Bibliografías temáticas / English poetry – French influences

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Literatura académica sobre el tema "English poetry – French influences"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "English poetry – French influences"

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Sarah Lee, Sze Wah. "Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914." Modernist Cultures 16, no. 3 (2021): 340–66. http://dx.doi.org/10.3366/mod.2021.0338.

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This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillau
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VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working
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Sokolova, Alla. "The Court Culture in France, Italy and England in 16-17th Centuries: Interaction and Mutual Influence." Journal of History Culture and Art Research 9, no. 4 (2020): 134. http://dx.doi.org/10.7596/taksad.v9i4.2958.

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<p>The article examines the traditions of French court ballet, which are rooted in early medieval Italian musical and theatrical performances, as well as the traditions of the medieval carnival. The functional features of the French court ballet are revealed. French ballet is viewed through the prism of a synthesized art form: dance, music, poetry and complex scenography. It is specified that French ballet as an independent genre was formed in the era of Queen Catherine de Medici.</p><p>It was revealed that thanks to the skill and professionalism of choreographers of both Fre
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Van der Mescht, H. "Die agtergrond en ontstaansgeskiedenis van Hubert du Plessis se Duitse en Franse liedere." Literator 24, no. 2 (2003): 125–44. http://dx.doi.org/10.4102/lit.v24i2.294.

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The background and genesis of Hubert du Plessis’s German and French songs On 7 June 2002 the South African composer Hubert du Plessis turned 80. Among his 77 art songs there are (apart from songs in Afrikaans, Dutch and English) eleven on German texts and one on a French text. The aim of this article is to investigate the genesis of these German and French songs. Du Plessis was influenced by his second cousin, the Afrikaans poet Barend J. Toerien, who lived in the same residence as Du Plessis at the University of Stellenbosch where they studied in the early 1940s. Toerien introduced Du Plessis
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Padel, Ruth. "Homer's Reader: A reading of George Seferis." Proceedings of the Cambridge Philological Society 31 (1985): 74–132. http://dx.doi.org/10.1017/s0068673500004764.

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The reader I have in mind is a poet. My immediate interest is the example he provides of a writer's relationship with her or his reading. My aim is double: to suggest both that Homer illuminates the work of the later poet and that the later poetry can function as an interpretation of Homer which offers even to a scholar valuable ways of reading the epics, especially the Odyssey. Accordingly, I shall usually offer translations both of the modern and of the ancient Greek, since not all classicists know modern Greek intimately and those who study modern Greek do not always know the ancient langua
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Mathur, Manisha. "WILLIAM BLAKE- AN ENLIGHTENED VISIONARY." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3538.

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William Blake an English painter poet and printmaker is considered as a seminal figure in the history of poetry and visual arts of the Romantic age. In the realm of imaginative painting Blake stands quite alone, and to find any real parallel to this extraordinary man of genius one must go back to the illuminators and sculptors of the twelfth century. Born out of time, with no tradition of imaginative painting to guide him, the intense flame if his genius burns fitfully blazing with an unbearable brilliance. Blake, for his idiosyncratic views is held in high regard by critics for his expressive
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Dr., Manisha Mathur. "WILLIAM BLAKE- AN ENLIGHTENED VISIONARY." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.888053.

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William Blake an English painter poet and printmaker is considered as a seminal figure in the history of poetry and visual arts of the Romantic age. In the realm of imaginative painting Blake stands quite alone, and to find any real parallel to this extraordinary man of genius one must go back to the illuminators and sculptors of the twelfth century. Born out of time, with no tradition of imaginative painting to guide him, the intense flame if his genius burns fitfully blazing with an unbearable brilliance. Blake, for his idiosyncratic views is held in high regard by critics for his expressive
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Шмігер, Тарас. "Review Article. How Poetry is Translated…" East European Journal of Psycholinguistics 4, no. 2 (2017): 95–96. http://dx.doi.org/10.29038/eejpl.2017.4.2.shm.

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James W. Underhill. Voice and Versification in Translating Poems. University of Ottawa Press, 2016. xiii, 333 p.
 After its very strong stance in the 19th century, the versification part of translation scholarship was gradually declining during the 20th century, substituted by the innovative searches for semasiology, culture and society in text. The studies of structural and cognitive approaches to writing, its postcolonial identity or gender-based essence uncovered a lot of issues of the informational essence of texts, but overshadowed the meaning of their formal structures. The book ‘Vo
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Maji, Dr Sambhunath. "Dismantling the Myth of Nature and Naturalism in the Select Poems of K.N. Daruwalla." International Journal of English Literature and Social Sciences 10, no. 4 (2025): 163–70. https://doi.org/10.22161/ijels.104.26.

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The most extensive journeys commence with a singular step. Naturalism also has its historical footprints. The evolution of realistic and naturalistic literature can be traced back to Émile Zola’s contributions. Subsequently, France introduced the principles of realism and naturalism to Britain. Good literature frequently transcends national boundaries. The naturalism of French literature soon became an integral part of British literature. In British literature, the spirit of naturalism flourished through the works of Joseph Conrad, a Polish-born author who wrote in English. The naturalistic mo
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Shukla, Dr Ramesh Kumar. "THE THEME OF 'SPIRITUAL EXISTENCE IN NATURE' IN THE POEMS OF WILLIAM WORDSWORTH: A CRITICAL ANALYSIS." International Journal of Language, Linguistics, Literature and Culture 03, no. 06 (2024): 23–27. https://doi.org/10.59009/ijlllc.2024.0090.

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William Wordsworth (7 April 1770- 23 April 1850), was the poet of the movement of the romantic revival. He believed that an invisible power is working behind the whole activities of Nature. He was priest, harbinger, slave as well as master of Nature. Wordsworth with S.T. Coleridge, helped to launch the Romantic Age in English with the joint publication of Lyrical Ballad in 1798. He was poet Laureate from 1843 to 1850. One of his most famous works is Prelude (1799) that is a romantic epic and semi-autobiographical poem, considered his magnum opus. He has enriched English Literature with his lar
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Tesis sobre el tema "English poetry – French influences"

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Auger, Peter. "British responses to Du Bartas' Semaines, 1584-1641." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.

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The reception of the Huguenot poet Guillaume de Saluste Du Bartas' Semaines (1578, 1584 et seq.) is an important episode in early modern literary history for understanding relations between Scottish, English and French literature, interactions between contemporary reading and writing practices, and developments in divine poetry. This thesis surveys translations (Part I), allusions and quotations in prose (Part II) and verse imitations (Part III) from the period when English translations of the Semaines were being printed in order to identify historical trends in how readers absorbed and adapte
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Higgins, Jennifer Anne. "English responses to French poetry 1880-1930 : translation and mediation." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612206.

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Whitehead, S. G. "English pre-romantic and romantic influences in the poetry of V.A. Zhukovskii." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380126.

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Cox, J. N. "Dadaist, Cubist and Surrealist influences in settings by Francis Poulenc of contemporary French poets." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375864.

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Armstrong, Robert A. "Gleanings in French Fields: A Formal Approach to the Translation of French Poetry." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1587646850156205.

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Oness, Chad. "Not grace exactly : an unanxious search for contemporary and Anglo-Saxon poetic influences /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9904863.

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Cameron, Anne Louise. "The English translation of seventeenth-century French lyric poetry and epigrams during the Caroline period." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2531/.

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This doctoral thesis is the first comprehensive study of contemporary English translations of French lyric poetry during the Caroline period. While there has been extensive study of translations from French literature of other genres, notably drama, translations of lyric poetry have been largely ignored. The thesis examines the translations within the context of literary and cultural trends in France and England during the seventeenth century. Differing cultural tendencies and reader expectations are evident both in the selection of particular poems for translation, and in the changes translat
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Ford, John. "From poésie to poetry : remaniement and mediaeval techniques of French-to-English translation of verse romance." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/2690/.

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From Poesie to Poetry: Remaniement and Mediaeval Techniques of French-to-English Translation of Verse Romance, explores the use of remaniement, the art of rewriting, as the method preferred for vernacular translations of genres such as romance. A thorough history of the practice's principles are given, drawing on comments from Classical rhetoricians, patristic writers, authorities of the artes poeticae, and mediaeval translators employing the procedure. A textual analysis of the Middle English Amis and Amiloun follows, utilising a broadly structuralist approach which compares each individual e
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Lennane, B. Michael. "Cross-cultural influences on corrective feedback preferences in English language instruction." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112502.

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This cross-cultural study examined the preferences of 137 Taiwanese EFL students and 97 ESL Quebecois students for specific types of corrective feedback, as well as their attitudes and beliefs about error correction, and those of 12 Taiwanese English instructors and 12 native English teachers in Quebec. All participants completed two questionnaires, the first eliciting overall preferences and attitudes for corrective feedback, and the second eliciting preferences for specific types of feedback aurally modeled through a digital recording designed for the purpose of this study. In addition, a su
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Sage, Geoffrey Brandon. "The muwashshah, zajal, and kharja : what came before and what became of them." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/32454.

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There have historically been numerous connections between the way that medieval Iberian Muslims conceptualized love, lust, and desire and the ways in which Western Europeans have expressed those same concepts, especially as potentially derived from the literary genre of the muwashshah, a particular form of (primarily) medieval Hispano-Arabic poetry. Specifically, the muwashshah and its particular expression(s) of romantic love have helped in causing a series of paradigm shifts (with a definition borrowed from Kuhn to apply to the humanities) within Western ideology. This thesis focuses on the
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Libros sobre el tema "English poetry – French influences"

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1953-, Laskaya Anne, Salisbury Eve, and Consortium for the Teaching of the Middle Ages., eds. The Middle English Breton lays. Published for TEAMS (the Consortium for the Teaching of the Middle Ages) in association with the University of Rochester by Medieval Institute Publications, Western Michigan University, 1995.

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Wimsatt, James I. Chaucer and his French contemporaries: Natural music in the fourteenth century. University of Toronto Press, 1991.

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Wimsatt, James I. Chaucer and his French contemporaries: Natural music in the fourteenth century. University of Toronto Press, 1991.

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John, Williams. Wordsworth: Romantic poetry and revolution politics. Manchester University Press, 1989.

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Lee, Monika. Rousseau's impact on Shelley: Figuring the written self. Edwin Mellen Press, 1999.

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Imdad, Husain. English romantic poetry & oriental influences. REMA, 1994.

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Apollinaire, Guillaume. Apollinaire: Selected poems. Anvil Press Poetry, 2004.

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Apollinaire, Guillaume. Stikhi. "Ivan Fedorov", 1992.

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Balabanova, Violeta. Poetry & pictures: English-French-Arabic. s.n., 2002.

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1941-, Kelley David, and Khalfa Jean, eds. The New French poetry. Bloodaxe Books, 1996.

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Capítulos de libros sobre el tema "English poetry – French influences"

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Ellis, Caitlin. "The politics of poetic preservation: Norse and Norman French in Ireland, Scotland and the Isles." In Poésie et politique dans les mondes nordiques et normands médiévaux (IXe-XIIIe siècle). Presses universitaires de Caen, 2024. https://doi.org/10.4000/13tzi.

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This chapter argues that later political events influenced the preservation of poetry and considers the interaction between the Viking and Norman diasporas. It is likely that more Norse skaldic verse was produced and performed in the Hebrides and Ireland but that it does not survive due to the weakening of the diaspora and decreased connections with Iceland. This contrasts with the earldom of Orkney’s strong skaldic tradition. There is limited French material from the study area as it was overtaken by English. The two main French poems from Ireland, La Geste des Engleis en Yrlande, chronicling
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Thomson, J. A. K. "Didactic Poetry." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-4.

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Thomson, J. A. K. "Elegiac Poetry." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-8.

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Thomson, J. A. K. "Lyric Poetry." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-7.

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Thomson, J. A. K. "The Epigram." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-11.

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Thomson, J. A. K. "The Pastoral." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-9.

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Thomson, J. A. K. "The Epic Tradition in Modern Times: Milton." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-3.

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Thomson, J. A. K. "Tragedy." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-5.

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Thomson, J. A. K. "The Epic Tradition in Antiquity." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-2.

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Thomson, J. A. K. "Satire." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-10.

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Actas de conferencias sobre el tema "English poetry – French influences"

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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation." In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.

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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and wo
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Gogichaishvili, Liliana. "T.S Eliot’s Early Poetry and John Donne’s “Metaphysical” Poetics." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8931.

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The works of the “metaphysical” poet John Donne can be freely considered as one of the biggest influences of twentieth century English poetry. It was because of the modernist writers that Donne came to be popular again in the modern world. Modernist poets saw their own ideas and aspirations in Donne’s raging, controversial, highly intellectual poetry, a possibility of which they gained from the poetics of “metaphysical” verse itself. In terms of “getting back” to the “metaphysics”, 20th century literature greatly owes to T.S Eliot. In his critical theories and poetic practice Eliot notonly ana
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Ulianitckaia, Liubov A. "THE PECULIARITIES OF THE FRENCH SPOKEN IN BRUSSELS." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063590.

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The article discusses the main stages in the development of the language situation in the Brussels — Capital Region in the context of historical and socio-cultural phenomena. The purpose of the study is to illustrate the influence of the Dutch language on the Belgian varieties of French. The tasks to be solved are the substantiation of the legitimacy of the division of the Belgian variants of the French language into Brussels and Walloon variants, as well as the clarification of the issue of recognizing the Marolian as a mixed Franco-Dutch language. As a result of the study, it was revealed th
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Seile, Elza. "The Impact of Students’ Morphological Awareness: Systematic Literature Review." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.26.

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In the Latvian education system and society, concerns are growing about students’ language competencies, including grammar. The relevance of these problems is also reflected in societal concerns about insufficient grammar skills and a lack of systematicity in the teaching content. Grammar is a system that includes word formation, morphology and syntax. Mastery of the grammatical systems of native languages is one of the most critical conditions for fully developing a child’s/scholar’s speech and mental abilities; however, it is essential to understand how precisely the comprehension of some re
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern time
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