Bibliografías temáticas / Feminine Representations

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Literatura académica sobre el tema "Feminine Representations"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 15 de junio de 2024

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Artículos de revistas sobre el tema "Feminine Representations"

Lestari, Dinda Putri y Evangelista Lus Windyana Palupi. "Representasi Matematis Siswa dalam Menyelesaikan Masalah Teorema Pythagoras berdasarkan Tahapan Polya Ditinjau dari Perbedaan Gender". MATHEdunesa 12, n.º 2 (30 de julio de 2023): 588–610. http://dx.doi.org/10.26740/mathedunesa.v12n2.p588-610.

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Mathematical representations is the real product or result that represent mathematical ideas in various forms, such as diagrams, graphs and other concrete forms to help finding solutions to problems. Mathematical representation in problem solving is the main thing since, the use of right mathematical representation can help in solving the problem correctly. The purpose of this research is to describe the mathematical representation of masculine male students and feminine female students in solving Pythagorean Theorem problems based on Polya's stages. The research method used is descriptive qualitative. The research subjects were 3 masculine male students and 3 feminine female students at Junior High School 2 Gresik. Data is collected using BSRI questionnaire, mathematical ability test, problem solving test, and interviews. The results of problem solving test were showed that at the stage of understanding the problem, masculine male students presented known information using visual and symbolic representations while feminine female students used verbal and symbolic representations. To present what is being asked, masculine male students and feminine female students using verbal representations. At the planning stage, masculine male students and feminine female students explained solving strategies using verbal representations. At the stage of carrying out the plan, masculine male students and feminine female students solving the problems using visual, symbolic, and verbal representations, and presenting the results of the solution using verbal representations. At the re-examining stage, masculine male students and feminine female students using verbal representations to conclude the completion results and checking the completion results using symbolic representations.

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Dockhorn Seger, Dayanne y Carolina Kesser Barcellos Dias. "A REPRESENTAÇÃO FEMININA NOS VASOS CERÂMICOS ÁTICOS: O DISCURSO ICONOGRÁFICO COMO MÉTODO PARA NOVAS REFLEXÕES". Cadernos do LEPAARQ (UFPEL) 14, n.º 27 (29 de junio de 2017): 133. http://dx.doi.org/10.15210/lepaarq.v14i27.10543.

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RESUMO: Neste artigo, abordamos os vasos cerâmicos áticos como meio de reavaliar discursos normativos estabelecidos em torno do gênero feminino na Grécia antiga. Para isso, traçamos um breve histórico sobre o material cerâmico como fonte arqueológica e sobre os estudos da iconografia grega e das representações femininas, promovendo novas interpretações acerca da representatividade do espaço e do trabalho feminino na pólis ateniense. ABSTRACT: In the present study, we examine attic pottery as a means to reevaluate normative discourses established around feminine social roles in ancient Greece. In order to do so, we outline a brief historic concerning pottery as an archaeological source and the studies of iconographic discourse and feminine representations, providing new understandings about the relevance of citizen women’s work and space in the Athenian polis.

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Cardoso, Inês. "FIGURAÇÕES DO FEMININO NA POESIA ERÓTICA DE ALBERTO PIMENTA". Revista Desassossego, n.º 17 (28 de diciembre de 2017): 183–97. http://dx.doi.org/10.11606/issn.2175-3180.v0i17p183-197.

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Resumo: Pensar a erotização do corpo feminino na poesia portuguesa da segunda metade do século XX exige a revisitação de uma nova imagem da mulher, que à altura se apresentou espelhada numa visão libertária da sexualidade feminina e na ação reivindicativa da luta feminista. Partindo das três primeiras obras de Alberto Pimenta, cuja publicação coincidiu, em território nacional, com o período de vigência do Estado Novo, este artigo procura compreender o modo como as figuras femininas emergem num fazer poético onde o erotismo sempre caminhou a par de uma denúncia profundamente cáustica e irreverente.Palavras-chave: Alberto Pimenta, poesia portuguesa, poesia erótica, figurações do feminino, erotismo. Abstract: In order to contemplate the eroticisation of the female body in Portuguese poetry from the second half of the twentieth century, it is necessary to re-visit the new image of woman, which at that time was reflected in a libertarian vision of female sexuality and in the increasing activism of the feminist struggle. Focusing on the first three works of Alberto Pimenta, whose publication coincided, in the Portuguese context, with the “Estado Novo” dictatorship, this article seeks to understand the way in which female figures emerge from a poetic practice where eroticism always appeared in tandem with a deeply caustic and irreverent social criticism.Keywords: Alberto Pimenta, Portuguese poetry, erotic poetry, representations of the feminine, eroticism.

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Pérez, Laure. "Nuevas figuras de la Revolución cubana: las mujeres en el Noticiero ICAIC Latinoamericano, 1960-1990." RIHC. Revista Internacional de Historia de la Comunicación 2, n.º 15 (2020): 66–86. http://dx.doi.org/10.12795/rihc.2020.i15.04.

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This article studies women’s representation in the Noticiero ICAIC Latinoamericano, the Cuban Revolution’s newsreel, directed by Santiago Álvarez. It was shown every week between 1960 and 1990, covering aspects of international and national news. It became an important audiovisual tool to spread revolutionary ideas in Cuba. Thus, this article studies the Noticiero ICAIC referring to the concept of “political mediation”: it fulfilled a mediatory function, between Cuban leaders and the people, in the process of building a new society. In the concrete case of women, their representation centers around three protagonists, who also are three possible ways for them to participate in the revolutionary society: the worker, the sportswoman and the militianwoman. With these new feminine representations, the Noticiero ICAIC reflects and gives legitimacy to social and economic changes that can be observed in revolutionary Cuba, especially women’s participation in productive labor. It also contrasts with traditional representations of femininity, associated with the domestic sphere. This article studies these three feminine representations analyzing examples taken from the Noticiero ICAIC’s weekly editions, that can be short reports or editions enterely dedicated to women’s situations

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Towns, Ann E. "‘Diplomacy is a feminine art’: Feminised figurations of the diplomat". Review of International Studies 46, n.º 5 (6 de octubre de 2020): 573–93. http://dx.doi.org/10.1017/s0260210520000315.

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AbstractThe aim of this article is to examine whether and how diplomacy may be gendered, symbolically and rhetorically, using US representations of diplomacy as a case. Prior scholarship on gender and contemporary diplomacy is sparse but has shown that the symbolic figure of ‘the diplomat’ has come to overlap tightly with ‘man’ and be associated with traits often attributed to masculinity. Inspired by queer international relations methods, relying on the concept of ‘figuration’ and focused on US news media and biographies of diplomats from the past decade, this article uncovers and examines a palette of feminised figurations also at play in US representations of diplomacy, including the diplomat as ‘the “soft” non-fighter’, ‘the relationship builder’, ‘the gossip’, ‘the cookie-pusher’, and ‘the fancy Frenchman’. These feminised figurations alternate between configuring the diplomat as a woman and – more commonly – a (feminised) man. The analysis complicates rather than displaces existing claims, highlighting the importance of attention to slippages and challenges to dominant masculinised subject positions.

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Babana-Hampton, Safoi. "Literary Representations of Female Identity". American Journal of Islam and Society 19, n.º 4 (1 de octubre de 2002): 23–41. http://dx.doi.org/10.35632/ajis.v19i4.1914.

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The essay examines the texts of the two women writers - Leila Abouzeid (from Morocco) and Nawal El Saadawi (from Egypt) - as offering two female perspectives within what is commonly referred to as "feminine" writing in the Arab Muslim world. My main interest is to explore the various discursive articulations of female identity that are challenged or foregrounded as a positive model. The essay points to the serious pitfalls of some feminist narratives in Arab-Muslim societies by dealing with a related problem: the author's setting up of convenient conceptual dichotomies, which account for the female experience, that reduce male-female relationships in the given social context to a fundamentally antagonistic one. Abouzeid's novel will be a case study of a more positive but also realistic and complex perspective on female experience ...

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Diefenthaeler, Samantha Da Silva. "Notes on Penthesilea: The marks of a past of female heroism". Galactica Media: Journal of Media Studies 2, n.º 3 (19 de octubre de 2020): 273–94. http://dx.doi.org/10.46539/gmd.v2i3.103.

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The goal of this paper is to construct an image map that will allow us to understand archetypes characteristics that accompany heroic representations of women in cinema. We will begin with the myth of Penthesilea, an Amazon queen whose tragic loss of feminine power will then guide us in the search for new archetypal deflections. We believe the archetype of Penthesilea signifies new leak points in representation of power as connected to the feminine. To prove that will be one of the main goals of this paper. We insist on highlighting that the images associated with the description of this character are allied to a structure linked with a kind of force and power commonly related to the male. Penthesilea bears the mark of an essentially solar/diurnal heroism, in which love will configure as an additional item that makes the characters confront each other violently. The result of this analysis will be a visual trajectory from a moment in the past that connects to contemporary representations of feminine heroism.

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García-Gómez, Antonio. "Discursive representation of masculinity and femininity in Tinder and Grindr: Hegemonic masculinity, feminine devaluation and femmephobia". Discourse & Society 31, n.º 4 (5 de febrero de 2020): 390–410. http://dx.doi.org/10.1177/0957926520903523.

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By analysing 200 Tinder profiles of Spanish heterosexual men and 200 Grindr profiles of Spanish queer men, this article examines these men’s online gendered and sexualised self-representation strategies. More specifically, the study develops a discourse and feminist analysis of post-feminist media cultures which contrasts these men’s discursive representations. In so doing, the article attempts to cast light on the (d-)evaluating discursive strategies these Spanish heterosexual and queer men deploy when creating their profiles. Importantly, the analysis gives evidence of how occupying the masculine or the feminine position goes hand in hand with the devaluation and policing of femininity. Furthermore, the analysis calls attention to the contradictory gender ideas present in their personal profiles and this, in turn, sheds further light on the ways they construct multiple masculine identities to negotiate their sexual gendered identities.

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Kochukova, Olga y Sergey Kochukov. "Female Ethno-National Personifications in the Austrian Political Caricature of the Period of the Great Eastern Crisis (1875–1878)". Central-European Studies 6 (2023): 319–35. http://dx.doi.org/10.31168/2619-0877.2023.6.12.

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This paper is devoted to the gender aspect of ethno-national representations in political cartoons. The content of the study is formed by the materials of the political cartoon presented on the pages of the satirical magazines of Austria-Hungary during the Great Eastern (Balkan) crisis of the 1870 s. (Die Bombe, Der Floh, and Kikeriki). An attempt is made to systematize the feminine images of the Austrian political caricature during the Balkan crisis. Among them stand out: images of the Virgin Martyr (feminine passive-suffering personifications of the Balkan peoples and states along with the Ottoman Empire); feminine images of Austria (national representations of the country in the image of the Mother and heroized personifications of the Holy Roman Empire); images that are the personification of the theme of female deceit / “seduction” in politics and various variations of the harem theme in relation to the Ottoman Empire; feminine personifications of the infernal distortion of the Woman’s essence (war in the guise of the Gorgon Medusa, etc.). Such problems are considered as the formation of characteristic preferences of the Austrian political caricature in the distribution of variations of feminine images in relation to the image of the Austro-Hungarian, Ottoman, Russian empires and the Balkan peoples and states; ways of opposing feminine and masculine symbols of the countries participating in the main events of the Eastern Crisis of 1875–1878. The methodology of the research is based on “deciphering” the figurative and metaphorical way of constructing feminine ethno-national representations based on references to mythology and national history within the framework of imagology approaches, along with identifying the historical context of the international politics of the “great powers” in the Balkan region in the 1870s.

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Howansky, Kristina, Analia Albuja y Shana Cole. "Seeing Gender: Perceptual Representations of Transgender Individuals". Social Psychological and Personality Science 11, n.º 4 (26 de septiembre de 2019): 474–82. http://dx.doi.org/10.1177/1948550619875143.

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In four studies, we explored perceptual representations of the gender-typicality of transgender individuals. In Studies 1a and 1b, participants ( N = 237) created an avatar based on an image of an individual who disclosed being transgender or did not. Avatars generated in the transgender condition were less gender-typical—that is, transmen were less masculine and transwomen were less feminine—than those created in the control condition. In Study 2 ( N = 368), using a unique visual matching task, participants represented a target labeled transgender as less gender-typical than the same target labeled cisgender. In Study 3 ( N = 228), perceptual representations of transwomen as less gender-typical led to lower acceptability of feminine behavior and less endorsement that the target should be categorized as female. We discuss how biased perceptual representations may contribute to the stigmatization and marginalization of transgender individuals.

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Tesis sobre el tema "Feminine Representations"

Han, Catherine Paula. "Reimagining the Brontës : (post)feminist middlebrow adaptations and representations of feminine creative genius, 1996-2011". Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/83347/.

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Investigating conceptualisations of the feminine creative imagination, this thesis examines representations of the Brontës and adaptations of their novels released between 1996 and 2011. I focus on portrayals of Charlotte and Anne Brontë alongside reworkings of Jane Eyre (1847) and The Tenant of Wildfell Hall (1848) in various media. Contributing to existing research on the cultural afterlives of the Brontës and their novels, I position the works discussed within contemporary middlebrow culture whilst considering the influence of feminism. The Introduction discusses the gendering of creative genius before identifying the tensions between critical, middlebrow and popular discourses’ conceptualisations of the Brontës’ imaginations. Thereafter, the first chapter proposes the contemporary usefulness and considers the gendering of the concept of the middlebrow. I demonstrate that middlebrow culture is fascinated by the Brontës’ lives, art and feminine creative imaginations. To further this argument, the second chapter analyses neo-Victorian novels’ engagement with Charlotte Brontë’s life, art and creativity. I illustrate that these works draw from second-wave feminist criticism on Jane Eyre and belong to a tradition of middlebrow feminine writing about the Brontës. The third chapter also examines representations of feminine creativity and discusses how screen adaptations portray the artistry of Jane Eyre’s heroine. Additionally, the legacies of second-wave feminism in a wider postfeminist cultural context are explored. In the fourth chapter, the thesis turns to analyse the cultural dissemination and reputations of Anne Brontë and The Tenant of Wildfell Hall. I delineate how middlebrow culture has rediscovered the youngest Brontë, her novel and her feminism. Ultimately, this thesis suggests that the works examined indicate middlebrow culture’s efforts to engage with feminism through the feminine creative imagination. Yet these works expose a prevailing tension in feminism between the status of the individual and the collective.

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Poynter, Leah Jane. "Rewriting female desire and identity: contemporary representations of ecriture feminine". The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1400073058.

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Basili, Tiffany. "Final Girls and ‘Mother’: Representations of Women in the Horror Film from the 1970s to the Present". Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25706.

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Alfred Hitchcock’s Psycho (1960) marked the beginning of what is now referred to as the modern or contemporary era of the horror film. Prior to Psycho’s release, during the classical era, danger came from outside the traditional, nuclear family unit. Following Psycho, the perils in horror films now prevalently come from within: within the home, within the family, and within the psyches of average-seeming, relatable, Anglo-Saxon men and women. In this thesis I will argue that, aside from its contributions to the horror genre as a whole, Psycho provided the template for the three most common archetypes of women characters in the horror genre: the good (Final) girl, the ‘slut’, and ‘Mother’. Through an examination of key North-American and British horror films of the 1970s onwards, I will discuss and evaluate how these reductive representations of women have prevailed, and how they have evolved, as social and cultural attitudes towards women have developed and changed, allowing for more complex representations of women in the horror film.

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Vaporidis, Florindia. "The feminine archetypes as symbolic representations in Strate Myriveles' trilogy of war". Thesis, The University of Sydney, 2000. https://hdl.handle.net/2123/27767.

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This thesis is an endeavour to examine and analyse Myriveles’ ‘Trilogy of War’ within the framework of Jungian Archetypal Analysis. More specifically, we mainly focus on and explore the function of the feminine archetypal images/symbols as they appear in the Trilogy of War.

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Konichi, Izildinha. "A persistência das deusas: representações simbólicas do feminino na atualidade". Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/15075.

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Made available in DSpace on 2016-04-28T20:37:56Z (GMT). No. of bitstreams: 1 Izildinha Konichi.pdf: 1438031 bytes, checksum: 18c6f23498d9e9aeb6be1c289f03aa61 (MD5) Previous issue date: 2011-10-31
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This research is to investigate which symbolic representations of the feminine are currently in the woman. The transformations that have been taking place in the social scope in the last decades, mainly in the western countries point to a change in the awareness pattern of the feminine, deemed in the widest universal meaning, and, therefore, symbolic. The study approaches the thematic from Greek goddess myths, as archetypal images expressions, therefore, existent in all women. The data comparison, obtained from field collected samples, in different periods, and its posterior qualitative analysis into the analytical psychology references system allow us to visualize a discrepancy in these two moments, on how the feminine is being integrated to the conscience
A pesquisa tem por objetivo investigar quais as representações simbólicas do feminino se encontram presentes na mulher na atualidade. As transformações que vêm ocorrendo no âmbito social nas últimas décadas, principalmente nos países ocidentais, apontam para uma mudança no padrão de conscientização do feminino, tomado aqui em seu sentido mais amplo, universal e, portanto, simbólico. O estudo aborda a temática a partir de mitos de deusas gregas, como expressões de imagens arquetípicas, portanto, presentes em todas as mulheres. A comparação dos dados, obtidos a partir de amostras coletadas em campo, em períodos distintos, e sua posterior análise qualitativa dentro do referencial da psicologia analítica, nos permitem visualizar uma discrepância, nesses dois momentos, na maneira como o feminino está sendo integrado à consciência

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Coleman, Alex. "Foul Witches and Feminine Power: Gendered Representations of Witchcraft in the Works of Shakespeare and His Contemporaries". Ohio Dominican University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=odu1562624942402741.

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Martins, Laís Rodrigues Alves [UNESP]. "Faces do feminino em As Horas, de Michael Cunningham". Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154863.

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Submitted by Laís Rodrigues Alves Martins (lamartins3987@gmail.com) on 2018-08-15T15:12:44Z No. of bitstreams: 1 Faces do feminino em As Horas, de Michael Cunningham.pdf: 1134023 bytes, checksum: 1ca459de6b349748e2af9c54cc0b46d1 (MD5)
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A arte pós-moderna caracteriza-se, segundo a teórica literária canadense Linda Hutcheon, por promover uma revisita e uma revisão crítica de textos e demais manifestações discursivas do passado, e por transpô-los a novos cenários e lhes conferir renovados vieses e nuances. A narrativa As Horas (The Hours, 1998), de autoria do norte-americano Michael Cunningham (1952 --), pode ser tomada como representante dessa estética, posto que se vale, tanto estrutural quanto tematicamente, de Mrs. Dalloway (1925), um dos romances canônicos do modernismo em língua inglesa, e produção de destaque em meio ao opus literário de Virginia Woolf (1882 – 1941), para sua composição. Intenta-se, no presente trabalho, promover uma análise do livro As Horas, objetivando investigar, sobretudo, como se articulam as representações do feminino na supracitada obra; para tanto, recorre-se a teorias e críticas feministas anglo-americanas e a pressupostos teóricos relativos à ficção pós-moderna. Procura-se salientar, ainda, a emergência do espólio crítico-literário woolfiano — enfatizando, principalmente, sua escrita ensaística e suas concepções feministas — na contemporaneidade.
The postmodern art is characterized, accordingly to the Canadian literary theorist Linda Hutcheon, by the revision and critical evaluation of texts and other discursive manifestations of the past, and by their transposition to new scenarios, in which they gain renewed signification. The narrative The Hours (1998), from the North-American writer Michael Cunningham (1952 --), can be seen as a representative of this aesthetic, since it recalls both structurally and thematically the novel Mrs. Dalloway (1925), one of the seminal works of modernism written in English, and prominent production amid the literary opus of Virginia Woolf (1882 - 1941), for its composition. In the present work, we intend to analyze the book The Hours, aiming to investigate, above all, how the representations of the feminine are articulated in the aforementioned work, and, to this end, we depart from Anglo-American feminist theories, as well as critiques and theoretical discussions about postmodern fiction. It is also intended to highlight the emergence of the Woolfian critical-literary collection — emphasizing, mainly, her essayist production and her feminist conceptions — in contemporaneity.
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Dargo, Franklin Joseph. "The Dynamics of Loss: Representations of Sororal, Maternal, and Feminine Loss in the Works of Nerval, Chateaubriand, and Baudelaire". Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1595356727134133.

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Justice, Jennifer. "Representations of the feminine in Thomas Malory's Le morte d'Arthur : the role of anonymous women in the chivalric society /". Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1402170341&sid=4&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Bann, Erin Elaine. "Effects of media representations of a cultural ideal of feminine beauty on self body image in college-aged women : an interactive qualitative analysis /". Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://hdl.handle.net/2152/1624.

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Libros sobre el tema "Feminine Representations"

Elderfield, John. Pleasuring painting: Matisse's feminine representations. New York, N.Y: Thames and Hudson, 1996.

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Elderfield, John. Pleasuring painting: Matisse's feminine representations. London: Thames & Hudson, 1995.

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Bonnie, Wheeler, ed. Representations of the feminine in the middle ages. Dallas, Texas: Academia, 1993.

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Schaffer, Kay. Women and the bush: Australian national identity and representations of the feminine. London: Sir Robert Menzies Centre for Australian Studies, Institute of Commonwealth Studies, University of London, 1989.

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Feminine figurae: Representations of gender in religious texts by medieval German women writers 1100-1375. New York: Routledge, 2003.

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Terry, Threadgold y Cranny-Francis Anne, eds. Feminine, masculine and representation. Sydney: Allen & Unwin, 1990.

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Terry, Threadgold, Cranny-Francis Anne y Sydney Association for Studies in Society and Culture., eds. Feminine/masculine and representation. Sydney: Allen & Unwin, 1990.

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Image of the body: Aspects of the nude. New York: Doubleday, 1989.

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Joni, Lovenduski y Baudino Claudie, eds. State feminism and political representation. Cambridge, UK: Cambridge University Press, 2005.

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James, Joy. Shadowboxing: Representations of black feminist politics. New York: St. Martin's Press, 1999.

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Capítulos de libros sobre el tema "Feminine Representations"

Chan, Kar Yue. "Masculine Fantasies and Feminine Representations in the English Translations of Premodern Chinese Poetry in Journals". En Translation and Academic Journals, 165–78. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137522092_11.

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Eleonorasdotter, Emma. "Avoiding the Knarkare". En Women’s Drug Use in Everyday Life, 121–41. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-46057-9_4.

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AbstractThis chapter delves into the most threatening images associated with people who use drugs. The Swedish concept of a knarkare—a person who uses drugs—symbolises dirt and danger and is very similar to the most negative images of the working class. But the knarkare has its own symbols, such as the hypodermic syringe that once signified purity, the opposite of dirt. Feminine representations of the knarkare are linked to perceptions of the sex trade and the whore. I have examined how the participants relate to these cultural perceptions of knarkare and how they move close to it and keep their distance from it during and after using drugs. The problem with the knarkare is that they are commonly portrayed as engaging in harmful and problematic behaviours. The material shows that, in some contexts, it is enough to talk about drug use for someone to transform from a person who uses drugs into a knarkare, in front of the listener’s eyes.

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McMillan, Kiera. "Ryunosuke Okazaki: Fashion through the Prism of Posthuman and Affect Theories". En Fashion Communication in the Digital Age, 165–75. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_16.

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AbstractThis paper analyses Ryunosuke Okazaki’s designs in relation to understandings of the Human within both 18th Century ‘Western’ philosophy as well as contemporary theories of the feminine sublime [1]. Positioning the human in this way, Okazaki’s work comments on mankind’s relationship to nature as well as technology, referencing his own spirituality to conjure notions of the sublime. Fashion here becomes an ideal medium through which to challenge contemporary understandings of humanity and the human form in relation to gender and sexuality, as well as question the human desire for mass production and consumption. Beginning with an exploration of Okazaki’s material work and their construction processes, I go on to examine visual representations of their work within magazines (Metal, attitude) as well as on the runway. This application foregrounds Okazaki’s emotional connection to their work, which promotes a revaluation of fashion as disposable and suggests instead that we, as viewers and consumers, adopt an appreciation for the natural world, elements of which are almost always referenced within Okazaki’s designs. This paper, through consideration of Okazaki’s spiritual approach, investigates tradition alongside developments in technology and the role that fashion plays in this symbiosis.

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Vassallo, Helen. "Representation". En Towards a Feminist Translator Studies, 45–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003032281-3.

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Diop, Ismahan Soukeyna. "Representation of the Feminine Body". En Adornment, Masquerade and African Femininity, 7–31. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-28748-0_2.

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Casado-Aparicio, Elena. "Engendered Bodies: Metaphors in Feminism". En Body and Representation, 91–98. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-663-11622-6_8.

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Jones, Rachel Bailey. "Development of Feminist Postcolonial Theory". En Postcolonial Representations of Women, 23–38. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1551-6_2.

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Gottlieb, Roger S. "Levinas, Feminism, Holocaust, Ecocide". En Artifacts, Representations and Social Practice, 365–76. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0902-4_22.

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Phillips, John. "6. Representations of the feminine". En The Marquis de Sade, 84–111. Oxford University Press, 2005. http://dx.doi.org/10.1093/actrade/9780192804693.003.0006.

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Golinelli, Paola. "Feminine representations on the screen". En Psychoanalytic Reflections on Writing, Cinema, and the Arts, 53–83. Routledge, 2020. http://dx.doi.org/10.4324/9781003038856-5.

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Actas de conferencias sobre el tema "Feminine Representations"

Varlaki, Peter, Judit Ida Steiner-Varlaki y Peter Baranyi. "Mediumship and its Cognitive ‘Survival’ in Identification of Collective Individuation The Hungarian Painter-Genius Csontváry’s Mediumship and ’Survival’ : Part III. The Analysis of the Feminine Representations of the Picture". En 2019 10th IEEE International Conference on Cognitive Infocommunications (CogInfoCom). IEEE, 2019. http://dx.doi.org/10.1109/coginfocom47531.2019.9089892.

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Tameryan, Tatiana Yu. "Feminine Representation Of The Business Sphere: A Communicative-Cultural Aspect". En II International Scientific and Practical Conference "Individual and Society in the Modern Geopolitical Environment" Conference. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.12.04.105.

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Ileš, Tatjana y Tomislav Marijanović. "THE POWER OF TELEVISION SPECTACLE: FEMINISM AND POPULAR TELEVISION". En European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/xuza6596.

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Popular television is perhaps the most important tool for the production and promotion of popular culture content. It is a strong place of resistance and a space for various cultural struggles, including the feminist struggle that we observe through a number of genres and characters that resist established definitions of femininity and typical female characters. Products of popular culture, such as television soap operas, and lately a number of other genres, especially those that put female characters in the role of heroines, have enabled the development of a diverse spectre of female characters and given their audience a place where they can find authentic representations of their identities and life experiences. Through the analysis of such series, this paper will show how popular television, empowered by the ideals of feminism, and above all, popular feminism, introduced many female characters to a wider audience, and has undeniably become one of the primary places for female consumption of popular culture.

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Casibual Jr., Joseph P. "Dichotomizing Narratives on Post-Colonial Filipina: Inference from Nick Joaquin and Estrella Alfon’s Fiction". En GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.7-1.

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This paper examines texts written by two renowned Filipino post-colonial writers in the guise of motifs and forms of representations of post-colonial Filipina women. Dichotomizing styles of narrative, this textual exploration aims to frame how female characters were re/presented by two authors in terms of virtue, vices, passion, and struggles, to determine images that were used in underpinning societal roles of the female characters, and to identify the level of representation used by each author. I utilize three stories by the male writer Nick Joaquin – Mayday Eve, Summer Solstice, and Three Generations; and three stories by the female writer Estrella Alfon –Servant Girl, Magnificence, and Low Wall. Furthermore, the study compares representations of women by a male and female author, whether unintentionally or unwittingly, in conjunction with the period when women were faced with the problem of adapting to their identities as women brought about by colonization. Clearly, Joaquin’s narratives significantly lean on a less-feminist depiction, which contrasts with Alfon’s re/presentation. Images of being weak, frail, submissive, and dependent, are dominant in Juaquin’s characters, while Alfon possesses the opposite. There is an apparent dichotomy of representation between the authors, resulting in a regulated level of representation of Joaquin’s fiction concurrent with a respected representation of Alfon’s fiction.

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Fabrício Auler, Caua y Vinicius Hartmann Ferreira. "Um Jogo Digital Sobre Representatividade Feminina na Computação". En Computer on the Beach. Itajaí: Universidade do Vale do Itajaí, 2024. http://dx.doi.org/10.14210/cotb.v15.p301-303.

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ABSTRACTThe lack of representation in the field of Computing has beenpointed out as one of the reasons for the low presence of girlsin Computing careers. Thus, reflecting on diversity, equity, andinclusion in this area becomes important and urgent. The useof games for this purpose has shown significant results, asthey are popular among various age groups. This articlepresents partial results of the development of a game thataddresses famous personalities from the history of computingand the erasure of their contributions. The game currentlyfeatures one level and adopts a mechanics like the card gameReigns, which facilitates its expansion.

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Suljug Vucica, Zorana. "REPRESENTATION OF FEMINITY IN ADVERTISING IMAGES: A VISUAL ANALYSIS". En 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b11/s2.098.

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Busari, Ayobami, Adebanji Ogbiye, Jadesola Ogundeji, I. Akinwumi, Praisegod Emenike y O. Abatan. "TWENTY FIRST CENTURY FEMINISM IN ENGINEERING EDUCATION: GIRLS UNDER REPRESENTATION". En International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.1642.

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Eka Lidyawati, Sonia. "Feminism Representation in Kartini Movie 2017 (Semiotic Analysis Jhon Fiske)". En World Conference on Social Sciences Studies. Acavent, 2021. http://dx.doi.org/10.33422/3sconf.2021.03.50.

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Diana, Diana, Yasnur Asri y Yenni Hayati. "Representation of Women’s Struggle in Indonesia Contemporary Novels: Liberal-Feminist Studies". En Proceedings of the International Conference on Language, Literature, and Education (ICLLE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iclle-18.2018.91.

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Rizanti, Charissa Adria. "Females Body Representation, Movement, and Perspective: The Fragile Longevity of Feminism in Indonesia". En 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.80.

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Informes sobre el tema "Feminine Representations"

Nelli, Debora. Gender Representations in U.S. Ed.D. Dissertations: A Feminist Content Analysis. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.1699.

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Zarza, Jena. Representations of Feminist Theory and Gender Issues in Introductory-Level Sociology Textbooks. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6251.

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Бережна, Маргарита Василівна. Translator’s Gender in the Target Text. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.31812/123456789/4140.

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For the last three decades, the issue of translator’s gender and its representation in the target text has been actively researched in translation studies. Over the period there appeared numerous, sometimes contradicting views on markers of feminine / masculine / other types of speech, on whether the translator’s gender is revealed in the target text, and on the quality of translation depending on the translator’s gender. The present paper focuses on the translator’s gender markers in the target text. Taking into account the results of other linguists and my own observations, I consider the researched units being either definite or ambiguous markers of the translator’s gender. I want to bring to light gender differences in two Ukrainian translations (female translation by Natalia Tysovska and male translation by Viacheslav Brodovyi) of George R.R. Martin’s A Game of Thrones. The semantic, pragmatic and stylistic shifts in the target text conditioned by the translator’s gender and gender stereotypes blur the sense of the source text. Thus, such shifts should be regarded as unwanted changes and better be avoided.

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