Bibliografías temáticas / French literature – History and criticism – Congresses

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Literatura académica sobre el tema "French literature – History and criticism – Congresses"

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Publicado: 27 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "French literature – History and criticism – Congresses"

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Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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Maritchik-Sioli, Youlia A. "“Very Russian, the French Would Say... Very French, the Russians Would Say”: The Metamorphosis of E. Bakunina’s Novel ‘The Body’ in French and Russian Literary Criticism." Literary Fact, no. 1 (31) (2024): 217–41. http://dx.doi.org/10.22455/2541-8297-2024-31-217-241.

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The article is devoted to the reception of the novel “The Body” (1933) by emigré writer E.V. Bakunina in French and Russian literary criticism in the early 1930s. A number of researchers have already analyzed the responses of Russian critics to the publication of the novel but have not paid enough attention to a cross-sectional view of the perception of the writer’s work. This question is of interest insofar as it allows us to identify weaknesses and strengths of Bakunina’s work and rethink the literary and cultural norms established in the early 20th century. One of the article’s crucial ques
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Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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Niang, Sada, and Belinda E. Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African Studies Review 41, no. 2 (1998): 176. http://dx.doi.org/10.2307/524847.

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Arnold, A. James, and Belinda Elizabeth Jack. "Negritude and Literary Criticism: The History and Theory of "Negro-African" Literature in French." African American Review 32, no. 2 (1998): 336. http://dx.doi.org/10.2307/3042131.

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Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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Kravets, Yarema. "VASYL STEFANYK IN THE FRENCH LINGUAL READING." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 323–34. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-323-334.

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French-speaking literary criticism and translation, dedicated to Vasyl Stefanyk, have already more than centenary history. Already in 1912 and 1915 the French reader has known separate novellas of the Ukrainian writer. Since his creative activity has been constantly present in individual Ukrainian monographs which appeared in Swiss, Belgium and France. The most significant publications of the French-speaking Stefanykiana are the book “Croix de pierre” that contained more than 40 writer’s novellas, separate chapters about V. Stefanyk in 12-volume Belgian anthology «Patrimoine littéraire europée
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PHILIPPOVA, D. K. "SHAKESPEARE IN THE RUSSIAN LITERATURE OF 1748-1810: FROM ADAPTATION TO TRANSLATION." Imagologiya i komparativistika, no. 22 (2024): 19–30. https://doi.org/10.17223/24099554/22/2.

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Shakespeare came to Russian readers only in the mid-18th century. From that time up to the 19th century, his Russian reception was largely influenced by the French literature context and rare references to the original sources. Following French literary criticism, Shakespeare in Russia in the period under study was considered “wild”: the key elements of Shakespeare’s poetics- blended genres and violation of rules, as determined in translations from Voltaire’s, elicited much criticism. Russian literature and criticism are full of antinomies: Shakespeare is bad because he combines the high and t
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Kantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.

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The aim of this article is to present the roles of Miloš Marten (1883–1917) in the Czech–French cultural events of the first decade of the 20th century in the background of his contacts with Hanuš Jelínek (1878–1944). The first part of the article deals with Marten’s artistic and life experience during his stays in Paris (1907–1908). The consequences of those two stays to the artist’s life and work will be accentuated. The second part takes a close look at Miloš Marten’s critique of Hanuš Jelínek’s doctoral thesis Melancholics. Studies from the History of Sensibility in French Literature. To i
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Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha
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Tesis sobre el tema "French literature – History and criticism – Congresses"

1

L'Hostis, Aurelie Marie. "Literature and historical consciousness in the French Caribbean." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609280.

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Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

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French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.
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Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.

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Şaim, Mirela. "La traversée du discours moderne par le dialogue /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70221.

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Dialogue is a written text representing an oral exchange between two or more persons; it also includes catechisms and rhetorically formulated series of queries and responses presenting an argument. The purpose of my thesis is to identify the main non-dramatic dialogues published in France and Italy between 1800 and 1914 and--through their discursive analysis--to provide an assessment of their signification and their impact on modern social discourse.<br>The first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and
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Bolding, Sharon Lynn Dunkel. "When worlds collide : structure and fantastic in selected 12th- and 13th- century French narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/NQ27109.pdf.

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Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

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The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.<br>The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intell
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Grange, Huw Robert. "Sublime and abject bodies : saints and monsters in late medieval French and Occitan hagiography." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607654.

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Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.

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During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs i
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Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.

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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the proce
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Libros sobre el tema "French literature – History and criticism – Congresses"

1

University of South Carolina. Dept. of Foreign Languages and Literatures., ed. Exoticism in French literature. Dept. of Foreign Languages & Literatures, College of Humanities and Social Sciences, University of South Carolina, 1986.

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1945-, Norman Buford, and French Literature Conference (25th : 1997 : Columbia, S.C.), eds. Religion and French literature. Rodopi, 1998.

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1945-, Norman Buford, and French Literature Conference (27th : 1999 : Columbia, S.C.), eds. The Mother in/and French literature. Rodopi, 2000.

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University of South Carolina. Department of Foreign Languages and Literatures. Autobiography in French literature. Department of Foreign Languages & Literatures, College of Humanities and Social Sciences, University of South Carolina, 1985.

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Larry, Duffy, and Tudor Adrian, eds. Les lieux interdits: Transgression in French literature. University of Hull Press, 1998.

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T, Harris Geoffrey, ed. On translating French literature and film. Rodopi, 1996.

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Argentina) Jornadas Nacionales de Literatura Francesa y Francófona (13th 2000 La Plata. Enfoques críticos sobre literatura francesa. Secretaría de Extensión Universitaria, Facultad de Humanidades y Ciencias de la Educación, Universidad Nacional de La Plata, 2003.

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Jornadas Nacionales de Literatura Francesa y Francófona (14th Córdoba, Argentina 2001). Visiones contemporáneas de la literatura francesa. Comunicarte Editorial, 2002.

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Encuentro, sobre Literatura Potencial (1985 Vitoria Spain). Sobre literatura potencial. Universidad del País Vasco, Facultad de Filología y Geografía e Historia, Departamento de Filología Francesa, 1987.

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Cambridge, French Renaissance Colloquium (5th 1997 Cambridge England). Women's writing in the French Renaissance: Proceedings of the fifth Cambridge French Renaissance Colloquium, 7-9 July 1997. Cambridge French Colloquia, 1999.

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Capítulos de libros sobre el tema "French literature – History and criticism – Congresses"

1

Banfield, Ann. "I. A. Richards." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0007.

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Abstract A. Richards’s critical activity spans the period from Modernism—Principles of Literary Criticism appeared in 1924—to French structuralism. Richards reviewed a structuralist analysis of Shakespeare by his Harvard colleague, the Russian linguist Roman Jakobson, in 1970. He also commented on generative grammar in two articles published in 1967–8. He thus recalls a time when criticism acknowledged the importance of language and the existence of linguistics. Yet that acknowledgement also meant severing the academic study of literature from Germanic philology, which had ushered in the study
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Skiveren, Tobias. "Feminist New Materialism and Literary Studies: Methodological Meditations on the Tradition of Feminist Literary Criticism and (Post)Critique." In How Literature Comes to Matter, edited by Sten Pultz Moslund, Marlene Karlsson Marcussen, and Martin Karlsson Pedersen. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461313.003.0007.

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This chapter examines the potential embedded in feminist New Materialism for transforming established methods, conceptualizations, and attitudes within feminist literary criticism. It sketches a chronological outline of feminist theory and feminist literary criticism in order to situate feminist New Materialism as the latest cross-disciplinary transfer in an ongoing history of dialogues and appropriations from (1) second wave feminism, (2) French feminist theory and (3) queer theory. Drawing on ideas from Mayra Rivera, Donna Haraway, Karen Barad and others, the chapter argues that the lines of
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Sommer, Tim. "Usable Pasts: Anglo-American Literature and the Authority of Tradition." In Carlyle, Emerson and the Transatlantic Uses of Authority. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474491945.003.0003.

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This chapter analyses how discussions about race and nationhood surfaced in nineteenth-century British and American literary criticism and literary historiography. It discusses Carlyle’s and Emerson’s writings about the relationship between literature and nationality and argues that, drawing on a handful of near-contemporary German and French authors, they positioned themselves at the crossroads of cultural nationalism and literary cosmopolitanism. The second half of the chapter explains how Carlyle and Emerson conceptualised continuity and change in literary history and highlights the role of
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"POSTSTRUCTURALISM 131 igaray, Kristeva, Lacan) as they have come to be translated and transformed through the Anglo-American theorising of questions of the literary and the matter of critical, textual analysis. The terms poststructuralism and theory or high theory have been assumed by some to be virtually synonymous (as have poststruc-turalism and deconstruction), and the salient discernible features in common of this so-called critical modality - allegedly - have to do with the following topics: the work of rhetoric, the destabilis-ing effects of language, the provisionality of meaning, the work of tropes and images in resisting uniformity or organic wholeness, questions of undecidability, discontinuity, the aporetic and frag-mentation, difference and otherness, the constructedness of the subject, matters of translation, and the denial or, perhaps more accurately, a critique of the referentiality or mimetic function of language. Bibliography Attridge, Derek. Peculiar Language: Literature as Difference from the Renaissance to James Joyce. Ithaca, NY, 1988. Attridge, Derek and Daniel Ferrer (eds). Post-Structuralist Joyce: Essays from the French. Cambridge, 1984. Attridge, Derek, Geoffrey Bennington and Robert Young (eds). Post-Structuralism and the Question of History. Cambridge, 1987. Chase, Cynthia. Decomposing Figures: Rhetorical Readings in the Ro-mantic Tradition. Baltimore, MD, 1986. Cohen, Tom. Anti-Mimesis from Plato to Hitchcock. Cambridge, 1995. Cohen, Tom. Ideology and Inscription: 'Cultural Studies' After Benja-min, De Man, and Bakhtin. Cambridge, 1998. De Man, Paul. Allegories of Reading: Figurai Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven, CT, 1979. De Man, Paul. The Rhetoric of Romanticism. New York, 1984. D e Man, Paul. The Resistance to Theory. Minneapolis, MN, 1986. de Man, Paul. Aesthetic Ideology, ed and intro. Andrzej Warminski. Minneapolis, 1996. Easthope, Antony. Poetry as Discourse. London, 1983. Easthope, Antony. British Poststructuralism since 1968. London, 1988. Harari, Josué V. (éd.). Textual Strategies: Perspectives in Post-Structur-alist Criticism. London, 1979. Johnson, Barbara. The Critical Difference. Baltimore, MD, 1980." In Key Concepts in Literary Theory. Routledge, 2016. http://dx.doi.org/10.4324/9781315063799-23.

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