Bibliografías temáticas / Festival

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Literatura académica sobre el tema "Festival"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Festival"

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Levickaitė, Rasa. "CITY FESTIVAL - A TRADITIONAL CULTURAL EXPRESSION OF THE CREATIVE INDUSTRIES (THE CASE OF INTERNATIONAL CONTEMPORARY DANCE FESTIVAL “NEW BALTIC DANCE”) / MIESTO FESTIVALIAI – TRADICINĖ KULTŪRINĖ KŪRYBINIŲ INDUSTRIJŲ RAIŠKA (TARPTAUTINIO ŠIUOLAIKINIO ŠOKIO FESTIVALIO ”NAUJASIS BALTIJOS ŠOKIS“ ATVEJIS)." CREATIVITY STUDIES 4, no. 1 (2011): 36–53. http://dx.doi.org/10.3846/20290187.2011.577178.

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The article is based on theoretical overview on the subject of festival with its focus on special occasion having some unique aspect which is important to both the organizers and visitors of the festival. Second part of the article represents a case of International Contemporary Dance Festival. City festival is a traditional cultural expression of the creative industries. Creative city more rapidly develops through festival activities – creative cities use their creative potential in various ways: cultural activities, expressions, experiences, involvement of city inhabitants and visitors, pres
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Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções
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Ukpokolo, Francesca C., Obiageli C. Okoye, and Oluatunde B. Lawuyi. "Cultural Reconstruction of Iwa Ji Festival in Igbo-Ukwu, and Fractured Igbo Identity." Synthesis philosophica 33, no. 1 (2018): 149–64. http://dx.doi.org/10.21464/sp33109.

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U mnogim su afričkim društvima domorodački festivali pred istrebljenjem, što je rezultat modernizacija i utjecaja kršćanske religije na život ljudi. U jugoistočnoj Nigeriji, festival Iwa Ji, godišnji festival jama koji se slavi da bi se zahvalilo Vrhovnom biću i bogovima za osiguranje održanja, posljednjih desetljeća susreće se s napuštanjem. No istraživači su ustanovili kulturno značenje vezano za festival i njegov potencijal u očuvanju identiteta ljudi, kao i za promociju turizma, na temelju čega su predložili rekonstrukciju festivala da bi bio opće prihvaćen. Rekonstrukcija se provela. Rad
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Szymkiewicz, Aleksy. "Identity, place and values. On construction and internalization of festival normalities on the examples of music festivals in Poland." Journal of Urban Ethnology 19 (December 20, 2021): 153–70. http://dx.doi.org/10.23858/jue19.2021.010.

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The aim of this paper is to compare of how two different festivals stimulate specific norms and perceptions, and therefore to present the way in which the visions of the festival cities are reproduced by the festival audience based on the axio-normative orders contained in the missions of the events. Based on the shared symbols and life strategies promoted by festivals, participants (re)build their identity which they manifest in chosen cultural practices. The article attempt to answer the following question: what is shared by festival-goers? Are the main motivations for participating in the v
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Theresa, Addai, and Ofosu Ameyaw Henry. "HISTORICAL BACKGROUND AND SOCIOECONOMIC SIGNIFICANCE OF MODERN GHANAIAN FESTIVALS: THE CASE OF KWAHU EASTER." International Journal for Research Trends and Innovation 9, no. 1 (2024): 40–48. https://doi.org/10.5281/zenodo.10464289.

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Festivals represent significant sociocultural and economic events in many societies. In Ghana, traditional festivals have evolved to take on more modern dimensions. The Kwahu Easter festival in Ghana's Eastern Region exemplifies these dynamics. Once a religious event, it has become a major tourist attraction driven by secular entertainment activities. This study explored the festival's history, identified its socioeconomic Significance, and examined associated tensions using mixed methods. Qualitative interviews and archival research traced the festival's origins to missionary and colonial-era
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DEMİRCİ, Barış, O. Can YILMAZDOĞAN, and Ebru DÜŞMEZKALENDER. "FESTİVAL ALGISI, FESTİVAL MEMNUNİYETİ, FESTİVAL DEĞERİ VE AİDİYET İLİŞKİSİ: ESKİŞEHİR SOKAK LEZZETLERİ FESTİVALİ ÖRNEĞİ." Business & Management Studies: An International Journal 8, no. 1 (2020): 1096–112. http://dx.doi.org/10.15295/bmij.v8i1.1425.

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Araştırma ile Eskişehir Sokak Lezzetleri Festivali’ni ziyaret eden katılımcıların festival algıları, memnuniyetleri, festivalin algıladıkları değeri ve destinasyona aidiyetleri arasındaki ilişkileri bütünleşik bir bakış açısıyla araştırmak amaçlanmıştır. Bu amaç doğrultusunda, ilgili alanyazın incelenerek araştırma modeli oluşturulmuştur. Değişkenler arası ilişkileri test edebilmek için Ekim 2018 tarihinde gerçekleştirilen 3. Eskişehir Sokak Lezzetleri Festivali’ni ziyaret eden yerli turistlere kolayda örnekleme yöntemi ile ulaşılmış ve 226 kişi ile yüz yüze anket uygulaması gerçekleştirilmişt
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Kim, Dong-Han, Jun-Jae Lee, and Hyo-Yeun Park. "Assessing Economic Value of Local Festivals for Sustainable Development: A Case of Yeongju Korean Seonbi Culture Festival." Sustainability 13, no. 23 (2021): 13297. http://dx.doi.org/10.3390/su132313297.

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Diversity of financial resources is important to increase the sustainability of festivals. This is because even if one of the festival’s resources is stopped by external variables, the festival can be continued with other resources. Local festivals often suffer from low levels of economic independence as a primary concern for their economic sustainability. To solve the aforementioned real-world problem, this study investigated the determinants of festival goers’ willingness to pay for the development fund for the local festival. By using the CVM method, this study initially hypothesized four f
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S, Selvakumaran. "In Diaspora Countries - Tamil Culture and Arts." Indian Journal of Multilingual Research and Development 1, no. 1 (2020): 7–15. http://dx.doi.org/10.34256/ijmrd2012.

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Unable to cope with the brutal Sinhala aggression against Tamils ​​in Eelam, the Eelam Tamils ​​emigrated to foreign lands in an attempt to uplift their language, art, literature and culture in the countries where they had settled for survival. As a result, they established Tamil schools in the countries where they lived and celebrated the festivals of the Tamils ​​such as Pongal festival and Deepavali festival, the spiritual festival of Murugan Kavadi dance festivel. During these festivals, the Tamil arts such as drama, silambam, oyil and kummi are performed with great diligence. In that sens
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Ibe, Ibe Ogbobuike, and Rukayat Hassan Abiola. "Socio-cultural significance of contemporary urban Nigerian festivals: a study of Port Harcourt <i>Bole</i> Festival." International Journal of Current Research in the Humanities 28, no. 1 (2025): 258–68. https://doi.org/10.4314/ijcrh.v28i1.18.

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Festivals are performative dimensions of cultural practice that strengthen bonds of cohesion in societies. The Port Harcourt Bole Festival is an urban event in Rivers State, Nigeria, which celebrates the local delicacy Bole (roasted plantain) and its cultural significance. Street festivals like the “Bole Festival,” are a powerful tool for building and strengthening urban community bonds, promoting social inclusion and celebrating the vibrancy and diversity of urban life. This study examines the festival's socio-cultural importance within the context of contemporary urban Nigerian festival agai
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Yamagishi, Kafferine, and Lanndon Ocampo. "Evaluating the greening agenda of festivals: The case of Sinulog." Turyzm/Tourism 32, no. 1 (2022): 115–40. http://dx.doi.org/10.18778/0867-5856.32.1.06.

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This work advances previous work on greening festival management by using the Sinulog festiwal as a case in point, as it has conditions resonating with most festivals in the Philippines and some other emerging economies. An analysis based on strengths, weaknesses, opportunities and threats (SWOT) was constructed based on an earlier work that provided some insights on assessing the green management initiatives of the festival organization. The weaknesses in the SWOT analysis are considered inputs to a root cause analysis to identify the fundamental green management issues. The two analyses sugg
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Tesis sobre el tema "Festival"

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Björk, Jonathan, and Lindqvist Moreau Victor Victor. "Alive Festival 09 : Genomförande av festival." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3151.

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<p>I detta examensarbete tar vi upp hur vi gått till väga i genomförandet av Alive Festival -09. Vi har jobbat genom den ideella föreningen KF LIVE (Se definition) som fungerar som arrangörsgrupp i Skövde. Vi tar upp frågor som rör ekonomi, marknadsföring samt det egentliga arbete som krävs under festivaldagen. Under arbetets gång har vi hunnit införskaffa information, reflekterat över den och till sist använt oss av den när vi faktiskt genomfört festivalen. Festivalen som hölls under nio timmar innefattar tre scener med femton lokala som internationella band. I denna rapport kommer läsaren ku
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Sørbo, Ingelin. "Festival + sted = ? : Vinjerock - en festivals påvirkning på stedsidentitet og stedsutvikling." Thesis, Norges teknisk-naturvitenskapelige universitet, Geografisk institutt, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-17027.

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Festivaler har blitt en viktig del av opplevelsesøkonomien og stedene de er lokalisert. Denne oppgaven er et case-studie av musikkfestivalen Vinjerock i Vang kommune, og fokuserer på hva slags innvirkninger festivalen har på stedsidentitet og stedsutvikling. Oppgavens empiriske grunnlag baseres på kvalitative intervju med syv aktører fra Vang og Valdres-regionen som er involvert i Vinjerock på ulike måter. Oppgaven består av en todelt analyse: den første delen av analysen fokuserer på festival, sted og stedsidentitet, mens den andre delen av analysen i hovedsak fokuserer på stedsutvikling og e
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Bergström, Lisa, and Emily Grafström. "Vägen till framgång : En studie om festivaler i Stockholm." Thesis, Södertörns högskola, Institutionen för ekonomi och företagande, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17088.

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The purpose of this paper is to examine how events can be successful and stay competitive.Festivals are a big part of the event world and it can be difficult to understand why certainfestivals are successful and others not. In this paper we have conducted a comparison betweentwo major festivals in Stockholm. Both of them reached success, but nevertheless one of themfailed, while the other one is still successful. With this comparison, it appeared that there aremany aspects that help a festival to reach success but also factors that can make a festival afailure. To conduct this study, a number
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ABDALA, Lorena Pompei. "Estéticas da existência: a moda nos Festivais de Rock (Goiânia Noise Festival e Lollapalooza Music Festival-2008/2009)." Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/2830.

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Made available in DSpace on 2014-07-29T16:28:01Z (GMT). No. of bitstreams: 1 ESTETICAS DA EXISTENCIA PART 1.pdf: 220939 bytes, checksum: 22ef569adbc52795342cfe83a7ff729d (MD5) Previous issue date: 2010-04-13<br>This dissertation deals about the care of the self as a mediator of the construction of identities, which legitimize the existence of the socio-cultural subjects. Through the visual narratives produced in the scenario of rock festivals, were traced the relationship of fashion as a tool for the construction of identity. The fashion, understood as a social and cultural practice operates
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Richards, Evan E. "The 33rd Alaska Folk Festival : a short documentary /." Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/RichardsEE2008.pdf.

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Le, Grange Rene. "Effective planning and organisation of a student theatre festival." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-08112004-100939.

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Gross, Justin A. Alderman Derek H. "The festival gap : comparing organizers' perceptions of visitors to a survey of visitors at the Carolina Renaissance Festival, 2005 /." Access via ScholarShip, 2006. http://hdl.handle.net/10342/1111.

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Thesis (M.A.)--East Carolina University, 2006.<br>Presented to the faculty of the Department of Geography. Advisor: Derek Alderman. Includes bibliographical references (leaves 114-119). Also available via the World Wide Web. Adobe reader required.
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Batchelder, Xela Ann Pollock. "The world's largest arts festival, The Edinburgh Festival Fringe mechanics, myth and management /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149104422.

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Kaiser, Anne Maria, and Mandy Sickert. "Moritzburg Festival 2017: 5. - 20. August 2017: 25. Festival." Moritzburg Festival, 2017. https://slub.qucosa.de/id/qucosa%3A32102.

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Lebendiger Innovationsgeist, musikalische Dynamik und faszinierende Spielstätten prägen die einzigartige Atmosphäre des Moritzburg Festivals. 1993 gegründet, versteht sich das Moritzburg Festival als experimentelles Labor und Exzellenzstätte zugleich. Unter der künstlerischen Leitung des Cellisten und Echo- Preisträgers Jan Vogler hat es sich als eines der renommiertesten Kammermusik- festivals weltweit etabliert.Alljährlich im August treffen sich Solisten der inter- nationalen Musikszene und herausragende Nachwuchskünstler aus aller Welt im idyllischen Moritzburg bei Dresden. Hier arbeiten si
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Johansson, Frida, and Sofia Eliason. "Festival- ett jämställt rum? : En turismvetenskaplig studie som undersöker två festivalers arbete mot en jämställd festival." Thesis, Karlstads universitet, Handelshögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-44424.

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Frågan om jämställdhet på festivaler har de senaste åren varit ett ämne som lyft stora debatter på sociala medier. Kända artister har kritiskt lyft diskussioner centrerade på festivalernas könsfördelningar av artistbokningar. I jämförelse till dessa diskussioner var det dock svårt att hitta tidigare fakta och forskning som berör hur arbetet med jämställdhet bakom och inom festivalerna faktiskt ser ut. Studiens syfte ämnar därför undersöka hur två musikfestivaler arbetar och förhåller sig kring jämställdhetsfrågor. De festivaler som har studerats är Way Out West och Umeå Open, en större festiva
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Libros sobre el tema "Festival"

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Valkonen, Kaija. Festival fever: Finland festivals. Otava Pub. Co., 1994.

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Biri︠u︡kova, Dasha. Festivalʹ Videofocus: Videofocus Festival. Gosudarstvennyĭ t︠s︡entr sovremennogo iskusstva, 2013.

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Barrett, Victoria. Festival. Pinnacle Books, 1997.

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Rayner, Claire. Festival. Chivers, 1993.

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Naqvi, Maniza. Festival. Scheherzade, 2012.

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DePree, Gladis. Festival. Zondervan Pub. House, 1986.

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illustrator, Cardella Aaron, ed. Festival. Cleveland State University Poetry Center, 2015.

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Rayner, Claire. Festival. Orion, 1994.

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Martínez, Guillermo Sáez. Festival. Algaida Editores, 2019.

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North East Lancashire Trades Union Councils., Trades Union Congress. North West Region., Co-operative May Day Committee., and Co-operative Retail Services Pioneer, eds. 16th May Day Festival: [festival guide]. [s.n.], 1994.

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Capítulos de libros sobre el tema "Festival"

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Sendra, Estrella, and Robin Steedman. "From Africa to London to the World: Film Africa’s Leading Role in the Circulation of African Cinemas." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_6.

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Abstract Film Africa is currently the largest festival and meeting point in the UK celebrating the best of African cinema. This chapter probes the festival’s goals and how its practices shape the circulation of African cinema in London and beyond. We begin with an exploration of the festival’s understanding of “Africa” in dialogue with the festival location. We suggest that the festival adopts an expansive definition, encompassing the continent, diaspora, and those of African heritage. We show that curating Africa in this way serves as a way of acknowledging, embracing, and celebrating the ric
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de Valck, Marijke, and Ger Zielinski. "Greening Film Festivals." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_16.

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AbstractIn this chapter we seize the momentum of the pandemic crisis and its disruption of the film festival world to consider festivals’ stake in the climate and ecological crisis. We will delineate three layers of concern that need to be considered holistically when taking on the challenge of greening film festivals. The first layer tackles the context of festival operations, namely, all arrangements and preparations required to organize festival events. The second layer addresses the emergent discourse of environmentalist media studies, which urges festival scholars to consider critically t
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Hagman, George. "Festival." In The Psychoanalysis of Aesthetic Experience. Routledge, 2025. https://doi.org/10.4324/9781003532484-11.

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Karlekar, Tilottama. "Precarity, Innovation, and Survival in the Indian Film Festival Sector." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_12.

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AbstractDespite the vast expansion in the film festival sector in India since the early 2000s, most festivals have remained financially precarious. This is true of more mainstream festivals with industry support as well as of myriad activist and “alternative” festivals on the margins. In addition, the country’s Hindu nationalist government has subjected all cultural spaces to increased scrutiny and policing. As the virus affected India and the Indian government enforced a national lockdown, festival organizers had to adapt rapidly. In order to survive, they looked both to global strategies and
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Burgess, Diane, and Kirsten Stevens. "Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_4.

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AbstractThe sudden and near-complete move of festivals into the online space in 2020 complicated our understanding of the “there” and “then” involved in film festival participation. Experiencing festivals in lockdown (often from domestic spaces), “taking part” in these virtual events had the potential to dramatically expand the points of access. Although this approach was taken early with the YouTube-based We Are One global film festival, for the vast majority of single-festival-run online events access was limited to specific geographic areas through geoblocking technology. This chapter exami
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Damiens, Antoine. "Festivals, Covid-19, and the Crisis of Archiving." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_15.

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AbstractBuilding upon my experience working with festival archives, this chapter examines some of the challenges with archiving festivals in times of pandemic. It argues that festival organizers, scholars, and amateur historians must collect and preserve a maximum of documents on festivals’ responses to the pandemic: while we collectively are living through a historical moment (an unprecedented crisis), there is a real possibility that the festivals organized in Covid times may not be properly archived. In particular, I look at some of the reasons why festivals are rarely properly archived and
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Tsai, Beth. "Film Festivals in Taiwan: Lurking on the Periphery." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_11.

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AbstractThis chapter investigates an ongoing geopolitical shift concerning the status of festivals in Taiwan—exemplified by the Taipei Film Festival and the Taipei Golden Horse Film Festival and Awards—and their future challenges instigated by the global pandemic. I consider film festivals in Taiwan to be lurking on the “periphery” and argue they should not be prescribed as secondary and unnoticed (in terms of prestige and influences). Instead, we need to identify the center (Western Europe and wealthy North America) versus the periphery paradigm in which the global festival circuit continued
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Lee, Hyunseon. "From Festival Films to Film Festivals." In Korean Film and Festivals. Routledge, 2022. http://dx.doi.org/10.4324/9780429327841-3.

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Petty, Sheila, and Estrella Sendra. "“Act in Your Location, Think with the World”: Constructing Audience “Afterlives” at Three North American-Based African Film Festivals." In Framing Film Festivals. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-88590-7_8.

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Abstract This chapter focuses on three African film festivals/programs located in Canada and Mexico. Beginning with an examination of the longest-running African film festival in Canada—Vues d’Afrique—in Montreal, the chapter also explores a relatively new festival in Winnipeg—African Movie Festival in Manitoba, and finally a very recent initiative in Mexico to bring African films to Afro-Mexican communities. The chapter explores selected “afterlife” events of the festivals that are organized to build year-round sustained audience bases and community impact through Bill Reid’s notion of artwor
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Dovey, Lindiwe, and Estrella Sendra. "Toward Decolonized Film Festival Worlds." In Rethinking Film Festivals in the Pandemic Era and After. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_14.

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AbstractThis chapter is in part a manifesto and in part an engagement with the thinking and practice already re-shaping film festivals in this era of decolonization and Covid-19. We take as a starting point and analyze the provocative docu-fiction film titled Film Festival Film (dir. Perivi Katjavivi and Mpumelelo Mcata, 2019, South Africa) which raises myriad, difficult, and enduring questions about film festivals and contemporary film culture. Reading the provocations of this film alongside our own respective research into and work with film festivals and film curation (mostly in relation to
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Actas de conferencias sobre el tema "Festival"

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Mitrović, Srđan, Suzana Marković, and Josipa Mijoč. "Segmenting Wine Festival Visitors Based on Their Visit Experience." In 6th International Scientific Conference – EMAN 2022 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2022. http://dx.doi.org/10.31410/eman.s.p.2022.145.

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Wine tourism experiences can be offered in many ways, such as visiting wine festivals. They can provide a wide range of experiences that differ from day-to-day living and could be viewed as lifestyle tourism expe­riences. The goal of the research was to segment wine festival visitors and describe them within the experience economy context. Data was collected using a structured questionnaire at wine festivals in Croatia. Research hy­potheses were tested using cluster analysis and ANOVA. Segmentation re­sults show four significantly different groups of wine festival visitors (busi­ness visitors,
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Thongrom, Pimpika. "The effect of Music Festivals on Perceived Destination Images." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10179.

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Music festival is one of the special event. It is a unique cultural event which continuously held on a particular place and time. It has been confirmed that music festivals can attract people to visit the destinations for instance Glastonbury, and the Fuji Rock. Various researches have explored the potential of festivals in forming destination image. It has not been yet explored a link between the music festivals and image formation of thedestination. The research aim is to examine the effect of music festivals on the perceived images of destinations. The objectives are to explore music festiv
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COMAN, Ecaterina, Vlad BATRANU-PINTEA, Radu TUDORICA, Ovidiu TODERICI, and Alexandra GIRBEA. "PROMOTING CITIES THROUGH FESTIVALS." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s09.41.

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Promoting cities only through historical heritage is no longer topical, especially for the new generations. The differentiation and promotion of a city can be achieved by organizing festivals, which could attract a constant number of tourists annually. The article wants to examine the characteristics of a festival that gives it the power to be popular and to evolve each year to attract more and more tourists. We needed to see what people cherish the most about these festivals and what values a festival needs to have to have the same success. A content analysis of internet posts and comments le
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Shea, Brendan Sullivan, and Neal Lucas Hitch. "School’s Out: Exploring Learning By Doing Methods In On-Site Design Build Architecture Workshops." In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.18.

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The paper details current endeavors by the authors to explore and expand notions of sustainable design through two design-build festivals hosted during the summer of 2022 that each re-engaged historical architectural sites in ecologically diverse contexts. The paper first outlines the history of design-build pedagogies in the United States, from the founding of some of the country’s first colleges of design to contemporary manifestations of festival architecture as seen in pop-culture contexts. Next, the authors detail how this history impacts the site, structure, and organization of the two r
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VÎLCU, Marcela. "The festival as a form of organizing didactic activities." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p74-78.

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In contemporary times, festivals have burgeoned into one of the most prevalent mechanisms for orchestrating cultural and artistic events. Music festivals, theatre festivals, film festivals, dance festivals, folklore festivals, and an array of other genres are organized both on the international and national stage. Notably, festivals have also found their place within the realm of education, with cultural and artistic occasions frequently serving as platforms for students to exhibit their creative proficiencies. Concurrently, modern pedagogical practices, rooted in the constructivist educationa
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Wan Hafiz, Wan Zainal Shukri, Gan Mei Yen, Abdul Wahab Mohamad Rahijan, and Wenjie Cai. "CHINESE FOOD CULTURE AND FESTIVAL: ROLE AND SYMBOLIC MEANING AMONG HOKKIEN MILLENNIALS." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.023.

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The practice of preparing and consumption traditional food at home is the foci in most traditional celebrations, mostly accompanied by rich ethnic rituals, practice and symbolic meanings. However, studies showed changes in lifestyle and work demands in post-modernity have impacted the significance of century’s old ethnic practices in modern life. Millennials (those born between 1980s - 1990s) are more attracted to branding and commercial foods rather than festival foods. This presents an imminent risk of an erosion of Chinese festival foods and cultural identity. This study explores the symbol
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Cheon, Yong-soo. "The Impact of Festival Quality on Festival Image." In 10th International Workshop Series Convergence Works. Global Vision School Publication, 2016. http://dx.doi.org/10.21742/asehl.2016.8.32.

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Urbans, Mihails, Jelena Malahova, and Vladimirs Jemeļjanovs. "Compliance of fire safety measures for accommodation of people in Riga schools." In 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.027.

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This article describes the situation with fire safety at Riga schools regarding their compliance with the fire safety requirements set in Latvia for accommodation of people in schools. The objective of the current paper was to research and evaluate the compliance with the requirements of regulatory enactments regarding the accommodation in Riga schools and analyse the actual fire safety situation during accommodation of participants of the Dance and Song Festivals in Riga schools. The research was conducted in spring of 2018, prior to the Dance and Song Festival, assessing the compliance of 60
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Khalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.

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Starting with the 90s, realizing the need to support and promote the new national drama, at the Writers’ Union was set up a Drama Section, AMTAP introduced the Dramaturgy and Screenwriting specialty, the Ministry of Cultures and UNITEM initiated a National Drama Competition. In this context, Dramaturgy Workshops were created at the „Luceafărul” and „M. Eminescu” Theaters, at the Center for Contemporary Dramaturgy (CDC) (2012—2013), at the School of Contemporary Dramaturgy of the Center for Cultural Projects „Arta Azi” (2017, 2018, 2020); Dramaturgy camps were organized at the „Codru” Sanatoriu
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Cosi, Piero, Fabio Tesser, Roberto Gretter, Cinzia Avesani, and Mike Macon. "Festival speaks Italian!" In 7th European Conference on Speech Communication and Technology (Eurospeech 2001). ISCA, 2001. http://dx.doi.org/10.21437/eurospeech.2001-137.

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Informes sobre el tema "Festival"

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Kazhenava, Zlata, Eva Navickaitė, and Mehmet Recai Uygur. estivals as Arenas of Political and Cultural Influence: Integrating Brand Engagement with National Identity and Consumer Experience. Vilnius Business College, 2024. https://doi.org/10.57005/ab.2024.4.6.

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This article discusses the use of festivals more specifically as marketing tools for a brand or company and how such cultural and political events can influence the perception and behaviour of the consumers. The study looks at marketing of festivals in Lithuania and seeks to measure the effectiveness of this type of marketing by assessing the consumption and purchase behaviour as well as the attention to the brand by local and foreign festival participants. Important questions were how such brands have strategically exploited the cultural importance of these festivals in wonderfully connecting
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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Ellis, Christopher D., Byoung-Suk Kweon, Sarah Alward, and Robin Burke. Ravinia Festival South Parking Lot. Landscape Architecture Foundation, 2011. http://dx.doi.org/10.31353/cs0040.

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Candido, Marcia Rangel, Cleissa Regina Martins, João Feres Júnior, and Luiz Augusto Campos. Infográfico – Festival do Rio 2016. Universidade do Estado do Rio de Janeiro, 2016. http://dx.doi.org/10.12957/gemaa.2016.0004.

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Maiorino, Alexandre, Júlio César de Melo Colabardini, and Flavio Gabriel Parro da Silva. Festival Internacional de Música em Casa: Fimuca Áudio. Revista Acústica e Vibrações, 2021. http://dx.doi.org/10.55753/aev.v36e53.55.

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Em razão da pandemia do coronavírus no ano de 2020, praticamente todas as atividades educativas foram canceladas no primeiro semestre, incluindo atividades culturais, como os festivais de música. Nesse contexto, nasceu o Festival Internacional de Música em Casa - Fimuca, que reuniu, em três edições, profissionais, professores de música e mais de 36 mil participantes para compartilhar experiências e conhecimentos. O Fimuca proporcionou um momento ímpar de imersão, interação e criação, atualização e compartilhamento de conhecimentos que, em meio à pandemia da COVID-19, gerou possibilidades de di
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Turner, Tom, and Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.

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Ingram, Charlie, Michaella Gummerum, and Yaniv Hanoch. Towards an ‘FR’ Model for Reducing Crime and Anti-Social Behaviour at Live Events and Festivals. Coventry University, 2025. https://doi.org/10.18552/cdare/2025/0001.

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This report explores the impact of policy interventions and social/cultural factors on crowd behaviour at Reading Festival from 2000 to 2024, examining how crime and antisocial behaviour have evolved over time. While measures such as eviction policies, safeguarding, fire bans, and inclusivity campaigns like #LookOutForEachother have had positive effects, perceived gaps remain in security enforcement and drug prevention. Social and environmental factors, including media portrayals and festival culture shifts, have also played a role in changing attendee behaviour.
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Cortés-Selva, L., M. Jurado-Martín, and L. Ostrovskaya. Camerimage, un festival único dedicado al arte de la fotografía cinematográfica. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1272.

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Rogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.66346.

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Based on our previous research (Rogers et al 2021) we noticed a difference between how artists think the arts relate to society, and how young people imagine this relationship. Young people wanted to see (and connected most strongly to) art works that more immediately engaged with the pressing social issues of Cambodia, many of which are political – including climate change, the expression of identity and human rights (e.g. LGBTQ identity), corruption and scams, and democracy. However, artists, particularly in the performing arts and music sectors, must walk a tightrope in making works that ad
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Divita, Lorynn. "I Just Thought It Looked Cool": Cultural Appropriation by Music Festival Attendees. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1481.

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