Bibliografías temáticas / Hippolyta (greek mythology) – drama

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Literatura académica sobre el tema "Hippolyta (greek mythology) – drama"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Hippolyta (greek mythology) – drama"

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Konstantinos, Kalogeropoulos. "Ήρωες θεραπευτές και Ασκληπιός". Archive 8 (5 грудня 2012): 10–15. https://doi.org/10.5281/zenodo.4542909.

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Although Asclepius is not considered an important god of Greek mythology he is a central figure in the context of archetypal hero-healers. He also took part in the journey of the Argonauts and the hunt for Caledonian Boar, a fact that includes him in the lives of the most important heroes of Greek mythology. Asclepius was also an important figure in the drama that that has been unfolded between Apollo, Zeus and the Cyclops, known to us through the theatrical drama of Euripides <em>Alcestis</em>.
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Showerman, Earl. "A Century of Scholarly Neglect: Shakespeare and Greek Drama." Journal of Scientific Exploration 37, no. 2 (2023): 201–17. http://dx.doi.org/10.31275/20233109.

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In the late 19th and early 20th centuries, a number of Shakespeare scholars, including Israel Gollancz (1894), H.R.D. Anders (1904), J. Churton Collins (1904), and Gilbert Murray (1914) wrote convincingly of Shakespeare’s debt to classical Greek drama. However, in the century since, most scholars and editors have repeatedly held that Shakespeare was not familiar with Greek drama. In Classical Mythology in Shakespeare (1903), Robert Kilburn Root expressed the opinion on Shakespeare’s ‘lesse Greek’ that presaged this enduring dismissal: “It is at any rate certain that he nowhere alludes to any c
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Liang, Hongxin. "The Standpoint of Goodness: On the Dramatic Ethics in Medea." Scientific Journal Of Humanities and Social Sciences 7, no. 5 (2025): 195–99. https://doi.org/10.54691/1xf4wk06.

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In Medea, Euripides not only portrays the most classic female characters in ancient Greek tragedy through dark, violent, and bold means, but also presents the differentiated ethics and morals in ancient Greek polis to the audiences from a mythological perspective, the core conflict of tragedy points to the irreconcilable micro conflict, which directly involves different standpoints of goodness. This paper combines the concept of "literary judge" with the drama studies, attempting to explore the tragic causes of the Medea murder case from the aspects such as moral oppression in ancient Greek po
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Satya, Nilayam Research Institute of Philosophy &. Culture. "Literary Forms of Philosophizing." Satya Nilayam Chennai Journal of Intercultural Philosophy 8 (June 5, 2005): 7–20. https://doi.org/10.5281/zenodo.12730212.

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Let us begin with questions of what is philosophizing. In the Greek tradition philosophy is understood as search for the essence or "whatness" of things (quidditas). In that sence philosophy was developed in European context and expressed in a specific written from, a particular form of language which is diffrent from that of other forms of communication like poetry, drama, mythology, ect.
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Raza, Momina. "Haunting Revenge as a Theatrical Caveat: A Comparative Study of Classical and Shakespearean Plays." Journal of Arts and Linguistics Studies 3, no. 1 (2025): 1505–17. https://doi.org/10.71281/jals.v3i1.279.

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The essence of Renaissance is eulogised with the spirit of Greek mythology and traditions, such as the chorus, oracles and eidola. They are used as tools of warning, especially evoking haunting revenge. These traditions hold prime importance in influencing a structural, as well as thematic understanding of Shakespearean drama. The research aims at unfolding the traditional Greek theatrical use of oracles, Chorus and the recurring eidola as a reverberating effect in the form of soliloquies, asides and avenging ghosts in the later theatrical productions of Shakespeare. The objective of the resea
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De Chiara-Quenzer, Deborah. "Commentary on Pappas." Proceedings of the Boston Area Colloquium of Ancient Philosophy 32, no. 1 (2017): 59–65. http://dx.doi.org/10.1163/22134417-00321p06.

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This commentary on Nicholas Pappas’s paper, “Telling Good Love from Bad in Plato’s Phaedrus,” reflects on a number of Pappas’s thoughtful observations and interpretations of features woven into the drama of the discussion (for example, Typho and Boreas, wings, left and right). However, unlike Pappas, who refrains from claiming that divinely inspired human love (good love) can be discerned by turning to the earthly, this commentary suggests that Pappas’s contrasts of wings which conceal versus wings which elevate, of left and right, and my added contrast of traditional Greek mythology versus Pl
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Aboelazm, Ingy. "Africanizing Greek Mythology: Femi Osofisan’s Retelling of Euripides’the Trojan Women." European Journal of Language and Literature 4, no. 1 (2016): 87. http://dx.doi.org/10.26417/ejls.v4i1.p87-103.

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Nigerian writer Femi Osofisan’s new version of Euripides' The Trojan Women, is an African retelling of the Greek tragedy. In Women of Owu (2004), Osofisan relocates the action of Euripides' classical drama outside the walls of the defeated Kingdom of Owu in nineteenth century Yorubaland, what is now known as Nigeria. In a “Note on the Play’s Genesis”, Osofisan refers to the correspondences between the stories of Owu and Troy. He explains that Women of Owu deals with the Owu War, which started when the allied forces of the southern Yoruba kingdoms Ijebu and Ife, together with recruited mercenar
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Dobre, Angela Anca. "The Destiny in the Tomitan Funerary Poetry." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 8 (November 27, 2009): 257–62. http://dx.doi.org/10.35219/history.2009.12.

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The destiny is a favorite topic in the Greek and Latin mythology, which defines it as a divine independent body, superior to all deities of the Panthenon, „dictating” the facts even to Zeus. The Greek theatre illustrates the best the relationship between destiny and the individual freedom (to see the Greek drama authors: Eschil, Sophocle, Euripide). The Romans believed as well in Destiny seeing him as a personal genius, supreme judge of everyone’s life. The Greek colony and then the metropolis of the Left Pont, Tomis was perfectly framed into the Greek philosophical-religious system, Hellenist
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Kim, Gongsook. "The Archetype of Femme Fatale Character in K-drama: Focusing on the Heroine of Misty." Korean Society of Culture and Convergence 45, no. 4 (2023): 291–308. http://dx.doi.org/10.33645/cnc.2023.04.45.04.291.

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The archetype of the femme fatale character of Go Hye-ran, the heroine of the K-drama Misty, was analyzed by applying the Greek mythology archetype theory of the Jungian School of Bolen and the discussion of the femme fatale character in literature. A femme fatale is a female type that maximizes the negative aspects of the archetype of the goddess Aphrodite. Misty shows the tragedy that can happen when an goddess Aphrodite-archetypal woman rushes for her desire through the modern success-oriented femme fatale Go Hye-ran. She reproduces the archetype of femme fatale as a beautiful and menacing
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Luton, Jane Isobel, and Jacqueline Hood. "A Sisyphean task? Doing drama online with Year 9 students in a COVID-19 lockdown." Teachers and Curriculum 22, no. 1 (2022): 39–45. http://dx.doi.org/10.15663/tandc.v22i1.385.

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Using the allegory of Sisyphus from ancient Greek mythology, we examine the problems that arose while teaching Year 9 drama classes online during the COVID-19 pandemic lockdowns in Aotearoa, New Zealand. At times we have felt like Sisyphus, forced to push a boulder uphill forever. We became adept at using the school’s chosen online platform, in this case, Microsoft Teams. For all teachers, this meant that students were no longer in an actual classroom with their peers but met in a virtual space as a series of little icons on a screen. For drama, this disrupted the very essence of the praxis. D
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Tesis sobre el tema "Hippolyta (greek mythology) – drama"

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Hussein, Abdelhamid. "Griechische Mythologie im modernen arabischen Theater am Beispiel Ägyptens und Syriens /." Aachen : Shaker, 2004. http://catalog.hathitrust.org/api/volumes/oclc/56878742.html.

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Riley, Kathleen. "The reception and performance of Euripides' Herakles : reasoning madness." Oxford [u.a.] Oxford Univ. Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199534487.001.0001.

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Hamilton, Christine Rose Elizabeth. "The Function of the Deus ex Machina in Euripidean Drama." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500421429824731.

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Van, Zyl Smit E. "Contemporary witch : dramatic treatments of the Medea myth." Thesis, Stellenbosch : University of Stellenbosch, 1987. http://hdl.handle.net/10019.1/1440.

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Silverblank, Hannah. "Monstrous soundscapes : listening to the voice of the monster in Greek epic, lyric, and tragedy." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:f66a7bb1-de17-46f2-b79f-c671c149c366.

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Although mythological monsters have rarely been examined in any collective and comprehensive manner, they constitute an important cosmic presence in archaic and classical Greek poetry. This thesis brings together insights from the scholarly areas of 'monster studies' and the 'sensory turn' in order to offer readings of the sounds made by monsters. I argue that the figure of the monster in Greek poetry, although it has positive attributes, does not have a fixed definition or position within the cosmos. Instead of using definitions of monstrosity to think about the role and status of Greek monst
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Masciadri, Virgilio. "Eine Insel im Meer der Geschichten : Untersuchungen zu Mythen aus Lemnos /." Stuttgart : Steiner, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016376984&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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McFall, Edwin K. "Tragic hero to antichrist : Macbeth, the Oedipus Tyrannus of the English Renaissance /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10234.

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Niyonzima, Sébastien. "Résurgence de la mythologie grecque dans le théâtre français de l'entre-deux-guerres : pourquoi et comment ?" Electronic Thesis or Diss., Université Clermont Auvergne (2021-...), 2024. http://www.theses.fr/2024UCFA0050.

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Les mythes ont toujours fait l'objet de réécriture depuis l'Antiquité. Toutefois, l'ampleur que prend leur reprise au XXe siècle - deux millénaires après les tragiques grecs et trois siècles après les classiques français - amène tout chercheur à s'interroger. Pourquoi la résurgence de la fable mythique dans un contexte historico-littéraire ultra-moderne ? Comment s'opère cette réécriture qui rencontre l'assentiment d'un public exigeant ? Notre travail répond à ces questionnements en donnant quatre raisons interdépendantes développées chacune dans une partie de la thèse. La première concerne l'
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Dixon, Dustin W. "Myth-making in Greek and Roman comedy." Thesis, 2015. https://hdl.handle.net/2144/16320.

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Challenging the common notion that mythological comedies simply burlesque stories found in epic and tragedy, this dissertation shows that comic poets were active participants in creating and transmitting myths and argues that their mythical innovations influenced accounts found in tragedy and prose mythography. Although no complete Greek mythological comedy survives, hundreds of fragments and titles reveal that this type of drama was extremely popular; they were staged in Greece, Sicily, and Southern Italy and make up about one-half of all comedies produced in some periods. These fragments, su
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"Convergence and divergence: a comparative study of myth and tragic in Jiuge and Agamemnon." 1999. http://library.cuhk.edu.hk/record=b5890040.

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Libros sobre el tema "Hippolyta (greek mythology) – drama"

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1988-, Orak Sevda, ed. Hezkirî. Lîs Basın-Yayın, 2013.

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Pradon. Phèdre et Hippolyte. University of Exeter, 1987.

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Ganōtēs, Kōnstantinos. To drama tou Hippolytou. Maistros, 2009.

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G, Mauropoulos Theodōros, ed. Hippolytos. Ekdoseis Zētros, 2008.

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Euripides. Alcestis, Medea, Hippolytus. Hackett, 2007.

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6

Pinelière, Guérin de La. Le Mythe de Phèdre: Les Hippolyte français du dix-septième siècle. Champion, 1996.

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Euripides. Hippolytos and other plays. Oxford University Press, 2009.

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Miquel Maria Gibert i Pujol. Fedra, o La inclemència del temps. Edicions 62, 1993.

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1950-, Wood Allen G., La Pinelière, Guérin de, ca. 1615-ca. 1643., Gilbert, Gabriel, ca. 1620-ca. 1680., and Bidar Mathieu 1649-1727, eds. Le mythe de Phèdre: Les Hippolyte français du dix- septième siècle : textes des éditions originales de La Pinelière, de Gilbert et de Bidar. H. Champion, 1996.

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Harold, Bloom. Shakespeare's A midsummer night's dream. Riverhead Books, 2004.

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Capítulos de libros sobre el tema "Hippolyta (greek mythology) – drama"

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Alaux, Jean. "Acting Myth: Athenian Drama." In A Companion to Greek Mythology. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396942.ch7.

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Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.

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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goe
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Ellana, Frank. "The Cormorant Hunters." In A Republic Of Rivers. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195061024.003.0048.

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Abstract In this selection Frank Ellana (1904-), a King Island Eskimo, tells of a different kind of wilderness-the wild reaches of the human heart-in a tale of infidelity and murder that could have been taken from Greek mythology of drama, so intensely tragic is it.
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Savanekar, Dr Ram P. "THEMATIC ANALYSIS OF EUGENE O’NEILL’S PLAYS." In Futuristic Trends in Social Sciences Volume 3 Book 27. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3baso27p2ch4.

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This present research paper throws light on thematic analysis of Eugene O’ Neill’s plays. O’ Neill is considered as one of the most controversial figures in modern drama. Eugene O' Neill is known as one of the greatest American playwrights in the history. His themes have made his plays highly recognized work and it is only because of strong themes of his plays just like dysfunctional family life, hiding behind a mask and Greek Mythology. His plays also throw light on social themes, religious themes, psychological themes, pessimism, family life and Greek mythology. His use of melodramatic eleme
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Doolan, Emma. "Unsettled Waters: The Postcolonial Gothic of Tidelands." In Screening the Gothic in Australia and New Zealand. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721141_ch01.

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Tidelands (2018), the first standalone Australian production in the Netflix Originals portfolio, imports the monstrous figure of the siren from Greek mythology to the South-East Queensland coast, unsettling not only the iconic Australian beach, but also the domestic television genres of the beachside soapie and crime drama. However, while Tidelands innovates in Australian Gothic, it also continues to engage with – or become entangled within – some of the genre’s oldest preoccupations: nation, inheritance, belonging, and colonial guilt. Tidelands’s spaces function as gothic heterotopias, reflec
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