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Bibliografías temáticas / Italian popular songs. Oral tradition

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Artículos de revistas

Literatura académica sobre el tema "Italian popular songs. Oral tradition"

Autor: Grafiati

Publicado: 22 de febrero de 2023

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Artículos de revistas sobre el tema "Italian popular songs. Oral tradition"

1

Žičkienė, Aušra. "Let Us Raise and Clang Our Glasses! Tracing the History of the Student Songs." Tautosakos darbai 50 (December 28, 2015): 153–82. http://dx.doi.org/10.51554/td.2015.28995.

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The article aims at revealing the vitality of the oral cultural pattern as illustrated by the songs spread by perhaps the most literate community – students. The analysis of Lithuanian student songs focuses on two compositions that have been favored by students for quite a long time, travelling between European universities orally (at least in part) and sometimes even radically changing their shape.One of these songs is entitled Krambambuli (that is also the name of a strong liquor). It appeared in Lithuania in relation to the establishment of the student corporations following the German exam

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2

Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor

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3

CHISHOLM, LEON. "WILLIAM MCGIBBON AND THE VERNACULARIZATION OF CORELLI'S MUSIC." Eighteenth Century Music 15, no. 2 (2018): 143–76. http://dx.doi.org/10.1017/s1478570618000039.

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ABSTRACTIn his 1720 poem ‘To the Musick Club’ Allan Ramsay famously called upon an incipient Edinburgh Musical Society to elevate Scottish vernacular music by mixing it with ‘Correlli's soft Italian Song’, a metonym for pan-European art music. The Society's ensuing role in the gentrification of Scottish music – and the status of the blended music within the wider contexts of the Scottish Enlightenment and the forging of Scottish national identity – has received attention in recent scholarship. This article approaches the commingling of vernacular and pan-European music from an alternative pers

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4

Hulak, Anastasia A. "Soviet heroic characters in the Belarusian war folklore." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 152–65. http://dx.doi.org/10.37816/2073-9567-2021-62-152-165.

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Based on materials collected by Belarusian Soviet folklorists in the first and later post-war expeditions, the paper examines manifestations of folklorization as part of assimilation and reinterpretation of different texts by the oral tradition. It focuses primarily on non-canonical war folklore, the examples of which are clustered around the three elements of the character code of Soviet heroics. Common songs about Kolya the Tractor Driver belong to the semantic field of the myth of the so-called “fiery tractor driver” — Pyotr Dyakov. They demonstrate that official art that could meet popular

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5

Lorea, Carola Erika. "“Playing the Football of Love on the Field of the Body”: The Contemporary Repertoire of Baul Songs." Religion and the Arts 17, no. 4 (2013): 416–51. http://dx.doi.org/10.1163/15685292-12341286.

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Abstract This article analyzes the contemporary repertoire of a very popular genre of Bengali folk songs, performed by itinerant singers and practitioners of an esoteric cult known as Bauls. Considering the recent popularization and commercialization of Baul songs and their interference with the urban milieu, the discourse on the authenticity of Baul songs is explored from an inter-disciplinary perspective that embraces orality-literacy studies as well as social studies on cultural tourism, underlining the limits of previous academic works on the subject. This article offers, as an original co

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6

Zapata M., John Fredy. "Poesía oral de carácter tradicional en la narrativa breve de Tomás Carrasquilla." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 109–42. http://dx.doi.org/10.17533/udea.elc.9862.

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Resumen: El artículo aborda la presencia de algunas manifestaciones de poesía oral de carácter tradicional en la narrativa breve –cuentos y acuarelas– de Tomás Carrasquilla. Se cotejan diferentes versiones de cada intertexto poético –romance, tonada, ronda infantil, villancico, – con el fin de demostrar que la narrativa de Carrasquilla se inscribe dentro de la tradición oral versificada hispanoamericana. El análisis se hace a la luz de nociones como oralidad, tradicionalidad, popularidad, ruralidad, anonimia, a partir de lo planteado por autores como Paul Zumthor, Jan Vansina, Walter Ong, Vice

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7

Mantra, Ida Bagus Nyoman, I. Nyoman Weda Kusuma, I. Nyoman Suarka, and Ida Bagus Rai Putra. "Exploring the Educational Values of Oral Texts of Balinese Oral Tradition." International Journal of Linguistics, Literature and Culture 2, no. 2 (2016): 120. http://dx.doi.org/10.21744/ijllc.v2i2.140.

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The main concern of the present study is to analyze the educational values of the oral text of genjek oral tradition performed by several genjek groups in Karangasem, eastern part of Bali. Genjek is one of the most popular oral traditions in Bali and it is a spontaneous performing oral art by a group of young villagers to express their feeling, thought, and criticisms to the existing conditions of the country. All criticisms and suggestions are conveyed through songs in common Balinese language accompanied by acoustic Balinese bamboo music instruments. Their performances are usually funny and

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8

Pavlovic, Aleksandar. "A bloodthirsty tyrant or a righteous landlord? Smail-aga Cengic in literature and oral tradition." Bulletin de l'Institut etnographique 69, no. 1 (2021): 109–24. http://dx.doi.org/10.2298/gei2101109p.

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The 1840 murder of a notable 19th century Bosnian dignitary Smail-aga Cengic immediately inspired strong artistic production in the South Slav literature and oral tradition. These narratives, comprising newspaper articles, oral epic songs, and particularly Ivan Mazuranic?s literary epics written in the manner of oral folk epic, presented and codified Smail-aga as a bloodthirsty tyrant whose ultimate aim was to terrorize and extinct his Christian subjects. In distinction, some marginalized local narratives and oral folk tradition, which will be examined in this article, remembered Smail-aga as

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9

Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Voji

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10

Bradas, Marija. "The return of epic formulas in various Italian translations of Kosovka djevojka (The Kosovo maiden)." Balcanica, no. 44 (2013): 139–58. http://dx.doi.org/10.2298/balc1344139b.

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This paper makes a comparative analysis of the various Italian translations of the famous Serbian popular poem Kosovka djevojka [The Kosovo Maiden] and illustrates the different interpretations and consequent translations of epic formulas in nineteenth- and twentieth-century Italy. The Parry-Lord oral formulaic theory, together with other important contributions in the field of oral studies, is a starting point for this analysis, which also takes into consideration the socio-cultural context in which these translations were produced. Translation solutions are therefore brought into relation wi

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