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Literatura académica sobre el tema "ELECTRA"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 11 de marzo de 2023

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Artículos de revistas sobre el tema "ELECTRA"

Fishbein, Julie Deane. "Electra". Antioch Review 44, n.º 4 (1986): 436. http://dx.doi.org/10.2307/4611651.

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Antonio, Ruz. "ELECTRA". Acotaciones. Revista de Investigación y Creación Teatral 2, n.º 43 (10 de diciembre de 2019): 191–221. http://dx.doi.org/10.32621/acotaciones.2019.43.08.

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Hawkins, John A. y Sophocles. "Electra". Theatre Journal 39, n.º 3 (octubre de 1987): 387. http://dx.doi.org/10.2307/3208159.

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Coo, Lyndsay. "SHIFTING SISTERHOOD: ELECTRA AND CHRYSOTHEMIS IN SOPHOCLES’ ELECTRA". Ramus 50, n.º 1-2 (diciembre de 2021): 89–108. http://dx.doi.org/10.1017/rmu.2021.8.

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When Sophocles wrote Electra's story, he gave her a sister, Chrysothemis. In their two scenes together, the sisters warn, entreat, cajole, insult, spar with, and proclaim affection for each other. While Electra maintains her public mourning for their father Agamemnon, Chrysothemis chooses not to openly defy his murderers, Aegisthus and their mother Clytemnestra, believing that resistance that accomplishes nothing is futile. Time has not been kind to this more pragmatic sister. In English-language criticism, she has acquired her own epithet, ‘timid’; her femininity has been dismissed as vacuous and her morality as driven by material self-interest. For many critics, she is a shallow and conventional figure whose main purpose is to act as a foil to the exceptional Electra. Since the pairing of a ‘stronger’ and a ‘weaker’ sister recurs in the depiction of Antigone and Ismene in Sophocles’ Antigone, this portrait of two contrasting sisters has been recognised since antiquity as distinctively Sophoclean, and the corresponding reduction of the sister–sister bond to a template has frequently precluded deeper examination of this relationship in both plays.

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Lloyd, Michael, Euripides y M. J. Cropp. "Euripides, Electra". Phoenix 44, n.º 2 (1990): 182. http://dx.doi.org/10.2307/1088330.

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Agosin, Marjorie, Magaly Alabau y Magaly Alabau. "Electra; Clitemnestra". Chasqui 17, n.º 1 (1988): 122. http://dx.doi.org/10.2307/29740056.

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Jefferson, Thomas A. y Nelio B. Barros. "Peponocephala electra". Mammalian Species, n.º 553 (9 de mayo de 1997): 1. http://dx.doi.org/10.2307/3504200.

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Rossi, Mary Ann, Euripides y M. J. Cropp. "Euripides: Electra". Classical World 84, n.º 5 (1991): 391. http://dx.doi.org/10.2307/4350858.

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Eckard, Bonnie Jean. "Electra (review)". Theatre Journal 55, n.º 1 (2003): 138–40. http://dx.doi.org/10.1353/tj.2003.0018.

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Taalman Kip, Maria van Erp. "Sophocles: Electra". Mnemosyne 62, n.º 3 (2009): 481–85. http://dx.doi.org/10.1163/156852509x340174.

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Tesis sobre el tema "ELECTRA"

Prass, Claudiane. "O mito de Electra e intertextualidades em O Sonho de Electra, de Bidisha Bandyopadhyay". Universidade Estadual do Oeste do Parana, 2016. http://tede.unioeste.br:8080/tede/handle/tede/2438.

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The study presented here focus in reflections and analyses involving the tragedies Electra, by Sophocles; The Libation Bearers, by Aeschylus and Electra, by Euripides, and, based on intertextuality studies this study sought to identify how is Electra s myth is present in the narrative Seahorses, written by the English author of Indian ancestry Bidisha Bandyopadhyayl, published in 1997 in London and translated in Brazil in 1998. The novel Seahorses, still unstudied in Brazil, had a huge impact in the literary milieu, been particularly well received with European press, the author by that time being very young, 17 years old, considered as a prodigy. The myth of Electra contributes on this study due to its importance in recent times, being a study reference for Humanities, besides Literature. This study comprehends a bibliographical research pertaining to the Comparative Literature field, based on the reading of many scholars from diverse areas: literature, anthropology, and even psychiatry. In the perspective of obtaining the aim of the study, we sustained the research in the theoretical assumption recurrent in the study of mythology, studies on the imaginary and intertextuality and for that purposed we relayed on some authors, such as Gilbert Durand, Gaston Bachelard e Jean-Jacques Wunenburger, who shall provide support to the issue of the imaginary. The intertextual discussion among the texts shall be orientated by the study Tiphaine Samoyault and Laurent Jenny. Among other scholars, from mythology studies, literary criticism and even from anthropology and psychiatry, yet it is possible to highlight the scholar Linda Hutcheon in order to contextualize the post-modern novel, Carlinda Pate Nuñez who thoroughly analyzed the three Greek tragedies, as well as Mircea Eliade and E. M. Milietinski. As a result of this investigation process, we understand that the textual upturns, recurring to the literary memory, the text circulates in movements, between what is already given and the new, to the renewed interlacing of the words with other senses and meanings where literature constitutes itself. Henceforth, the myth of Electra is reconsidered, questioned, reviewed, and bringing in itself several other subtleties, issues directly or indirectly related to the myth, in as much the discussion on womanhood and incest.
A pesquisa aqui delineada focalizou-se em reflexões e em análise envolvendo as obras Electra, de Sófocles; Coéforas, de Ésquilo; e Electra, de Eurípedes. Com base em estudos sobre intertextualidade, objetivou-se identificar como o mito de Electra encontra-se presente na narrativa O Sonho de Electra escrito pela autora inglesa, filha de indianos Bidisha Bandyopadhyay, publicada em 1997 em Londres e traduzida no Brasil em 1998. Na perspectiva de alcançar o objetivo proposto, sustentamos a pesquisa nos pressupostos teóricos recorrentes ao estudo da mitologia, do imaginário e da intertextualidade. E, para isso, buscamos alguns autores como Gilbert Durand (1983; 1993;1996; 2002), Gaston Bachelard (1993; 2001) e Jean-Jacques Wunenburger (2007) que darão suporte à questão do imaginário. A discussão intertextual entre os textos será norteada pelos estudos realizados por Tiphaine Samoyault (2008) e Laurent Jenny (1979). Entre vários outros estudiosos, seja da mitologia ou crítica literária e até mesmo da antropologia e da psiquiatria, ainda é possível destacar Linda Hutcheon (1991) para contextualizar o romance pós-moderno, Carlinda Pate Nuñez (2000) que analisara minuciosamente as três obras da tragédia grega, além de Mircea Eliade (1984; 1993; 2002) e E. M. Milietinski (1987). Como resultado desse processo de investigação entendemos que entre as retomadas intertextuais, ao recorrer-se a memória literária, o texto circula em movimento, entre o que está dado ao novo, ao novo entrelaçamento das palavras, com outros sentidos e significados, a literatura vai constituindo-se. E, assim, o mito de Electra vai sendo repensado, revisto, questionado, trazendo consigo várias outras nuances, questões diretamente ou indiretamente relacionadas ao mito, como a discussão da condição feminina e do incesto. Sobretudo, no romance existe algo que vai além da intertextualidade, algo mais complexo, pois, ocorre uma subversão da dinâmica clássica do mito, uma contestação deste, assim, como há também críticas às produções artísticas atuais, tanto no cinema, quanto na música, além da própria literatura.

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Natanblut, Erez. "Mythmaking in the Electra plays". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/MQ28242.pdf.

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van, Emde Boas Evert H. "Linguistic studies in Euripides' Electra". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:dbecc2f8-f980-4a33-9fdc-20d8c1329dc5.

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Euripides’ Electra has long been one of the playwright’s most controversial works. This book offers a reading of the play concentrating on its language, which is analysed by applying a variety of modern linguistic approaches: conversation analysis, pragmatic theories of speech acts and inference, politeness theory, the study of the interplay of gender and language, paroemiology, and the study of discourse cohesion. The first three chapters argue for the Peasant, Electra and Orestes, respectively, that their linguistic behaviour constitutes a vital part of their characterisation. The Peasant’s (ch. 1) sturdy morality is established by the way his language becomes more forceful when he touches on ethical questions; it is then tested in his conversations with Electra, where his language is suggestive of a conflict between his morals and his desire to please his royal wife. Electra herself (ch. 2) is characterised initially by the inability to communicate successfully with those around her — a disconnect which is suggestive of the fundamental incongruity of her circumstances. This adds a dimension to her motivations, which, as a force driving Electra’s linguistic behaviour, remain highly stable throughout the play up until the matricide. Another consistent feature of Electra’s language is the way it is patterned by her gender. Orestes’ characterisation in the early part of the play is ingeniously kept to a minimum through his sustained disguise. Various aspects of his language, but particularly his use of gnomai, contribute to that disguise, which involves a suppression of emotion, an avoidance of self-reference, and the exertion of control over the flow and topic of his conversation with Electra. We can only interpret a dramatic text if we know what it says, and if we know who says what. In chapter 4, I argue that the linguistic approaches I adopt can also help us in making a determination about textual-critical problems, particularly concerning the issue of speaker-line attribution (two notorious cases are discussed: 671-84 and 959-87). The final two chapters deal with longer speeches. In the messenger scene (ch. 5), Euripides uses linguistic devices to create an ebb and flow of suspense, and to manipulate audience expectation. In the agon (ch. 6), differences in the way Clytemnestra and Electra structure their speeches, particularly their narrationes, reveal much about their different (and fundamentally irreconcilable) viewpoints and approaches.

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Sacconi, Karen Amaral. "Electra de Eurípides: estudo e tradução". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-30102012-115821/.

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O presente trabalho tem como objeto de estudo a tragédia Electra de Eurípides no que concerne à atualização que o poeta faz do episódio em sua versão dramática do mito de Orestes. Para tal, divide-se em duas partes, sendo que a primeira compreende o estudo propriamente dito e a segunda traz uma tradução integral do poema dramático seguindo os moldes de uma tradução acadêmica para fins de estudo. O estudo apresenta três capítulos que abordam a questão da atualização sob diferentes perspectivas. O primeiro trata da história do mito desde Homero até sua chegada à poesia dramática e apresenta um estudo comparativo das três versões trágicas que têm o mito por matéria, a saber, a Oresteia de Ésquilo e as Electras de Sófocles e Eurípides. A partir do segundo capítulo, o foco é dado à Electra euripidiana. Parte-se, então, de uma análise pontual de algumas das personagens e do coro com vistas a um estudo dirigido às inovações do enredo. A encenação da tragédia é, por fim, matéria de estudo do terceiro capítulo, ainda sob o ponto de vista da atualização. De uma forma geral, o estudo tem por objetivo uma reflexão sobre os modelos visados por Eurípides, sobre as adaptações que esses sofreram e, finalmente, sobre a recusa de alguns paradigmas.
This thesis focuses on the tragedy Electra by Euripides taking a more specific look at the way the poet updates this episode in his dramatic version of the myth of Orestes. The thesis is divided in two parts. The first contains the study itself and the second offers an integral translation of the dramatic poem according to the standards of academic translations intended for study. The study encompasses three chapters that address the issue of updating from different perspectives. The first concerns the story of the myth from Homer to its appearance in dramatic poetry and presents a comparative study of the three tragic versions of the myth, namely Aeschylus Oresteia and the Electras of Sophocles and Euripides. From the second chapter on, the focus is on Euripides Electra. This chapter resorts to a detailed analysis of some of the characters and the chorus in order to study the innovations in the plot. Finally, the third chapter discusses the staging of the tragedy, once again from the point of view of the updating. Overall, the study intends to reflect on the models used by Euripides, as well as the adaptations that these models have gone through and, finally, the refusal of some paradigms.

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Huffam, Ian. "Translating Aristotelian Lexis in Euripides's Electra". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38458.

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In Poetics, Aristotle defines lexis as being the “language” of tragedy, and this language is one of the elements of tragedy that creates the mimetic representation. As Aristotle literally describes of the words of tragic composition as “doing” something, I consider lexis as an equivalent to J.L. Austin’s locutionary function of language, and the creation of the mimetic representation as the illocutionary. Aristotle’s conception of tragic composition requires a rigid understanding of the tragic form and its proper deployment as he leaves no room for perlocution, and so I also employ Jan Mukařovský’s theory of intentionality/unintentionality in art to explain how a play such as Euripides’s Electra may be understood as a product of the literary culture in which it arose. I then review historical trends of translating Greek tragedy into English to establish how modern translation is moving further away from reverence to the lexis of tragedy. Finally I address the various sections of Electra, a play with an almost non-existent performance record in English, to establish how I may respect the original lexis in my own translation, thereby imparting a (hopefully) similar effect on a modern audience.

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Sousa, Alexandre de Albuquerque. "Electra sob as luzes da ribalta: ação e ethos trágico em Mourning Becomes Electra, de Eugene O'Neill". Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/6272.

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This work aims at analyzing the dramatic action and the characters tragic ethos in the trilogy Mourning Becomes Electra, focusing on the protagonist Lavinia Mannon. Our research corpus, which was written by Eugene O Neill and first performed in 1931, is a recreation of Aeschylus trilogy, the Oresteia, which presents a reading of the myth of the House of Atreus, whose line is cursed by acts of hate and vengeance. This study starts by taking into account the myth concept and its relations to Greek tragedy, as long as Freudian psychoanalysis, in the Modern times. The investigation about the concepts of action and ethos is based on Aristotle s Poetics (2005), Hegel s Aesthetics (2004), along with the studies of Raymond Williams (2002) and Sandra Luna (2005, 2008, 2012), as theoretical support. By creating a psychological drama, O Neill goes deeply into the character s psyche, presenting themselves struggling with impulses and passions repressed by their Puritan morality. Lavinia, the modern Electra, faces a personal drama, since she has a sickly love desire for her father, Ezra, is jealous of her mother, Christine, and represses her desire for Adam Brant, Christine s lover. Lavinia accuses her adulteress mother of having murdered Ezra, and seeks vengeance with the help of her brother, Orin, culminating with Christine s suicide. Orin, taken by guilt and remorse for having contributed to his mother s death, also succumbs to suicide. In order to maintain the Mannons secrets, Lavinia, as the last member of the family, seeks punishment for herself, condemned to endure a tormented existence, haunted by her antecessor s ghosts and recluse at her own house.
Esta pesquisa tem por objetivo analisar a ação dramática e o ethos trágico dos personagens na trilogia Mourning Becomes Electra, tendo como foco a protagonista Lavínia Mannon. Escrita pelo dramaturgo norte-americano Eugene O Neill e encenada, pela primeira vez, em 1931, a trilogia escolhida como corpus desta pesquisa constitui-se uma releitura da Oréstia, de Ésquilo, cujo enredo apresenta uma apropriação do mito dos Atridas, família cuja história é marcada por crimes de ódio e vingança. O estudo parte das considerações sobre o conceito de mito e sua relação com a tragédia grega e com a teoria psicanalítica de Freud, na modernidade. A investigação sobre os conceitos de ação e ethos dos personagens tem como suporte teórico a Poética de Aristóteles (2005), a Estética de Hegel (2004), as contribuições de Raymond Williams (2002) e de Sandra Luna (2005, 2008, 2012). Ao elaborar um drama psicológico moderno, O Neill investe na psiqué dos personagens, que se apresentam em luta contra pulsões e desejos, reprimidos em nome da moral puritana. Lavínia, a Electra moderna, enfrenta um drama pessoal, pois nutre um amor doentio pelo pai, Ezra, tem ciúmes da mãe, Christine, e reprime seu desejo pelo amante desta, Adam Brant. Ao saber da morte de Ezra, Lavínia acusa a mãe adúltera de ser a autora do crime e promete vingança com a ajuda de seu irmão Orin, resultando no suicídio de Christine. Orin, tomado pela culpa e remorso por ter contribuído com a morte da mãe, também sucumbe ao suicídio. A fim de resguardar os segredos de sua família, Lavínia, como a última Mannon, busca sua autopunição, condenada a uma existência atormentada, assombrada pelos fantasmas de seus antepassados e enclausurada em sua própria casa.

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Scott, Jill. "Electra after Freud, death, hysteria and mourning". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0017/NQ53895.pdf.

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Kihlström, Camilla y Lovisa Karlsson. "Impact of Americium in the ELECTRA Fuel". Thesis, KTH, Fysik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-129327.

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Nuclear waste is a highly debated issue of nuclear power. The long-term storage is not considered to be sustainable, thus other possibilities are sought after. One such possibility could be to recycle the nuclear waste in nuclear reactors, such as fast breeder reactors. The possibility to recycle americium, which is a nuclear waste, is the reason of this study. This report studies how the amount of americium in the fuel of the reactor ELECTRA affects the temperature coefficient. It was also examined how the size of the reactor affects the reactivity factor, k eff. The purpose was to see how much americium that could be added to the fuel before the temperature coefficient becomes positive, and the reactor becomes unstable. The results first obtained in the study were not as expected. The expected result was that with an increased amount of americium the temperature coefficient would also increase. Instead the value of the temperature coefficient remained at an almost constant level. This is assumed to be because the reactor is designed to have a high amount of neutron leakage, which dominates the impact on the temperature coefficient. To decrease the impact of the neutron leakage and to maintain criticality, the height of the reactor core was increased. This lead to the expected results of an increased temperature coefficient with an increased amount of americium in the fuel. The study also shows that more fuel is needed to maintain criticality when more americium is added.

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Finglass, Patrick. "A commentary on Sophocles' Electra, lines 251-870". Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401449.

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Tomàs, Albina Alba. "Electra: mite i recreació en el teatre català contemporani". Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/402440.

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Aquesta tesi doctoral tracta de les recreacions del mite d’Electra en el teatre català contemporani en relació amb les versions clàssiques, tot tenint en compte, també, determinades reescriptures contemporànies d’altres cultures que es poden considerar de referència. Tot i que ens centrarem en les recreacions originals del mite en llengua catalana dutes a terme al llarg del segle XX i principis del XXI, no obviarem el paper indispensable que han tingut les traduccions i les adaptacions dels textos clàssics en la introducció del tema d’Electra en el sistema literari català. Al llarg d’aquest estudi es farà evident la relació de retroalimentació que mantenen entre si els diversos textos analitzats, el paper de les tragèdies clàssiques com a hipotextos principals de les recreacions catalanes, i el fet que la recreació d’aquest mite implica, sovint, un intent d’actualització del gènere tràgic.
This PhD research studies several recreations of Electra’s myth in Catalan contemporary theatre, and relates them to the classical versions. It also takes into account certain contemporary re-writings of the myth made within other cultures, which could be considered a model. Although special focus will be put on original recreations of the myth written in Catalan during the 20th and 21st centuries, we will also consider the essential role played by translations and adaptations from classical texts when introducing Electra’s topic into Catalan literary system. This research will show the mutual influence among the different texts analyzed in the thesis, as well as the role played by classical tragedies as main hypotexts for Catalan recreations and the fact that recreations of the myth often imply an attempt to update tragedy as a genre.

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Libros sobre el tema "ELECTRA"

Sophocles. Electra. Cambridge, UK: Cambridge University Press, 2007.

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Euripides. Electra. New York: Oxford University Press, 1994.

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Electra. London: Bloomsbury, 2013.

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Euripides. Electra. Stutgardiae: B.G. Teubner, 1995.

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Sophocles. Electra. New York: Dover Publications, 1995.

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Euripides. Electra. Warminstrer: Aris & Phillips, 1988.

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Sophocles. Electra. New York: Oxford University Press, 2001.

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Euripides. Electra. Monachii: K.G. Saur, 2002.

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Euripides. Electra. Warminster, Wiltshire, England: Aris & Phillips, 1988.

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Sophocles. Electra. Cambridge: Cambridge University Press, 2008.

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Capítulos de libros sobre el tema "ELECTRA"

Roisman, Hanna M. "Electra". En A Companion to Euripides, 166–81. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119257530.ch12.

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Dunn, Francis. "Electra". En A Companion to Sophocles, 98–110. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118350508.ch8.

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Dawe, R. D. "Sophoclis Electra". En Sophoclis Electra, 1–72. Wiesbaden: Vieweg+Teubner Verlag, 1996. http://dx.doi.org/10.1007/978-3-663-12368-2_1.

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Shaw, Fiona. "Electra Speechless". En Sophocles’ „Electra“ in Performance, 131–38. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04242-2_12.

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Satorius, Edgar, Tom Jedrey, David Bell, Ann Devereaux, Todd Ely, Edwin Grigorian, Igor Kuperman y Alan Lee. "The Electra Radio". En Autonomous Software-Defined Radio Receivers for Deep Space Applications, 19–43. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2006. http://dx.doi.org/10.1002/9780470087800.ch2.

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Downs, David. "Directing Sophocles’ Electra". En Sophocles’ „Electra“ in Performance, 111–28. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04242-2_11.

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McDonald, Marianne. "Electra in Review". En Sophocles’ „Electra“ in Performance, 158–63. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04242-2_17.

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Most, Glenn W. "Sophocles, Electra 1086–87". En Orchestra, 129–38. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-663-12276-0_10.

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Mackey, Wade C. "Electra and Lady Macbeth". En The American Father, 175–88. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4899-0239-9_11.

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Carson, Anne. "Screaming in Translation: The Elektra of Sophokles". En Sophocles’ „Electra“ in Performance, 5–11. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04242-2_1.

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Actas de conferencias sobre el tema "ELECTRA"

Hegeler, F., M. Friedman, T. Albert, J. Parish, M. C. Myers, M. F. Wolford, J. L. Giuliani, J. D. Sethian, P. Burns y R. Jaynes. "The Electra KrF Laser System". En 2007 IEEE Pulsed Power Plasma Science Conference. IEEE, 2007. http://dx.doi.org/10.1109/ppps.2007.4346168.

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Hegeler, F., M. C. Myers, M. F. Wolford, J. D. Sethian, R. Jaynes, P. Burns, M. Friedman, J. L. Giuliani, T. Albert y J. Parish. "The electra KRF laser system". En 2007 IEEE International Pulsed Power Plasma Science Conference (PPPS 2007). IEEE, 2007. http://dx.doi.org/10.1109/ppps.2007.4652467.

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Waggener, William N. "Digital Recording For Electra-Optical Imagery". En OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles). SPIE, 1987. http://dx.doi.org/10.1117/12.940146.

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MYERS, RICHARD, JEREMY ALLINGTON-SMITH, DAVID BUSCHER, PAUL CLARK, NIGEL DIPPER, SZILVESZTER JUHOS, COLIN DUNLOP et al. "THE ELECTRA ASTRONOMICAL ADAPTIVE OPTICS INSTRUMENT". En Proceedings of the 2nd International Workshop. WORLD SCIENTIFIC, 1999. http://dx.doi.org/10.1142/9789812817815_0053.

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Rose, D. V. "Particle-in-Cell Simulations of the Electra KrF Electron-Beam Diode". En BEAMS 2002: 14th International Conference on High-Power Particle Beams. AIP, 2002. http://dx.doi.org/10.1063/1.1530896.

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Wolford, M. F., J. D. Sethian, J. L. Giuliani, M. C. Myers, S. P. Obenschain, F. Hegeler, M. Friedman, P. M. Burns, R. H. Lehmberg y R. Jaynes. "Electra: An electron beam pumped 730 J rep-rate KrF laser". En 2007 Quantum Electronics and Laser Science Conference. IEEE, 2007. http://dx.doi.org/10.1109/qels.2007.4431500.

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Wolford, M. F., J. D. Sethian, J. L. Giuliani, M. C. Myers, S. P. Obenschain, F. Hegeler, M. Friedman, P. M. Burns, R. H. Lehmberg y R. Jaynes. "Electra: An Electron Beam Pumped 730 J Rep-Rate KrF Laser". En CLEO 2007. IEEE, 2007. http://dx.doi.org/10.1109/cleo.2007.4453723.

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Hegeler, F., M. Friedman, J. D. Sethian, M. C. Myers, M. F. Wolford, J. L. Giuliani, P. Burns y R. Jaynes. "Electra: repetitively pulsed 700 J, 100 NS electron beam pumped KRF laser". En The 33rd IEEE International Conference on Plasma Science, 2006. ICOPS 2006. IEEE Conference Record - Abstracts. IEEE, 2006. http://dx.doi.org/10.1109/plasma.2006.1707018.

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Hegeler, F., J. D. Sethian, M. C. Myers, M. F. Wolford, M. Friedman, J. L. Giuliani, P. Burns y R. Jaynes. "Electra: Repetitively Pulsed 700 J, 100 ns Electron Beam Pumped KrF Laser". En 2006 Twenty-Seventh International Power Modulator Symposium. IEEE, 2006. http://dx.doi.org/10.1109/modsym.2006.365259.

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Wolford, Matthew F., Matthew C. Myers, John L. Giuliani, John D. Sethian y Frank Hegeler. "Electra: repetitively pulsed 700 J, 100 ns electron beam pumped KrF laser". En Lasers and Applications in Science and Engineering, editado por Alexis V. Kudryashov, Alan H. Paxton, Vladimir S. Ilchenko, Adolf Giesen, Detlef Nickel, Steven J. Davis, Michael C. Heaven y J. Thomas Schriempf. SPIE, 2006. http://dx.doi.org/10.1117/12.644847.

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Informes sobre el tema "ELECTRA"

Fitch, Michael James. Electro-Optic Sampling of Transient Electric Fields from Charged Particle Beams. Office of Scientific and Technical Information (OSTI), enero de 2000. http://dx.doi.org/10.2172/1421448.

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Bolton, P. Electro-Optic Sampling of Single Electron Beam Bunches of Ultrashort Duration. Office of Scientific and Technical Information (OSTI), enero de 2004. http://dx.doi.org/10.2172/826639.

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Abdullah, K. F. A search for the electric dipole of the electron. Office of Scientific and Technical Information (OSTI), agosto de 1989. http://dx.doi.org/10.2172/5540639.

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Bromenshenk, Jerry J., Edwin H. Abbott, David Dickensheets, Richard P. Donovan, J. D. Hobbs, Lee Spangler, Michele A. McGuirl et al. Investigation of Electron Transfer-Based Photonic and Electro-Optic Materials and Devices. Office of Scientific and Technical Information (OSTI), marzo de 2008. http://dx.doi.org/10.2172/926173.

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Fitch, M., N. Barov, J. Carneiro, P. Colestock, H. Edwards, K. Koepke y A. Melissinos. Electro-optic measurement of the wake fields of 16 MeV electron bunches. Office of Scientific and Technical Information (OSTI), diciembre de 1999. http://dx.doi.org/10.2172/15106.

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Kállai, Péter. How to Lose (the Almost) Guaranteed Representation – Recent Developments concerning Roma Parliamentary Representation in Hungary. European Centre for Minority Issues, marzo de 2022. http://dx.doi.org/10.53779/djpm0924.

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Resumen

As the Roma National Self-Government in Hungary failed to draw up its electoral list for the 2022 elections, it seemed that nobody would represent the most populous minority in Parliament; at least not within the framework of the preferential mandate system. This blog post covers the circumstances and developments behind this paradoxical situation and explains how uncompromising political wings have caused this outcome. The incumbent Roma minority advocate in Parliament and his allies worked hard to prevent anyone else from obtaining the first position on the electoral list and thus becoming a member of parliament, while the other political wing within the Roma self-government ruled out the re-election of the sitting advocate. As the author points out, however, the main problem lies in the very nature of the system, namely in the lack of real internal competition. Interestingly, as recent developments show, other Roma politicians may get elected on the party lists of both sides of the political spectrum.

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Munger, C. Magnetic Johnson Noise Constraints on Electron Electric Dipole Moment Experiments. Office of Scientific and Technical Information (OSTI), noviembre de 2004. http://dx.doi.org/10.2172/839794.

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Fan, Wesley, Clifton Drumm, Shawn Pautz y C. Turner. Modeling electron transport in the presence of electric and magnetic fields. Office of Scientific and Technical Information (OSTI), septiembre de 2013. http://dx.doi.org/10.2172/1096262.

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Maxwell, Timothy John. Measurement of Sub-Picosecond Electron Bunches via Electro-Optic Sampling of Coherent Transition Radiation. Office of Scientific and Technical Information (OSTI), enero de 2012. http://dx.doi.org/10.2172/1249490.

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Heller, Eric R., Donald Dorsey, Jason P. Jones, Samuel Graham, Matthew R. Rosenberger, William P. King y Rama Vetury. Electro-Thermo-Mechanical Transient Modeling of Stress Development in AlGaN/GaN High Electron Mobility Transistors (HEMTs) (Postprint). Fort Belvoir, VA: Defense Technical Information Center, febrero de 2014. http://dx.doi.org/10.21236/ada614007.

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