Bibliografías temáticas / Frank Bridge

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Literatura académica sobre el tema "Frank Bridge"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 12 de febrero de 2022

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Artículos de revistas sobre el tema "Frank Bridge"

1

Bishop, John. "Bridge-Building: The Frank Bridge Trust." Musical Times 132, no. 1775 (January 1991): 698. http://dx.doi.org/10.2307/965550.

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Everett, William A., Karen R. Little, and Stewart R. Craggs. "Frank Bridge: A Bio-Bibliography." Notes 51, no. 2 (December 1994): 611. http://dx.doi.org/10.2307/898893.

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Hindmarsh, Paul. "Frank Bridge: Seeds of Discontent." Musical Times 132, no. 1775 (January 1991): 695. http://dx.doi.org/10.2307/965549.

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Earle, Ben. "Modernism and Reification in the Music of Frank Bridge." Journal of the Royal Musical Association 141, no. 2 (2016): 335–402. http://dx.doi.org/10.1080/02690403.2016.1216045.

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ABSTRACTDrawing on the tradition of Formenlehre, this article puts forward a methodological historicism as a means of mediating between the disciplinary expectations of musical analysis, on the one hand, and philosophical aesthetics, on the other. Stylistic developments in the later music of Frank Bridge, perhaps British music's best claim to a high modernist of the generation of Schoenberg and Stravinsky, are illuminated by means of Theodor W. Adorno's notion of musical ‘reification’. A comparative analysis of the complementary modernism of Bridge's contemporary Ralph Vaughan Williams is also
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FILATOV, G. V. "INHABITED BRIDGE OF THE XX CENTURY." Urban construction and architecture 1, no. 3 (September 15, 2011): 9–11. http://dx.doi.org/10.17673/vestnik.2011.03.2.

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This article shows the formation process of inhabited bridge during the twentieth century. First building-bridge was erected in 1962. It is Marin County Civic Center by Frank Lloyd Wright. In 1991 Stock Exchange was constructed in London by SOMs project. It is first square-bridge. In 1997 first inhabited bridge of еру twentieth century was erected in Moscow.
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Earle, Ben. "The Music of Frank Bridge. By Fabian Huss." Music and Letters 97, no. 2 (May 2016): 358–60. http://dx.doi.org/10.1093/ml/gcw042.

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Mellers, Wilfrid. "Paradise, Panic and Parody in Britten's Frank Bridge Variations." Tempo, no. 217 (July 2001): 26–37. http://dx.doi.org/10.1017/s0040298200017289.

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Britten's first masterpiece, A Boy was Born, paid tribute to the English choral tradition which had played so prominent a part in our musical history, albeit with a technical virtuosity very different from the manners, if not the modes, of conventional British pastoralism. Although A Boy was Born is not strictly speaking a religious work, it is about the burgeoning of life in innocence, and Britten's ‘cleverness’ involved a knack of discovering musical images that ‘enact’ aurally and even physically the visual images of the poems: a marvellous instance of which is the simultaneously burning an
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Landesberg, Amir, and Samuel Sideman. "Regulation of energy consumption in cardiac muscle: analysis of isometric contractions." American Journal of Physiology-Heart and Circulatory Physiology 276, no. 3 (March 1, 1999): H998—H1011. http://dx.doi.org/10.1152/ajpheart.1999.276.3.h998.

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The well-known linear relationship between oxygen consumption and force-length area or the force-time integral is analyzed here for isometric contractions. The analysis, which is based on a biochemical model that couples calcium kinetics with cross-bridge cycling, indicates that the change in the number of force-generating cross bridges with the change in the sarcomere length depends on the force generated by the cross bridges. This positive-feedback phenomenon is consistent with our reported cooperativity mechanism, whereby the affinity of the troponin for calcium and, hence, cross-bridge rec
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9

Milani-Nejad, Nima, Ying Xu, Jonathan P. Davis, Kenneth S. Campbell, and Paul M. L. Janssen. "Effect of muscle length on cross-bridge kinetics in intact cardiac trabeculae at body temperature." Journal of General Physiology 141, no. 1 (December 31, 2012): 133–39. http://dx.doi.org/10.1085/jgp.201210894.

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Dynamic force generation in cardiac muscle, which determines cardiac pumping activity, depends on both the number of sarcomeric cross-bridges and on their cycling kinetics. The Frank–Starling mechanism dictates that cardiac force development increases with increasing cardiac muscle length (corresponding to increased ventricular volume). It is, however, unclear to what extent this increase in cardiac muscle length affects the rate of cross-bridge cycling. Previous studies using permeabilized cardiac preparations, sub-physiological temperatures, or both have obtained conflicting results. Here, w
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Siry, Joseph M. "Building as Bridge: Frank Lloyd Wright’s Marin County Civic Center." Art Bulletin 101, no. 3 (July 3, 2019): 115–45. http://dx.doi.org/10.1080/00043079.2019.1564179.

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Tesis sobre el tema "Frank Bridge"

1

Edwards, Angela M. "Frank Bridge : the string quartets." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/14826/.

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This study traces the stylistic development of the string quartets. The opening chapter shows the way that his personal idiom emerged in the earliest works. It also explains the analytical approach that has been used. The concept of symmetrical orderings fusing separate elements has been evident in music from all stages of Bridge's output. Overall tonal relationships have linked with inner tonal relationships as well as thematic ideas and chord structures. In addition, symmetry has drawn together the two aspects of Bridge's language, the traditional and the radical, and shown how the way that
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2

Harrison, Robin Granville. "The late style of Frank Bridge." Thesis, Bangor University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409654.

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Huss, Fabian Gregor. "The chamber music of Frank Bridge." Thesis, University of Bristol, 2011. http://hdl.handle.net/1983/4bfd9bcb-632d-468d-817a-c68a27dd7ebf.

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Hopwood, Paul Andrew. "Frank Bridge and the English pastoral tradition." University of Western Australia. School of Music, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0017.

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This study's thesis is that instances of pastoralism in the works of Frank Bridge from 1914 to 1930 demonstrate a gradual darkening of his pastoral vision, and evince his increasingly complex relationship with the genre of pastoral music that flourished in English music in the early twentieth century (referred to in this study as 'the English pastoral tradition'). The study traces the change from the sensual and romantic idyll of Summer (1914-15), through progressively more ambiguous and darker manifestations of pastoral, and eventually to a bleak anti-pastoral vision in Oration (1930). This t
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Yoo, Kyungjin. "Oration, Concerto Elegiaco by Frank Bridge: A Practical Guide for Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538701/.

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English composer Frank Bridge (1879-1941) is well known as Benjamin Britten's teacher and to a lesser degree for his chamber music. Because his mature creative period occurred between the First and Second World War, his works were not well studied or performed until the 1970s, well after his death. This dissertation discusses Bridge's life and his music, how World War I affected in this work, and specifically the work Oration Concerto Elagiaco. Oration is considered historically in terms of its meaning and delayed premiere. Additionally, the work's fantasy arch form, Bridge's signature composi
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Amos, Mark. "'A Modernist in the Making'? : Frank Bridge and the Cultural Practice of Music In Britain, 1900-1941." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522834.

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Birnbaum, Sara Gardner. "Elegies for Cello and Piano by Bridge, Britten and Delius: A Study of Traditions and Influences." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/7.

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In the western classical tradition, the violoncello has developed a reputation for its soulful, vocal qualities. Because of this distinction, many composers have written elegiac works for the cello. This document comprises studies of three twentieth-century British elegies for cello and piano, each explored against a backdrop of poetic, societal and musical influences. The results reveal several common tropes of mourning, both musical and extra-musical, which can be applied to further studies of musical works.
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Pulcastro, Hannah C., Peter O. Awinda, Mei Methawasin, Henk Granzier, Wenji Dong та Bertrand C. W. Tanner. "Increased Titin Compliance Reduced Length-Dependent Contraction and Slowed Cross-Bridge Kinetics in Skinned Myocardial Strips from Rbm20ΔRRM Mice". FRONTIERS MEDIA SA, 2016. http://hdl.handle.net/10150/621415.

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Titin is a giant protein spanning from the Z-disk to the M-band of the cardiac sarcomere. In the I-band titin acts as a molecular spring, contributing to passive mechanical characteristics of the myocardium throughout a heartbeat. RNA Binding Motif Protein 20 (RBM20) is required for normal titin splicing, and its absence or altered function leads to greater expression of a very large, more compliant N2BA titin isoform in Rbm20 homozygous mice (Rbm20(Delta RRm)) compared to wild-type mice (WT) that almost exclusively express the stiffer N2B titin isoform. Prior studies using Rbm20(Delta RRm) an
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Kennett, Christian. "The harmonic species of Frank Bridge : an experimental assessment of the applicability of pitch-class generic theory to analysis of a corpus of works of a transitional composer." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262644.

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Hsu, Hui-pin. "Form in Frank Bridge's three phantasies." Thesis, City University of New York, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3561222.

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<p> From 1905 to the mid-1930s, British music (chamber music in particular) enjoyed the enlightened patronage of Walter Willson Cobbett (1847-1937), who supported and sponsored competitions for short, one-movement, chamber works titled "phantasy." There are opposing views as to what forms these phantasies exemplify. On the one hand, Charles Villiers Stanford and J.A. Fuller-Maitland claimed that these twentieth-century phantasies exemplify one specific form, although their descriptions of that form are not completely compatible with each other. On the other hand, Ernest Walker and David Maw ha
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Libros sobre el tema "Frank Bridge"

1

Little, Karen R. Frank Bridge: A bio-bibliography. New York: Greenwood Press, 1991.

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2

Keating, Roderic Maurice. The songs of Frank Bridge. Ann Arbor, Mich: University Microfilms International, 1990.

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3

Frank Stewart's contract bridge quiz book. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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4

Rose, Phyllis Esther. Frank Barber and his bridges. Toronto: [s.n.], 1985.

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5

Bridge, Frank R. CD-ROM technology for libraries: Participant workbook : a workshop presented by Frank R. Bridge and C. Rebecca Garcia of the Library Development Division, Texas State Library. [Austin, Tex.]: Texas State Library, 1988.

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Daulte, François. Au service de l'art: Entretiens avec Frank Bridel. Lausanne: La bibliothèque des arts, 1996.

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Leonoff, Cyril Edel. Bridges of light: Otto Landauer of Leonard Frank Photos, 1945-1980. Vancouver: Talonbooks, 1997.

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Charlet, André. André Charlet: La foule enchantée : entretiens avec Frank Bridel. Lausanne: La Bibliothèque des arts, 2000.

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Reverdin, Olivier. Olivier Reverdin: L'humaniste sur tous les fronts : entretiens avec Frank Bridel. Lausanne: Bibliotheque des arts, 1996.

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Frank, Harris. My life and loves. Amherst, N.Y: Prometheus Books, 1999.

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Capítulos de libros sobre el tema "Frank Bridge"

1

Sommer, Andreas Urs, Nikiaus Peter, and Frank Bestebreurtje. "Briefe." In Franz Overbeck: Werke und Nachlaß, 1–463. Stuttgart: J.B. Metzler, 2008. http://dx.doi.org/10.1007/978-3-476-00013-2_1.

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Goldblum, Sonia. "Dialogische Werkstatt des neuen Denkens – Franz Rosenzweig in seinen Briefen." In Briefe als Laboratorium der Literatur im deutsch-jüdischen Kontext, 115–30. Göttingen: V&R unipress, 2021. http://dx.doi.org/10.14220/9783737012966.115.

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Lichtblau, Klaus. "Die Frankfurter Briefe von Franz Oppenheimer an Ferdinand Tönnies (1919 – 1926)." In Zyklos 1, 399–409. Wiesbaden: Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-03960-8_17.

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Schiffermüller, Isolde. "»Mein ganzes Wesen ist auf Litteratur gerichtet«. Zum Briefwerk von Franz Kafka." In Briefe als Laboratorium der Literatur im deutsch-jüdischen Kontext, 97–114. Göttingen: V&R unipress, 2021. http://dx.doi.org/10.14220/9783737012966.97.

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Walravens, Hartmut. "Franz Blei als Verlagsberater Die Briefe Bleis an den Verleger Julius Zeitler." In 2009, 1–52. Berlin, New York: Walter de Gruyter, 2009. http://dx.doi.org/10.1515/9783598441837.1.

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Clinch, Jonathan. "Frank Bridge:." In The Symphonic Poem in Britain, 1850-1950, 305–30. Boydell & Brewer, 2020. http://dx.doi.org/10.2307/j.ctvt1sjqq.17.

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Brown, Stephanie. "Finding the “Necessary Anguish”." In Rediscovering Frank Yerby, 147–62. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827821.003.0008.

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Critics have been content to summarize Frank Yerby’s extensive oeuvre by claiming that after unsuccessful attempts to publish “This is My Own,” a protest novel, Yerby shifted his focus to “costume novels” centered on white characters in exotic settings. Critics continue by noting that in 1969 Yerby suddenly produced Speak Now, a novel centered around the story of a Black American expatriate musician who falls in love with a white Southern heiress. Some critics mention that between 1946 and 1969 Yerby produced a second “protest” novel, “The Tents of Shem,” which was twice rejected by publishers. The connection between Yerby’s first unpublished protest novel and his second, however, has never been explored. This chapter argues that “Tents” plays a crucial role in the evolution of Yerby’s work. “The Tents of Shem” is a bridge between early and late Yerby, one that helps to delineate both the continuity and the development of his politics and his art.
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Downes, Stephen. "Modern Maritime Pastoral: Wave Deformations in the Music of Frank Bridge." In British Music and Modernism, 1895–1960, 93–108. Routledge, 2017. http://dx.doi.org/10.4324/9781315096070-5.

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Schillig, Michael. "Private Sector Transfer, Bridge Bank, and Asset Separation." In Resolution and Insolvency of Banks and Financial Institutions. Oxford University Press, 2016. http://dx.doi.org/10.1093/oso/9780198703587.003.0013.

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The assisted transfer of the viable parts of a failing institution’s business to a private sector purchaser, or the temporary transfer to a bridge bank, are well-tested bank resolution tools. The same is true for the ‘good bank/bad bank’ model, where performing assets are separated from non-performing assets and the latter are parked in a separate entity until market conditions have stabilized. This chapter analyses the European legal framework for the sale of business, bridge bank, and assets separation tools, as well as their implementation in the UK and Germany. The experience with similar tools under the US FDIC receivership regime for depository institution and their extension under Title II of the Dodd–Frank Act will be used as a comparative reference point.
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Bashford, Christina. "Medium and Message." In Over Here, Over There, 15–36. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042706.003.0002.

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Musical responses to the sinking of the Lusitania (1915)—a watershed in World War 1—appeared on both sides of the Atlantic. In Britain, Frank Bridge composed his Lament for string orchestra, dedicated to Catherine Crompton, a child who had perished along with her entire family. The piece, performed professionally in London, was written for a type of ensemble that was popular with wealthy amateur women string players. Since strings were associated with the expressivity of the human voice and were becoming understood as having therapeutic properties, Bridge’s music may be considered a “lullament” for its combination of elements of lullaby and lament. This hybrid genre of grief further carried gendered and class-ridden meanings. The work reinforced and transcended British cultural and musical norms and boundaries.
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Actas de conferencias sobre el tema "Frank Bridge"

1

Capellán, Guillermo, Hector Beade, Pablo Alfonso, Jorge López, and Víctor García. "Design and Construction of Frank Gehry Bridge. First access to the new Island of Zorrotzaurre in Bilbao, Spain." In IABSE Congress, Stockholm 2016: Challenges in Design and Construction of an Innovative and Sustainable Built Environment. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2016. http://dx.doi.org/10.2749/stockholm.2016.2654.

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Waldin, Jeremy, and Ben Baty. "Recovering the Waiho – Emergency response and recovery of the Waiho River Bailey Bridge." In IABSE Congress, Christchurch 2021: Resilient technologies for sustainable infrastructure. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/christchurch.2021.0537.

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&lt;p&gt;Waiho – (verb) (-ngia,-tia) &lt;i&gt;to let be, leave alone, put, place, ignore.&lt;/i&gt;&lt;/p&gt;&lt;p&gt;SH6 Waiho Bailey Bridge is located just south of Franz Josef township in the South Island of New Zealand and is a critical connection for the West Coast. The Bailey bridge was first constructed in 1990 and has since been raised and extended three times due to significant aggradation of the riverbed. During a massive storm event on March 26, 2019 the northern abutment and northern- most pier were washed out leading to collapse of several spans of the bridge. The cost caused by t
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Lebarbe´, T., D. Hyvert, S. Marie, O. Gelineau, D. Bonne, and Frantz De La Burgade. "Presentation of RCC-MRx Code 2010 for Sodium Reactors (SFR), Research Reactor (RR) and Fusion (ITER): General Overview and CEN-Workshop." In ASME 2011 Pressure Vessels and Piping Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/pvp2011-57614.

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A draft of the fifth edition of the RCC-MR code, named RCC-MRx 2010, has been issued in French and English versions on December 2010 by AFCEN (Association Franc¸aise pour les re`gles de Conception et de Construction des Mate´riels des Chaudie`res Electro-nucle´aires). This RCC-MRx Code is the result of the merger of the RCC-MX 2008 developed in the context of the research reactor Jules Horowitz Reactor project, in the RCC-MR 2007 which set up rules applicable to the design of components operating at high temperature and to the Vacuum Vessel of ITER. This is a non-public document established in
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