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Artículos de revistas sobre el tema "Italian popular songs. Oral tradition"

Autor: Grafiati
Publicado: 22 de febrero de 2023

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1

Žičkienė, Aušra. "Let Us Raise and Clang Our Glasses! Tracing the History of the Student Songs." Tautosakos darbai 50 (December 28, 2015): 153–82. http://dx.doi.org/10.51554/td.2015.28995.

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The article aims at revealing the vitality of the oral cultural pattern as illustrated by the songs spread by perhaps the most literate community – students. The analysis of Lithuanian student songs focuses on two compositions that have been favored by students for quite a long time, travelling between European universities orally (at least in part) and sometimes even radically changing their shape.One of these songs is entitled Krambambuli (that is also the name of a strong liquor). It appeared in Lithuania in relation to the establishment of the student corporations following the German exam
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2

Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor
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3

CHISHOLM, LEON. "WILLIAM MCGIBBON AND THE VERNACULARIZATION OF CORELLI'S MUSIC." Eighteenth Century Music 15, no. 2 (2018): 143–76. http://dx.doi.org/10.1017/s1478570618000039.

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ABSTRACTIn his 1720 poem ‘To the Musick Club’ Allan Ramsay famously called upon an incipient Edinburgh Musical Society to elevate Scottish vernacular music by mixing it with ‘Correlli's soft Italian Song’, a metonym for pan-European art music. The Society's ensuing role in the gentrification of Scottish music – and the status of the blended music within the wider contexts of the Scottish Enlightenment and the forging of Scottish national identity – has received attention in recent scholarship. This article approaches the commingling of vernacular and pan-European music from an alternative pers
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4

Hulak, Anastasia A. "Soviet heroic characters in the Belarusian war folklore." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 152–65. http://dx.doi.org/10.37816/2073-9567-2021-62-152-165.

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Based on materials collected by Belarusian Soviet folklorists in the first and later post-war expeditions, the paper examines manifestations of folklorization as part of assimilation and reinterpretation of different texts by the oral tradition. It focuses primarily on non-canonical war folklore, the examples of which are clustered around the three elements of the character code of Soviet heroics. Common songs about Kolya the Tractor Driver belong to the semantic field of the myth of the so-called “fiery tractor driver” — Pyotr Dyakov. They demonstrate that official art that could meet popular
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5

Lorea, Carola Erika. "“Playing the Football of Love on the Field of the Body”: The Contemporary Repertoire of Baul Songs." Religion and the Arts 17, no. 4 (2013): 416–51. http://dx.doi.org/10.1163/15685292-12341286.

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Abstract This article analyzes the contemporary repertoire of a very popular genre of Bengali folk songs, performed by itinerant singers and practitioners of an esoteric cult known as Bauls. Considering the recent popularization and commercialization of Baul songs and their interference with the urban milieu, the discourse on the authenticity of Baul songs is explored from an inter-disciplinary perspective that embraces orality-literacy studies as well as social studies on cultural tourism, underlining the limits of previous academic works on the subject. This article offers, as an original co
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6

Zapata M., John Fredy. "Poesía oral de carácter tradicional en la narrativa breve de Tomás Carrasquilla." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 109–42. http://dx.doi.org/10.17533/udea.elc.9862.

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Resumen: El artículo aborda la presencia de algunas manifestaciones de poesía oral de carácter tradicional en la narrativa breve –cuentos y acuarelas– de Tomás Carrasquilla. Se cotejan diferentes versiones de cada intertexto poético –romance, tonada, ronda infantil, villancico, – con el fin de demostrar que la narrativa de Carrasquilla se inscribe dentro de la tradición oral versificada hispanoamericana. El análisis se hace a la luz de nociones como oralidad, tradicionalidad, popularidad, ruralidad, anonimia, a partir de lo planteado por autores como Paul Zumthor, Jan Vansina, Walter Ong, Vice
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7

Mantra, Ida Bagus Nyoman, I. Nyoman Weda Kusuma, I. Nyoman Suarka, and Ida Bagus Rai Putra. "Exploring the Educational Values of Oral Texts of Balinese Oral Tradition." International Journal of Linguistics, Literature and Culture 2, no. 2 (2016): 120. http://dx.doi.org/10.21744/ijllc.v2i2.140.

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The main concern of the present study is to analyze the educational values of the oral text of genjek oral tradition performed by several genjek groups in Karangasem, eastern part of Bali. Genjek is one of the most popular oral traditions in Bali and it is a spontaneous performing oral art by a group of young villagers to express their feeling, thought, and criticisms to the existing conditions of the country. All criticisms and suggestions are conveyed through songs in common Balinese language accompanied by acoustic Balinese bamboo music instruments. Their performances are usually funny and
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8

Pavlovic, Aleksandar. "A bloodthirsty tyrant or a righteous landlord? Smail-aga Cengic in literature and oral tradition." Bulletin de l'Institut etnographique 69, no. 1 (2021): 109–24. http://dx.doi.org/10.2298/gei2101109p.

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The 1840 murder of a notable 19th century Bosnian dignitary Smail-aga Cengic immediately inspired strong artistic production in the South Slav literature and oral tradition. These narratives, comprising newspaper articles, oral epic songs, and particularly Ivan Mazuranic?s literary epics written in the manner of oral folk epic, presented and codified Smail-aga as a bloodthirsty tyrant whose ultimate aim was to terrorize and extinct his Christian subjects. In distinction, some marginalized local narratives and oral folk tradition, which will be examined in this article, remembered Smail-aga as
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9

Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Voji
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10

Bradas, Marija. "The return of epic formulas in various Italian translations of Kosovka djevojka (The Kosovo maiden)." Balcanica, no. 44 (2013): 139–58. http://dx.doi.org/10.2298/balc1344139b.

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This paper makes a comparative analysis of the various Italian translations of the famous Serbian popular poem Kosovka djevojka [The Kosovo Maiden] and illustrates the different interpretations and consequent translations of epic formulas in nineteenth- and twentieth-century Italy. The Parry-Lord oral formulaic theory, together with other important contributions in the field of oral studies, is a starting point for this analysis, which also takes into consideration the socio-cultural context in which these translations were produced. Translation solutions are therefore brought into relation wi
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11

Liugaitė-Černiauskienė, Modesta. "Ballads in Oral and Written Tradition: Retrospective Research Survey." Tautosakos darbai 55 (June 25, 2018): 13–35. http://dx.doi.org/10.51554/td.2018.28497.

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The article aims at reviewing the rich and ambivalent Western folk ballad research tradition in terms of confluence of the oral and written traditions. Although being well-reflected in the West, this approach is hardly at all present in Lithuania. The article starts with discussing such cultural phenomenon as broadside ballads. In surveying them, the author maintains that popular publications of the 16th–19th century Europe (bibliothèque bleue, skyllingtricker, Volksbuch, pliegos de cordel, лубочная литература, etc.) were an inherent part of the folk culture. Printed sheets of folksongs and ba
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12

Scuderi, Antonio. "The Anthropology of Dario Fo: an Interdisciplinary Approach." New Theatre Quarterly 31, no. 3 (2015): 203–12. http://dx.doi.org/10.1017/s0266464x15000433.

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Anthropological issues concerning socio-cultural evolution were important in the development of Marxism and led to the theories of cultural materialism. Besides Marx and Engels, anthropology was an important subject for other seminal Marxist theorists, such as Plekhanov. For the Marxist playwright-performer Dario Fo, Gramsci’s theories of hegemony are fundamental to his ideas of the development of art from utilitarian activities, and explain his insistence on drawing from folk and popular forms of performance. In this article Antonio Scuderi investigates some of the major anthropological and f
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13

Cox, Gordon. "Towards the National Song Book: The History of an Idea." British Journal of Music Education 9, no. 3 (1992): 239–53. http://dx.doi.org/10.1017/s0265051700009128.

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This paper traces the relationship between music and national feeling which permeated popular education during the latter part of the nineteenth century, culminating in the publication ofThe National Song Book(Stanford, 1906). By the First World War there was hardly a school in the country which did not possess a copy. The roots of the idea of national songs are traced back to Herder and Engel, and in particular to William Chappell'sPopular Music of the Olden Time(1858–9). The paper argues that music educationists developed distinct theories about the educative value of such songs in developin
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14

Reinhold, Beate. "Seven Wakhi poems." Journal of the Royal Asiatic Society 2, no. 2 (1992): 203–11. http://dx.doi.org/10.1017/s1356186300002388.

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The Wakhi language, as represented in particular by those of its dialects that are spoken in Afghanistan and the Soviet Pamirs, has been described in more detail than any other Iranian language of the area that has virtually no written tradition. As early as the middle of the last century scholars began studying the language on the basis of mostly short or fragmentary glossaries and collections of texts and additional material became available during the thirties and fifties of the present century. During the sixties and seventies, two Leningrad Iranists, A. L. Grünberg and I. M. Steblin-Kamen
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15

Caesar, Thounaojam, and Reena Sanasam. "The Oral Folk Literature of the Ancient Meiteis of Manipur: An Analysis of its Cultural Significance." Space and Culture, India 6, no. 1 (2018): 29–37. http://dx.doi.org/10.20896/saci.v6i1.307.

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Oral narratives are the earliest forms of storytelling as they exist in every culture as a part of religious rituals, folk music and songs. They include ritual texts, curative chants, epic poems, musical genres, folk tales, creation stories, songs, myths, spells, legends, proverbs, riddles, tongue twisters, word games, recitations and other narratives not recorded in writing. With the invention of writing, the ancient forms of oral narratives have undergone a lot of changes and have become valuable works of literature. However, the charm of oral narratives often told by improvisation and even
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16

Scuderi, Antonio. "Metatheatre and Character Dynamics in The Two-Headed Anomaly by Dario Fo." New Theatre Quarterly 21, no. 1 (2005): 13–22. http://dx.doi.org/10.1017/s0266464x04000296.

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Dario Fo has developed his own brand of epic theatre by adapting principles and techniques from various forms of popular performance and the oral tradition. He stays detached from the role he plays by frequently shifting in and out of character and by calling attention to the performance as such. This, argues Antonio Scuderi, allows him to emphasize the interpretive frame – the ‘messages’ he establishes in his prologue. His most recent play, The Two-Headed Anomaly, is thus at one level a farcical romp; but a closer look reveals an intricate metatheatrical structure that allows Dario Fo and his
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17

Chowdhry, Prem. "Lustful Women, Elusive Lovers." Indian Journal of Gender Studies 8, no. 1 (2001): 23–50. http://dx.doi.org/10.1177/097152150100800102.

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One of the more popular self-projections of women in the oral tradition of rural north India is the image of a lustful woman, which directly contradicts the dominant and ideal image of the chaste woman and offers an alternative moral perspective on kinship, gender, sexuality and norms of behaviour. This article explores the construction of the lustful woman based exclu sively upon women's songs produced collectively by women and sung by women for an audi ence consisting purely of women. It seeks to understand how and why this image, common to both men and women's songs, has different connotati
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18

Knight, Suzy. "Devotion, Popular Belief and Sympathetic Magic among Renaissance Italian Women: The Rose of Jericho as Birthing Aid." Studies in Church History 46 (2010): 134–43. http://dx.doi.org/10.1017/s0424208400000553.

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The natural world offered Renaissance men and women an abundance of raw materials which could be used to protect and to heal. Healers and wise women used particularly potent plants, gemstones and animal parts, in conjunction with magical ritual and Christian prayer, as preventative and cure. Pertaining largely to an oral and unlettered culture, much of this natural lore has been lost. Fortunately, the Renaissance demand for vernacular translations of classical works brought about a revived interest in botany, whilst cheap print and a wider reading public fostered the proliferation of a new gen
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19

Pomeroy, Hilary. "Sephardi Balads." European Judaism 52, no. 2 (2019): 82–94. http://dx.doi.org/10.3167/ej.2019.520207.

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Spanish ballads, narrative poems brought to Morocco following the Expulsion from Spain, became one of the most popular forms of entertainment in the cities where the Spanish Jews settled. However, entertainment was not the only purpose of these highly dramatic songs. They often imparted a moral sentiment, with adultery, for example, invariably punished. Although ballads appear to be exclusively a woman’s genre, sung in the home and handed down to the daughters who kept this oral tradition alive, all members of the family would have known them as they became an essential part of daily life, bei
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20

Ūsaitytė, Jurgita. "Personal Songbooks: Imprints of Identity in the Nineteenth-Century Lithuanian Written Culture." Folklore: Electronic Journal of Folklore 85 (April 2022): 115–40. http://dx.doi.org/10.7592/fejf2022.85.usaityte.

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With the growth of literacy in society, the tradition of personal collections of texts took root among common people in Lithuania in the second half of the nineteenth century. One of the more popular forms of vernacular literacy turned out to be songbooks which included copied texts of poems and songs. The article focuses on historical and sociocultural contexts which shaped the user of songbooks and formed the distinctive repertory of these collections. The main factors which motivated the distribution of songbooks were the growth of literacy and the increase of secular press. The dynamic of
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21

Mukherjee, Kamalini. "Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music." International Journal of Pedagogy, Innovation and New Technologies 4, no. 2 (2017): 35–47. http://dx.doi.org/10.5604/01.3001.0011.5843.

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This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral
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22

Buivytė, Giedrė. "Shifting Emotional Expression in Lithuanian Love Songs." Tautosakos darbai 63 (July 20, 2022): 105–22. http://dx.doi.org/10.51554/td.22.63.05.

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The article focuses on social and cultural background of the shifts taking place in the stylistics and contents of Lithuanian love songs. Applying theoretical assumptions from the field of history of emotions, the author analyzes shifting expression of emotions in folksongs on the topic of love. The subject of the article embraces love songs that spread from the 19th to the first half of the 20th century and were shaped not only by the folklore tradition, but also by Lithuanian and foreign poetry of the time, and by popular romances. These compositions differ in terms of poetic quality, displa
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23

Klein, Martin A. "Studying the History of Those Who Would Rather Forget: Oral History and the Experience of Slavery." History in Africa 16 (1989): 209–17. http://dx.doi.org/10.2307/3171785.

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Research on oral history tends to be concerned with two very different types of sources. I would refer to them as oral traditions and oral data. Oral traditions are formally preserved, not always as narratives, but in some fixed form. They can, for example, be passed on as songs, as drum names, or as proverbs. They are part of the collective memory of the group and get passed on from generation to generation. They serve a legitimating function and must of necessity be analyzed in terms of who and what they legitimate. There is also a large body of data at any time which individuals hold in mem
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24

Patrick, Charles Alex. "Stylistic analysis of Nigerian prose: A reading of selected novels of Chukwuemeka Ike." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 8, no. 1-2 (2022): 295–312. http://dx.doi.org/10.4314/ejotmas.v8i1-2.16.

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This paper examined the language, style and other narrative devices in Chukwuemeka Ike’s novels. The diagnostic objective of the paper is based on the interpretative analysis of Ike’s linguistic medium to determine how they aide in giving expressions to his vision as a writer. It reveals that colloquial and evocative language layered with oral resources provides the fertile medium through which Ike portrays the absurdities and decadence inherent in his society. His craftsmanship and talent glistens from effective and efficient deployment of literary style like the third person narrative point
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25

Cherciu, Ion. "Cercetarea monografică a portului popular românesc în cadrul Școlii Sociologice de la București. Momentul Lucia Apolzan." Anuarul Muzeului Etnograif al Transilvaniei 30 (December 20, 2016): 22–35. http://dx.doi.org/10.47802/amet.2016.30.02.

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In the interwar Romanian culture, the Sociological School of Bucharest led by D. Gusti had a unique approach of the folk culture which was seen as a living organism in constant movement and evolution. Folk creations - musical and literary, peasant costume and artefacts etc. are no longer treated as "museum or archive objects ", but as living and interdependent parts composing a giant gear – the social corpus. Therefore, not only songs, but also singing, not only stories, but the storytelling etc. will be studied, precisely – and especially – the "social functions" of those creations. For the p
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26

Ūsaitytė, Jurgita. "Songbooks as a Mode of Personal Notes." Tautosakos darbai 50 (December 28, 2015): 200–225. http://dx.doi.org/10.51554/td.2015.28997.

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The article presents an introductory survey of one variety of the written folklore, namely, the songbooks, which so far have been neither collected nor analyzed in any more consistent manner in the Lithuanian scholarly discourse. However, the two centuries-old tradition of compiling the songbooks calls for discussion of the objective considerations lying behind such disdainful attitude towards them. Certain neglect of the songs rendered in writing resulted from the long-time prevalent notion of folklore as the oral folk creativity. The majority of researchers and folklore collectors considered
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27

Vaganova, Elena Nikolaevna, and Vladimir Ilich Rogachev. "MYTHOPOETICS OF THE PLANT CODE IN THE TRADITIONAL CULTURE OF THE MORDOVIAN PEOPLE." Yearbook of Finno-Ugric Studies 16, no. 1 (2022): 57–71. http://dx.doi.org/10.35634/2224-9443-2022-16-1-57-71.

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This issue on the image of plant in the traditional Mordovian culture illustrates its verbal representation in the Moksha and Erzya folklore of different genres, gives information about the peculiarities of its explication in Mordovian literature and applied and decorative arts, shows the place of the plant images in the Mordovian worldview. The image of plant in the folk arts influences the artistic principals of Mordvins, passed down from generation to generation. The image of a tree is one of the traditional symbols in Mordovian folk culture. This symbol is polysemantic. It is common for Mo
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28

Vaganova, Elena Nikolaevna, and Vladimir Ilich Rogachev. "MYTHOPOETICS OF THE PLANT CODE IN THE TRADITIONAL CULTURE OF THE MORDOVIAN PEOPLE." Yearbook of Finno-Ugric Studies 16, no. 1 (2022): 57–71. http://dx.doi.org/10.35634/2224-9443-2022-16-1-57-71.

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This issue on the image of plant in the traditional Mordovian culture illustrates its verbal representation in the Moksha and Erzya folklore of different genres, gives information about the peculiarities of its explication in Mordovian literature and applied and decorative arts, shows the place of the plant images in the Mordovian worldview. The image of plant in the folk arts influences the artistic principals of Mordvins, passed down from generation to generation. The image of a tree is one of the traditional symbols in Mordovian folk culture. This symbol is polysemantic. It is common for Mo
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29

Ross, Lawrence. "The Rong Ngeng of the Andaman Coast: History, Ecology, and the Preservation of a Traditional Performing Art." Manusya: Journal of Humanities 23, no. 3 (2020): 389–406. http://dx.doi.org/10.1163/26659077-02303008.

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Abstract This article examines recent grassroots strategies for preserving traditional performing arts along southern Thailand’s Andaman Sea Coast, focusing on rong ngeng, an idiomatic form of social dance and music, widely popular there in the post-World War Two years. Between 1935 and 1960 a small, mixed cohort of rural performing artists created networks of communities, scattered on Thai-Andaman, with a distinctive regional culture based in the shared repertoire of songs and dances they adapted, created an innovative lyrical style called phleng tanyong (Tanyong song), and a star system that
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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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31

Qu, Y. "Тайская этническая группа в Китае и тайский эпос (по материалам китайских исследований)". Эпосоведение, № 3(15) (27 вересня 2019): 5–16. http://dx.doi.org/10.25587/svfu.2019.15.36594.

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Abstract. This article introduces the Tai ethnic group in China, and then discusses the Tai epic in the context of dualistic beliefs. The Tai ethnic group is one of 55 minorities in China its several branches reside in different areas, but mainly in Yunnan Province. According to historical documents, Tai groups have been developing for hundreds of years separately and as a result, there are four Tai dialect areas: the Sipsong Panna (Xishuangbanna) Tai dialect groups, the Daikong (Dehong) Tai dialect groups, the HongJin Tai dialect groups, and Jinping Tai dialect groups. Most of them have adopt
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Zhang, Ling. "The genre of folk song arrangements: the synthesis of composing and performing interpretations." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 92–104. http://dx.doi.org/10.34064/khnum1-53.06.

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Logical reason for research. The current state of music science indicates that for the vocal and instrumental performing there are both, a number of general questions and problems, and many specific ones. The theme of performing in musicology has both, practical and theoretical projections, the interaction of which in a single research process gives the most valuable scientific result. A serious issue in terms of the musical interpretation for a musician-vocalist is the specificity of vocal genres. One of the most common and popular vocal genres is the folk song genre, which in all world music
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33

Adriansen, Inge. "Grundtvigs bidrag til udvikling af danske nationale symboler." Grundtvig-Studier 57, no. 1 (2006): 67–98. http://dx.doi.org/10.7146/grs.v57i1.16493.

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Grundtvigs bidrag til udviklingen a f danske nationale symboler[Grundtvig ’s contribution to the development of Danish national symbols]By Inge AdriansenBroadly speaking, all Danish national symbols, both official and unofficial, are to be found in Grundtvig’s authorship. However, it is difficult to specify in what way and to what degree Grundtvig inspired the dissemination of the various symbols. The most important routes of dissemination were through Den Danske Salmebog [The Danish Hymnal] and Folkehøjskolens Sangbog [The Folk-highschool Songbookl. since the corrmosition of songs weighs heav
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34

Ūsaitytė, Jurgita. "Personal Collections of Texts from the Second Half of the 19th Century along with Their Historical Context." Tautosakos darbai 55 (June 25, 2018): 107–33. http://dx.doi.org/10.51554/td.2018.28501.

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The subject of the article comprises Lithuanian collections of texts from the second half of the 19th century, compiled by individuals of peasant origins and preserved at the Lithuanian Folklore Archives. The research involves over 40 of such collections, in which part or majority of the inscriptions consist of poetic pieces: personal poetic compositions or folksongs chiefly selected from printed sources of the time. The analysis in the article focuses on the contents of these texts, describing various components of their repertoire, attempting at establishing and identifying the sources, from
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Botaș, Adina. "BOOK REVIEW Paul Nanu and Emilia Ivancu (Eds.) Limba română ca limbă străină. Metodologie și aplicabilitate culturală. Turun yliopisto, 2018. Pp. 1-169. ISBN: 978-951-29-7035-3 (Print) ISBN: 978-951-29-7036-0 (PDF)." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 12, no. 3 (2019): 161–66. http://dx.doi.org/10.29302/jolie.2019.12.3.11.

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Increasing preoccupations and interest manifested for the Romanian language as a foreign language compose a focused and clear expression in the volume “Romanian as a foreign language. Methodology and cultural applicability”, launched at the Turku University publishing house, Finland (2018). The editors, Paul Nanu (Department of Romanian Language and Culture, University of Turku, Finland) and Emilia Ivancu (Department of Romanian Studies of the Adam Mickiewicz University of Poznań, Poland) with this volume, continue a series of activities dedicated to the promotion of the Romanian language and
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Banks, Jon. "Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings." Music and Letters, July 19, 2021. http://dx.doi.org/10.1093/ml/gcab058.

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Abstract The relationship of Brahms’s Hungarian Dances to their origins has been a subject of enquiry ever since they were first published. This article extends previous investigations of Brahms’s written sources to include the many 78rpm recordings of ‘traditional’ Hungarian music made shortly after his death. It establishes that nearly half of the Brahms melodies appear in the repertory of popular recording artists such as the so-called ‘Gypsy bands’, and that many of these artists had been active in Vienna during Brahms’s lifetime. It identifies other performing contexts—military bands, pop
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Zeppi, Marcello. "Italian Identities – Stories and Memories of the Community." AVANCA | CINEMA, October 25, 2021, 580–84. http://dx.doi.org/10.37390/avancacinema.2021.a282.

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The definition of Cultural Worker has changed over the years, and today this definition coincides mainly with historians and researchers of Community Life.With the project “Italian Identities - Stories and Memories of a Community” we want to undertake an action of shared responsibility necessary to overcome the negative effects of the pandemic. The aim, therefore, is not simply the realization of an audio-visual product (documentary), but to redefine and enhance the life of the Community and the ability to educate with concrete examples.In this way it becomes easier to write the script of a do
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Bitelli, Fabio Molinari, and Sênia Regina Bastos. "Cultural Manifestation and Ethnic Tourism: Hospitality in the Urban Public Space." Global Journal of Management and Business Research, December 19, 2019, 17–30. http://dx.doi.org/10.34257/gjmbrfvol19is3pg17.

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Considered an ethnic neighborhood, boosted by the occupation of Italian immigrants in the late 19th and early 20th centuries, Bela Vista (also known as Bexiga) is the scene of cultural manifestations that expresses the vitality in the use of public space, becoming a tradition of the city of São Paulo. The neighborhood as a place of hospitality, gathers a set of ten cultural events that were catalogued over the years 2015 and 2016. This article focuses on one of those cultural events, the Italian festivity of Nossa Senhora Achiropita (Our Lady Achiropita). A celebration that by 2018 had been ta
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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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Stewart, Jonathan. "If I Had Possession over Judgment Day: Augmenting Robert Johnson." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.715.

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augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dictionary 107) Almost everything associated with Robert Johnson has been subject to some form of augmentation. His talent as a musician and songwriter has been embroidered by myth-making. Johnson’s few remaining artefacts—his photographic images, his grave site, other physical records of his existence—have attained the status of reliquary. Even the integrity of his forty-two surviving recordings is now challenged by audi
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Orel, Brigita. "The Language of Food." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.636.

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Hors d’oeuvre The popularity of cookbooks and culinary television shows in the last few years has been the origin of all sorts of new phenomena, such as literature crossing the bridge from cookbooks to such subgenres as food memoirs and culinary travelogues, or the discovery of new food cultures and food vocabulary. We can now cook the Basque menestra following the recipe of the famous blogger and cookbook author, Aran Goayaga, or try our hand at the Chinese soup tangyuan from Leslie Li’s Daughter of Heaven regardless of where we live. But how well does food translate across languages and cult
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Brien, Donna Lee. "“Concern and sympathy in a pyrex bowl”: Cookbooks and Funeral Foods." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.655.

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Introduction Special occasion cookery has been a staple of the cookbook writing in the English speaking Western world for decades. This includes providing catering for personal milestones as well as religious and secular festivals. Yet, in an era when the culinary publishing sector is undergoing considerable expansion and market segmentation, narratives of foods marking of one of life’s central and inescapable rites—death—are extremely rare. This discussion investigates examples of food writing related to death and funeral rites in contemporary cookbooks. Funeral feasts held in honour of the d
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Dutton, Jacqueline Louise. "C'est dégueulasse!: Matters of Taste and “La Grande bouffe” (1973)." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.763.

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Dégueulasse is French slang for “disgusting,” derived in 1867 from the French verb dégueuler, to vomit. Despite its vulgar status, it is frequently used by almost every French speaker, including foreigners and students. It is also a term that has often been employed to describe the 1973 cult film, La Grande bouffe [Blow Out], by Marco Ferreri, which recounts in grotesque detail the gastronomic suicide of four male protagonists. This R-rated French-Italian production was booed, and the director spat on, at the 26th Cannes Film Festival—the Jury President, Ingrid Bergman, said it was the most “s
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Curran, Bev. "Portraits of the Translator as an Artist." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1923.

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The effects of translation have been felt in the development of most languages, but it is particularly marked in English language and literature, where it is a highly charged topic because of its fundamental connection with colonial expansion. Britain shaped a "national" literary identity through borrowing from other languages and infected and inflected other languages and literatures in the course of cultural migrations that occurred in Europe since at least the medieval period onward. As Stephen Greenblatt points out in his essay, "Racial Memory and Literary History," the discovery that Engl
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Adams, Jillian Elaine. "Marketing Tea against a Turning Tide: Coffee and the Tea Council of Australia 1963–1974." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.472.

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The Coming of Coffee Before World War II, Australians followed British tradition and largely drank tea. When coffee challenged the tea drinking habit in post-war Australia, the tea industry fought back using the most up-to-date marketing techniques imported from America. The shift to coffee drinking in post-war Australia is, therefore, explored through a focus on both the challenges faced by the tea industry and how that industry tackled the trend towards coffee. By focusing on the Australian Tea Council’s marketing campaign promoting tea as a fashionable drink and preferable to coffee, this a
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Mahon, Elaine. "Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1011.

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IntroductionFirmly located within the discourse of visible culture as the lofty preserve of art exhibitions and museum artefacts, the noun “curate” has gradually transformed into the verb “to curate”. Williams writes that “curate” has become a fashionable code word among the aesthetically minded to describe a creative activity. Designers no longer simply sell clothes; they “curate” merchandise. Chefs no longer only make food; they also “curate” meals. Chosen for their keen eye for a particular style or a precise shade, it is their knowledge of their craft, their reputation, and their sheer abi
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Adams, Craig. "The Taste of Terroir in “The Gastronomic Meal of the French”: France’s Submission to UNESCO’s Intangible Cultural Heritage List." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.762.

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Introduction What French food is would seem to be an unproblematic idea. Depending on one’s taste and familiarity, a croissant, or snails, might spring to mind. Those who are a little more intimate with French cuisine might suggest the taste of a coq au vin or ratatouille, and fewer still might suggest tarte flambée or cancoillotte. Whatever the relative popularity of the dish or food, the French culinary tradition is arguably so familiar and, indeed, loved around the world that almost everyone could name one or two French culinary objects. Moreover, as the (self-proclaimed) leader of Western
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