Bibliografías temáticas / Feminist Rhetorical Studies

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Literatura académica sobre el tema "Feminist Rhetorical Studies"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Feminist Rhetorical Studies"

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Kennedy, Kristen. "Hipparchia the Cynic: Feminist Rhetoric and the Ethics of Embodiment." Hypatia 14, no. 2 (1999): 48–71. http://dx.doi.org/10.1111/j.1527-2001.1999.tb01239.x.

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Hipparchia's use of exile as an ethical and rhetorical space from which to critique convention is the point of departure for an examination of the ethics of using exile as a rhetorically effective position for feminist theorizing. To address the ethical problems involved in using exile as a rhetorical space, I argue for a reading of exile as both a rhetorical and embodied space that can maintain an ethical anchor for feminist rhetorical and political practice.
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Pritchard, Elizabeth A. "The Way Out West: Development and the Rhetoric of Mobility in Postmodern Feminist Theory." Hypatia 15, no. 3 (2000): 45–72. http://dx.doi.org/10.1111/j.1527-2001.2000.tb00330.x.

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In this essay, I trace a rhetorical affinity between feminist postmodern theory and an Enlightenment narrative of development. This affinity consists in the valorization of mobility and the repudiation of locatedness. Although feminists deploy this rhetoric in order to accommodate differences and to accustom readers to the instability that results from such accommodation, I show how this rhetoric works to justify Western colonial development and to efface women's very different experiences of mobility in the early twenty-first century.
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Eloit, Ilana. "American lesbians are not French women: heterosexual French feminism and the Americanisation of lesbianism in the 1970s." Feminist Theory 20, no. 4 (2019): 381–404. http://dx.doi.org/10.1177/1464700119871852.

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This article examines the ways in which 1970s French feminists who participated in the Women’s Liberation Movement (Mouvement de libération des femmes – MLF) wielded the spectre of lesbianism as an American idiosyncrasy to counteract the politicisation of lesbianism in France. It argues that the erasure of lesbian difference from the domain of French feminism was a necessary condition for making ‘woman’ an amenable subject for incorporation into the abstract unity of the French nation, wherein heterosexuality is conceived as a democratic crucible where men and women harmoniously come together
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Marder, Elissa. "Disarticulated Voices: Feminism and Philomela." Hypatia 7, no. 2 (1992): 148–66. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00890.x.

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By juxtaposing readings of selected feminist critics with a reading of Ovid's account of Philomela's rape and silencing, this essay interrogates the rhetorical, political, and epistemological implications of the feminist “we.” As a political intervention that comes into being as a response to women's oppression, feminism must posit a collective “we.” But this feminist “we” is best understood as an impersonal, performative pronoun whose political force is not derived from a knowable referent.
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Frazer, Elizabeth, and Kimberly Hutchings. "The feminist politics of naming violence." Feminist Theory 21, no. 2 (2019): 199–216. http://dx.doi.org/10.1177/1464700119859759.

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The naming of violence in feminist political campaigns and in the context of feminist theory has rhetorical and political effects. Feminist contention about the scope and meaning of ‘Violence against Women' (VAW) and ‘Sex and Gender-Based Violence' (SGBV), and about the concepts of gender and of violence itself, are fundamentally debates about the politics of feminist contestation, and the goals, strategies and tactics of feminist organisation, campaigns and action. This article examines the propulsion since the late twentieth century of the problems of VAW and SGBV on to global and national p
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Lovell-Smith, Rose. "SCIENCE AND RELIGION IN THE FEMINIST FIN-DE-SIÈCLE AND A NEW READING OF OLIVE SCHREINER’S FROM MAN TO MAN." Victorian Literature and Culture 29, no. 2 (2001): 303–26. http://dx.doi.org/10.1017/s1060150301002042.

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BY THE LAST DECADES OF THE nineteenth century, the various aspects of the “Woman Question” had drawn many women into public controversy. Their published writings commonly advance both moral and practical arguments, and often cite supporting statistical evidence and scholarly opinions as well. But not all their writing is of this kind. Feminist1 argument around the turn of the century also generated some fine rhetorical flights which stand out from their more prosaic surroundings. Passages of elevated and figurative persuasive writing are found in essays, monographs, and occasionally novels. To
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Meyer, Michaela D. E. "Women Speak(ing): Forty Years of Feminist Contributions to Rhetoric and an Agenda for Feminist Rhetorical Studies." Communication Quarterly 55, no. 1 (2007): 1–17. http://dx.doi.org/10.1080/01463370600998293.

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Horan, Elizabeth, and Evan Chastain. "“Bordas sobre la trama esencial”: Needlework as Communal Rhetorical Practice in El obsceno pájaro de la noche." Arboles y Rizomas. Revista de Estudios Lingüísticos y Literarios 1, no. 2 (2019): 1–17. http://dx.doi.org/10.35588/ayr.v1i2.3827.

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This essay applies a feminist synthesis of rhetoric and material culture theory to José Donoso’s novel, El obsceno pájaro de la noche (1970). Donoso’s novel depicts needlework as a communal rhetorical practice among women characters within enclosed communities. They sew, embroider, and repair. Drawing from Goggin and Tobin’s studies of needlework as rhetorical practice (2002, 2009a, 2009b, 2009), we investigate women’s needlework and sewing, contextualizing the historical and cultural referents within Chile’s long history of textile work, including the explication of epidermal aesthetics in Ha
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Siegel, Deborah L. "The Legacy of the Personal: Generating Theory in Feminism's Third Wave." Hypatia 12, no. 3 (1997): 46–75. http://dx.doi.org/10.1111/j.1527-2001.1997.tb00005.x.

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This essay focuses on the repeated rhetorical moves through which the third wave autobiographical subject seeks to be real and to speak as part ofacolhctive voice from the next feminist generation. Given that postmodernist, postructuralist, and multi-culturalist critiques have shaped the form and the content of third wave expressions of the personal., the study is ultimately concerned with the possibilities and limitations of such theoretical analysis for a third wave of feminist praxis.
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Sebastian, Melinda. "Instagram and Gendered Surveillance: Ways of Seeing the Hashtag." Surveillance & Society 17, no. 1/2 (2019): 40–45. http://dx.doi.org/10.24908/ss.v17i1/2.12938.

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This research examines gendered surveillance on Instagram. The hashtag serves as an affordance across platforms, and this work expands on the literature of the rhetorical functions of hashtags. Rather than focusing on the hashtag itself as the problem, I instead use it as a lens to examine an extant social issue that is beginning to receive attention from the growing body of feminist surveillance research. When Instagram allows certain terms and hashtags to flourish for weeks, months, and even years without removal, this type of rhetoric and image combination functions to socially isolate a pa
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Tesis sobre el tema "Feminist Rhetorical Studies"

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Wingard, Jennifer Leanne. "Figuring others : toward a transnational feminist rhetorical analytic." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2008. http://wwwlib.umi.com/cr/syr/main.

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Queen, Mary Teresa. "Technologies of representation fields of rhetorical action in transnational feminist encounters /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2005. http://wwwlib.umi.com/cr/syr/main.

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Pristash, Heather Elizabeth. "A Sharper Point: A Feminist, Multimodal Heuristic for Analyzing Knitted Rhetoric." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1416439777.

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Crump, Adrienne. "Feminisms, Rhetorics, and the Polemics of State-Sanctioned Marriage." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/293590.

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This dissertation contributes to the discipline by demonstrating successful and productive incorporation of feminist research methods and methodologies in rhetorical studies and the application of the rhetorical arts to feminist projects. Specifically this dissertation examines the history of state-sanctioned marriage in the US and its contribution to normative discourses of family that problematically inform public policies and mainstream arguments directed at some working and parenting women struggling to care for their families and provide for them economically. Through feminist rhetorical
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Powers, Jordan S. "Femininity, Pinterest, and the Appropriation of Jane Austen." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2373.

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This analysis is an examination of the use of Jane Austen quotes on the social networking site Pinterest in order to explore the messages disseminated by the dismantling of Austen’s works. Austen’s novels contain subtle feminist ideals that empower women to find their own unique paths. Pinterest has a large female following and the messages created and shared by women hold importance because they highlight salient values and ideas. The quotes collected were analyzed using a feminist rhetorical method. Questions of whether women were empowered outside the private sphere and encouraged to engage
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Katona, Leah Andrea. "The Use of Violence as Feminist Rhetoric: Third-Wave Feminism in Tarantino's Kill Bill Films." CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/2759.

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For the purpose of this thesis, the main focus of the feminist rhetorical criticism method was specifically linked to gender-related power inequities. This method was especially appropriate for the analysis of how film violence is used as a feminist rhetorical strategy in the Kill Bill films. This thesis is more closely aligned with challenging rhetorical standards as it sought to identify feminist counter positions of rhetoric in film violence.
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Kennedy, Tammie Marie. "Reclaiming Memoria for Writing Pedagogies: Toward a Theory of Rhetorical Memory." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/193644.

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While memoria is the fourth canon of rhetoric, its generative power remains essentially absent from rhetoric and composition studies. In my dissertation I use Mnemosyne's story as a way to reconceptualize memoria beyond the confines of mnemonic techniques and memorization. I provide an overview of memoria using the terministic screens of storehouse, invention, and subjectivity in order to explain its absence and the consequences of this gap. I posit that the generative, critical, and embodied qualities of memory shape our ways of knowing and being and our hermeneutical, inventive, and revision
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Langenfeld, Elizabeth Irene. "Hitchcock's "Rebecca": A rhetorical study of female stereotyping." CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1718.

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Wolfe, Marion A. "Constructing Modern Missionary Feminism: American Protestant Women’s Foreign Missionary Societies and the Rhetorical Positioning of Christian Women, 1901-1938." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525440511790395.

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Karman, Barbara A. "Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215.

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Libros sobre el tema "Feminist Rhetorical Studies"

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Gesa, Kirsch, ed. Feminist rhetorical practice: New horizons for rhetoric, composition, and literacy studies. Southern Illinois University Press, 2011.

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1968-, Ryan Kathleen J., ed. Walking and talking feminist rhetorics: Landmark essays and controversies. Parlor Press, 2010.

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Buchanan, Lindal. Walking and talking feminist rhetorics: Landmark essays and controversies. Parlor Press, 2010.

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Rhetoric and ethic: The politics of biblical studies. Fortress Press, 1999.

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Pedwell, Carolyn. Feminism, culture and embodied practice: The rhetorics of comparison. Routledge, 2010.

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Feminism, culture and embodied practice: The rhetorics of comparison. Routledge, 2010.

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Standing in the intersection: Feminist voices, feminist practices in communication studies. State University of New York Press, 2012.

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Lyon, J. Vanessa. Figuring Faith and Female Power in the Art of Rubens. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985513.

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of
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What our speech disrupts: Feminism and creative writing studies. National Council of Teachers of English, 2000.

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Feminist Rhetorical Science Studies: Human Bodies, Posthumanist Worlds. Southern Illinois University Press, 2018.

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Capítulos de libros sobre el tema "Feminist Rhetorical Studies"

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Conner, Berkley D. "Menstrual Trolls: The Collective Rhetoric of Periods for Pence." In The Palgrave Handbook of Critical Menstruation Studies. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_64.

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Abstract This chapter explores the protest strategies of Periods for Pence, a collective of Indiana menstruators and allies who organized in response to the passing of extreme antiabortion legislation, House Enrolled Act 1337, by then-Governor Mike Pence in 2016. Through an analysis of the group’s transcribed calls to Pence’s office, as well as various social media posts, Conner illustrates how Periods for Pence engaged in acts of narrative sharing, humor, and symbolic reversal to craft a cohesive account of varied experiences with menstruation. The study also draws on logics of menstruation to rhetorically re-moralize abortion as necessary. Conner concludes by demonstrating how critical study of menstruation-related activism asks scholars to rethink traditional conceptualizations of static “waves” of feminism and feminist rhetorical theorizing.
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Zepeda, Candace. "Chicana Feminism." In Decolonizing Rhetoric and Composition Studies. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-52724-0_10.

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Vetter, Lisa Pace. "Introduction." In The Political Thought of America's Founding Feminists. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479853342.003.0001.

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Path-breaking scholarship in women’s history has provided invaluable insight into the contributions of these seven women. Literature scholars have analyzed the theme of sympathy and its derivative, sentimentality, in their speeches and writings. Scholars of rhetoric and communications studies have studied the rhetorical strategies deployed by these women to argue for abolishing slavery and expanding women’s rights. Their work has been situated among broader theoretical approaches such as liberalism, republicanism, and the Scottish Enlightenment. Critical race and feminist theory have highlighted the importance of intersectionality in their contributions. By expanding on these findings, this book argues that these women should no longer be overlooked in American political thought. They have been considered activists, not political theorists, because most did not write extended treatises, and none were professional philosophers. Some were more overtly religious than political. They are often seen as unoriginal, deriving their ideas largely from their male counterparts. However, close and careful analysis of their speeches and writings allows their theoretical arguments to emerge on their own terms. Previously neglected works by Adam Smith and other mainstream theorists provide a theoretical framework that highlights the originality of their contributions. The introduction concludes with summaries of each chapter.
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Ibrahim, Celene. "Introduction." In Women and Gender in the Qur'an. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190063818.003.0001.

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The book’s introduction provides a comprehensive listing of female figures in the Qur’an. This includes references to the family members of Qur’anic prophets—figures who feature as mothers, wives, daughters, and extended female kin. It situates each Qur’anic female figure vis-à-vis other figures along the narrative arc from the genesis of humanity, through the ancient peoples and their prophets, to the advent of the Qur’an in Arabia. The listing also includes categories of paradisal beings and women figures who are alluded to but not depicted directly. In addition, the book’s introduction outlines how retelling the sacred past generates a new sacred present that is affective and didactic. It discusses relevant rhetorical and stylistic elements of the Qur’an, considers competing methodological trends in Qur’anic studies, and summarizes some of the work’s broader implications for feminist and female-centric exegesis.
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Sanchez-Eppler, Karen. "Bodily Bonds: The Intersecting Rhetorics of Feminism and Abolition." In The New American Studies. University of California Press, 1991. http://dx.doi.org/10.1525/9780520327375-010.

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Penney, Renée. "The rhetoric of the mistake in adult narratives of youth sexuality: the case of Amanda Todd." In An Intergenerational Feminist Media Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315121734-10.

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McCracken, Saskia. "Breaking the Peace." In Virginia Woolf, Europe, and Peace. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979374.003.0009.

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This chapter examines Woolf’s feminist, pacifist, and anti-fascist engagement with Darwin’s work on dictators through the trope of the worm, suggesting how we might we read both Woolf and Darwin through the lens of animal studies. McCracken reads Woolf’s ‘creature Dictator’ and related worm imagery back through Charles Darwin’s writings both on worms and on nineteenth-century Argentinian Dictator General Juan Manuel de Rosas, whom he met during his voyage on the HMS Beagle. According to Darwin, Rosas led a ‘war of extermination’ against indigenous peoples, yet ‘disapproved of peace having been broken’. This chapter argues that Woolf re-appropriates the Social Darwinist rhetoric of the 1930s, and twists animal imagery to feminist advantage. The chapter also analyses Woolf’s silkworm and related mulberry tree imagery in Three Guineas through Darwin’s interest in breeding silkworms. Placing this imagery in the context of 1930s social Darwinist silk production discourse under the Third Reich, McCracken, argues that, contrary to critics who read her silkworm as symbolic of female creativity, Woolf’s writing intimately connects Darwinian silkworm breeding imagery and fascist politics.
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Al-Doghmi, Nancy, and Reema Salah. "Female Writings in Times of Crisis." In Rhetoric and Sociolinguistics in Times of Global Crisis. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6732-6.ch013.

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This chapter presents a critical study of female writing practices in response to the 2020 COVID-19 pandemic in contrasting cultures, ethnicities, social classes, and educational levels. It studies 10 personal narratives by Arab and American women responding to the global coronavirus crisis in writing. The authors' responses vary and their narratives of crisis, whether short stories, personal essays, or testimonies, represent the heterogeneity of each woman's life experience. The study examines women's gendered reactions in these narratives as presenting a new kind of subjectivity that women adopt to respond to life crises, to overcome pain, to express emotions, to create meaning, and to build communications and coalitions. Writing becomes an instrumental voice for these women to self-discovery, healing, and empowerment. By adopting a transnational literary feminist theoretical approach as well as a sociolinguistic one, the study explores a complex relationship between crisis, gender, and writing that reveals how female subjects use the narrative form in times of crisis.
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Martin, Daniel. "Chilling Beginnings: Japanese Horror and the British Critical Reception of Nakata Hideo’s Ring." In Extreme Asia. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697458.003.0002.

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This chapter examines the UK release of the Japanese horror film Ring (Hideo Nakata, 1998). The film was significant in establishing a new audience for (and critical appreciation of) Japanese horror in the UK. British film critics claimed that Ring was representative of a non-graphic, suggestive tradition in horror, typified by the Hollywood films The Sixth Sense (1999) and The Blair Witch Project (1999). Rather than responding to Ring as a foreign or alien text, critics familiarised the film in order to use it rhetorically to present a sense of difference from teen horror films popular at the time, such as Scream (1996). Thus, in the case of Ring, critics aligned themselves with Japanese cinema and placed the film in a specifically British cinematic (and literary) tradition, all in order to ‘Other’ a cycle of Hollywood films they viewed as populist, sanitised and feminised. This chapter includes a summary of the pertinent literature on this specific debate within horror and gothic studies, followed by detailed analysis of critical reviews in order to account for the positive reception and enduring influence of Ring on the later Asia Extreme brand and cycle.
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