Bibliografías temáticas / Iconoclasts

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Literatura académica sobre el tema "Iconoclasts"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Iconoclasts"

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Рамазян, А. С. "Vrt’anês K’rtoł. Treatise “On the iconoclasts”." Theological Herald, no. 3-4(18-19) (September 15, 2015): 393–425. http://dx.doi.org/10.31802/2500-1450-2015-18-19-393-425.

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Статья посвящена переводу и комментарию одного из древнейших в истории христианской Церкви трактатов по теме иконоборческих споров, имевших место в Армении в конце VI – начале VII в., то есть более чем за сто лет до появления византийского иконоборчества при императоре Льве III Исавре (726 г.). Изучение данного источника позволяет пролить свет на природу иконоборчества в Армении и его возможное влияние на появление иконоборческих идей в Византии. Опираясь на текст трактата «Об иконоборцах» Вртанеса Кертога, автор анализирует аргументацию первых армянских иконоборцев и находит, что она во много
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Osborne, Catherine. "The repudiation of representation in Plato's Republic and its repercussions." Proceedings of the Cambridge Philological Society 33 (1987): 53–73. http://dx.doi.org/10.1017/s0068673500004922.

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This paper surveys a selection of texts from the fourth century B.C. to the ninth century A.D. and considers the continuing repercussions of Plato's famous attack on art for the present as well as the past. I propose to treat the subject in five sections:1. A brief consideration of the iconoclast controversy of the eighth and ninth centuries A.D., to highlight the theory behind the iconoclasts' rejection of pictorial art from the Church (and effectively from society).2. A general discussion of Plato's apparently iconoclastic argument in Republic 10, to suggest that it too, like the later icono
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GAGU, Cristian. "ORTHODOX THEOLOGY AND SACRED ART IN THE BYZANTINE EMPIRE IN IX-XIII CENTURIES." Icoana Credintei 11, no. 21 (2025): 42–68. https://doi.org/10.26520/icoana.2025.21.11.42-68.

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The solemn proclamation of the triumph of the iconoclastic theology over the iconoclastic heresy on the first Sunday of Great Lent, in the year 843, did not represent the final defeat of the iconoclasts and did not bring church peace, much desired after more than a century of iconoclastic persecution. The essential role in the acquisition of this state of affairs fell to the Patriarch Photius, who had the wisdom to obtain from all the Eastern Patriarchs the proclamation of the Second Council of Constantinople as the VIIth Ecumenical Council, which led not only to the defeat definitive end of i
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Senina, Tatiana. "Representation of the Iconoclast Emperors in the Byzantine Offices in Honour of the Confessors of Iconoduly." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (December 2022): 131–42. http://dx.doi.org/10.15688/jvolsu4.2022.6.10.

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Introduction. Present article examines the representation of the iconoclast emperors in the Byzantine offices in honour of the confessors of iconoduly of the 8th – 9th centuries, and shows how this representation relates to the general view of icon-worshipers on the imperial power and its role in the spread of iconoclasm. Methods. Methods employed in this article are source research, information analysis, and comparative research. Sources on the subject include the offices in honor of the saints of the iconoclastic era which contain mentions of the iconoclastic emperors, published in the print
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WALTER, JOHN. "POPULAR ICONOCLASM AND THE POLITICS OF THE PARISH IN EASTERN ENGLAND, 1640–1642." Historical Journal 47, no. 2 (2004): 261–90. http://dx.doi.org/10.1017/s0018246x0400370x.

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This article explores the extent of popular iconoclasm in England in the period immediately before the start of civil war and for a region – eastern England – thought to lie at the heart of these events. It explores systematically the evidence for the extent of destruction (and the problems in its recording and recovery), the nature of the targets attacked, and the identities of the iconoclasts. The article argues that this first phase of iconoclasm was directed largely against Laudian innovations. Claiming an agency to police sacred space, iconoclasts derived legitimation from the public cond
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Budd, Joel. "Rethinking Iconoclasm in Early Modern England: the Case of Cheapside Cross." Journal of Early Modern History 4, no. 3-4 (2000): 379–404. http://dx.doi.org/10.1163/157006500x00051.

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AbstractProtestant iconoclasm has generally been understood as an assault on the beliefs and practices of traditional religion. This article challenges that understanding through a detailed study of Cheapside Cross, a large monument that was repeatedly attacked by iconoclasts in the sixteenth and seventeenth centuries. It draws on contemporary pamphlets and the manuscripts records of the City of London to reveal the complex variety of associations that Cheapside Cross acquired before and during the Reformation era. It argues that perceptions of the monument were shaped not only by its iconogra
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Koch, Michael, and Martina Koll-Schretzenmayr. "Von Bild-Sturmfluten und Bildersturmern On Iconoclasm and Iconoclasts." disP - The Planning Review 34, no. 134 (1998): 2–3. http://dx.doi.org/10.1080/02513625.1998.10556677.

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Christodoulidis, Emilios A. "Law’s Iconoclasts." Social & Legal Studies 11, no. 3 (2002): 371–74. http://dx.doi.org/10.1177/096466390201100304.

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Denny, Christopher. "Iconoclasm, Byzantine and Postmodern: Implications for Contemporary Theological Anthropology." Horizons 36, no. 2 (2009): 187–214. http://dx.doi.org/10.1017/s0360966900006356.

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ABSTRACTMedieval Byzantine debates regarding icons included fine distinctions between image, prototype, and symbol as these terms related to personhood. Iconodules and iconoclasts differed regarding the ability of art to represent the person. Must artistic representations of a person, to be justified, be consubstantial with the person represented and thus circumscribed, as iconoclasts believed? Or is it sufficient to refer to artistic representations as being symbolic of their human subjects? Embracing the victorious iconodule distinction between a person and artistic representations of the pe
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Mazim, Beatriz Lopes. "Entre o iconoclasmo e o iconoclash." Revista de História da Arte e da Cultura 5, no. 2 (2024): 72–86. https://doi.org/10.20396/rhac.v5i2.19931.

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O projeto demonumenta, ligado à Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (FAU-USP) propõe uma discussão acerca da colonialidade associada a instituições, monumentos e acervos. Uma das seções do projeto, denominada IApiranga, utiliza a inteligência artificial para intervir sobre o acervo do Museu Paulista. Neste artigo, buscamos analisar a seção IApiranga a partir dos conceitos de iconoclasmo e iconoclash situando-a entre os dois. Nesse sentido, o propósito deste trabalho é estudar o potencial iconoclasta do projeto demonumenta que, apesar de operar virtualmente, propõe
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Tesis sobre el tema "Iconoclasts"

1

Swan, Lisa. "Madeleine L'Engle and Philip Pullman Iconoclasts or ...? /." CONNECT TO ELECTRONIC THESIS, 2008. http://hdl.handle.net/1961/6989.

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Salmond, Noel A. "Hindu iconoclasts : Rammohun Roy, Dayananda Sarasvati, and nineteenth-century polemics against idolatry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0016/NQ55378.pdf.

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Basdevant-Corbier, Patricia. "Edward Albee, dramaturge iconoclaste." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0399.

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Figure patricienne incontournable du panorama de la création théâtrale, digne successeur d’Eugene O’Neill, de Tennessee Williams et d’Arthur Miller, Edward Albee (1928-2016) a insufflé une nouvelle vitalité au théâtre américain. Son œuvre iconoclaste, reçue avec ricanements, consternation ou enthousiasme, rejette l’existence d’une coupure entre la réalité, ses apparences, et l’imaginaire. Meneur de jeu imaginatif et provocateur, Albee cherche à produire un théâtre “réaliste” en abordant le problème des rapports entre apparences et réalité dans le théâtre du monde (Theatrum Mundi), sur le plan
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Alexander, Lydia L. "Iconoclast in the mirror." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4822/.

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This work explores identity positions of speakers in modern and contemporary poetry with respect to themes of subjectivity, self-awareness, lyricism, heteroglossia, and social contextualization, from perspectives including Bakhtinian, queer, feminist and postructuralist theories, and Peircian semiotics. Tony Hoagland, W.H. Auden, Adrienne Rich, and the poetic prose of Hélène Cixous provide textual examples of an evolving aesthetic in which the poet's self and world comprise multiple dynamic, open relationships supplanting one in which simple correspondences between signifiers and signifieds de
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Licari, Saverio. "Fundamentos teológicos da Iconografia Cristã." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/18347.

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Made available in DSpace on 2016-04-29T14:27:25Z (GMT). No. of bitstreams: 1 Saverio Licari.pdf: 2801424 bytes, checksum: 7748a79f4fa18f9d525296eb14443c55 (MD5) Previous issue date: 2014-08-20<br>The following essay has as its main point to present an analysis about the influence and importance of the Christian icon on the history of Christianity. It is around the logos that Christianity will form its theological reflection. However, the image, even when subordinated to the word, has never ceased to influence valuably the mind of men. On this essay, will be enhanced the vigorous role that Ch
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Song-Kwon, Sou-Kyung. "Nathalie Sarraute : une écriture iconoclaste." Tours, 2000. http://www.theses.fr/2000TOUR2009.

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Ce travail s'intéresse à l'écriture de Nathalie Sarraute sous l'angle de l'iconoclasme, compris en tant que métaphore de la fonction littéraire. La première partie est consacre à la représentation et a la défiguration de l'image mentale des personnages sarrautiens. Nous étendons le champ de notre investigation à l'art plastique et avons la peinture moderne en particulier, dans laquelle on constate une esthétique de défiguration. L'ouverture et la profondeur de l'écriture de Sarraute permettent une extension à la phénoménologie, à l'ontologie et à l'éthique. La deuxième partie analyse le rappor
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Calefati, Christopher. "«Aborrito infamato e negletto dei Borboni il nome sarà» : gesti e voci di dissidenza antiborbonica nel regno delle due Sicilie continentale (1848-1859)." Electronic Thesis or Diss., Paris Est, 2023. http://www.theses.fr/2023PESC0019.

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Le travail de thèse s’insère dans le sillon interprétatif qui a vu un renouvellement de l’historiographie du XIXe siècle européen, selon les canons des interprétations provenant de l’histoire culturelle. Les nouvelles théories sur les pratiques de politisation visuelle et informelle servent de base à la lecture des actes d’iconoclasme et de violence verbale antiborbonique dans le Royaume des Deux-Siciles entre la grande mobilisation de 1848 et 1859. Les deux moments analysés sont caractérisés par deux attitudes différentes de la part de la monarchie : au cours de la révolution de Quarante-huit
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Hennuy, Jean-Frédéric. "Des iconoclastes heureux et sans complexe /." New York : P. Lang, 2007. http://catalogue.bnf.fr/ark:/12148/cb412419893.

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Texte remanié de: Thèse de doctorat--French studies--Providence, R.I.--Brown university, 2004. Titre de soutenance : Des iconoclastes heureux et sans complexe. Pour une dialectique des littératures francophones.<br>Bibliogr. p. 143-151.
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Tremblay, Vincent. "L'image du pouvoir impérial dans la Chronographie de Théophane le Confesseur pendant le premier iconoclasme Byzantin (717-815)." Mémoire, Université de Sherbrooke, 2013. http://savoirs.usherbrooke.ca/handle/11143/60.

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L’étude de l’iconoclasme byzantin, cette crise théologique ayant pour cause l’essor du culte associé aux images religieuses, a été un exercice ardu pour les historiens. En effet, les maigres sources disponibles pour cette période sont toutes favorables au culte des images. Bien qu’écrite par un iconodoule convaincu et hostile aux empereurs iconoclastes, la Chronographie de Théophane le Confesseur ne mérite pourtant pas ses étiquettes contemporaines de pro-iconophile et d’anti-iconoclaste. Le présent mémoire propose donc de revoir et de nuancer les écrits de Théophane en ce qui a trait au pouvo
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Oliveira, Érico Fernando de. "South Park: (des)construção iconoclasta das celebridades." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4436.

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Made available in DSpace on 2016-04-26T18:12:08Z (GMT). No. of bitstreams: 1 Erico Fernando de Oliveira.pdf: 5223723 bytes, checksum: 1749e79bae5a6d85c540c5a643463e3b (MD5) Previous issue date: 2012-10-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The reason of this research is studying the contemporary and social construction of the celebrities as well as the role that it exerts at the mediatic civilization. Therefore we focused on the American TV show South Park, an animation that is dedicated at caricature them. We worked with the hypothesis that the idol is a simul
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Libros sobre el tema "Iconoclasts"

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Andruff, Ombretta Agro, ed. Iconoclasts and Iconodules. Religare Art Gallery, 2011.

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Wilcock, Juan Rodolfo. The temple of iconoclasts. A Verba Mundi Book/David R. Godine, 2014.

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Loeffler, Jack. Headed upstream: Interviews with iconoclasts. Sunstone Press, 2010.

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Loeffler, Jack. Headed upstream: Interviews with iconoclasts. Harbinger House, 1989.

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Susan, Key, and Rothe Larry, eds. American mavericks: Musical visionaries, pioneers, iconoclasts. University of California Press, 2001.

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van, Asselt W. J., ed. Iconoclasm and iconoclash: Struggle for religious identity. Brill, 2007.

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van, Asselt W. J., ed. Iconoclasm and iconoclash: Struggle for religious identity. Brill, 2007.

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van, Asselt W. J., ed. Iconoclasm and iconoclash: Struggle for religious identity. Brill, 2007.

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Paracha, Nadeem Farooq. The Pakistan anti-hero: History of Pakistani nationalism through the lives of iconoclasts. Vanguard Books, 2017.

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Chattopadhyaya, Harindranath. Iconoclast. B.R. Pub. Corp., 1988.

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Capítulos de libros sobre el tema "Iconoclasts"

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Wertheim, Arthur Frank. "Two Legendary Iconoclasts Converge." In W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-94986-1_14.

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Shapira, Dan D. Y. "Iconoclasts and Khazars, a Note." In Patrologia Pacifica: Selected Papers Presented to the Western Pacific Rim Patristics Society, edited by Vladimir Baranov. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463216320-025.

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Zlatar, Antoinina Bevan. "Milton Among the Iconoclasts." In Making Milton. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198821892.003.0010.

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This chapter seeks to focus on an aspect of Milton’s alleged Puritan persona, namely his iconoclasm. Since E. B. Gilman’s subtly nuanced Iconoclasm and Poetry in the English Reformation (1986), it has become fashionable to discuss Milton the iconoclastic polemicist or to debate the extent of his iconoclastic poetic strategies. All too often this criticism rehearses the old Puritan / Laudian binary and assumes that Milton the Puritan is intrinsically iconoclastic. Yet, as the notorious 1632 Star Chamber trial of Henry Sherfield demonstrates, Calvinist iconoclasm was but the most extreme end of
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"Hindu Iconoclasm." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-008.

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"Index." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-011.

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"Rammohun and Dayananda." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-007.

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"Dayananda Sarasvati." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-006.

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"Hindu Iconoclasts: An Anomaly?" In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-003.

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"Series Published by Wilfrid Laurier University." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-012.

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"Acknowledgments." In Hindu Iconoclasts. Wilfrid Laurier Press, 2006. http://dx.doi.org/10.51644/9781554581283-002.

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Actas de conferencias sobre el tema "Iconoclasts"

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Martín, Sergio. "Imágenes en conflicto: el fenómeno iconoclasta como teoría del disenso." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10514.

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Recientes estudios han tratado de profundizar en dos conceptos fundamentales en el estudio histórico de la cultura humana: la imagen y la iconoclasia. Apartados en un principio de los cánones académicos impartidos desde la Historia del Arte, han sido deconstruidos por nuevas corrientes teóricas como los estudios visuales o la ciencia de la imagen. Debido a esta apertura hacia nuevas perspectivas sobre los objetos y prácticas artísticas, se ha comenzado a revisar más de cerca el fenómeno bautizado como la destrucción del arte o, comúnmente conocido, como los fenómenos iconoclastas. Entendidos c
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Martínez Ballester, José Juan. "Grafitos, pancartas, pasquines y otros relatos iconoclastas." In Congreso Internacional de Investigación en Artes Visuales. ANIAV. Editorial Universitat Politècnica de València, 2015. http://dx.doi.org/10.4995/aniav.2015.1131.

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Firmanto, Alfan, and Ahmad Yunani. "The Islamic Iconoclasm in Indonesia." In International Symposium on Religious Literature and Heritage (ISLAGE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220206.012.

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Martín, Sergio. "Sturm der Bilder: Registros Videográficos de las Actitudes Iconoclastas." In II Congreso Internacional Estéticas Híbridas de la Imagen en Movimiento: Identidad y Patrimonio. Universitat Politàcnica de València, 2021. http://dx.doi.org/10.4995/eshid2021.2021.13238.

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La propuesta de Sturm der Bilder es un recorrido por el gesto destructivo del ser humano hacia las imágenes y, en consecuencia, sobre sus contextos identitarios. Tradicionalmente, los fenómenos iconoclastas son reducidos a ciertas crisis de la imagen que no abarcan las complejidades de esta actitud frente a lo ideológico. Es así como las políticas visuales hegemónicas se ven disueltas frente a la ruina de su representación, mostrando la violencia de los relatos institucionales. Para ello, este vídeo documenta esos registros que se trasladan desde el patrimonio cultural hasta los mismos cuerpos
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Meshkani, Taraneh. "Urban Iconoclasm: The Legacy of Toppled Statues." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.92.

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This paper examines the spatial iconoclasm of public spaces, specifically the acts of toppling and vandalizing statues and monuments, as one of the spatial tactics used during conflicts and how the transformation of the everyday landscape of memorialization can change historical narratives to create new values and meanings. By analyzing a series of cases, this study compares the usage and the scale to which this strategy has been practiced in the recent events of the Black Lives Matter movement.
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Czarneski, Francielle. "Iconoclastia e Luto Político: O Caso Marielle Franco." In Anais do Coninter: crise civilizacional, conhecimentos ancestrais e pensamento decolonial na América Latina. Even3, 2024. http://dx.doi.org/10.29327/1396573.1-7.

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Nunes, Thiane. "DESFIGURANDO O PODER - RESISTÊNCIA E TOMADA DE ESPAÇO NAS FOTOGRAFIAS ICONOCLASTAS DE LEE MILLER." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.383083.

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Bonfim, Vinícius, and Vithória Oliveira. "A iconoclastia dos movimentos sociais feministas como garantia constitucional e democrática." In II Congresso Internacional de Direito Constitucional e Filosofia Política. Initia Via, 2016. http://dx.doi.org/10.17931/dcfp2015_v05_a73.

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Cowie, Iain F. "Western Diplomacy’s Ineffective Iconoclasm: Conflict Resolution With China and the West’s Forgotten Rhetorical Tools." In The Asian Conference on Ethics, Religion & Philosophy 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2187-476x.2023.8.

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Uys, Philip, and Mike Douse. "The post-pandemic blended university in the time of digitisation." In ASCILITE 2020: ASCILITE’s First Virtual Conference. University of New England, Armidale, 2020. http://dx.doi.org/10.14742/ascilite2020.0104.

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This paper documents the inevitable emergence of the ‘Global School’, assesses how the COVID-19 pandemic is hastening that transformation, and then focusses upon how these elemental educational developments may apply at the post-school level. Digitisation involves a pivotal leap in human potential as profound as the wheel in terms of development, as significant as the book in relation to information, and as iconoclastic as anything dreamed up by the deepest analyst/therapist in terms of the human psyche. Given that we are moving inexorably and joyfully into the One World One School situation,
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También puede estar interesado en las bibliografías ampliadas sobre el tema "Iconoclasts" para tipos de fuentes particulares:
Artículos de revistas Tesis Libros
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