Bibliografías temáticas / Fold drama

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Literatura académica sobre el tema "Fold drama"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Fold drama"

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Michaud, Matthew, and Todd Hooper. "Cultivating student understanding of context through drama and scriptwriting." Scenario: A Journal of Performative Teaching, Learning, Research X, no. 2 (2016): 22–36. http://dx.doi.org/10.33178/scenario.10.2.3.

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This paper presents an English as a foreign language (EFL) drama in language acquisition scriptwriting project that took place at a four-year private university located in Japan. The focus of this project was two-fold: firstly, to see if students’ cognition of situational context improved after completing scriptwriting exercises, and secondly to see if role-playing the scripts increased awareness in the identification of setting, roles of speakers, and purpose while increasing language aptitude. Furthermore, this study addresses the insufficient communicative competence abilities of Japanese s
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Marković, Ljiljana, and Nina Lazarević. "As They Wrote It - Students' Projects." ELOPE: English Language Overseas Perspectives and Enquiries 7, no. 1 (2010): 89–104. http://dx.doi.org/10.4312/elope.7.1.89-104.

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With the reformed curriculum introduced in Serbia, students have a more active role during their studies. Projects may help make students more ‘visible’ in the learning/teaching process by both providing a broader basis and catering to different interests of students. They also enable teachers to continuously follow and assess the work and achievements of students, thus taking the ‘burden’ off the final exam. Bearing that in mind, we organized a three-fold project for the third-year students at the English Department in Niš. The students could choose among writing for a magazine, acting in a d
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Gabbert, Lisa. "Folk Drama." Humanities 7, no. 1 (2018): 2. http://dx.doi.org/10.3390/h7010002.

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Li, Xin, and Yumeng Yuan. "When lying is more than deceiving." Pragmatics and Society 11, no. 1 (2020): 124–48. http://dx.doi.org/10.1075/ps.17021.li.

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Abstract Lying is a common but controversial verbal phenomenon in human society. This paper aims to uncover the motivation and mechanism of lying as regards its definition, classification and operation by analyzing both the speaker’s production and the addressee’s interpretation process. The Relevance-Adaptation Model is adopted as its theoretical framework. Lying cases, retrieved from an American TV drama Lie to Me, are analyzed from different perspectives to provide concrete evidence for the theoretical assumptions. The findings are two-fold: Theoretically, this paper formulates a working di
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Graham-White, Anthony. "Rethinking Folk Drama (review)." Theatre Journal 53, no. 4 (2001): 667–68. http://dx.doi.org/10.1353/tj.2001.0105.

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Csík, Zsófia, and Júlia Eck. "Drama Games in Folk Dance Education." Tánc és Nevelés 3, no. 1 (2022): 125–46. http://dx.doi.org/10.46819/tn.3.1.125-146.

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This paper examines the effects of drama games on successful competency development in teaching and education, specifically within folk dance education. We also present the results of data drawn from two non-representative pieces of research done among educators (n=30) and students (depending on game n=19–39) regarding the effective use of structured drama activities in the folk dance classroom to strengthen group cohesion or trust between students. Finally, as a methodological recommendation, we introduce a collection of drama games and possibilities for their integration into folk dance educ
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Qiao, Huhe. "Research on Field Investigation Methods of Folk drama." SHS Web of Conferences 167 (2023): 01016. http://dx.doi.org/10.1051/shsconf/202316701016.

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Field investigation is an important research method for studying folk drama. Taking field survey experience of Errentai as an example, this article summarizes the methods and precautions that need to be used in the field survey of folk drama, hoping to provide a substantive case for the research methods of folk drama.
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Karasik, Vladimir I. "Modes of Interpretation of «The Tragedy of Coriolanus» by W. Shakespeare." Proceedings of Southern Federal University. Philology 2020, no. 4 (2020): 12–28. http://dx.doi.org/10.18522/1995-0640-2020-4-12-28.

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The paper deals with the hermeneutic approach to drama interpretation on the material of «The Tragedy of Coriolanus» by W. Shakespeare. The offered model includes a two-fold coordinate system: the analysis of the plot from the point of view of its identification, comprehension and attitude formation, on the one hand, and its semantic, pragmatic and stylistic explanation, on the other hand. The application of this approach to understanding of the tragedy in question makes it possible to define the subject of the play, its genre and the main characteristic features of its heroes. This is a seman
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9

Adjeketa, Blessing. "Eurocentric(ism) and Folk(ism) in Edegborode Festival Performance." African Performance Review 14, no. 1&2 (2025): 68–77. https://doi.org/10.30817/01412.apr0199.

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This article explores the Edegborode Annual Festival Performance of Sapele, Delta State, Nigeria, as one of the dramatic performances in Africa, with the possibility of defining the festival as a contemporary folk drama using Sam Ukala’s Folkism eight (8) Laws of Aesthetic Response. Adopting traditional African performances into modern African folk drama is a challenge. I adopt the qualitative methods of research in collecting and analysing data on the festival. My aim is to examine and measure the number of Eurocentric dramatic elements like plot, character(isation), music, song, performance
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Kharel, Megh Prasad. "Performing Arts and BarkaNaach of Dangaura Tharus as Folk Drama." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (2021): 26–33. http://dx.doi.org/10.3126/sjah.v3i1.35356.

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This article examines different elements of folk drama in the BarkaNaach of Dangaura Tharus. It attempts to present the multiple features of the folk drama in the folk community. Based on the basic features of vernacular theatre, the study spotlights the key dramatic elements like ritual rule, context, narrative, stage and setting, characters and semiotic implication, song, dance and language as well as musical instruments and costumes in the presentation of BarkaNaach. The analysis of such drama in the light of elementary facet underlines the multiple sides of folklore as it embodies the cult
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Tesis sobre el tema "Fold drama"

1

Albano, Caterina. "Representations of food and starvation in early modern English drama." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314188.

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period: the case of John Ford." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period the case of John Ford /." University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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譚達先 and Tat-sin Tam. "Folk literature and the Zaju (Northern drama) of the YuanDynasty, 1279-1368." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31232395.

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Bishop, Glenford Richard. "The origins of the English folk-play : re-interpreting texts and theories." Thesis, University of Wales Trinity Saint David, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683021.

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Hansen, Gregory. "The Blankety-Blank of Bear Creek Camp: A Rhetorical Analysis of a Folk Drama." TopSCHOLAR®, 1987. https://digitalcommons.wku.edu/theses/2418.

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A rhetorical theory of folklore was used to interpret how summer camp staffers use a folk drama as a means of identification and as a type of artistic expression. The performance was analyzed for ethnographic information using Kenneth Burke's theory of dramatism and for artistic techniques using Burke's theory of the psychology of audience. The dramatistic pentad contextualized the performance, and this information was analyzed for motives through the delineation of dramatistic ratios. The skit's syntagmatic structure was outlined using Burke's description of five aspects of form. The analysis
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Svensson, Mattias, and Malin Holmqvist. "”Man lär sig kommunicera med folk och sånt”." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-36504.

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Syftet med uppsatsen var att se hur elever med svenska som andraspråk ser på sin läromiljö och hur den påverkas om man arbetar med pedagogiskt drama i undervisningen. Frågeställningarna är: •Hur påverkas läromiljön av undervisningen med pedagogiskt drama? •Hur skapar läraren tydliga ramar i klassrummet? Som metod för att besvara dessa frågor har vi intervjuat sju elever i en gymnasieklass med svenska som andraspråk efter att ha observerat dem under fyra dramapass, samt använt oss av enkäter till lärare i svenska som andraspråk. Resultatet visar att lärarnas goda intentioner i klassrummet in
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Aydogdu, Merve. "Tragedy At Court: An Analysis Of The Relationship Between Jealousy, Honour, Revenge And Love In John Ford." Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615438/index.pdf.

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The aim of this study is to demonstrate the destructive effects of infidelity in the old-aged husband-the young wife marriages which end up with tragedy. In John Ford&rsquo<br>s Love&rsquo<br>s Sacrifice (1633) and Lope de Vega&rsquo<br>s Punishment Without Revenge (1631), tragedy turns out to be the inevitable consequence of the plays since the motives of jealousy, honour, revenge and love converge and lead people to commit sinful crimes. Within this scope, the first chapter of the thesis is devoted to the historical information about the state of English and Spanish theatres together with th
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Ong, Min Yen. "Kunqu in 21st century China : musical change and amateur practices." Thesis, SOAS, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.649379.

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Mayhew, Steve. "Becoming John Ford : the silent period 1914-1930." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/27731/.

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Drawing on extensive primary research into John Ford’s early films, from the silent era up until the late 1920s, the thesis charts the evolution of what has become known as the ‘Fordian sensibility’ through a close textual analysis of the director’s extant silent films, taking into account the implications of the auteur theory as applied to Ford’s work. A major part of the research process has been devoted to the appropriation of the director’s surviving early titles, in order that all existing film materials relevant to the thesis can be included. Prior to examining Ford’s silent film output,
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Libros sobre el tema "Fold drama"

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Fujian Sheng yi shu yan jiu su. Min Tai min jian yi shu san lun. Lu jiang chu ban she, 1991.

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Smith, Barbara L. Butterscotch: A comic drama. Samuel French, 1997.

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Hoffman, Emily. Drama queen: Comfort food. Emily Hoffman, 2001.

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4

Lužina, Jelena. Istorija na makedonskata drama: Makedonskata bitova drama. Kultura, 1995.

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Savushkina, Nina Ivanovna. Russkai͡a︡ narodnai͡a︡ drama: Khudozhestvennoe svoeobrazie. Izd-vo Moskovskogo universiteta, 1988.

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Shuai, Xuejian. Anshun local drama in China. Homa & Sekey Books, 2015.

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Anderson, Jane. Food and shelter: A drama in two acts. S. French, 1992.

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Sorokina, S. P. Narodnai︠a︡ drama "T︠S︡arʹ Maksimilian": Teksty. IMLI RAN, 2019.

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Dibia, I. W. Balinese dance, drama & music: A guide to the performing arts of Bali. Tuttle Pub., 2004.

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Djaenuderadjat, Endjat. Topeng Lampung: Tinjauan awal drama tari Tupping dan pesta Sakura. Edited by Laksito Oki, Bambang Sigit W, Fachruddin, and Indonesia. Bagian Proyek Pembinaan Permuseuman Lampung. Departemen Pendidikan dan Kebudayaan, Kantor Wilayah Propinsi Lampung, Bagian Proyek Pembinaan Permusiuman Lampung, 1993.

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Capítulos de libros sobre el tema "Fold drama"

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Reiter, Nils, and Marcus Willand. "What are they Talking About? A Systematic Exploration of Theme Identification Methods for Character Speech in Dramatic Texts." In Germanistische Symposien. J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05886-7_20.

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ZusammenfassungThis article systematically explores different methods to describe and compare the thematic content of character speech in drama. The problems here are two-fold: The determination of the theme of a text segment is challenging, as it might be subtle or deliberately hidden. Secondly, the evaluation of this determination is difficult, because gold standards do not exist. We approach these problems by comparing the output of different systems to previously stated expectations (postulates) that are partially derived from drama theory and history. Results show that all systems current
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2

Seddon, G. M. "Interactive Drama and Scientific Issues." In Food, Science and Society. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-07285-1_8.

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Knight, Graham. "Framing social drama." In Folk Devils and Moral Panics in the COVID-19 Pandemic. Routledge, 2024. http://dx.doi.org/10.4324/9781003453222-7.

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Huebert, Ronald. "Endless Dreams: John Ford." In The Performance of Pleasure in English Renaissance Drama. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230503168_8.

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Barker, Simon, and Hilary Hinds. "John Ford, 'Tis Pity She's a Whore." In The Routledge Anthology of Renaissance Drama. Routledge, 2003. http://dx.doi.org/10.4324/9780203446584-17.

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Onions, John. "Ford: Literature Meets History." In English Fiction and Drama of the Great War, 1918–39. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20620-9_8.

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Bulathsinghala, Lakshmi D. "The Reinstitution of Folk Dramatic Features." In The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka. Routledge, 2024. http://dx.doi.org/10.4324/9781003212263-5.

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Bin 朱斌, Zhu. "“Imagined Folk”: On the Story World and Cultural Implications of Chinese Network Costume Drama." In Essentials of Chinese Literature and Art Criticism Volume I. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-7648-1_14.

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Minucci, Guido, and Ahmed Karmaoui. "Exploring the Water-Food-Energy and Climate Nexus: Insights from the Moroccan Draa Valley." In Peri-Urban Areas and Food-Energy-Water Nexus. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41022-7_11.

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Lewis, Katy, and Shelby Ragan. "She Eats Well: Exploring Power and Desire Through Food and Romance in Korean Dramas." In Streaming and Screen Culture in Asia-Pacific. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09374-6_13.

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Actas de conferencias sobre el tema "Fold drama"

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Kumar, Manivendra, and Dr Ananya Ghoshal. "Theatre as a Catalyst for Social Change: Understanding Habib Tanvir as a Reformist Playwright in ‘Charandas Chor’ (1975)." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-015.

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Post-independence canon of Indian theatre is marked by a paradigmatic shift in the reformist agendas of the playwrights. Some playwrights used the method of proscenium plays, while others relied on street or folk theatre to present the socio-cultural turbulences of the time. Habib Tanvir is one reformist playwright of the period whose works can be traced at the intersections of proscenium and rural/folk theatre. Tanvir’s plays are considered milestones in the amalgamation of Indian folk theatre arts and the contemporary perspective of the world. Scholars such as Katheryn Hansen and Javed Malli
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Markle, David A. "Limits of optical lithography." In OSA Annual Meeting. Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.mp2.

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The performance requirements of optical lithography equipment are driven by DRAM memory chips which require a 30% reduction in line width and a three-fold increase in resolution elements every generation. Until now semiconductor chips were small enough that arrays of them could be placed in the field of a lithography lens. This placed the emphasis on higher resolution for each new lens generation. The development of the 16-Mb DRAM has changed our priorities. The next generation of memory chips and all those to follow will require substantial increases in field sizes as well as resolution and t
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Э.М., Курбанова. "DRAMATIC TRADITIONS IN DARGINIAN FOLKLORE." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2023. http://dx.doi.org/10.34775/y5868-2135-9161-b.

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Даргинская литература, как и литературы других народов Дагестана, возникла на основе диалектического слияния художественного опыта народа, хранимого в его фольклоре. Богатый фольклор даргинцев не знал драмы в прямом значении этого слова, хотя разнообразные драматические элементы наличествовали в календарных народных обрядах, а также эпосе и лирике. Dargin literature, like the literature of other peoples of Dagestan, arose on the basis of a dialectical fusion of the artistic experience of the people stored in their folklore. The rich folklore of the Dargins did not know drama in the direct mean
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Li, Zhenhao, and Dandan Zhou. "Folk Cultures and Artistic Characteristics of “Yisheng Goddess” Festival Lantern Drama." In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.029.

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Antonov, Yu G. "Interpretation Of Mordovian Myth And Folk Traditions In A. Pudin’s Drama Cordon." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.15.

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Koroliova, Elfrida. "Director Victor Gherlac’s activity." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.06.

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The shows staged by Victor Gherlac in 1940-1950 corresponded to their time. In the Stefan Batca show, staged just before the outbreak of the war, the foreboding of the war felt. On the eve of Victory Day, the premiere of the spectacular musical comedy One Night in May took place. The show Under the Chestnuts in Prague, staged in the first post-war years, reflected the contrasting visions relevant at the time. The show The Outlaws staged the struggle of the people against the oppressors (which oppressors?) in 1949. In 1950, in the romantic entertainment of the operetta Trembita, people's hopes
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Wang, Chun-Han Ariel, Elizabeth Kaziunas, and Chia-Fang Chung. "“It's Too Much On Top of Your Own Food Drama”: Exploring Food Allergy Identity and Experience Through Social Media." In CHI 2025: CHI Conference on Human Factors in Computing Systems. ACM, 2025. https://doi.org/10.1145/3706598.3714126.

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Cui, Guoling. "Research on Classification and Popularization of Folk Drama Based on Data Mining and SVM." In 2021 International Conference on Electronic Communications, Internet of Things and Big Data (ICEIB). IEEE, 2021. http://dx.doi.org/10.1109/iceib53692.2021.9686411.

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Jiang, Li, and Maotao Zhang. "Study on Oral Materials of the Folk Artisan of Lantern Drama in Gongxian County, South Sichuan." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.036.

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Ruiying, Kuang. "A study on the relation between folk art and drama — taking changle story as an example." In 2016 International Conference on Advanced Materials for Science and Engineering (ICAMSE). IEEE, 2016. http://dx.doi.org/10.1109/icamse.2016.7840366.

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