Bibliografías temáticas / English literature – 19th century – History and criticism

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Literatura académica sobre el tema "English literature – 19th century – History and criticism"

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Publicado: 4 de junio de 2021
Última modificación: 29 de enero de 2023

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Artículos de revistas sobre el tema "English literature – 19th century – History and criticism"

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Mikhailova, Maria, and Sofya Kudritskaya. "Mire’s Interpretation of the Tragic and Paradoxical World of Oscar Wilde." Literatūra 63, no. 2 (2021): 70–87. http://dx.doi.org/10.15388/litera.2021.63.2.5.

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This article analyzes the reception of the figure of O. Wilde, the 19th-century English writer, and his works in the prose and criticism of Alexandra Mikhailovna Moiseeva (1874-1913), who entered the history of Russian literature of the Silver Age by the name of “Mire”. The study focuses mainly on her story Black Panther (1909), in which the author provides an original perspective on the tragic love episode in Wilde’s life. Attention is also paid to the thematic similarities between the works of Wilde and Mire in terms of genre, plot and literary image, as well as Mire’s interpretation of Wild
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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l
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Priydarshi, Ashok Kumar. "History and Development of the Problem Play in English Literature." Journal of Advanced Research in English and Education 06, no. 03 (2021): 1–2. http://dx.doi.org/10.24321/2456.4370.202104.

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The genre, ‘problem play’ originated in France in the late 19th century. Notable example are Ibsen’s ‘A Dolls’ House’ (1879), questioning the subordination of women in marriage, Shaw’s ‘Mrs Warren’s Profession’ (1902), examining attitudes towards prostitution; and Galsworthy’s ‘Justice’ (1910), exposing the cruelties of solitary confinement and the legal system. Some plays by later writers such as A. Wesker, J. McGrath, Caryl Churchill, H. Brenton and D. Hare also raise contemporary issues, often using a wider canvas than their predecessors.
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Priydarshi, Ashok Kumar. "History and Development of the Problem Play in English Literature." Journal of Advanced Research in English and Education 06, no. 03 (2021): 1–2. http://dx.doi.org/10.24321/2456.4370.202104.

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The genre, ‘problem play’ originated in France in the late 19th century. Notable example are Ibsen’s ‘A Dolls’ House’ (1879), questioning the subordination of women in marriage, Shaw’s ‘Mrs Warren’s Profession’ (1902), examining attitudes towards prostitution; and Galsworthy’s ‘Justice’ (1910), exposing the cruelties of solitary confinement and the legal system. Some plays by later writers such as A. Wesker, J. McGrath, Caryl Churchill, H. Brenton and D. Hare also raise contemporary issues, often using a wider canvas than their predecessors.
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Abbott, Scott. "The Wanderer in 19th-Century German Literature: Intellectual History and Cultural Criticism (review)." Goethe Yearbook 17, no. 1 (2010): 406–8. http://dx.doi.org/10.1353/gyr.0.0046.

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Abasheva, D., V. Sigov, and R. Sharyafetdinov. "Formation and development of the Chuvash folklore studies and literary criticism of the 19th century." Rhema, no. 4, 2018 (2018): 190–203. http://dx.doi.org/10.31862/2500-2953-2018-4-190-203.

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History of literary criticism of various nations of Russia in the 19th century is many-sided and is important both for further development of literature and for the process of mutual enrichment, addition of literatures and literary studies. A special place in this context belongs to the Kazan province which has always been characterized by ethnic diversity an multinational structure and to the University of Kazan which is the acknowledged center for studying traditional ways of life, folklore and literature of the Volga region. In the formation of literary criticism and the development of lite
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Small, Helen. "'In the guise of science' : literature and the rhetoric of 19th-century English psychiatry." History of the Human Sciences 7, no. 1 (1994): 27–55. http://dx.doi.org/10.1177/095269519400700102.

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Hundt, Marianne, and Benedikt Szmrecsanyi. "Animacy in early New Zealand English." English World-Wide 33, no. 3 (2012): 241–63. http://dx.doi.org/10.1075/eww.33.3.01hun.

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The literature suggests that animacy effects in present-day spoken New Zealand English (NZE) differ from animacy effects in other varieties of English. We seek to determine if such differences have a history in earlier NZE writing or not. We revisit two grammatical phenomena — progressives and genitives — that are well known to be sensitive to animacy effects, and we study these phenomena in corpora sampling 19th- and early 20th-century written NZE; for reference purposes, we also study parallel samples of 19th- and early 20th-century British English and American English. We indeed find signif
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Dr Mubashar Saeed and Sadia Irshad. "CHILDREN'S URDU LITERATURE." Tasdiqتصدیق۔ 4, no. 2 (2022): 139–53. http://dx.doi.org/10.56276/tasdiq.v4i2.100.

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One of the major fields of literature and journalism is Children's Literature. In the 19th century, the tradition of the publication of magazines in Urdu journalism became very strong, but the first regular magazines for children began in the early twentieth centure. “Bachon Ka Akhbar” of Munshi Mehboob Alam is regarded as the first children magazine published in May 1902. So far more than 300 such magazines have been launched till now. The Role of Government in this regard also praiseworthy. In the last half of Twentieth Century Government of Pakistan translate many booklets from English Lite
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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open
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Tesis sobre el tema "English literature – 19th century – History and criticism"

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Bending, Lucy. "The representation of bodily pain in late nineteenth-century English culture." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:751a567b-8260-4dfc-8e9e-904b7e1da20f.

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This dissertation presents a study of the ways in which concepts of pain were treated across a broad range of late Victorian writing, placing literary texts alongside sermons, medical textbooks and campaigning leaflets, in order to suggest a pattern of representation and evasion to be perceived throughout the different texts assembled. In the first two chapters I establish the cultural and historical background to physical suffering in the late nineteenth century, as the Christian paradigm for suffering (the subject of the first chapter) lost its pre-eminance to that of medicine (Chapter Two).
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Shannon, Josephine E. "From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.

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Although the letter purports to represent fact, it cannot avoid having a partly or potentially fictive status, turning as it does on the complex interplay between the real and the imagined. Consequently, the main critical approach of this paper is to consider the interactions between conflicting modes of expression in eighteenth- and nineteenth-century epistolary fiction. The rhetorical and conceptual contrarieties that I examine are broadly characterized by the contradiction between the implied spontaneity of the familiar letter and the inevitable artifice of its form. Working with familiar l
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Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.

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The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemar
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Cattell, Victoria Fayrer. "Irony and alazony in the English Künstlerroman." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65961.

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Emig, Rainer. "The end of modernism in English poetry." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.

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'End' as 'goal' and 'limit' is explored in signs, symbols, metaphors, metonymies, and myths in the works of G.M. Hopkins, Yeats, Eliot, and Pound, before the study examines the aesthetics of modernist poetry which - through psychoanalysis, economy, and language philosophy - presents itself as one facet of the 'modernist project'. Modernist poetry struggles with its material, the lacking motivation of signs, the unstable connection of signifier and signified. Already in Hopkins this creates tensions between mimetic endeavour and construction. Appropriation and distancing as compensation strateg
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Ranum, Benedikte Torkelsdatter. "Typecast Victorians : uses of biblical typology in late nineteenth-century literature." Thesis, University of Stirling, 1996. http://hdl.handle.net/1893/2007.

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This thesis examines the literary uses of biblical typology in the last three decades of the nineteenth century. It aims to show how late Victorian writers, having opted out of the orthodox Christian beliefs of the age, were still writing from within a cultural discourse shaped by, and based upon, such faith. Covering works as diverse as Sartor Resartus, De Profundis, and The Island of Doctor Moreau, and discussing writers who range from Mary Augusta Ward via Hardy to Strindberg and Dostoevsky, my contention is that these writers not only used the structure, terminology, and imagery of biblica
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Abraham, Adam. "Spurious Victorians : imitation and the nineteenth-century novel." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cbf24b85-cc63-42be-ba84-2f065942c4d8.

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In 'A Critique of Modern Textual Criticism', Jerome J. McGann writes, '[A]n author's work possesses autonomy only when it remains an unheard melody'. For the published and successful writer in the nineteenth century, such autonomy was often unattainable. Publications such as The Pickwick Papers inspired an array of opportunistic successors, including stage plays, unauthorized sequels, jest books, song books, and shilling and penny imitations. Despite the proliferation, this strain of writing is rarely studied. This thesis recovers ephemeral, scurrilous texts, often anonymous or pseudonymous, a
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Prince, John S. "Utopia Victoriana : the utopian novel in late Victorian Britain, 1871-1905." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259302.

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This study focuses on three significant issues addressed by utopian literature of the late Victorian period: the class struggle and the resulting debate about capitalism and socialism, the nature and significance of language, and the influence of Darwin's theory of evolution on attitudes toward human existence. The utopian reaction to each of these three issues reflects the increasingly scientific investigation and analysis of specialized fields of knowledge that developed throughout the nineteenth century. Within the context of major scientific advancements in biology, geology, linguistics, a
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Maxwell, Catherine. "Looking and perception in nineteenth century poetry." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.

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The thesis examines a series of nineteenth century poets whose poems are concerned with complex relations of looking and perception, and concentrates on Shelley and the poets he influenced: Browning, Rossetti, Swinburne, and Hardy. It focusses on poems dealing with the visual arts and aesthetic modes of perception, and concludes with a study of Walter Pater - an unrecognised follower of Shelley - and his notions of artistic character. An emphasis on the way face and bodily form are scrutinised, in poems concerning painting, sculpture and portraiture, leads to the hypothesis that the way the po
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Pittock, Murray. "Decadence and the English tradition." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:6fa01d5c-e900-4ee8-9fb6-a8c3645e0bdd.

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The thesis sets out to do two things. It seeks first of all to describe the revival of interest in the Caroline era which defines the nature of an "English Tradition" in the Eighteen Nineties. Secondly, in doing so it seeks to reappraise three significant poets of that era, Ernest Dowson, Lionel Johnson, and Francis Thompson, in terms of their participation in this revival. The first chapter, "Craving Viaticum", deals with the general background of the Eighteen Nineties period. It suggests that the Symbolist movement equates with the Decadent one in a more direct way than has often been allowe
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Libros sobre el tema "English literature – 19th century – History and criticism"

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English literature from the 19th century through today. Rosen Educational Services, 2010.

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Luebering, J. E. English literature from the 19th century through today. Rosen Educational Services, 2011.

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S, Pathak R. Profiles in literary courage: Studies in English literature. Academic Foundation, 1992.

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Trudeau, Lawrence J. Twentieth-century literary criticism. Gale, 2011.

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The Cambridge history of Victorian literature. Cambridge University Press, 2012.

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A history of Victorian literature. Wiley-Blackwell, 2009.

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The Cambridge companion to English literature, 1830-1914. Cambridge University Press, 2010.

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Romantic Victorians: English literature, 1824-1840. Palgrave, 2002.

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(Editor), Jessica Bomarito, and Russel Whitaker (Editor), eds. Nineteenth-Century Literature Criticism, Vol. 158 (Nineteenth Century Literature Criticism). Gale Cengage, 2005.

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Guy, Josephine, and Ian Small. Routledge Concise History of Nineteenth-Century Literature. Taylor & Francis Group, 2010.

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Capítulos de libros sobre el tema "English literature – 19th century – History and criticism"

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Haltrin-Khalturina, Elena V. "From the English Renaissance Literary History: Sherry, Puttenham, Spenser, and Shakespeare on Fictions." In “The History of Literature”: Non-scientific sources of a scientific genre. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-132-158.

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A survey of academic histories of literature published in the 19th and 20th centuries in different countries reveals that, while thoroughly covering the English Renaissance poetics, the scholarship allows for a variety of views on Tudor literary theory and on what constitutes literary canon. Considering this variety of views, we also have to be aware of two different perspectives on the large body of literary art of the 16th-century: the present-day and the Elizabethan. Drawing on a substantial number of sources, we offer a general account of influential theoretical (poetological and rhetorical) works known in the 16th-century Great Britain, including those written in English. Also of note are educational treatises, “mirror” literature, and metaliterary comments withing literary works. Authors of those treatises used to interpret fiction as something feigned, counterfeit — an attitude informing ludic passages in Spenser and Shakespeare. Whereas the techniques of fashioning fictions by way of employing figures of feigned/counterfeit representation were addressed in detail by such critics as R. Sherry and G. Puttenham, the poets — Spenser and Shakespeare — seemed to be testing these techniques in practice. Our study pays particular attention to methods used by Spenser and Shakespeare when creating simulated, fictional reality.
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Ayers, David. "Literary criticism and cultural politics." In The Cambridge History of Twentieth-Century English Literature. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521820776.023.

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Vinogradov, Igor A. "“Taras Bulba” and Russian History of the 19th–20th Centuries." In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-97-168.

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The article is devoted to the study of readers’ receptions of N.V. Gogol “Taras Bulba” in Russia. This work, imbued with a deep religious and patriotic intention, occupies such a significant place in Russian culture that the reviews of readers and critics, the assessments and interpretations of its researchers, dramatizations in the theater, opera and ballet, etc. allows to analyze not only history of the story’s existence, but also to trace the key moments of Russian life in the second half of the 19th–20th centuries. The interaction of the patriotic story’s spiritual lyricism with the contradictory socio-political processes of the era identifies the most significant features of the poetics of Gogol’s work. Enthusiastically received by contemporaries, including A.S. Pushkin, “Taras Bulba” was subsequently met with hostility from domestic liberalradical and Polish nationalist criticism. Continuing to be one of the favorite works of the domestic and foreign readers, the story after 1917 was removed from the Soviet school curriculum and again restored in rights only during the Great Patriotic War. The article presents a detailed analysis of the assessments and interpretations of “Taras Bulba” for more than a century and a half.
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Duke-Evans, Jonathan. "Fair play—the history of a phrase." In An English Tradition? Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192859990.003.0003.

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Abstract The term “fair play” emerges in the late 14th century, and already has its modern meaning in the Scottish poet Robert Henryson a century later. By the 1590s “fair play” was well established in the language, with Shakespeare himself a prominent early adopter. For the next couple of centuries “fair play” had a secondary meaning of “free action”, and in some contexts it is not easy to say which was the primary meaning intended. We first find the idea that “fair play” is a particularly English, or British, trait in Daniel Defoe’s writings. This association with being British often goes hand in hand with the idea that the common people in particular live by a code of fair play (in which enjoyment of the spectacle of others fighting was usually an important component). We also first find in the early 18th century the association between fair play and schoolboy culture. After 1800 the analysis is based on the occurrence of “fair play” in periodical literature. The idea that fair play is an English or British trait rose sharply in the second half of the 19th century, but we also find the idea used in new ways: for example, that it requires justice in the way society treats women, the poor, or ethnic minorities. The note of scepticism or even ridicule also becomes more insistent: many writers asserted that a particular situation belied the English or British reputation for fair play, but an increasing number questioned whether that reputation had ever been justified.
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Sloistova, Maria S. "Edmund Gosse and the History of English Classical Poetry:Science or Art?" In “The History of Literature”: Non-scientific sources of a scientific genre. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-487-498.

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The present paper focuses on the history of the rise of classical poetry in the17th century England by Edmund Gosse, the outstanding British 19th century critic, writer and poet. The author aims at analyzing Gosse’s work as a scientific monograph, on the one hand, and fiction, on the other hand. In his history of the rise of English classical poetry Gosse sheds light upon the life and work of twelve poets: E. Waller, J. Denham, W. Davenant, A. Cowley, S. Godolphin, J. Cleveland, R. Wild, W. Chamberlayne, T. Stanley, H. Vaughan, A. Marvell, J. Dryden. The paper deals with the scientific methods used by Gosse in his work and its fictional elements such as his personal point of view, a variety of stylistic devices, etc. The author of the present paper draws a conclusion on the combination and interaction of a work of science and that of fiction in Gosse’s book.
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"Phonological Analysis of Early-Nineteenth-Century Tyneside Dialect Literature: Thomas Wilson's The Pitman's Pay." In Dialect Writing and the North of England, edited by Patrick Honeybone and Warren Maguire. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474442565.003.0011.

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This chapter examines an early, substantial piece of Tyneside Dialect Literature, the poem The Pitman’s Pay by Thomas Wilson (born 1773 in Gateshead). The Pitman’s Pay, published 1826-1830, has several characteristics which make it ideal for linguistic analysis: it introduced many of the orthographic conventions for representing Tyneside dialect; its length provides large numbers of tokens of many linguistic features; the non-standard spelling system was employed in a consistent fashion to represent aspects of Wilson’s Tyneside dialect accurately; it has a regular rhyme scheme (ABAB) with almost all of the 568 rhyming pairs in the dialect part of the poem being exact rhymes. The combination of the regular rhyme scheme and consistent non-standard spellings allows us to reconstruct the phonology of his early 19th century dialect in rich detail. This chapter thus demonstrates that 19th century dialect writing is an important linguistic resource for understanding the phonological history of Tyneside English and other dialects of Northern English.
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Schoenfeldt, Michael. "Impractical criticism: close reading and the contingencies of history." In Texts and readers in the Age of Marvell. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526113894.003.0002.

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Over the last seventy years, the discipline of English literature has been marked by an unnecessary and largely counterproductive tension between aesthetics and history. For many politically oriented critics, aesthetics was either uninteresting or implicated in the elite practices they deliberately opposed. And for those who focused on aesthetics, history frequently seemed like a distraction from what made the work of art a special kind of utterance, separate from other modes of language. This chapter revisits some of the signal literary engagements in the latter half of the long twentieth century, in order to consider what has been accomplished, what we have left out, and where we may be going next. With reference to writers from Donne and Herbert to John Milton, the chapter suggests, finally, that our analyses have too frequently ignored the decidedly impractical pleasure that emerges from literary activity, and argues that by bringing our own pleasure out of the closet, we can begin to restore to literary criticism some of the visceral thrill that drew us to it in the first place.
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Sizova, Irina I. "To the Problem of Editions of Folk Literature by L.N. Tolstoy in the 1880s." In Questions of Source and Text Studies of Russian Literature of the 19th Century. Collection of articles based on the materials of the International Scientific Conference. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0687-1-127-140.

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The article discusses the distinction between the concepts of «edition» and «version» in the history of the text of L.N. Tolstoy’s stories and plays of the 1880 s, addressed to the people’s audience. The author revises the traditional approach to the textual criticism of the writer’s works, according to which the indicators of a new edition appearance are taken from the graphic features of manuscripts, such as quantitative indicators of changes in the text and the abundance of its discrepancies. The author of the article concludes that the problem of editions and versions of Tolstoy’s folk stories and plays should be solved by combining the tasks of textual and literary studies: to trace the formation of such categories as content and form of works from manuscript to manuscript, to take into account the dynamics of the artist’s worldview, his creative and aesthetic search. To create an objective picture in the research, it is necessary to cover the entire manuscript corpus of writer’s works, but not selectively published fragments in the Anniversary edition and or the volumes of the academic series «Literary Heritage».
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Sommer, Tim. "Usable Pasts: Anglo-American Literature and the Authority of Tradition." In Carlyle, Emerson and the Transatlantic Uses of Authority. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474491945.003.0003.

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This chapter analyses how discussions about race and nationhood surfaced in nineteenth-century British and American literary criticism and literary historiography. It discusses Carlyle’s and Emerson’s writings about the relationship between literature and nationality and argues that, drawing on a handful of near-contemporary German and French authors, they positioned themselves at the crossroads of cultural nationalism and literary cosmopolitanism. The second half of the chapter explains how Carlyle and Emerson conceptualised continuity and change in literary history and highlights the role of Romantic expressivism in their nation-centred poetics. The two developed conflicting accounts of English literary history: where Carlyle’s narrative emphasised the past achievement and future global dominance of metropolitan writing, Emerson tended to invest in the authority of the English canon to locate the future of a specifically Anglo-American tradition in the cultural periphery.
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Kaznina, Olga A. "The Book by I.A. Bunin “Liberation of Leo Tolstoy” in the Context of Russian Emigre Literary and Philosophical Criticism." In Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7-97-208.

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The present article is devoted to the multidimensional analysis of the book by I.A. Bunin “Liberation of Leo Tolstoy” (1937). Attention is devoted to the history of its creation and to its unique structure, combining the genres of memoirs, journalistic sketch, diary, epistles and literary portrait with philosophical contemplation. Special consideration is paid to the properties of style of the text as well as to the development of the artistic image of Leo Tolstoy. The center of the research is occupied by the problem of the spiritual and religious quest of Tolstoy in the latest decades of his life, to his multifaceted concept of liberation and also to the enigma of his last flight from Yasnaya Poliana. Bunin’s interpretations are investigated on the complex background of literary, philosophical and theological evaluations of Tolstoy’s worldview, as it took shape after the spiritual crisis of his later years. Different reactions to his final escape are also taken into account. The article reflects the positions of G. Adamovitch, V. Hodasevitch, V. Maklakov, I. Shahovskoy, S. Bulgakov, as well as many other literary critics, philosophers and theologians. Bunin’s book is investigated as a source for the studies of spiritual and intellectual quest on the verge of the centuries, i.e. the end of the 19th and the beginning of the 20th century. Bunin’s book is presented also in the context of Russian émigré literary and philosophical criticism.
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Actas de conferencias sobre el tema "English literature – 19th century – History and criticism"

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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (17
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Golubchikov, YUriy. "Methodological potential of the teleological principle of purpose." In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce27705d8750.02429694.

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The cognitive capabilities of the teleological paradigm of purpose are discussed. An inquiring mind everywhere sees that inanimate matter serves for living, and that, in turn, serves for a man. However, such a concept as “purpose” turned out from the contemporary science, although for a long time it went along the path of becoming the doctrine of purpose determination, or nomogenesis. The history of the substitution of the main paradigm of science from purpose to chance is traced. The overcoming of the catastrophic representations of Cuvier by the provisions of actualism and evolutionism is co
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