Bibliografías temáticas / French philosophy – 20th century

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Literatura académica sobre el tema "French philosophy – 20th century"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 11 de febrero de 2022

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Artículos de revistas sobre el tema "French philosophy – 20th century"

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Vorozhikhina, Ksenia V. "Lev Shestov in France: Reception of the Russian Philosopher’s Ideas (First Half of the 20th Century)". Voprosy Filosofii, n.º 6 (2021): 45–53. http://dx.doi.org/10.21146/0042-8744-2021-6-45-53.

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The article is devoted to the acquaintance of French critics with the philosophy of Lev Shestov, who emigrated from Russia in 1919. Shestov’s ideas almost im­mediately resonate with French readers and over the course of several years the philosopher gains some fame; he is perceived as one of the most important fig­ures of modern original Russian thought, comparable in importance to M. de Un­amuno in Spain and J. de Gaultier in France. Shestov makes acquaintances with French and European intellectuals (J. Rivière, J. de Gaultier, L. Levy-Bruhl and others), collaborates with reputable French magazines “Mercure de France”, “La Nouvelle Revue française”, “La Revue philosophique de la France et de l’étranger”. Shestov has disciples and followers: B. de Schloezer, G. Bataille, B. Fondane, R. Bespaloff, A. Lazarev etc. The most important for his followers is the philosopher’s appeal to the personalities of thinkers and writers, and not to their ideas; “peregrination through the souls” as a philosophical method; the inextricable link between philosophy and life; criticism to reason and mora­lity; religious orientation and others. Shestov’s ideas become one of the sources of existentialism of A. Camus, works of A. Malraux and G. Marcel. Shestov and Fondane separate the philosophy of tragedy, identified with religious existential philosophy in the spirit of S. Kierkegaard, B. Pascal, F.M. Dostoevsky and M. Luther, from the existentialism of M. Heidegger, K. Jaspers and others.
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Nikolarea, Ekaterini. "Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology". TTR : traduction, terminologie, rédaction 7, n.º 1 (27 de febrero de 2007): 219–67. http://dx.doi.org/10.7202/037174ar.

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Abstract Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology — This study tries to show that the abundance of translations, imitations and radical re-interpretations of a genre like tragedy is due to various social discourses of target societies. Taking as an example Sophocles' Oedipus the King, the acclaimed tragedy par excellence, this essay discusses how the discourses of philosophy, politics and philology influenced the reception of this classical Greek tragedy by the French and British target systems (TSs) during the late 17th and early 18th century and the late 19th and early 20th century. The first section shows how, by offering Sophocles' Oedipus the King as a Greek model of tragedy, Aristotle's Poetics has formed the Western literary criticism and playwriting. The second section attempts to demonstrate why three imitations of Oedipus by Corneille (Oedipe), Dryden {Oedipus) and Voltaire {Oedipe) became more popular than any other contemporary "real" translation of the Sophoclean Oedipus. The third and final part holds that the observed revival of Oedipus the King in late 19th- and early 20th-century France and England was due to the different degrees of influence of three conflicting but overlapping discourses: philosophy, philology and politics. It illustrates how these discourses resulted in different reception of the Greek play by the French and British TSs.
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Bogaczyk-Vormayr, Małgorzata. "On Philosophy of Barbara Skarga: An Approach to Get to Know Her Life and Work". ETHICS IN PROGRESS 9, n.º 1 (5 de diciembre de 2018): 183–91. http://dx.doi.org/10.14746/eip.2018.1.10.

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Barbara Skarga (1919–2009) was one of the most important Polish Philosophers of 20th century. She was an expert in classical and contemporary French (e.g. Comte, Bergson, Lévinas) and German Philosophy (e.g. Kant, Hegel, Heidegger). In this paper I present some important biographical facts (participation in organized resistance in Vilnius, interments in Gulags) as well Skarga’s philosophical, mostly sociopolitical and ethical, ideas. I called its philosophical concept “philosophy of difference”.
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Zykova, Iuliia A. "Christian Consciousness in the Philosophy of French Neo-Hegelianism". IZVESTIYA VUZOV SEVERO-KAVKAZSKII REGION SOCIAL SCIENCE, n.º 1 (209) (30 de marzo de 2021): 4–7. http://dx.doi.org/10.18522/2687-0770-2021-1-4-7.

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The French neo-Hegelianism of the 20th century is one of the essential moments of the diverse philosophical life of France. In contrast to earlier studies on the philosophy of French neo-Hegelianism, this article answers the question how French thought interprets the concept of Christian consciousness presented in the works of G. V. F. Hegel on the philosophy of religion. The purpose of this study is to analyze G. V. F. Hegel's approach to the study of Christian consciousness in its interpretation by the philosophy of French neo-Hegelianism. Achieving this goal involves the use of an interdisciplinary approach due to the fact that the evaluation of the method applied to the study of Christian consciousness is impossible without reference to Christian theology. The study allows us to conclude that the method of Hegelian philosophy used by French neo-Hegelian philosophers is important for research in the field of philosophy of religion, but is not universal for the analysis of changes in Christian consciousness. The problem presented in the article requires additional research, including, among other things, the judgments of modern thinkers in France.
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Tonner, Phillip. "The Return of the Relative". Janus Head 11, n.º 2 (2009): 305–16. http://dx.doi.org/10.5840/jh20091127.

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In this paper we explore the complex relationship between the philosophies of Sir William Hamilton and Henri Bergson. We then place these philosophies in a critical relation to French phenomenological philosophy, particularly, Merleau-Ponty's. By so doing we examine a historical and theoretical 'ark' that rises in 19th Century Scotland and falls in 20th Century France, an ark that has received little attention hitherto by historians of philosophy. Our aim is to open up a new dimension of these philosophies and provoke a fresh debate over their relationships and the philosophical tensions that exist between them.
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Lawlor, Leonard. "Further Questions: A Way Out of the Present Philosophical Situation (via Foucault)". Journal of French and Francophone Philosophy 19, n.º 1 (13 de junio de 2011): 91–105. http://dx.doi.org/10.5195/jffp.2011.481.

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Let us begin by assembling some signs of the present philosophical situation. On the one hand, the most important living French philosopher, Alain Badiou, calls for a “return to Plato,” despite the movement of anti-Platonism that dominated French and German thought in the 20th century. On the other hand, the present moment sees a resurgence of naturalism in philosophy in general (including and especially Anglophone analytic philosophy), despite the criticisms of naturalism that have appeared throughout the 20th century. Phenomenology seems to be at the center of both of these movements. On the one hand, it is the idea of a mathematized ontology that requires the return to Plato, a mathematized ontology constructed without a reflection on its transcendental grounds. On the other, the resurgence of naturalism is so strong that a book could be imagined and published with the bastard name of Naturalizing Phenomenology, as if the transcendental moment of phenomenology did not transform the very meaning of nature. These signs seem to indicate that we have entered into a phase of regression or even decline in philosophical thinking. If this interpretation of the signs is correct, if we have indeed entered into a phase of regression -- a twofold regression toward Platonism and toward naturalism -- we must ask the following question: is it possible for us to define something like a project or even a research agenda that would allow us to define a way of thinking that might lead us out of the present situation, a situation, it must be said, that seems dire for philosophy in general? If we can determine such a research agenda, perhaps we can also begin to understand what the tradition of “continental philosophy” has stood for.
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Shmelev, Dmitry. "Muslim Immigration to France in the 20th Century: Causes, Cycles, Problems". ISTORIYA 12, n.º 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015636-8.

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The article devoted to the problem of Muslim immigration in France in the 20th century. The focus is on the causes of Muslim immigration, its cycles, specificity and consequences for modern French society. Based on a comparison of various statistical data, it stated that Muslim immigration is an integral part of three large waves of immigration flows that took place from the end of the 19th to the end of the 20th centuries. The article notes the correlation of the number of Muslim immigrants in France with the global numbers of immigrant arrivals to the country. However, if in the first two waves their number depended on the economic needs of the French economy (Muslims came to earn money), then during the third wave other factors came into play — the creation of stable communities, family reunification, going on stage second and third generations of immigrants, social problems of their arrangement and adaptation to French legal norms and customs. The article notes the specificity of the geographical concentration of the Muslim population, which takes place either near large industrial centers and cities (which makes it easier to find work and social protection), or in places of proximity to their native countries (southern France). Special attention paid to the problem of the evolution of state policy in the admission and integration of immigrants, when various methods tired from assimilation, the adoption of quotas to the policy of flexible regulation of immigration and expulsion of illegal immigrants from the country. The article analyzes the position of the Muslim community in France, the role of Muslim associations in its life, the impact on the socio-cultural life of the French. It can stated that Islam has become the second religion in France, which determines its position — a stable presence in socio-economic life (employment, the spread of the social protection system to immigrants), political (the right to vote, the possibility of creating associations, manifestations), religious (the possibility of worship), cultural (the formation of a specific immigrant subculture).
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Diakov, Nikolai. "Islam in the Colonial Policy of France: from the Origins to the Fifth Republic". ISTORIYA 12, n.º 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015901-0.

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History of relations between France and the Islamic world goes back to the first centuries of Hijra, when the Franks first faced the Caliphate and its troops in the Eastern and Western Mediterranean. On the eve of the New times Paris had already developed its numerous contacts with Turkey, Iran and the Arab West — the Maghreb area. The conquest of Algeria (from 1830) formed a basis of the French colonial empire in Africa and Asia with the growing role of Islam in political activities and ambitions of Paris. Millions of Muslims in French colonies contributed to growth of political and economic progress of their metropoly with its pretensions to become a great Muslim power. Meanwhile, thousands of them lost their lives during two great world wars of the 20th century. Waves of immigration gave birth to an impressive Islamic community (‘umma), in France, reaching about a million of residents by the middle of the 20th century. With the growth of Muslim immigration from Africa and the Middle East a number of Muslims among the natives of France also augmented. By the end of the last century the Muslims formed as much as about 10 % of the whole population of France. The “French Islam” born at the dawn of the 20th century. after a century of its evolution became an important civilizational reality of Europe, at times more attractive for the local youth than traditional Christian values, or the new ideals, brought with the winds of globalism, multiculturalism and a “non-stop consumerism”.
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Fokin, S. "CHARLES MAURRAS AND THE LITERATURE OF ACTION FRANCAISE". Voprosy literatury, n.º 1 (30 de septiembre de 2018): 270–95. http://dx.doi.org/10.31425/0042-8795-2018-1-270-295.

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The paper sets out to examine the literary impulses at the heart of Charles Maurras’ (1868-1952) philosophy, namely, the doctrine of integral nationalism, which signified French literary nationalism in the 20th century. The author finds that, in Maurras’ view, the concept of ‘integral’ was inseparable from the ‘monarchy’, with the latter destined to blend together the real social oppositions spawned by various anarchies, be it political, religious, familial, university-based, economic or even literary ones.
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Włodarski, Bartosz. "Pomiędzy filozofią a nauką – rozważania o francuskich korzeniach wiedzy o polityce na Akademii Krakowskiej w dobie reform kołłątajowskich". Politeja 17, n.º 1(64) (26 de febrero de 2020): 179–203. http://dx.doi.org/10.12797/politeja.17.2020.64.10.

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Between Philosophy and Science – Reflections on the French Roots of Political Science at the Cracovian University in the Era of Kołłątaj’s Reforms This paper aims to present the history of the political sciences at the Academy of Cracow during its reorganisation by Hugo Kołłataj in the 18th century. Kołłątaj and other patriots – professors and representatives of the law faculty, precursors of French physiocratic political doctrine in Poland – established „The Chair of the Law of Nature, Economical and Political Law and Law of Nations”. It was the institutional and theoretical base for all political sciences at that time. The plan of developing this particular branch of science was put into practice by Antoni Popławski – great philosopher, reformer and the author of the first book on physiocracy in Poland inspired by dr. Quesnay’s doctrine. The article also presents the origin of the 20th century’s modern political sciences rooted in the knowledge of the 18th Central Crown School – at present known as the Jagiellonian University.
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Tesis sobre el tema "French philosophy – 20th century"

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Hickmott, Sarah. "(En) Corps Sonore : towards a feminist ethics of the 'idea' of music in recent French thought". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:eb562d0f-e9be-40f4-b0a3-9fa6da0a3136.

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This thesis explores the way music is characterized, used, or accounted for in recent (post-1968) French thought, focusing in particular on the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Alain Badiou. In spite of the differences in their philosophical-theoretical positions, all of these writers invoke music - both directly and indirectly - to negotiate their relationship to ontological, political, ethical and aesthetic concerns, particularly in terms of how it relates to the (im)possibility of a subject, the condition of truth, and the role of philosophical thought itself. The thesis situates these texts in a longer genealogy of musico-philosophical interactions and also brings them into dialogue with recent musicological approaches, thus showing how an inherited idea of what music 'is' is often assumed rather than critically re-evaluated. In short, by tracing the musical-transcendental baggage of an inherited metaphysical conception of music - one which often understands music in close relation to the feminine, (sexual) excess, and the beyond of language and/or the symbolic - the thesis shows that though music is instrumentalized by progressive thinkers as a way of shifting theoretical/philosophical paradigms, it nonetheless does so in a way that has a strong sense of continuity with previous thinking on music. Secondly, the thesis highlights the way in which music in its metaphysical-ontological guise is often conceived as synonymous with Western high art classical music (which is itself constructed as absolute and transcendent, and ontologically independent of its means of (re)production or context) whilst non-literate, popular, folk and world musics - on the occasions that they are considered and not simply ignored or denigrated - are notably considered almost exclusively in terms of their social-cultural or technological contexts. Finally, the thesis demonstrates that much of this takes place through a simultaneous instrumentalization of gender as an organisational category for philosophy, and one which all too often has the consequence of sending women - along with music - to the beyond of pre-, inter-, or post-signification.
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2

McLennan, Matthew. "Wild Normativity: Lyotard's Search for an Ethical Antihumanism". Thesis, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20224.

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In spite of its thematic and stylistic heterogeneity, Jean-François Lyotard’s corpus may be plausibly interpreted as, by and large, an attempt to grapple with the following problem set: a) In general: if we reject all transcendent/systematic philosophical frameworks, can we consistently make normative claims? Can we ground them in any way? Do we need to? b) In particular: if we reject the philosophical framework of humanism, what does this mean for ethics and/or politics? Can one be an antihumanist without abandoning ethics? The basic issue is over the titular possibility of a “wild normativity” – that is, a normativity that does not derive its force from any kind of transcendent guarantor. As I reconstruct him, Lyotard begins from a methodological rejection of transcendent guarantors in general; this plays itself out in particular terms as a rejection of humanism. Thus, beginning from a thought not of universality and totality but of singularity and difference, and wishing at a certain point in his career to ensure that the problem of justice stays firmly on the agenda, Lyotard gives us to think the very possibility of an ethical antihumanism. My dissertation is both an interpretation of Lyotard’s work as it unfolds in time, as well as a contribution to thinking through the general-particular problem set that I argue is at play in his work.
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3

Dicks, Henry. "Being and earth : an ecological criticism of late twentieth-century French thought". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669967.

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Mueller, Marieke. "Subjectivity in Sartre's 'L'idiot de la famille' : biography as a space for the development of theory". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:54f60363-e148-4481-b710-c7e68a908bd5.

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In the context of a renascent interest in the thought of Jean-Paul Sartre, this thesis proposes a close examination of one of his less studied texts, the study of Gustave Flaubert, L'Idiot de la famille (1971-72). The analysis focuses on theoretical developments that emerge from Sartre's biographical enquiry, pursuing an interdisciplinary approach combining a consideration of literary theory and literary history with the perspective of Sartre's philosophy of subjectivity. L'Idiot is situated amongst a wide variety of texts by Sartre, from Qu'est-ce que la littérature? (1948) to the Critique de la raison dialectique (1960), identifying theoretical innovations within Sartre's understanding of the subject (ch. 1), his social theory (ch. 2), his theory of the imaginary (ch. 3), of literary production (ch. 4) and of reading (ch. 5). Additionally, hitherto largely unexplored passages highlight Sartre's reflections on the situation of the late 1960s. Previous analyses of the philosophical innovations presented in L'Idiot have often focused on the strictly theoretical passages in the biography. The present thesis also concentrates on the 'imagined' scenes presented throughout the text. Read as an integral part of Sartre's method, it is suggested that the dramatization facilitated by the biographical format is an integral part of the theoretical enquiry. Despite the lack of explicit referencing provided by Sartre, the biography is explored in its open character, identifying a series of resonances and similarities with a diverse range of authors. The different chapters consider thinkers whose relationship with Sartre has received little or no attention (such as Pierre Bourdieu and Walter Benjamin), or whose work resonates with Sartre in ways that have so far gone unnoticed (Roland Barthes, Maurice Merleau-Ponty and Maurice Blanchot).
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Simpson, Pablo. "Rastro, hesitação e memoria : o lugar do tempo na poesia de Yves Bonnefoy". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270023.

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Orientador: Luiz Carlos da Silva Dantas
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-06T10:21:25Z (GMT). No. of bitstreams: 1 Simpson_Pablo_D.pdf: 3276436 bytes, checksum: 7ec16bd178106ff7cbf957e7dd06ad95 (MD5) Previous issue date: 2006
Resumo: Yves Bonnefoy é um dos poetas franceses mais importantes da segunda metade do século XX. Sua obra poética, que se inicia em 1946 com Traité du pianiste e Le Coeur-espace, pode ser situada, num primeiro momento, a partir do diálogo com o surrealismo, de que se afastaria em 1947, mas cuja noção de sonho retomaria em suas narrativas publicadas a partir dos anos 1970: L¿Arrière-pays e Rue Traversière. Pode ser situada, além disso, diante do existencialismo de Jean Wahl. Leitor de Plotino, Kierkegaard e Léon Chestov, importante crítico de arte e da obra de Baudelaire, além de tradutor de Shakespeare, Yves Bonnefoy traz, desde os ensaios de L¿Improbable de 1959, uma preocupação com o que chamaria de ¿presença¿, fundamental para a compreensão de seu projeto poético. Ela designaria, muitas vezes, uma oposição ao conceito filosófico e à linguagem. Traria um apelo a uma ¿realidade obscura¿, enigmática. Nesse sentido, a poesia pretenderia uma intuição do absoluto, uma esperança investida de uma vocação ontológica não sem relação com o questionamento heideggeriano. Este estudo pretende investigar as relações entre poesia e tempo. Há nos poemas de Anti-Platon e Du Mouvement et de l¿immobilité de Douve, tanto quanto em L¿Improbable, segundo Patrick Née, a condenação de um inteligível abstrato, em virtude do esquecimento do tempo. A poesia repercutiria uma tensão entre interioridade conceitual e exterioridade. As palavras do poema evocariam um apagamento: rastro, presença ausente. A perda se torna a origem da linguagem poética. Através da leitura dos poemas de Du Mouvement et de l¿immobilité de Douve, Hier régnant désert, Pierre écrite, Dans le leurre du seuil, Ce qui fut sans lumière e Les Planches courbes, e das narrativas L¿Arrière-pays, Rue Traversière e Lê Théâtre des enfants, este estudo buscará compreender a poesia de Yves Bonnefoy a partir das noções de rastro, hesitação e memória. Dividido em cinco capítulos principais, trata-se da tentativa de situar a sua poesia, a um só tempo, como expressão e reflexão de cada um desses lugares. Este estudo traz em anexo a tradução do livro de poemas Les Planches courbes (2001), da narrativa ¿L¿Égypte¿ do livro Rue Traversière (1977) e do ensaio ¿Les tombeaux de Ravenne¿ de L¿Improbable (1959)
Resumé: Cette étude concernant l¿oeuvre poétique d¿Yves Bonnefoy cherche à établir des rapports entre poésie et temps. À travers de lectures critiques interrogeant les poèmes de Du Mouvement et de l¿immobilité de Douve, Hier régnant désert, Pierre écrite, Dans le leurre du seuil, Ce qui fut sans lumière et Les Planches courbes, aussi bien que les récits L¿Arrière-pays, Rue Traversière et Le Théâtre des enfants, une trajectoire se dessine qui tente d¿aborder la pensée poétique d¿Yves Bonnefoy d¿après les notions de ¿trace¿, d¿¿hésitation¿ et de ¿mémoire¿. Le poème repose sur la tension qu¿il manifeste entre une intériorité conceptuelle et une extériorité que le poète appellerait ¿présence¿. Les mots du poème sont ce qui demeure de ce qui a disparu, ils gardent la ¿trace¿ de cette présence absente. Il y a dans les poèmes de l¿Anti-Platon et dans l¿essai ¿Les tombeaux de Ravenne¿, sélon Patrick Née, une reproche d¿un intelligible abstrait au nom de l¿oubli du temps. La perte devient l¿origine du langage poétique. Elle nous rappelle l¿abîme de l¿exil, de la séparation. Néanmoins, la poésie d¿Yves Bonnefoy veut apporter une intuition de l¿absolu, un espoir investi d¿une vocation ontologique non sans rapport avec le questionnement ontologique de Heidegger, de Kierkegaard, de Jean Wahl. Plutôt que d¿en brosser le sens philosophique, tout en veillant à ne pas confondre une approche conceptuelle du temps et sa ¿mise en intrigue¿ (muthos), selon Paul Ricoeur, cinq chapitres repèrent cet itinéraire. Les trois premiers, consacrés à la notion de trace, rejoindrent une affirmation du poète dans L¿Improbable: ¿Le fugace, l¿irrémédiablement emporté, sont le degré poétique de l¿univers¿. Il s¿agit de placer cette catégorie de l¿éphémère sous le signe de la recherche proustienne d¿un ¿équivalent spirituel¿ dans le chapitre ¿Marcel Proust & Yves Bonnefoy: inscription, présence¿. Dans le deuxième chapitre, l¿interpretation c¿est qu¿il y a un pari de la mort, de l¿absence, trace d¿un éloignement des dieux, où s¿affirme l¿importance de la perception dans les mots de leur composante sonore. Sous le signe des idées de ¿symbole¿ et ¿allégorie¿, on essaye d¿interroger les lectures d¿Yves Bonnefoy des oeuvres de Baudelaire et les poèmes ¿Vrai corps¿ et ¿Le lieu de la salamandre¿ du livre Du Mouvement et de l¿immobilité de Douve. Le troisième chapitre mène à la définition de la notion de ¿témoignage¿ en accord avec des idées d¿échange, de partage, selon la perspective du texte offert, de l¿amour d¿après Rimbaud et des images de la pierre et de la voix, celle-ci dans le poème ¿À la voix de Kathleen Ferrier¿ de Hier régnant désert. On situe ce questionnement à partir de la lecture d¿Emmanuel Lévinas et de l¿établissement des rapports entre poésie, temps et éthique. Le quatrième chapitre, ¿L¿Arrière-pays, Rue Traversière & Dans le leurre du seuil: rêve, hésitation et labirynthe¿, évoque l¿ambivalence du temps dans ce qu¿Yves Bonnefoy désigne comme ¿une hésitation profonde qui est en nous, dans l¿existence vécue et quant à la façon de la vivre¿. Le poète est celui qui hésite, à la fois, entre deux degrés d¿intensité ontologique, l¿existence et l¿écriture, l¿éveil et le rêve. L¿inquiétude aux carrefours de L¿Arrière-pays est la représentation même de cette interruption de l¿action, hantise d¿une terre au-delà de l¿horizon, insituable. Il s¿agit d¿une dialectique de la indécision et de la décision, de la ¿morne incuriosité¿ de Perceval chez le Roi Pêcheur et des questions qu¿il lui fallait poser. Autrement dit, l¿écriture engage une tension entre la gnose et l¿ici de la finitude, entre le rêve et le récit. Il fallait, selon le poète, ¿quelque chose comme une foi pour persister dans les mots¿. Finalement, le cinquième chapitre est consacré à la notion de ¿mémoire¿ dans les livres Ce qui fut sans lumière et Les Planches courbes, questionnement qui revient au vers ¿je ne me souviens¿ du livre Le Coeur-espace, publié en 1946. Il y a dans la série de poèmes de ¿La maison natale¿ de Les Planches courbes un rétour à l¿enfance et aux mythes. Les images de l¿enfance, dès la publication de ¿L¿Égypte¿ ou à la fin de L¿Arrière-pays, celle de Moïse sauvé des eaux, les mythes de Cérès, de Marsyas, la quête d¿une origine y témoignent la nécessité d¿établir des rapports entre poésie et mémoire. La poésie ¿garde mémoire¿. Elle est ¿la mémoire qui se maintient en nous, qui parlons, des instants de présence que nous avons vécu¿. Quête de l¿origine, de l¿origine de la poésie, d¿où l¿apparition d¿Ulysse dans le poème ¿Dans le leurre des mots¿. On placerait cette tension sous le double signe du ¿fait humain toujours prêt à recommencer¿ de Léon Chestov, à partir de l¿opposition entre mort et réssurrection, et d¿une ¿mémoire appaisée, voire d¿un oubli heureux¿ de Paul Ricoeur. Cette étude a pour annexe la traduction du livre de poèmes d¿Yves Bonnefoy Les Planches courbes (2001), du récit ¿L¿Égypte¿ du livre Rue Traversière (1977) et de l¿essai ¿Les tombeaux de Ravenne¿ publié dans L¿Improbable (1959)
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Görgül, Emine. "Augmented Spatial Mediators of Late 20th Century and their Impact on the Realization Process of the Smooth Space in Architectural Discourse: Fresh Water Expo Pavilion Case". Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/119368.

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With the rising influence of digitalization and its immense penetration intoeven everyday life, the last decade of the 20th Century addressed to a critical threshold in the successive transformation process of the spatiality in its long-term run. The advanced digital technologies of ubiquitous computing and generative design, as well as the invention of smart materials in late 90’s (particularly the nano-technological materials that emerged as the programmable matters with their ability to evolve continously) have all provoked the fluid characteristics of spatiality, and strengthen the transformative capacities of the architectural space through the emergence of computer-augmented territories. Additionally, while they are becoming as the body extensions, the advent of novel apparatuses and gadgets further enhanced the inte- gration of the corporal and incorporal bodies with the spatio-temporal multiplicities, where the hyperdimensionality of the space has been triggered to its outmost range, in relation to the “soft and smart technologically augmented immanent millieu”, in Spuybroek terms. Thus, like Spuybroek points out as the “haptonomist” presence of the body merges itself with these diverse bodily extensions on one hand; and on the other hand, as the rising influence of nomadic view of the world further stimulates the unboundedness and endless fluidity of space, so that the spatiality becomes a landscape of successive transformations, a topology of emergence or a plane of becoming, which is merely defined by lines of forces, and occures as an alive territory rather than a limited space of predefined boarders. Therefore, this evolvable territory which is affectable and being affected by the lines of forces –inner and outer forces–, emerges as an animated existence, an interactive organism. So, by interacting with the Deleuzian Philosophy and their notions like lines of forces, folding, becoming, smooth space, territory, spatium, this article aims to reveal the relevance of these notions in architectural discourse, as well as the emergence of the smooth space in the contemporary architectural practice, by magnifiying one of the very initial examples of its kind; in terms of unfolding the Fresh Water Pavilion of NOX Architecture by Lars Spuybroek into question to reveal the essences of thecontemporary transformable-evolvable architectural spatiality.
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Okitadjonga, Anyikoy Wa Anyikoy Gaspard. "Les enjeux de la différance chez J. Derrida: prolégomènes à une praxis de la responsabilité". Doctoral thesis, Universite Libre de Bruxelles, 2003. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211296.

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La thèse comprend deux parties, qui visent à vérifier deux hypothèses principales.

La première consiste à se demander si la déconstruction derridienne de la métaphysique traditionnelle ne joue pas, au su ou à l’insu de Derrida, un double rôle :d’une part, délimiter les prétentions de ladite métaphysique à révéler et/ou à livrer la présence pleine du sens ou de la vérité et, d’autre part, constituer le fondement de la logique de la différance. Celle-ci, posée comme ‘’principe des principes’’ de la pensée de Derrida, jouerait un rôle unificateur de son œuvre, en dépit de l’argument commun aux disciples de l’impossibilité de fixer son travail en aucune forme d’unité. Derrida n’est-il pas, soutient-on, le penseur de la fragmentation, à l’opposé de Heidegger qui, lui serait le philosophe du rassemblement ?

Contrairement à cette thèse, nous posons la différance comme tissu de l’unité de fond sans fond de l’œuvre de Derrida ou, plus précisément, comme clef interprétative obligée permettant d’aborder son travail sous la forme d’une unité en différance et fragmentée. La différance commanderait ainsi l’ensemble de l’œuvre de Derrida comme une sorte de logique non-logique à l’œuvre, partout et toujours déjà, active dans chaque champ de son déploiement. Au lieu de constituer un auxiliaire à la déconstruction, la différance en commanderait la genèse et l’économie.

Notre seconde hypothèse repose sur l’idée que la différance, érigée en logique non logique, déborderait le contexte et le champ de recherche que lui assignerait son auteur. De sorte qu’il deviendrait possible de la mettre en dialogue avec la révolution linguistico-pragmatique pour, d’une part décloisonner le terrain de la théorie du performatif et des speech acts et, d’autre part, envisager une transgression de ladite révolution par des thématiques dont elle revendiquerait l’exclusivité en montrant qu’elle reste incapable d’en rendre rigoureusement compte. L’incapacité de la révolution linguistico-pragmatique à rendre compte, par exemple, de la pratique de l’événement sous forme de la promesse à la fois possible et impossible, du don de rien, du pardon sans demande ni repentir, de l’hospitalité inconditionnelle offerte et donnée à/par l’étranger en tant qu’arrivant en général, de la décision impossible, en un mot de la responsabilité incalculable sous le régime de l’aporie, témoignerait de sa restance dans l’orbite du logocentrisme ou, simplement, de la logique identitaire de tout ou rien. Il appert ainsi que la volonté affichée par ce tournant de dépasser la métaphysique traditionnelle tourne à l’échec, à telle enseigne que seule la prise en compte de la logique non oppositionnelle de la différance présenterait une alternative nouvelle. Cette dernière serait de nature non seulement à déconstruire la métaphysique de la présence et à délimiter les prétentions du Linguistic-turn mais aussi à tracer la voie vers une praxis de la responsabilité non réductrice, encore moins répressive de l’incommensurable altérité de l’autre, voire de son autre, en général.

La question reste ouverte de savoir si Derrida peut être considéré comme un ‘’métaphysicien’’ à la recherche du dépassement de la métaphysique et de tout ce qui pourrait s’y rattacher ou un philosophe de l’action tendant à subvertir la morale, au moyen de la différance, en vue d’une nouvelle praxis.


Doctorat en philosophie et lettres, Orientation philosophie
info:eu-repo/semantics/nonPublished

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Morizot, Baptiste. "Hasard et individuation. Penser la rencontre comme invention à la lumière de l'œuvre de Gilbert Simondon". Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0682.

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L’objet de cette recherche revient à interroger le rôle du hasard dans le processus d’individuation tel qu’il est théorisé par Gilbert Simondon. Dans cette perspective, le hasard, élaboré à partir du concept darwinien de chance, doit être considéré comme opérateur théorique et concept explicatif d’une théorie des processus de genèse de forme individuelle, et non comme un principe métaphysique ou une mesure de l’ignorance. Il qualifie dans l’individuation la modalité de la rencontre entre la singularité, qui donne forme à l’être individuel, et le milieu métastable individuel, susceptible de transformations. Suivant cette perspective, le hasard devient un des opérateurs de l’invention des structures individuelles singulières, plurielles, et novatrices, formes de vie et manières d’exister, qui sont élaborées comme solution à des problèmes par le processus d’individuation. Cette analyse de la pensée simondonienne va permettre de mettre en place les linéaments d’une théorie de la rencontre individuante, induisant une conception particulière de l’individualité humaine, qui est susceptible d’entrer en dialogue avec les thèses de la sociologie dispositionnelle (P. Bourdieu, B. Lahire). Comme invention, l’opération d’individuation sera alors analysable à partir du concept biologique d’exaptation (S. J. Gould), qui explicite dans l’évolution l’invention de couples structuro-fonctionnels nouveaux, à partir d’un jeu entre hasard et invention vitale
This research aims to question the role of chance in the individuation process as it was theorized by Gilbert Simondon. In this context, chance, which was drawn up based on the Darwinian concept of chance, must be considered as a theoretical operator and as an explanatory concept of the genesis of individual form, and not as a metaphysical principle or as a measure of ignorance. It characterises within the individuation the modality of the encounter between the singularity which shapes the individual being and the individual metastable environment which is capable of being transformed. From this point of view, chance turns out to be one of the invention operators of singular, individual, plural and innovative structures which are ways of existing, created as solutions to problems by the individuation process itself. This analysis of Simondon’s philosophy allows us to outline a theory of the individuating encounter leading us to think of human individuality through a specific approach which enters into dialogue with the theses of the dispositional sociology (P. Bourdieu, B. Lahire). From an invention point of view, the individuation operation can thus be analysed using the biological concept of exaptation (S. J. Gould) which makes very explicit the invention of new structure-function couples in evolution based on an articulation between chance and vital invention
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O'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau". Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.

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Massonet, Stéphane. "Phénoménologie et esthétique de l'imaginaire dans l'oeuvre de Roger Caillois". Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212524.

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Libros sobre el tema "French philosophy – 20th century"

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Modern French philosophy: From existentialism to postmodernism. Oxford: Oneworld Publications, 2003.

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Foucault, Michel. Ethics: Subjectivity and truth. New York: New Press, 1997.

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Foucault, Michel. The essential works of Foucault, 1954-1984. New York: New Press, 1997.

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Paul, Sartre Jean. Modern times: Selected non-fiction. London, England: Penguin Books, 2000.

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Bataille, Georges. Georges Bataille: Essential writings. Editado por Richardson Michael 1953-. London: SAGE Publications, 1998.

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1948-, Johnson Galen A. y Smith Michael B. 1940-, eds. The Merleau-Ponty aesthetics reader: Philosophy and painting. Evanston, Ill: Northwestern University Press, 1993.

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Foucault, Michel. The essential Foucault: Selections from essential works of Foucault, 1954-1984. New York: New Press, 2003.

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Textures of light: Vision and touch in Irigaray, Levinas, and Merleau-Ponty. London: Routledge, 1998.

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Levin, Charles. Jean Baudrillard: A study in cultural metaphysics. London: Prentice-Hall, 1996.

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Levin, Charles. Jean Baudrillard: A study in cultural metaphysics. New York: Prentice Hall/Harvester Wheatsheaf, 1995.

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Capítulos de libros sobre el tema "French philosophy – 20th century"

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Cohen-Tannoudji, Gilles. "Philosophy and 20th Century Physics". En French Studies In The Philosophy Of Science, 115–40. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9368-5_5.

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Spener, Maja. "Introspecting in the 20th century". En Philosophy of Mind in the Twentieth and Twenty-First Centuries, 148–74. New York : Routledge, 2018. | Series: The history of the philosophy of mind ; Volume 6: Routledge, 2018. http://dx.doi.org/10.4324/9780429508127-7.

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Dussel, Enrique. "Philosophy in Latin America in the 20th Century". En Philosophy of Latin America, 15–59. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-3651-0_2.

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Barrett, D. Cyril. "Phenomenology and 20th Century Artistic Revolutions". En Hermeneutic Philosophy of Science, Van Gogh’s Eyes, and God, 279–86. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-1767-0_23.

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Orlandi, Nico. "20th-century theories of perception 1". En Philosophy of Mind in the Twentieth and Twenty-First Centuries, 104–25. New York : Routledge, 2018. | Series: The history of the philosophy of mind ; Volume 6: Routledge, 2018. http://dx.doi.org/10.4324/9780429508127-5.

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Johansson, Jens. "20th-century theories of personal identity". En Philosophy of Mind in the Twentieth and Twenty-First Centuries, 126–47. New York : Routledge, 2018. | Series: The history of the philosophy of mind ; Volume 6: Routledge, 2018. http://dx.doi.org/10.4324/9780429508127-6.

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Brunet, Pierre, Veronique Champeil-Desplats, Eric Millard, Carlos Miguel Herrera, Jean Louis Halpérin y André Jean Arnaud. "Chapter 12 20th-Century Legal Philosophy in France". En A Treatise of Legal Philosophy and General Jurisprudence, 411–55. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_12.

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De Sousa e Brito, José, José Manuel Aroso Linhares, Luís Meneses do Vale, Ana Margarida Simões Gaudêncio y Alessandro Serpe. "Chapter 14 20th-Century Legal Philosophy in Portugal". En A Treatise of Legal Philosophy and General Jurisprudence, 503–30. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_14.

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Varga, Csaba. "Chapter 19 20th-Century Legal Philosophy in Hungary". En A Treatise of Legal Philosophy and General Jurisprudence, 635–51. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_19.

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Olsen, Henrik Palmer. "Chapter 22 20th Century Legal Philosophy in Denmark". En A Treatise of Legal Philosophy and General Jurisprudence, 739–60. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_22.

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Actas de conferencias sobre el tema "French philosophy – 20th century"

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Szoro, Ilona. "READING CIRCLES IN HUNGARY IN THE 20TH CENTURY". En SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.072.

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Bosak, Martin. "SLOVAK NATIONAL ACTIVITIES IN AMERICA AT THE BEGINNING OF 20TH CENTURY". En SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.074.

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Tleubekova, G. "Late 19th – early 20th century European travelers account of the nomadic people of Central Asia". En Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-07-2020-05.

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Burima, Maija. "TRAVELOGUES IN LATVIAN LITERATURE (LATE 20TH - EARLY 21ST CENTURY): DECONSTRUCTION AND RECONSTRUCTION OF MENTAL BORDERS". En SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.037.

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Kosorukova, Alexandra. "On Reception of Nietzschers Idea of God in the Russian Philosophy (Late 19th-Early 20th Century)". En 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.9.

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Nenicka, Lubomir. "TRANSFORMATIONS OF EUROPEAN POLITICAL AND ECONOMIC SYSTEM IN THE 20TH CENTURY. THE CASE OF CZECHOSLOVAKIA IN THE YEARS 1938 AND 1945". En SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.086.

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Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century". En SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Sumenkova, M. V. "ALCOHOL AS A FACTOR OF DESTABILIZATION OF THE REGIME (ON THE EXAMPLE OF RUSSIA IN THE FIRST QUARTER OF THE 20TH CENTURY)". En A glance through the century: the revolutionary transformation of 1917 (society, political communication, philosophy, culture). Vědecko vydavatelskě centrum «Sociosfera-CZ», 2017. http://dx.doi.org/10.24045/conf.2017.1.3.

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Kiselev, Valery. "Study on the Quest of Philosophical Identity: Definition of Philosophy in Chinese Historical-Philosophical Writings at the Beginning of the 20th Century". En Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.63.

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Zhitin, R. y A. Topil'skiy. "“Manor libraries of the Tambov province of the late 18th – early 20th centuries”: a method of creating an information resource". En Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1805.978-5-317-06529-4/166-172.

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The article analyzes the main approaches to creating an information resource “Estate libraries of the Tambov province of the late XVIII – early XX century. The author analyzes the source base, identifies ways to systematize book collections of Tambov nobles of the XVIII–XIX centuries in Russian, French, Greek, Latin, English and German, and their significance for the study of book culture in the region
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