Bibliografías temáticas / Gong gong guan xi

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Literatura académica sobre el tema "Gong gong guan xi"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 8 de febrero de 2022

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Artículos de revistas sobre el tema "Gong gong guan xi"

1

Nguyen, Tho Ngoc. "CHANGE AND EMPOWERMENT IN THE CULT OF GUAN GONG IN SOUTHERN VIETNAM". Scientific Journal of Tra Vinh University 1, n.º 27 (19 de junio de 2019): 56–69. http://dx.doi.org/10.35382/18594816.1.27.2017.130.

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Cultural practice is a kind of expression and reflection of real livelihood into human mind and experience, is a set of knowledge, values, faiths and social standards constructed by the whole community; therefore, it contains the rhythm and breath of life and can be changed to meet the demands. Regarding socialenvironment, the communities always keep going on the processes of developing and diversifying their culture through acculturation, exchange and localization, which finally constructs the social norms, goals and driving forces for their advancement. Among various approaches and methodologies, the change in empowerment in cultural practices actively offers the optimized values in functional standardization and implementation. The final value is undoubtedly the social capital. This research is to investigate the introduction, development, change and empowerment of the Chinese-rooted Guan Gong belief in Vietnam, through which emphasizes the process and nature of the cult during the deep absorption in Vietnamese history of anti-foreign invasions throughout the last two centuries, and enriches local values of a characteristic belief and a symbolic icon of multicultural exchanges in Vietnam, especially in the Southern region. Thispaper applies the theories of deconstruction and empowerment under cultural studies perspective in order to analyze and explain the processes of deconstruction, restructuring and empowerment in the cult of Guan Gong in Southern Vietnam as well as extract the regular principle of cultural exchanges locally.
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2

Cahyono, Heri y Yeni Susanti. "NILAI-NILAI PENDIDIKAN MULTIKULTURAL DALAM FILM ANIMASI UPIN IPIN EPISODE ESOK HARI RAYA, GONG XI FA CAI, DAN DEEPAVALI". At-Tajdid : Jurnal Pendidikan dan Pemikiran Islam 3, n.º 01 (17 de septiembre de 2019): 70. http://dx.doi.org/10.24127/att.v3i01.977.

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Multicultural education is education that promotes diversity, difference, and tolerance. The values of multicultural education that are implanted are expected to be a solution to resolve or avoid cases that often occur in Indonesia because of the background of cultural differences in society. The planting of multicultural education values must be applied to the general public, especially to students as early as possible. The values of multicultural education can be done in various ways, one of them is using animated film media, namely the Upin Ipin animated film. children in general will better understand what they often see. Upin Ipin's animated film tomorrow's episodes, gong xi fa cai, and deepavali illustrate how peaceful and peaceful multicultural life. Where in the film illustrates how the reality of multicultural life that lives peacefully even with different cultural backgrounds. In addition, in the animated film Upin Ipin tomorrow's episodes, gong xi fa cai, and deepavali there are multicultural education values namely tolerance, democratic values, help please values, pluralism values, justice values, equality values, equality values, humanism values, and the value puts the dialog first.Keywords: Multicultural Values, Tomorrow's Holiday, Gong Xi Fa Cai, and Deepavali
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Mei, Jianjun. "Kao Gong Ji: The World's Oldest Encyclopaedia of Technologies trans. by Guan Zengjian and Konrad Herrmann". Technology and Culture 62, n.º 2 (2021): 591–93. http://dx.doi.org/10.1353/tech.2021.0101.

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Loewe, Michael. "On the Terms bao zi, yin gong, yin guan, huan, and shou Was Zhao Gao a Eunuch?" T'oung Pao 91, n.º 4 (2005): 301–19. http://dx.doi.org/10.1163/156853205774910124.

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Zhao, Chao, Xiong Chen, Chang Sheng Zhou y Hong Mei Wang. "Effects of the Stress Concentration and Plane Stress on the Essential Work of Fracture (EWF) Method". Advanced Materials Research 1042 (octubre de 2014): 32–37. http://dx.doi.org/10.4028/www.scientific.net/amr.1042.32.

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In this article, we used standard dumbbell specimen (SDS), compact tension specimen (CTS) and Double edge notched specimen (DENS) which made of materials of modified double-base propellant to do the uniaxial tensile experiments under different tensile rates. In comparison, three kinds of specimen whoes geometric features are similar with the specimen above but the thickness is smaller, were also used to get the relationship of force (F) and displacement (l). After analysis of these relationship, we confirmed that the plane stress and stress concentration influence the use of EWF method. The experimental results prove that the geometric features of the specimen which are proposed by B.cotterell and J.K.reddel are absolutely right. But for the thicker specimen used by GUAN GONG and other researchers, we can just know the trend is correct, and should do further research to know the influence which specimen’s geometric characteristics bring to experiment.
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6

Lokita Pramesti Dewi, Rd Dancu. "Konstruksi Perayaan Imlek Pada Film Animasi Upin Dan Ipin Dalam Episode “ Gong Xi Fa Cai “ Di MNCTV". LUGAS Jurnal Komunikasi 3, n.º 2 (31 de diciembre de 2019): 89–97. http://dx.doi.org/10.31334/lugas.v3i2.709.

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Animation Film of Upin and Ipin is a LES COPAQOE production of Malaysian animation movie science and education movie for children. In Indonesia, 'Upin and Ipin' is broadcast in SCTV. This movie is not only suitable for children, but also for all ages. There are a lot of messages that we can absorb from this movie, such as family matter, friendship, and culture. This movie provides good lessons about social issues for its audience. The purpose of this research is to find out more about the characterizations of every cast, and the meaning of Imlek celebration in Upin and Ipin film. The film shows heterogeneous characters in every cast. This research takes an episode of Gong Xi Fa Cai in Upin and Ipin series. The film is attractive because it talks about the relationship of diversity. The meaning of Imlek Celebration in Upin and Ipin film is a spiritual celebration and the life core of Chinese people. The spiritual meaning of Imlek celebrations is not merely celebrated by Chinese people, but it is also celebrated by other tribes in this film. The film shows about sharing happiness in line with the meaning of Imlek namely the spirit and ability to share with others, help each other, and live in peace.
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Wang, Dong-Hae, Jee Hoon Han y Jin-Sun Lim. "An analysis of the Relationship Between Serious Leisure and Quality of Life of Participants in the Chinese Leisure Sport “Guan Gong Longfeng Whip”". Korean Society for Leisure Sciences 11, n.º 2 (30 de noviembre de 2020): 11–19. http://dx.doi.org/10.37408/kjls.2020.11.2.11.

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You, Hong. "Ownby, David. Falun Gong and the Future of China. New York: Oxford University Press, 2008. xi+291 pp. $29.95 (cloth)." Journal of Religion 91, n.º 4 (octubre de 2011): 591–92. http://dx.doi.org/10.1086/662413.

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Haro Navejas, Francisco Javier. "China y Hong Kong, 2017". Anuario Asia Pacífico el Colegio de México, n.º 17 (1 de enero de 2018): 63–95. http://dx.doi.org/10.24201/aap.2018.272.

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El número de actores chinos en escenarios internacionales es cada vez mayor y su abanico de intereses también es creciente. Durante 2017 se fortalecieron dos de sus características esenciales: primero, la mundialización, están en prácticamente todo el planeta, segundo, sus campos de acción que, alentados por sus intereses, son multidimensionales. Durante el año pasado, trataron de posicionarse como una fuerza esencial para resolver problemas. Incluso, hacen todo lo necesario para involucrarse en escenarios de dominio tradicional de los poderes surgidos en la segunda posguerra. El mejor ejemplo de ello es la propuesta de Xi Jinping, presidente de China, compuesta de cuatro puntos¹ para el conflicto entre Palestina e Israel: lograr la existencia de dos Estados basados en las fronteras de 1967 y el este de Jerusalén como capital palestina, finalizar el levantamiento de nuevos asentamientos judíos y terminar con la violencia contra los civiles, alentar la cooperación internacional para promover medidas pacíficas, promover la paz entre Israel y Palestina mediante el desarrollo y la cooperación. La propuesta, una de las primeras en materia de política exterior hechas por Xi a su llegada al poder en 2013, fue presentada el año pasado como algo bienvenido por las partes involucradas; incluso Israel aceptaría una mayor influencia de Beijing, por lo menos en la versión del enviado especial chino para la región, Gong Xiaosheng.²
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Yang, Fenggang. "Falun Gong and the Future of China. By David Ownby. New York, NY: Oxford University Press, 2008. xi + 291 pp. $29.95 Cloth. $19.95 Paper". Politics and Religion 4, n.º 3 (31 de octubre de 2011): 601–3. http://dx.doi.org/10.1017/s1755048311000563.

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Tesis sobre el tema "Gong gong guan xi"

1

Liang, Ruhai. "Pi wei gong neng yu pi fu bing guan xi de gu jin wen xian yan jiu /". click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009628a.pdf.

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Cheang, Kai Hang. "Examining the Literature of Resistance: The Politics and Poetics of Chinese American Identity in the Works of Frank Chin and David Henry Hwang". OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/996.

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In my thesis, I argue "against the grain," asserting that the war over authenticity among first-wave and second-wave-Asian-American writers is in fact a red-herring argument. The diversity within Asian American literature--be it nationalist, multiculturalist, or globalist--is initiated by a subversive kernel borne out of Asian American writers' frustration at the manner in which Asians had, up until now, been portrayed in popular culture. This thesis will pay particular attention to how Chinese American writers, namely Frank Chin and David Henry Hwang, contest the emasculated stereotype of Asian American identity by reclaiming historical agency, demanding representational authenticity, and urging for political equality in their literature. Following a discussion of Charles Taylor's location of the originality of identity in dis/re-covery, this thesis will commence with a Freudian and Benjimanian analysis of history in Chin's Donald Duk (1991) and Hwang's Golden Child (1996). This thesis then examines the role of Chinese literature in the composition of Chinese American literature, especially in Donald Duk, Gunga Din Highway (1995), FOB (1983), and Dance and the Railroad (1983). I ascertain that the similarities/differences yielded between the "ur-myth" of Guan Gong, a general warlord who served under Liu Bei during the Three Kingdoms era, and the Asian American depictions of Guan symbolically indicate Chin and Hwang's political beliefs on how Asian American literature should be interpreted in a post-civil-rights-movement era. To continue exploring the matrix of Asian American identity in a multicultural context, I contend that post-hyphenated identity is a conscientious performance of self by drawing on Chin's The Chickencoop Chinaman (1972) and Hwang's Yellow Face (2009) as examples.
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3

Liao, Yupei. "Wo guo da xue tu shu guan xian shang gong yong mu lu shi yong zhe li yong zhi dao fang shi zhi yan jiu". Taibei Shi ; Niuyue : Han Mei tu shu you xian gong si, 1992. http://books.google.com/books?id=OuYVAAAAMAAJ.

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Tsui, Man-hon. "Official historical compilations in Early Qing : Xu Qianxue's (1631-1694) leadership and contribution = Qing chu de guan shi bian xiu : Xu Qianxue de ling dao yu gong xian /". View the Table of Contents & Abstract, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39774144.

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Wong, Lai-wing. "The application of systemic functional linguistics to the teaching of evaluative writing at matriculation level Xi tong gong neng yu yan xue zai yu ke ping lun xie zuo jiao xue de ying yong /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37609531.

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Cheng, Xiaoke. "Shang shi gong si ying yu zhi liang fen xi yu ping jia yan jiu ji yu Zhongguo zi ben shi chang huan jing de yan jiu gou jia yu jing yan zheng ju /". Dalian Shi : Dongbei cai jing da xue chu ban she, 2006.

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Ho, Miu-chun Michelle. "The application of systemic functional linguistics to teaching individual brief narrative speaking to junior secondary students Xi tong gong neng yu yan xue zai chu zhong ji shi duan jiang jiao xue de ying yong /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37520350.

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Gu, Donghui. "Shanghai xia gang zhi gong yan jiu she hui zhi chi xi tong, ge ren hui ying yu zai jiu ye = A study of the unemployed in Shanghai : social support systems, individual responses & reemployment /". online access from Digital dissertation consortium, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9984698.

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Tong, Wun-sing. "The application of systemic functional grammar in Chinese practical compositions : the teaching of news reporting = Xi tong gong neng yu yan xue zai shi yong wen jiao xue shang de ying yong yan jiu - yi xin wen gao xie zuo jiao xue wei li /". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25755559.

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Wang, Ying-Chieh y 王胤傑. "The Analysis of Dong-Gong- Guan in EarlyTang Dynasty". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/69271621265112484639.

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碩士
淡江大學
歷史學系碩士班
103
In practical political terms, the Crown Prince was considered "without a firm''s designated successor to the throne," on the Tang Dynasty Crown Prince is concerned, since the A.D. 626 The Xuanwu Gate Incident, in addition to the problem itself, the Crown Prince Tang Dynasty in addition, the emperor''s preferences, the threat of the royal family, Prince and de facto ruler of the Queen''s support or not and the effects of these various reasons are that it is rendered as an unstable state. Time scope of this paper, since Gaozu Wude year (618) Emperor Gaozu of Tang establish its Allegiance to Emperor Gaozong of Tang became the Crown Prince Hiromichi first year (683) Tang Emperor died, the throne Prince Xian ended, a total of 65 years. This paper analyzes the meantime, the Prince of elevating the status of discussions and waste legislation, and its sources, as well as the situation was deposed Prince or cis position immediately after the discussion. In Emperor Gaozu of Tang Dynasties, Sui Taizai view of Prince Li Jiancheng Yong Jin Wang Yang Guang using political means because it is waste status Prince lessons Li Shimin its face threats for storage spaces, in addition to expanding its Dong-Gong- Guan, but also With the establishment of military medals to consolidate his position. Makes Li Shimin not get storage spaces by means of political desperation only way to change the use of war seized power. In Emperor Dynasties, Dong-Gong- Guan concurrently by more powerful minister, in addition toincreasing the Prince''s political strength, but also mandates the protection of the Prince, as Prince Chengqian ever-increasing threat to the reserve position in the face of the king and Lee Tae, the Emperor Wei Zheng was also represented by any officer of Orient House, as a means of support for the incumbent Prince, and Li Zhi Ren Taizi, it was also being supported by Sun loudly maintenance. Dong-Gong- Guan to be seen at this time Prince is effective. But in Emperor Gaozong of Tang, though still follow Dynasty towards practice, Quan Chen appointed prime minister for the Dong-Gong- Guan, but has been more Dynasty towards qualification there is a gap, in addition to the Dong-Gong- Guan in this period also decreased its position, can serve as Orient House, the official office and from the powerful minister Prince Dong-Gong- Guan observed condition after being abandoned. This concept dynasties period, Emperor Gaozu of Tang during Taizong, although the status of Prince shaky, but by the appointment and promotion of the status of the Orient House Dong-Gong- Guan officer, known emperor hoping artificially promote the throne succession process, be able to spend a peaceful and smooth. But in the Tang Emperor towards status affected the Queen, Prince, so that the situation of its dethronement of frequent occurrence, but it does not affect the Dong-Gong- Guan if solid Dynastyperiod, but also makes the official status of the Orient House and its function gradually decreases.
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Libros sobre el tema "Gong gong guan xi"

1

hua, Lian xiao. Gong gong guan xi xue. Chang chun: Ji lin ta xue chu ban she, 2014.

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Gong gong guan xi xue. Bei jing: Gao deng jiao yu chu ban she, 2000.

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Gong gong guan xi xue. 5a ed. Shanghai: Fu dan da xue chu ban she, 2013.

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4

jian, Zhang. Gong gong guan xi xue. Bei jing: Zhong yang guang bo dian shi ta xue chu ban she, 2006.

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Gong gong guan xi xue. 2a ed. He fei: An hui ren min chu ban she, 1997.

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Gong gong guan xi xue. Nanjing: Nanjing da xue chu ban she, 2008.

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yang, Yu ming. Gong gong guan xi xue. Bei jing: Bei jing shi fan ta xue chu ban she, 2007.

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Gong gong guan xi xue. Wuchang: Wuhan da xue chu ban she, 2004.

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Gong gong guan xi xue. Guangzhou: Zhongshan da xue chu ban she, 2009.

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Gong gong guan xi xue. Beijing: Qing hua da xue chu ban she, 2018.

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Capítulos de libros sobre el tema "Gong gong guan xi"

1

"Glossary Bo idiophone, cymbal Dang idiophone, small brass gong suspended in a wooden frame Dao the transcendent eternal Cosmic Way Daozang Taoist canon Di aerophone, horizontal flute Difang yun regional chants Dujiang chief cantor Fangshi man of magical techniques Faqi ritual instruments Fujiang assistant cantor Gaogong fashi chief Taoist or master of exalted merit Gongchi notational system Gu membranophone, drum Guan aerophone, reeded pipe He process of uniting the yin and yang Huoju daoshi non-celibate Taoist priests Jinian fashi rituals celebrating the birthdays of various gods, deities, and past Taoist masters Luo idiophone, gong Moyu idiophone shaped like a fish, made of wood Qi the primordial energy Qing idiophone in the shape of a large bowl, usually made of brass Quanzhen Perfect Realization Quanzhen zhenyun Orthodox Quanzhen chants Sandong three-part classification of historical documents used in the Taoist canon Sanjiao heyi Three religions (Taoism, Buddhism, Confucianism) into one Sanqing The Three Pure Ones, highest of the Taoist gods Shougu membranophone, hand-held drum Suona aerophore, oboe Taiping Dao The Way of Great Peace Tan Taoist altar Tian ren he yi human in/as universe Tianshi Dao The Way of the Heavenly Masters Wushi shaman and spirit-medium Wuwei Taoist philosophical idea of non-interference Xiudao fashi daily morning and evening offices Yangyun chants praising the virtues and power of the gods Yanyue court banquet music". En Tradition & Change Performance, 79. Routledge, 2012. http://dx.doi.org/10.4324/9780203985656-15.

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"Glossary Bailian Jiao White Lotus teachings baimiao paying homage at the temples ban band caijie street procession cha, ban small cymbals chi hui hold a feast for all the households chuige songs for winds chuigu shou drumers and wind players dangzi gong in frame daqu large pieces dizi transverse flute with kazoo membrane fang dengke releasing the lanterns fangshe or shishi pardon and distribution of food fang hedeng releasing the river lanterns gongche traditional notation gu large barrel drum guanshi, zan guan helper guanzi double-reed pipe guyueban, chuida ban wind-and-percussion band huahui assembly of performing troupes hui association huishou association head nanyue the southern music nao, bo large cymbals pai prelude paizi percussion pieces, cf. the melodic qupai qu pieces qupai labelled melodies shang miao going to the temple shan hui charitable associations she society she hui altar assembly shen body sheng free-reed mouth organ sheng-guan yue type of wind-and-percussion music shenghui outstanding association shifu masters tao suites wei tail xiangshou incense head xiaoqu small pieces xueshi learning the [ritual] business xuyuan make vows to the gods". En Tradition & Change Performance, 48. Routledge, 2012. http://dx.doi.org/10.4324/9780203985656-10.

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