripeti 5, no. 10 (2008): 9–40. http://dx.doi.org/10.7146/peri.v5i10.110793.

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Redaktion, Peripeti. "Redaktionelt forord." Peripeti 6, S2 (2009): 3. http://dx.doi.org/10.7146/peri.v6is2.110565.

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Dette særnummer af Peripeti omhandler Odin Teatrets dramaturgi med udgangspunkt i forestillingerne Ur-Hamlet (2006) og Medeas bryllup (2008). Franco Perrelli skriver om grundlæggelsen af »Det danske hus« og Odin Teatrets rødder og forgreninger. Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2008) og instruktøren Eugenio Barba reflekterer over den kreative proces som en form for dramaturgisk proces. Artiklerne kan med fordel læses i sammenhæng med Peripeti nr. 2 om teaterlaboratorietraditionen og nr. 10 om dramaturgi samt med særnummeret fra 2
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Tampubolon, Tulus, Guntur Freddy Prisanto, Niken Febrina Ernungtyas, Irwansyah Irwansyah, and Sekartaji Anisa Putri. "DRAMATURGI DALAM PROSES LEGISLASI." Widya Komunika 9, no. 2 (2019): 42. http://dx.doi.org/10.20884/1.wk.2019.9.2.1912.

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 As a political communicator, members of the DPR RI need to realize good political communication for the sake of the continuation of democracy. The Indonesian Parliament as a political actor that has an important role in the sustainability of democracy needs to manage their political communication from the front stage, back stage, and impression management aspects according to Goffman's theory as well as possible. In this study, it was examined how the political communication of the Indonesian Parliament in revising Law No. 32 of 2002 using the Goffman drama theory. The method us
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Tampubolon, Tulus, Guntur Freddy Prisanto, Niken Febrina Ernungtyas, Irwansyah Irwansyah, and Sekartaji Anisa Putri. "DRAMATURGI DALAM PROSES LEGISLASI." Widya Komunika 9, no. 2 (2019): 42. http://dx.doi.org/10.20884/wk.v9i2.1912.

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 As a political communicator, members of the DPR RI need to realize good political communication for the sake of the continuation of democracy. The Indonesian Parliament as a political actor that has an important role in the sustainability of democracy needs to manage their political communication from the front stage, back stage, and impression management aspects according to Goffman's theory as well as possible. In this study, it was examined how the political communication of the Indonesian Parliament in revising Law No. 32 of 2002 using the Goffman drama theory. The method us
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RAFDI, RAFDI, and ROEFAIDAH HARIJATI. "KEKUATAN DRAMATURGI DIBANDING KEPEMIMPINAN DALAM MEMPENGARUHI KINERJA KARYAWAN AMIK CITRA BUANA INDONESIA SUKABUMI." Jurnal Soshum Insentif 4, no. 1 (2021): 44–53. http://dx.doi.org/10.36787/jsi.v4i1.450.

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Abstrak - Penelitian ini bertujuan untuk mengetahui sejauh mana pengaruh Dramaturgi terhadap Kinerja melampaui Pengaruh kepemimpinan terhadap Kinerja. Untuk itu perlu terlebih dahulu mengetahui sejauh mana pengaruh Dramaturgi terhadap Kinerja, sejauh mana pengaruh Kepemimpinan terhadap Kinerja, sejauh mana pengaruh Dramaturgi dan Kepemimpinan sekaligus terhadap Kinerja, sejauh mana faktor lain ( epselon ) yang mempengaruhi kinerja. Penelitian ini dilakukan terhadap karyawan AMIK CBI Sukabumi. Jumlah sampel yang dijadikan responden sebanyak lima puluh responden dari sebanyak delapan puluh delap
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Sulaiman, Anton. "PERFORMANCE KOMUNIKASI POLITIK MAHASISWA DI KOTA CIREBON." Communicative : Jurnal Komunikasi dan Dakwah 2, no. 2 (2021): 125. http://dx.doi.org/10.47453/communicative.v2i2.447.

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Penelitian ini bertujuan untuk mengetahui performance Komunikasi Politik aktivis mahasiswa dalam demonstrasi reformasi korupsi di kota Cirebon 2020 dengan menggunakan presfektif Dramaturgi. Peneliti menelaah performance komunikasi Komunikasi Politik aktivis mahasiswa, dan mengkaji perbedaan antara Front Stage dan Back Stage, Performance aktor sangat berperan penting dan menjadi perhatian penulis. Asumsi Teori Dramaturgis Erving Goffman bahwa dalam interaksi keseharian, individu selalu berperilaku tidak sama. penelitian ini menggunakan metode kulitatif dengan pendekatan Studi dramaturgi milik E
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HS, Wendy. "Dramaturgi Teater Rakyat Randai di Minangkabau." Jurnal Kajian Seni 1, no. 1 (2014): 32. http://dx.doi.org/10.22146/art.5874.

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As a cultural performance, Randai traditionally organized in various ways as partof a traditional Minangkabau order adaik salingka nagari prevailing at each villagesin Minangkabau. As a folk theater, Randai always produced with distinctive-lookingdramaturgi order relating to the socio-cultural order prevailing in Minangkabau society.Based on the description dramaturgi aspects of it, seems a common thread that connectsthe various elements of the socio-cultural order Minangkabau society.Study of this paper will show that the Randai dramaturgy typically constructed based onthe existence of elemen
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Tesis sobre el tema "Dramaturgi"

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Melkersson, Mattias. "Fotbollssupporterns dramaturgi." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-28693.

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What kind of self images characterise a football supporter? This question is the main focus of this thesis. Therefore, the thesis is trying to find distinguishing characteristic traits for football supporters. This work has been carried out through qualitative interviews with individuals who define themselves as football supporters. The interviews were mainly focused on two different types of supporters, official supporters and other supporters. The official supporters consist of individuals from official supporter clubs which are officially linked to a specific team in the first division in S
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Trella, Andreas. "Manus & Dramaturgi inom barnprogram." Thesis, Umeå universitet, Institutionen för tillämpad fysik och elektronik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-103907.

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Denna rapport analyserar arbetet med manusförfattande, med fokus på tillämpning av dramaturgiska strukturer. Arbetet har utgått från produktionen av säsong 2 utav ”Piñata”, ett barnprogram producerat av produktionsbolaget Baluba, Stockholm. Rapporten implementerar ett antal teoretiska ramverk som är vanliga vid manusförfattande, vilka sedan appliceras och jämförs med Piñatas manus, intervjuer av manusförfattare nyttjas som stöd och tillämpar relevant data till hur processen att skriva manus funktionerar. Denna rapport är delvis menad att förtydliga och undersöka vilka tankegångar och strukture
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Quadros, Magali Helena de. "Buscando compreender a função de dramaturgista." Universidade do Estado de Santa Catarina, 2007. http://tede.udesc.br/handle/handle/1321.

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Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 Magali.pdf: 409841 bytes, checksum: 00ba507c1071a1a1c0eaa8b1e9b9f508 (MD5) Previous issue date: 2007-02-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Ce travail recueilla, par l´intermédiaire d´une recherche bibliographique et électronique, ainsi que par des interviews, certaines données concernant le dramaturg: le concept, les functions, les activités, le rapport avec le metteur en scène, les acteurs, l´auteur, le public. Ont été repertoriées et classées aussi des informations sur l´importanc
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Vojtíšková, Zuzana. "Dramaturg a dramaturgie." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78085.

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The main question of this master diploma publication is: Who is the dramaturgist and what is it the dramaturgy in the contemporary theatre, especially during the play preparation. In the first part there are teoretical principles and the definition of the terms dramaturgist and dramaturgy. In the second part there are practical experiences from my work since 2005 until 2007. During this period I prepared following performances: Balada o velkém kostlivci in Theatre DISK, Díra ve zdi in Theatre Minor, Prolhaný ovčák, O kouzelném jablíčku, Červená Karkulka and Slůně in Theatre Lampion Kladno. In
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Velasco, Ramos Irene. "Rumslig dramaturgi : Ett verktyg för att främja den kognitiva tillgängligheten i utställningssammanhang." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-44656.

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Rumslig dramaturgi är ett examensarbete inom informationsdesign och inriktningen rumslig gestaltning.   I dag finns enligt kulturplaner utsatta regionala mål för kultur och även lagstadgade tillgänglighetskriterier vilka genom demokratin är en värdegrund som regional museiverksamhet behöver möta. Det informationsdesignproblem som förekommer är att sträva mot att uppnå dessa mål och lagar, och samtidigt ta människans processer för informationsinhämtning och tolkning i beaktande. Om denna kunskap inte finns, eller bortses från, riskeras både tillgänglighetskraven och de regionala målen. Därför ä
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Graham, Shelley T. "Dramaturging education and educating dramaturgs : developing and establishing an undergraduate dramaturgy emphasis at Brigham Young University /." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd511.pdf.

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Graham, Shelley. "Dramaturging Education and Educating Dramaturgs: Developing and Establishing an Undergraduate Dramaturgy Emphasis for Brigham Young University." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/158.

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Though the field of dramaturgy is growing in size and scope in professional theatre, there are relatively few universities or colleges that offer undergraduate or graduate degrees in basic dramaturgical theory and practice. Brigham Young University (BYU) is an ideal setting for the development of such a program. There is a close community within and surrounding the university; the Theatre and Media Arts Department has high pedagogical expectations; and the Theatre program provides multiple opportunities for theatrical production. I saw these qualities as an invitation to develop a dramaturgy e
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Rosenqvist, Robin, and Alfred Gårdeskog. "Digitala servicescapes : En undersökning om samspelet mellan dramaturgi, storytelling, och servicescapes i en digital miljö." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-959.

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Denna undersökning utgår ifrån Mary Jo Bitners servicescape-modell om hur fysiska miljöegenskaper formade efter en berättelse eller tema påverkar serviceverksamheter. För att sedan implementera modellen i en digital miljö. Resultatet av att nyttja teorierna kring servicescapes på exempelvis serviceverksamheter ger besökare möjlighet att fly undan vardagen, medvetet eller omedvetet, genom en kombination av olika sinnen. I undersökningen såg vi att besökarens självmedvetenhet kunde jämföras med Mihaly Csikszentmihalyis teorier om ”flöde”, där medvetandetillståndet hos en individ blir uppslukat a
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Ditlevsen, Christoffer Moe, and Martin Björkman Čehovin. "Den dramatiska kraften i filmmusik, Filmmusikens dramatiska vikt i modern media." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1917.

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När och varför tillsätter man musik till en scen i ett filmscenario? Med informationsresurser och teorier från etablerade medieteoretiker såsom Michel Chion, Oliver Sacks samt Johnny Wingstedt söker vi svaret. Genom beprövade analysmetoder bryter vi ner kritikerrosade filmer för att finna hur musiken präglat dem. Analyserna har sedan sammanfattats och jämförts för att kärnan av dem skall kunna identifieras. I diskussionen slår vi fast att det finns många verktyg att tillämpa när man vill styrka expressiviteten eller känslointensiteten, och varför man tillsätter musik till film; Att antingen st
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Lindton, Fredrik, and Tobias Svensson. "Med protagonisten i fokus : En undersökning om kvinnliga karaktärsmodeller och hur de används i film." Thesis, Blekinge Tekniska Högskola, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-10970.

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Syftet med detta arbete är att utforska vad det är som gör att en protagonist i en film blirintressant. Med hjälp av boken Dramatiskt berättande av Mats Ödeen har vi fördjupat oss itermen dramaturgi eftersom huvudpersonen är en viktig del av den. Vi har valt att analyserafilmer där vi anser att karaktärerna är väl uppbyggda och intressanta utifrån dramaturgiska ochtekniska aspekter. De filmer som vi har valt att analysera är True Grit och Big Eyes. Analysen avTrue Grit fokuserar på protagonistens resa genom berättelsen. Analysen av Big Eyes kommer attfokusera på karaktärsrelationerna och drama
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Libros sobre el tema "Dramaturgi"

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Faifer, Florin. Dramaturgi români. Editura Universității "Alexandru Ioan Cuza" Iași, 2009.

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Lehmann, Niels. Dekonstruktion og dramaturgi. Aarhus universitetsforlag, 1996.

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Hasrullah. Opium politik & dramaturgi. Prenada, 2014.

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Syam, Nur. Agama pelacur: Dramaturgi transendental. Penerbit & distribusi, LKiS Yogyakarta bekerja sama dengan IAIN Sunan Ampel Press, Surabaya, 2010.

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Nielsen, Benedikte H. Dramaturgi: Struktur, ideologi, kommunikation. Det Teatervidenskabelige institut, Københavns universitet, 1988.

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Exe, Christoffersen Erik, ed. Deadline: [om Anton Tjekhovs dramaturgi. Institut for dramaturgi, 1999.

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Tehrani, Faisal. Sinema spiritual: Dramaturgi dan kritikan. Unit Buku Harakah, 2012.

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Aarseth, Asbjørn. Ibsens samtidsskuespill: En studie i glasskapets dramaturgi. Universitetsforlaget, 1999.

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Pramayoza, Dede. Dramaturgi sandiwara: Potret teater populer dalam masyarakat poskolonial. Penerbit Ombak, 2013.

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Afanasʹev, Porfiriĭ. Kaśkhi kăvaĭt: Poėzi, kuśaru, dramaturgi, tishkeru̇, publit︠s︡istika = Vecherniĭ koster. Chăvash kĕneke izdatelʹstvi, 2012.

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Capítulos de libros sobre el tema "Dramaturgi"

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Müller-Schöll, Nikolaus. "Arbeit am Gelände (des Theaters)." In Heiner Müllers KüstenLANDSCHAFTEN. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839455630-004.

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Nikolaus Müller-Schöll begreift Heiner Müllers Theaterarbeit und Schreiben als Paradebeispiel einer ,politischen Dramaturgie'. Er setzt dabei seine von Foucault und Rancière her entwickelte Theorie von Dramaturgie voraus: Sie entsteht in ihrer modernen Ausprägung als eine Form der »Polizey« wie der »Politik« im Theater des 18. Jahrhunderts und antwortet als Regierung der Künste auf die moderne »Kunst des Regierens«. Nach seiner Bearbeitung von Brechts »Fatzer« reflektiert Müller seine Abkehr von Brechts Dramaturgie: Sein Skript-basiertes Theater entspringt den USA-Reisen und der Begegnung mit
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Turner, Cathy, and Synne Behrndt. "The Dramaturg and Devising: Shaping a Dramaturgy." In Dramaturgy and Performance. Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-56185-5_8.

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Mota, Vera Sofia, and Fransien van der Putt. "Unfold Nan Hoover." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_21.

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To support the practice of preservation and mediation of video works in the LIMA Collection (Amsterdam), the authors explore the possibilities of reinterpretation as a rather common practice in the performing arts. As a choreographer and a dramaturge, they establish a correlation between reinterpretation and dramaturgy — as a way to deal with non-objective or transitory aspects of the works — and describe their method in relation to the video and performance artist Nan Hoover.
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Megale, Teresa. "L’ombra di Don Juan Tenorio sulla scena barocca partenopea: indizi d’archivio e canoni drammaturgici." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.13.

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This paper highlights archival evidence and dramaturgic mythemes in order to reconsider the historiographical issues related to the XVIIth-century theatrical reception of El burlador de Sevilla y convidado de piedra outside of Spain. Among the crossroads of theatrical practices alive in XVIIth-century Naples, Don Juan underwent a rapid process of assimilation and transformation. The chronology of its Neapolitan debut at the Teatro di San Bartolomeo is re-examined in this paper, while unfolding some new and possible scenarios interweaving history and dramaturgy, the stage and the historical pol
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Boenisch, Peter M. "Performing the Singularized Self." In Theater. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466285-008.

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In this chapter, Boenisch discusses new intermedial dramaturgies that respond to the present "Post-Internet Condition" (S. Hendrickx): This has annulled old intermedial differences between online vs. offline, virtual vs. real, mediated vs. embodied. Drawing on sociological theories on the (the lack of) resonance within a culture of singularisation by A. Reckwitz and H. Rosa, and on dramaturgic theory by J. Szatkowski, Boenisch analyses works by the companies El Conde de Torrefiel and Jäger Ooms as paradigmatic for a shift from intermediality as a representational strategy towards a reflexive i
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Francis, Penny. "Dramaturgy." In Puppetry: A Reader in Theatre Practice. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35683-2_6.

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Roch, Eckhard. "Dramaturgie." In Psychodrama. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03571-4_4.

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Healy, Sue. "Dramaturgy." In The Literary Manager's Toolkit. Routledge, 2022. http://dx.doi.org/10.4324/9781003174523-6.

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Christoffersen, Erik Exe, and Richard Fowler. "Dramaturgy." In The Actor's Way. Routledge, 2023. http://dx.doi.org/10.4324/9781003421733-8.

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Sisco, David, and Laura Josepher. "Dramaturgy." In Performing in Contemporary Musicals. Routledge, 2022. http://dx.doi.org/10.4324/9781003212430-5.

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Actas de conferencias sobre el tema "Dramaturgi"

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Koh, Immanuel, and ManLin Saw. "Architectural Dramaturgy: A total and endless theatre with multimodal artificial intelligence." In eCAADe 2024: Data-Driven Intelligence. eCAADe, 2024. http://dx.doi.org/10.52842/conf.ecaade.2024.1.559.

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Alonso, Jason B., Angela Chang, David Robert, and Cynthia Breazeal. "Toward a dynamic dramaturgy." In the 8th ACM conference. ACM Press, 2011. http://dx.doi.org/10.1145/2069618.2069672.

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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu
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Capeto, Carla. "Dramaturgy of Robots and Machines." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.60.

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Kenderdine, Sarah, Jeffrey Shaw, and Anita Kocsis. "Dramaturgies of PLACE." In the International Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1690388.1690430.

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Constanceanu, Veronica-Alina. "The Dramaturgy of Some Prose Writers." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.05.

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The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, bu
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Testsov, Sergei Valentinovich. "Problemy dramaturgii v Anglii XVIII veka." In International Research-to-practice conference. TSNS Interaktiv Plus, 2023. http://dx.doi.org/10.21661/r-559075.

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Daraklitsa, Elina. "THE SYMBOLISMS AND DRAMATURGIC NOTIONS IN THE TROJAN WOMEN UNDER JEAN PAUL SARTRE�S POLITICAL AND PHILOSOPHICAL VIEW." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.03.

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The present study examines the contemporary rewriting in the French language of Euripides' play The Trojan Women by Jean Paul Sartre. The French philosopher having the intention once more to deal with humanity�s big problems, he intensifies Euripides� text with elements drawn from modern society and era. The theme dealt with is war and suppression, along with their conviction, a pattern especially popular with the creator since it is the one he deals with in his debut drama Bariona ou le fils de tonnerre (1940). Also, The Trojan Women (1964) linguistic style matches that of Bariona and Nekrass
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Testsov, Sergei Valentinovich. "Poeziia i dramaturgiia Dzhona Geia." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2024. http://dx.doi.org/10.21661/r-562573.

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Zinkovskaya, Anastasia. "Psycholinguistic Aspect Of Dramaturgic And Educational Discourse Interaction." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.364.

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Informes sobre el tema "Dramaturgi"

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Nykvist, Ari, Mahitab Ezz El Din, Mats Wahberg, and Peter Dahlén. Vad är en bra nyhet?: Om skillnader i yngre och äldre nyhetskonsumenters uppfattningar om kvalitet i nyheter. Linnaeus University, 2025. https://doi.org/10.15626/fojo.i.202506.

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Skillnaderna mellan yngre och äldres syn pa nyhetskvalitet ärmindre än man kunde tro. I denna studie framkommer att bädaäldersgrupper värderar tillförlitlighet, opartiskhet o c h saklighethögst, medan interaktivitet - möjligheten att kommentera, gillaoch dela - rankas lägt. Känslomässig dramaturgi efterfrägas sällan och text ses somden viktigaste modaliteten; ljud bedöms däremot som nägotmindre väsentligt av de yngre. Resultaten av studien visar att yngre nyhetskonsumenter intebildar ett tydligt avgränsat, homogent publiksegment somradikalt skiljer sig frän äldre. Samtidigt är publiken i ständ
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Ilgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, 2016. http://dx.doi.org/10.34074/ocds.038.

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This essay is a reflection on some aspects of dramaturgy observed during the creation and development of One by One, a silent tragicomedy designed by the Auckland company, LAB Theatre, in 2011 and restaged in 2013. The emphasis of the essay is on pedagogical aspects at the core of the company’s work, as they inform the creative process and lead to the blending of the actor’s function into that of the dramaturg. The following discussion makes apparent the fact that this process of hybridisation, made possible by implementing features of devised theatre, emancipates the actor and brings improvis
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