Bibliografías temáticas / French literature - history and criticism

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Literatura académica sobre el tema "French literature - history and criticism"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "French literature - history and criticism"

1

Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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Maritchik-Sioli, Youlia A. "“Very Russian, the French Would Say... Very French, the Russians Would Say”: The Metamorphosis of E. Bakunina’s Novel ‘The Body’ in French and Russian Literary Criticism." Literary Fact, no. 1 (31) (2024): 217–41. http://dx.doi.org/10.22455/2541-8297-2024-31-217-241.

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The article is devoted to the reception of the novel “The Body” (1933) by emigré writer E.V. Bakunina in French and Russian literary criticism in the early 1930s. A number of researchers have already analyzed the responses of Russian critics to the publication of the novel but have not paid enough attention to a cross-sectional view of the perception of the writer’s work. This question is of interest insofar as it allows us to identify weaknesses and strengths of Bakunina’s work and rethink the literary and cultural norms established in the early 20th century. One of the article’s crucial ques
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Niang, Sada, and Belinda E. Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African Studies Review 41, no. 2 (1998): 176. http://dx.doi.org/10.2307/524847.

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Arnold, A. James, and Belinda Elizabeth Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African American Review 32, no. 2 (1998): 336. http://dx.doi.org/10.2307/3042131.

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Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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Kravets, Yarema. "VASYL STEFANYK IN THE FRENCH LINGUAL READING." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 323–34. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-323-334.

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French-speaking literary criticism and translation, dedicated to Vasyl Stefanyk, have already more than centenary history. Already in 1912 and 1915 the French reader has known separate novellas of the Ukrainian writer. Since his creative activity has been constantly present in individual Ukrainian monographs which appeared in Swiss, Belgium and France. The most significant publications of the French-speaking Stefanykiana are the book “Croix de pierre” that contained more than 40 writer’s novellas, separate chapters about V. Stefanyk in 12-volume Belgian anthology «Patrimoine littéraire europée
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Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha
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Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li
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Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li
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Tesis sobre el tema "French literature - history and criticism"

1

L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

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French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.
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Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.

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Jack, Belinda Elizabeth. "The autonomy of a literature : major theoretical issues in the history and criticism of Negro-African literature in French." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306798.

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Downing, Lisa Michelle. "Desire and immobility : situating necrophilia in nineteenth-century French literature." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:ccbb5b9e-58da-4d36-901b-bd71112f3c05.

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Bolding, Sharon Lynn Dunkel. "When worlds collide : structure and fantastic in selected 12th- and 13th- century French narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/NQ27109.pdf.

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Grange, Huw Robert. "Sublime and abject bodies : saints and monsters in late medieval French and Occitan hagiography." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607654.

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Şaim, Mirela. "La traversée du discours moderne par le dialogue /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70221.

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Dialogue is a written text representing an oral exchange between two or more persons; it also includes catechisms and rhetorically formulated series of queries and responses presenting an argument. The purpose of my thesis is to identify the main non-dramatic dialogues published in France and Italy between 1800 and 1914 and--through their discursive analysis--to provide an assessment of their signification and their impact on modern social discourse.<br>The first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and
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Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

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The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.<br>The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intell
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Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.

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During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs i
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Libros sobre el tema "French literature - history and criticism"

1

Kay, Sarah. Short history of French literature. Oxford University Press, 2003.

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Lighthall, W. D. French-Canadian literature. s.n., 1997.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Weiss, Jonathan M. French-Canadian literature. Association for Canadian Studies in the United States, 1989.

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Denis, Hollier, and Bloch R. Howard, eds. A new history of French literature. Harvard University Press, 1994.

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G, Henry Freeman, ed. Beginnings in French literature. Rodopi, 2002.

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G, Henry Freeman, ed. Beginnings in French literature. Rodopi, 2002.

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Dionne, René. Canadian literature in French. Canadian Studies Directorate, 1988.

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Capítulos de libros sobre el tema "French literature - history and criticism"

1

Hindus, Milton. "Babbitt's Masters of Modern French Criticism." In Irving Babbitt, Literature and the Democratic Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003421177-3.

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Bennett, Andrew, and Nicholas Royle. "History." In An Introduction to Literature, Criticism and Theory, 6th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003255390-18.

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Lansdown, Richard. "‘A Province of Truth’: Criticism and History." In The Autonomy of Literature. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985182_5.

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Scrivener, Michael. "Jewish Representations, Literary Criticism and History." In Jewish Representation in British Literature 1780–1840. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120020_2.

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Saxton, Libby. "History, Memory, Fiction in French Cinema." In Teaching Holocaust Literature and Film. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230591806_9.

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Cameron, Barry. "5. Theory and Criticism: Trends in Canadian Literature." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, et al. University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-007.

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Mozejko, Edward, and Milan V. Dimić. "Romantic Irony in Polish Literature and Criticism." In Comparative History of Literatures in European Languages. Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.16moz.

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Ashley, Katherine. "Stevenson in French Literary History." In Robert Louis Stevenson and Nineteenth-Century French Literature. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474493239.003.0005.

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This chapter analyses Stevenson’s place in the development of French literature and positions his work within debates taking place on the evolution of the novel in fin-de-siècle France. The importance of Stevenson’s fiction to the elaboration of the French adventure novel in the early twentieth century is well known. This chapter shows that even before this, Stevenson’s writing offered a counter-model to Naturalism. The chapter discusses how French critics were unconcerned with internal debates in the Anglo-Scottish literary field because they considered France as the arbiter of literary norms, and shows how Stevenson appealed to French critics because he rejected literary schools and forged his own path in terms of genre, form and style. The chapter is divided into three sections: ‘Generational Differences’; ‘Beyond Naturalism’; ‘Towards a New Novel’.
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Banfield, Ann. "I. A. Richards." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0007.

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Abstract A. Richards’s critical activity spans the period from Modernism—Principles of Literary Criticism appeared in 1924—to French structuralism. Richards reviewed a structuralist analysis of Shakespeare by his Harvard colleague, the Russian linguist Roman Jakobson, in 1970. He also commented on generative grammar in two articles published in 1967–8. He thus recalls a time when criticism acknowledged the importance of language and the existence of linguistics. Yet that acknowledgement also meant severing the academic study of literature from Germanic philology, which had ushered in the study of English literature over classics through the history of English: the chair of Anglo-Saxon at Cambridge was first occupied in 1878 by W. W. Skeat, editor of Beowulf.
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Skiveren, Tobias. "Feminist New Materialism and Literary Studies: Methodological Meditations on the Tradition of Feminist Literary Criticism and (Post)Critique." In How Literature Comes to Matter, edited by Sten Pultz Moslund, Marlene Karlsson Marcussen, and Martin Karlsson Pedersen. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461313.003.0007.

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This chapter examines the potential embedded in feminist New Materialism for transforming established methods, conceptualizations, and attitudes within feminist literary criticism. It sketches a chronological outline of feminist theory and feminist literary criticism in order to situate feminist New Materialism as the latest cross-disciplinary transfer in an ongoing history of dialogues and appropriations from (1) second wave feminism, (2) French feminist theory and (3) queer theory. Drawing on ideas from Mayra Rivera, Donna Haraway, Karen Barad and others, the chapter argues that the lines of thought promoted by these figures are best adopted to literary criticism by engaging literature as an affective and imaginative site for witnessing what it feels like to live as a specific carnal configuration, subjected not only to the powers of discourse, but also to the recalcitrant materiality of the flesh, thereby revitalizing the emphasis on affect and experience also characteristic of the gynocritical approaches of the 1970s.
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Actas de conferencias sobre el tema "French literature - history and criticism"

1

Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to sy
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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (17
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Grebenshchikov, Yu. "AKSAKOLOGY IN THE PRACTICE OF LITERARY CRITICISM OF THE XX-XXI CENTURIES." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3729.rus_lit_20-21/210-213.

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The article highlights the history of aksakology of the XX-XXI centuries. The beginning of scientific practice is associated with the name of S.I. Mashinsky and his monograph on the work of S.T. Aksakov. The research of E.L. Voitolovskaya, O.N. Belokopytova, A.V. Chicherin became the most systematic research of the 1950s - 1970s. It is shown that the main vectors of aksakology, since the 1980s, were set in the works of E.I. Annenkova, V.A. Koshelev, Yu.V. Mann. The efforts of Ufa linguists and literary critics, as well as participants of the Samara conferences of 2017 and 2020, were particular
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Slamova, Karolina. "THE SEARCH FOR AN APPROACH TO CZECH LITERARY HISTORY IN IGOR HAJEK�S CONCEPT." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.22.

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This paper focuses on the field of literary history in order to show what approach to the historiography of Czech literature was taken by the representative of Czech exile literary criticism, Igor Hajek. The context which Hajek entered during his study stays in the USA and Great Britain, and later in exile, was the reception horizon of the late 1960s, when the events of the �Prague Spring� attracted the attention of the West and turned attention to the Czech liberalisation movement, in which literature played a significant role. Hajek assumed the role of a mediator of the fundamental values of
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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the
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Golubchikov, YUriy. "Methodological potential of the teleological principle of purpose." In International Conference "Computing for Physics and Technology - CPT2020". Bryansk State Technical University, 2020. http://dx.doi.org/10.30987/conferencearticle_5fce27705d8750.02429694.

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The cognitive capabilities of the teleological paradigm of purpose are discussed. An inquiring mind everywhere sees that inanimate matter serves for living, and that, in turn, serves for a man. However, such a concept as “purpose” turned out from the contemporary science, although for a long time it went along the path of becoming the doctrine of purpose determination, or nomogenesis. The history of the substitution of the main paradigm of science from purpose to chance is traced. The overcoming of the catastrophic representations of Cuvier by the provisions of actualism and evolutionism is co
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KANTER, M. Fatih. "Paris Travel Articles Of Reşat Nuri GÜNTEKIN." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-1.

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Reşat Nuri Güntekin, one of the leading writers of Turkish literature in the Republican Period, contributed to Turkish literature with novels, stories, plays, travel writings and articles. The writer, who lived between 1889-1956, served as a teacher, inspector, deputy and French National Education Attaché and a member of the Unesco board of directors. Continuing his literary activities such as Diken, Kelebek, Güleryüz, İnci, Akbaba, Büyük Mecmua, Yedigün, Zaman, Ulus, Vakit, Memleket in magazines and newspapers, the author publishes his novels and stories, as well as criticism and travel artic
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Rovinelli, Andrea, Mark C. Messner, and T. L. Sham. "A Comprehensive Comparison Between Different Multiaxial Cycle Counting Procedure." In ASME 2021 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/pvp2021-62067.

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Abstract High-temperature nuclear design codes, such as Section III, Division 5 of the American ASME Boiler and Pressure Vessel Code and the French RCC-MRx, require evaluating fatigue damage for qualifying high-temperature components. Both codes provide clear guidance for counting cycles under uniaxial loading conditions, but neither provides a cycle counting procedure for multiaxial loading conditions. The ASTM E1049 also does not address multiaxial cycle counting. However, several widely utilized multiaxial cycle counting procedures are available in the open literature, but there is no agree
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Martinsone-Škapare, Katrīne. "Character Dance Genre in the Creative Work of Ballet Master M. Petipa and Ballet Art Education." In 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.48.

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This research delves into the historical development of the character dance genre in ballet education. By analyzing ballet literature from Latvia and Europe published over the past decade, the study aims to create a theoretical outline of character dance history. This will provide a wider understanding of the genre and serve as a professional teaching tool for academic dance performers and pedagogues. The research focuses on French ballet master M. Petipa’s contribution to the development of ballet art, particularly his character dance “writing” as a means of enriching the choreographical lang
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